La presente investigación estudia la influencia de la distribución de las cuerdas en coros góspel no profesionales, tanto en los coristas al cantar como en los oyentes. La revisión de la literatura muestra la importancia para los directores de la distribución de las voces en los coros, pero sin que exista concordancia sobre la posición idónea y los criterios de distribución de voces. Se ha entrevistado a cinco directores de coro que manifiestan la importancia de la distribución pero con preferencias y criterios diferentes. Una serie de experimentos ha utilizado a cuatro coros góspel españoles formados, en su gran mayoría, por miembros aficionados que participan de forma voluntaria. Los coros han sido encuestados y grabados en salas donde previamente han ensayado y actuado, dirigidos por su director habitual, variando 1) el tipo de canto-rápido o lento, 2) el acompañamiento-a cappella o con instrumentos, y 3) las posiciones, con las distribuciones de cuerdas más frecuentes en los coros góspel. Los propios coristas (N=120) y algunos directores de coro (N=2) han evaluado el sonido global coral mientras cantaban (propiocepción) en función de la percepción de la propia voz, cuerda, y sonido coral global. El sonido coral global y la preponderancia de cada voz fueron evaluadas en escucha externa-en directo o por audio-por miembros de los coros (N=33) y músicos profesionales (N=40). Se intenta averiguar si hay una diferencia en la percepción del sonido coral global por parte de coristas y oyentes en función de los siguientes factores: posición de las cuerdas vocales dentro de un conjunto coral; canto-lento y rápido; tipo de escucha-autoevaluativo interno, autoevaluativo externo, o externo; acompañamiento-con instrumentos o a cappella; el género-hombre o mujer; cuerda-bajo, tenor, contralto, soprano; nivel musical-alto, medio o bajo. Un ANOVA de varios factores muestra que la posición habitual (F=30,8, p<.001, ¿2=.015) y la posición del coro (F=3,6, p<.01, ¿2=.01) son los únicos factores individuales que tienen una influencia significativa y, además, hay un efecto cruzado de cuerda* posición (F=3,9, p<.001, ¿2=. 028). Es relevante indicar que el tipo de canto (rápido versus lento), el acompañamiento musical, el nivel musical, o el género no han tenido influencia en las respuestas. La posición (F=9.2, p<.001, ¿2 =.018) y tener una cuerda detrás (F=5.1, p<.05, ¿2=.003)-en especial para los hombres, quienes se muestran más sensibles-son los únicos factores individuales significativos que influyen en las respuestas de los coristas. El análisis de fiabilidad de las respuestas indica que hay una concordancia menor entre las respuestas de los oyentes, aunque no pronunciada. Los resultados contradicen una primera hipótesis en la cual se pensaba que una escucha externa-en vivo o a través de los altavoces-, permitiría por una parte tener el mismo punto de escucha para todos los oyentes, y por otra parte, tener precisamente una escucha externa que es más objetiva y en la que el oyente no está al mismo tiempo haciendo un esfuerzo al cantar. El análisis general de las respuestas de todos los sujetos muestra que hay una diferencia significativa en la preferencia entre posiciones, con una posición preferida¿los tenores detrás de los contraltos y los bajos detrás de los sopranos¿y otra rechazada-los hombres están delante de las mujeres. Generalmente se valoran menos las posiciones donde las cuerdas masculinas no están detrás de las cuerdas femeninas, como también la agrupación de voces agudas en un lado del conjunto y las voces graves en el otro lado del conjunto. Los oyentes externos correlacionan la homogeneidad con la preferencia (r=.76, p<.001) y prefieren que no destaquen voces, en particular la del bajo. Los coristas y directores han mostrado mucho interés durante el experimento, y han manifestado haber descubierto nuevos modos de escucharse y posicionarse respecto a las otras voces. Se anima a los directores de coros a explorar con diferentes distribuciones como herramienta didáctica, de formación de la escucha coral, y tener en consideración la opinión de los coristas y su percepción del sonido. / Leucian Pele, A. (2013). Percepción interna y externa en función de la distribución de los coristas en el canto Gospel [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/30775

