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The main object of this master´s thesis is recreation area operated by a non-profit organization in Černá Hora in district Blansko. The aim of the work is to evaluate the potential of the area. This thesis provides the ideas and interventions which allow more effective, more self-sufficient, economically, and ecologically sustainable yearlong operation. The brief of designed buildings and modifications was determined by previous analysis and consultation with the site operator. The result of the work are individual interventions in the sense of proposed changes and modifications in the area. The thesis also includes a chronological arrangement of the interventions in a real timeline according to their feasibility.

La presente investigación busca integrar los conceptos de estética y política según los estudios de Walter Benjamin para así dar forma a lo que significa la politización del arte. De esta lectura, se ofrece un análisis ilustrativo con la poesía del grupo poético peruano Hora Zero y, en específico, su manifiesto «Palabras urgentes». Se divide así en dos capítulos: en el primero, se ha recurrido a un análisis biobibliográfico del autor berlinés parar sintetizar sus diversas ideas en una sola que explique la vinculación entre la praxis política y la creación poética; en el segundo, se ha rastreado históricamente la dimensión política (utópica y revolucionaria) en la poesía peruana del s. XX para mostrar su desarrollo hasta los años setenta. La tesis concluye con la postura de que puede leerse a Hora Zero como una encarnación y actualización crítica del concepto de politización de la obra artística de Walter Benjamin. Con un afán difusivo, se adjunta al final un anexo en el que figura el manifiesto de la agrupación en su versión original.

The subject of this diploma thesis is the novel Der Zauberberg by the German writer Thomas Mann and its existing Czech translations and reeditions of translations from 1930, 1935/1936, 1958, 1975 and 2016. The work is based on the following translatological bases: contemporary norms and conventions, paratexes and metatexts, and translation of the title of the work. The following part is devoted to the personality of the author and his work, the novel Der Zauberberg presents itself in the cultural and historical context of the time of creation and does not neglect the reception in the German environment. The benefit of this diploma thesis is to describe the reception of this novel in the Czech environment, where we will focus on the macrotexual (paratexty) and microtextual analysis of selected parts of the original and all Czech translations. The main methodological tool for microtextual analysis of selected passages of Mann's novel represents the typology of expression changes and shifts in the translation of Anton Popovič (1975, 1983).

Master’s thesis concern with the area on the edge of urban district Brno-Řečkovice a Mokrá Hora which is defined by street Terezy Novákové and Žilkova. In this territory is designed new residential complex which is integrated into existing buildings and area of the Czech Army. The main theme of this projet is created compact housing development with adequate population density which complete current built-up area and guarantee high-quality enviroment for living present and future inhabitants. Urban development respect surrounding houses. New complex has mainly block character which is created by block of flats and transformed into low row houses. In the proposed complex prevail residential function which is supplemented by public facilities like kindergarten, sports grounds and basic services. The urban philosophy put emphasis on human scale, high-quality public space and general contentment, liveliness and safety in street’s area.

AAbbssttrraakktt This diploma thesis deals with historical development of village Solopysky situated 12 kilometers from Kutná Hora in Central Bohemia. In the paper is reflected interwar period from 1918 to 1938 which brought a lot of turning points. There is described influence of those milestones on local inhabitants (e.g. establishment of first Czechoslovakia republic, Munich Agreement). Administrative area of this thesis is focused on mechanisms of operation, organization, structure, personnel management, power and municipal governments' activities. Attention is paid to the then legislation and its introduction into practice. The author tries to clarify tendencies of the municipal economy including municipal budget and dealing with the municipal property. Cultural area of this thesis is focused on school environment, activities of local associations and on the political activities including municipal elections. There is also mentioned description of daily life and atmosphere of the village according to the memories of the local old resident - Mr. Václav Sova. The aim of this thesis is confrontation of narrative sources with sources of the official provenance. Particularly thematic viewpoint was taken in consideration during writing this paper. KKeeyywwoorrddss The municipality, self - goverment, federal...