The Gospel of Thomas is a collection of 114 sayings attributed to Jesus and is primarily composed of rhetorical statements that were used to preserve the teachings of itinerant Greek philosophers. These collections were used to persuade individuals to join the philosophical schools represented, much like the early followers of the Jesus movement would use his teachings to convince others to join them as well. However, the theological background for the text is still debated because it contains esoteric and enigmatic references not fully understood by most scholars. This work argues that the theological and philosophical background for the Gospel of Thomas is the Alexandrian School of Middle Platonism. This background contains an understanding of the divine, the secret nature of the teachings in the text, and the presence of daemons in the cosmos. In short, this is my attempt at supplying the hermeneutical key to the text or at least supplying a valid ideological background on which the Jesus tradition is cast in the Gospel of Thomas.

左芙蓉. / 論文(哲學博士)--香港中文大學, 2004. / 參考文獻 (p. 313-324). / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest dissertations and theses, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zuo Furong. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (p. 313-324).

Denna uppsats söker besvara frågan ”Hur tolkas Jesu mor i nutida bibelkommentarer till Johannesevangeliet, utifrån de exegetiska forskningsfälten historicitet, litterärkritik och teologi?”. Syftet är att bidra till ett kritiskt och reflekterande samtal kring den exegetiska bibelkommentaren som genre, och i synnerhet bidra till en ökad förståelse av hur nutida exegetiska bibelkommentarer behandlar en teologiskt omstridd biblisk gestalt. Uppsatsen utgår från en teoretisk utgångspunkt som innebär att exegetik inte kan bedrivas opåverkad av exegetens egna föreställningar, varför skillnader mellan olika tolkningar är att förvänta. Uppsatsen har en kvalitativ, hermeneutisk metodansats. Det metodologiska tillvägagångssättet är att med hjälp av problemformuleringen och arbetsfrågorna analysera och diskutera hur Jesu moders historiska, litterära och teologiska roll i bibeltexterna Joh 2:1-11 och 19:25-27 tolkas i nio utvalda exegetiska kommentarer till Johannesevangeliet.I kapitel 1 introduceras teori, metod, avgränsningar, begrepp, angränsande forskning, material och disposition. I kapitel 2 presenteras de grekiska texterna till de aktuella perikoperna 2:1-11 och 19:25-27, som ett stöd för läsaren. I kapitel 3 analyseras de nio bibelkommentarerna i tur och ordning enligt arbetsfrågorna. I kapitel 4 sätts bibelkommentarernas respektive tolkningar i relation till varandra; och en diskussion kring likheter, skillnader och mönster förs. I samma kapitel presenteras en sammanfattande diskussion, uppsatsens slutsatser och förslag till framtida forskning.Uppsatsens slutsatser är (1) att Jesu mor som historisk gestalt är indirekt föremål för diskussion, genom en mer övergripande diskussion om Johannesevangeliet som ögonvittnesskildring eller ej, (2) att Jesu mor i allmänhet framstår som en rund, statisk (se 1.3 Teori och metod för en förklaring av dessa begrepp) karaktär i de analyserade kommentarerna, och (3) att Jesu mor av de flesta anses som en viktig teologisk gestalt, framförallt som en del i en uppfattad johanneisk teologi om en familj av troende som instiftas av Jesus; en ståndpunkt som dock väcker debatt och möter motstånd

Made available in DSpace on 2016-08-03T12:19:39Z (GMT). No. of bitstreams: 1 FMp160.pdf: 1654955 bytes, checksum: 413b81d43abb10f05098158d2297284e (MD5) Previous issue date: 2014-03-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The following paper is a researchs presentation made about Brazilian protestant music in two decades, represented respectively by two musical groups. The decade of 1970 is analyzed through the songs recorded by the musical group Vencedores por Cristo. For the analysis of 2000 decade we choose the group Ministério de Louvor Diante do Trono, which one has the most consumed discography in almost every church in the country, being contracted by the label of Rede Globo de Televisão. The goal established for the study was to compare the differences about the kind of music, lyric, context, emphasizing that the evangelical s music taste, both producers and consumers, have undergone significant changes over three decades. Through the research we could see that the reasons of singing of evangelical youth evolved from proselytism to a insertion into the celebrity circuit, the mega concerts and the creation of an evangelical market, which goes beyond musical products (albums, cd s or dvd s), to include other products recommended or used by members or leadership from the Batista da Lagoinha Church. / Este texto é uma apresentação da pesquisa que fizemos sobre a música cristã protestante brasileira de duas décadas, representadas respectivamente, por dois grupos musicais diferentes. A década de 1970 é analisada a partir dos cânticos gravados pelo grupo musical Vencedores por Cristo. Para o estudo da década de 2000 escolhemos o Ministério de Louvor Diante do Trono, cuja discografia é atualmente consumida em quase todas as igrejas evangélicas do País, tendo sido objeto de contrato com a Som Livre, gravadora da Rede Globo de Televisão. A meta estabelecida para a investigação foi a de comparar os diferentes tipos de cânticos, de letras, e de contexto, ressaltando-se que o gosto musical dos evangélicos, tanto dos produtores como dos consumidores, sofreram mudanças significativas ao longo de três décadas. Por meio da pesquisa percebemos que as finalidades do cântico dos jovens evangélicos evoluíram do proselitismo para uma inserção no circuito das celebridades, dos megashows, e da formação de um mercado evangélico, cuja abrangência vai além dos produtos musicais (discos, CDs ou DVDs), para incluir outros produtos recomendados ou usados por membros ou liderança da banda musical ancorada no fenômeno da megachurch que é a Igreja Batista da Lagoinha.

During the 1890s in the United States, Midwestern YMCA missionaries challenged the nexus of power between Northeastern Protestant denominations, industrialists, politicians, and the Association's International Committee. Under Kansas YMCA secretary George Fisher, this movement shook the Northeastern alliance's underpinnings, eventually establishing the Gospel Missionary Union. The YMCA and the GMU mutually defined foreign and domestic missionary work discursively. Whereas Fisher's pre-millennial movement promoted world conversion generally, the YMCA primarily reached out to college students in the United States and abroad. Moreover, the GMU challenged social and gender roles among Moroccan Berbers. Fisher's movements have not been historically analyzed since 1975. Missionary Millennium is a reanalysis and critical reading of religious fictions about GMU missionaries, following the organization to its current incarnation as Avant Ministries.

The aim of this study is to examine what kind of ingroup conversion prototypes the authors of Luke-Acts and the Gospel of John express through conversion narratives and conceptual metaphors. By analysing the works of the authors I find a range of expressions conceptualising the act or process of conversion to faith in Jesus. These expressions contribute to forming an comprehensive conversion narrative, which has part in forming and setting boundaries for the ingroup of believers towards the outgroup(s) of non-believers. The ingroup conversion prototype for Luke-Acts shows norms of outgroup love, merciful and generous actions as well as good works and inclusion led by the Holy Spirit. The ingroup conversion prototype in John sets up norms of transformation through baptism, ingroup love and a breaking with the darkness of the world. The aim is further on to examine how these prototypes correspond to the models of conversion presented by Lewis R. Rambo. The results show that Luke-Acts view of conversion corresponds both to the model of traditional transition and intensification. The Gospel of John, on the other hand, fits only in the model of traditional transition.

This thesis seeks to answer the question of the origin of some of the most fundamental additions made to early Christian baptism. Christian baptism began in a relatively simple liturgical form, but became, by the fourth century, a much more dramatic set of initiation rituals. Among the added elements to baptism were washing ceremonies in the nude, physical anointing with oil, being marked or signed with the cross on the forehead, and receiving white garments. Scholars have proposed different theories as to the origins of these baptismal rituals. Some claim the elements existed in the New Testament practice of the rite. Others have supposed that the Christian church adopted the elements from either the Jewish synagogue or from contemporary pagan modes of initiation. This thesis argues that the initiation rituals of the Israelite tabernacle and temple provide a much more likely source for the added elements of Christian baptism. The esoteric practices of the temple priests became the esoteric tradition of early Christianity. The rites of this temple-oriented esoteric tradition in both the Old and New Testaments parallel, and may have been the origin for, the evolutions made to Christian baptism during the third and fourth centuries of the church. Christian groups such as the Valentinians provide evidence of higher esoteric rites being interpreted as baptism. Somehow the esoteric rites of the Israelite temple and the esoteric rites of early Christianity were adopted into the practice of Christian baptism.

This thesis is a comparative study of the theologies of the law in Martin Luther and John Wesley. Though Luther’s view of the law has been investigated by many Luther scholars, and Wesley’s view by a few Wesley scholars, no one has yet attempted to compare and contrast both theologians’ views of the law as a book-length project. This thesis contributes to scholarship, firstly, by investigating their theologies of the law in relation to subjects of systematic theology, namely, their views of God, Christology, Pneumatology, soteriology, anthropology, and Christian ethics. On the basis of a reliable examination of both theologians’ views of the law, this thesis also analyses the similarities and differences between them. For both theologians, the law was not just one subject among many, but an essential element that penetrated every topic they dealt with. This thesis makes clear the different motives and the characteristics of their theologies of the law in all of the subjects discussed in this thesis. Doing this, this thesis not only deals with long debated questions, such as whether Luther taught justification by imputed righteousness or by theosis, and whether he taught the so-called third use of the law, but also examines subjects which have not been fully explored, such as Wesley’s views of the three offices of Christ with regard to the law, and of the role of the Holy Spirit in revealing and enabling fulfilment of the law. To provide a contextual analysis, their theologies of the law have been considered in their respective historical and religious situations. In Luther's view, his reformation was an attempt to correct a human-centred religion of the Catholic Church characterized by intellectualism and moralism, which he believed was caused by misapplication and distortion of the law as meritorious cause. Employing Philip Watson’s theocentric motif, and Brian Gerrish’s emphasis on justification by faith and two kingdoms as a framework for interpreting Luther’s theology, this thesis demonstrates that Luther represented all aspects of God’s all-sufficiency, His absolute freedom, imputation of Christ’s righteousness, spiritual trials and comfort by the Holy Spirit, justification and sanctification by faith, human beings as earthly creatures, Christians as saints and sinners, two uses of the law in God’s two kingdoms, as countermeasures against a human-centred religion of the Catholic Church. In his own historical context, what Wesley aimed to correct was not only the Catholic Church’s legalism, but also the Protestant Church’s antinomianism which he thought Luther’s negative representation of the law caused owing to his over-reaction against the Catholic doctrine of meritorious salvation. On the foundation of Luther’s teaching of sola gratia, Wesley endeavoured to bring Luther’s negative view of the law back to a balanced theology of the law. Employing Kenneth Collins’ analysis of the two-fold axial theme in Wesley’s theology – holiness (holy love) and grace (free and co-operant) – as a framework for understanding Wesley’s theology of the law, this thesis shows that in all subjects of God’s works, the three offices of Christ, the witness and empowerment of the Holy Spirit, the relationship between faith and love, human beings as the image of God, and sanctification as renewal of person and cosmos, Wesley’s evangelical synergism makes room for the role of the law on the foundation of God’s grace.

Thesis (MTh)--Stellenbosch University, 2015. / ENGLISH ABSTRACT: South Africans are confronted on a daily basis with the social inequality among individuals which greatly inspires violence, victimisation, discrimination and life-denying ethos. These acts of injustice are not simply inspired by formal laws and policies, but spurred on by various ideological and symbolic categories and power structures. In a way, social behaviour can be said to be ‘scripted’ by the ideologies, perceptions and language internalised, normalised and passed on within society at large. One does not have to look very far to see the way in which this ‘script’ functions in South Africa and what impact the pre-determined and ‘scripted’ identity markers of gender and health have on individuals and groups, as categories like man, woman, HIV positive, and disabled already trigger a set of preconceived ideas and expectations regarding these individuals. The normalisation of this ‘script’ and its social hierarchies is extremely counter-productive as it often pre-determines the value, abilities, potential, limitations and ‘appropriate’ ethos of individuals and groups on the basis of the categories they fall into. The scripted nature of society is however not a twenty-first century phenomenon, but something deeply integral also to life in first century Palestine. This script interpreted, determined and reinforced the prescribed status, agency and ethos of different individuals and identity markers of health and gender were paramount in this process of scripting. Part of this ‘scripted’ world was Jesus of Nazareth. However, upon reading the narratives of John 4:1-42 and 9:1-41, it would appear that the relationship between the societal script and the actual ethos of Jesus was anything but simplistic. Upon reading these two episodes against the grain of the first century societal script, Jesus’ ethos as a Jewish man in relation to a somewhat questionable Samaritan female and blind and impure beggar brings forth some inconsistencies toward the script. It would seem as if Jesus was reluctant to read his context one dimensionally and simply comply with popular custom and ideology. The aim of this study would therefore be to explore whether these inconsistencies between the societal script and the ethos of Jesus could be of any significance in an analogously scripted twenty-first century South Africa, a society pleading for critical reflection upon the societal script. When the possible ‘counter-ethos’ of Jesus is considered, faith communities might be challenged to embrace the fragility of social categories and hierarchies and perhaps embody a similar critical attitude and ethos toward the life-denying societal script and its taken-for-granted assumptions. / AFRIKAANSE OPSOMMING: Suid-Afrikaners word daagliks gekonfronteer met die sosiaal ongelyke stand van ons samelewing. Hierdie ongelykhede is grootliks verantwoordelik vir geweld, viktimisasie, diskriminasie en nie-lewensgewende etos. Die bogenoemde word egter nie bloot deur formele wette geïnspireer nie, maar aangevuur deur verskeie ideologiese en simboliese kategorieë en magstrukture. Sosiale gedrag kan as’t ware gesien word as ʼn voorafbepaalde teks, ondersteun deur die ideologieë, persepsies en taal wat ons internaliseer, normaliseer en aan ander oordra. Hierdie voorafbepaalde ‘samelewingsteks’ is uiters prominent in Suid-Afrika, waar ʼn bepaalde status, etos en grense dikwels aan individue gegee word op die basis van identiteits-merkers van onder andere gender en gesondheid. Die identifisering van iemand as man, vrou, MIV positief, gestremd, ensovoorts spreek ideologiese boekdele van hul plek, doel en perke in die samelewing. In hierdie sin dien die vooropgestelde ‘samelewingsteks’ ʼn uiters teenproduktiewe rol, aangesien dit die waarde, vermoëns, potensiaal, en ‘korrekte’ etos van individue vooraf bepaal op grond van die simboliese kategorieë waarin hul val. Die voorafbepaalde ‘samelewingsteks’ herbevestig dikwels sosiale hiërargieë, wat ongeregtigheid normaliseer en bevorder. Hierdie is egter nie net ʼn een-en-twintigste eeu se verskynsel nie, maar iets wat al reeds prominent voorgekom het in eerste eeu se Palestina. Hierdie ‘samelewingsteks’ het die gepaste status en etos van verskillende individue bepaal op die grond van identiteits-merkers, soos die van gender en gesondheid. Dit is ook die samelewing waarin Jesus van Nasaret homself bevind het. Wanneer die narratiewe van Johannes 4:1-42 en 9:1-41 gelees word, kom dit egter voor asof die verhouding tussen hierdie ‘samelewingsteks’ en die etos beliggaam deur Jesus kompleks was. Wanneer die twee episodes in lig van die voorafbepaalde ‘samelewingsteks’ gelees word, blyk Jesus, ʼn Joodse man, se etos teenoor ʼn redelike verdagte Samaritaanse vrou en blinde en onreine bedelaar in spanning te wees met die etos aan hom voorgeskryf. Dit sou voorkom asof Jesus gewaak het teen die eenvoudige beliggaming van wat deur die ‘samelewingsteks’ as gehoord voorgeskryf en verwag is. Die doel van hierdie studie sou daarom wees om te ondersoek of die spanning tussen die eerste eeu se ‘samelewingsteks’ en die ware beliggaamde etos van Jesus enigsins betekenisvol kan wees in lyn van die een-en-twintigste eeu se voorafbepaalde ‘samelewingsteks’ in ʼn land wat ryp is vir kritiese refleksie op dit wat as ‘normaal’ en ‘korrek’ beskou word. Die moontlike ‘kontra-etos' van Jesus kan geloofsgemeenskappe uitdaag om die broosheid van sosiale en simboliese kategorieë en hiërargieë aan te gryp en ʼn soortgelyke kritiese houding en etos teenoor die nie-lewegewende ‘samelewingsteks’ en sy voorveronderstellings te beliggaam.