The master thesis Periodical Press in the Kutná Hora Region during the period 1918 - 1948 focuses on the changes of the structure of periodical press in the Kutná Hora region in the specified time range. First, the definition of the Kutná Hora region with its demographic and geographic characteristics is provided. As the structure of the periodical press in the Kutná Hora region during the era of the First Republic was based on the situation before the First World War, the landscape of the media of the Kutná Hora region before 1918 is described. Kutná Hora region had been already rich in periodical press of political parties as well as the press of non-political organizations in that time and the same situation applies also for the interwar period. After the Munich agreement until the beginning of the occupation of Czechoslovakia the structure of the political press was changing at first and finally all the periodicals of political parties ceased to exist. By the march 1943, also the press of the non-political organization disappeared. In 1945 the richness of the prewar periodical press situation was not renewed. Most of the political parties shifted their weekly newspapers away from the Kutná Hora region and the non-political organizations were not allowed to publish their magazine due to the lack of...

Made available in DSpace on 2015-04-14T13:46:58Z (GMT). No. of bitstreams: 1 417685.pdf: 3310238 bytes, checksum: 5172b333093d9fea20bf0667a7dbe855 (MD5) Previous issue date: 2009-08-14 / O presente estudo analisa o anticomunismo difundido pela imprensa escrita, em Porto Alegre, durante o in?cio da d?cada de sessenta. Busca identificar e avaliar os mecanismos utilizados no combate ao inimigo vermelho. Utiliza como base os jornais Correio do Povo (pertencente ao Grupo Caldas J?nior, por ser o mais antigo, o de maior circula??o e por liderar as pesquisas de opini?o p?blica entre os jornais mais lidos), o Di?rio de Not?cias (pertencente ao Grupo Di?rios Associados, devido a sua expressividade, pois, na d?cada de sessenta, foi o segundo jornal mais lido entre os matutinos) e o ?ltima Hora (o ?nico com tend?ncia mais a esquerda, caracterizando-se por buscar sempre uma postura menos radical, e tamb?m porque atingia o terceiro lugar na pesquisa do IBOPE). Esse trabalho mostra como os jornais di?rios se posicionaram frente ao comunismo e, como o apresentaram para a sociedade porto alegrense. Foi atrav?s do estudo do conjunto de mecanismos utilizados no combate ao comunismo que se compreende como o tema foi trabalhado nesse per?odo. Nem todos os jornais se mostraram anticomunistas, neste sentido, sendo necess?rio perceber os sil?ncios e as omiss?es. O foco do trabalho ? o estudo da mensagem e visa identificar o pensamento do emissor, sua intencionalidade e quais as significa??es que as mensagens fornecem ao leitor. O trabalho usa a an?lise textual discursiva como forma de tentar entender o universo midi?tico e suas performances textuais atrav?s das quais manifestam suas ideias e ideologias.

Made available in DSpace on 2016-04-28T19:59:00Z (GMT). No. of bitstreams: 1 MARIA TRINDADE MARTINS DOS SANTOS.pdf: 1369350 bytes, checksum: af191198cadea63691f1a871e3a71299 (MD5) Previous issue date: 2007-02-01 / Universidade Federal do Pará / The purpose of this dissertation is to study the poetic creation process in the book of short stories Quarto de Hora by Maria Lúcia Medeiros, published in 1994 in Belém do Pará, Brazil. It is a fictional process that, in view of the multiple stylistic marks, has similarities with the oral speech while legends or children s stories, beyond its own literary limits, in the realm of the visual arts. Two hypotheses were operated in this investigation: one relative to the ambivalent nature of the discourse in first person; the other relative to the presence of the memorialist narrative in the poetic essay. Both of them are supported on theories of the Russian Formalists, Paul Zumthor, Henri Bergson, Maurice Halbwachs, Gaston Bachelard, chiefly. The study of short stories was based on the analysis and construction of cinematographic procedures that blow up images processed as recollections of the oral illusional report. The time-space interrelation is operated in the narrative sequence by the imagination and memory, in the three chapters, as a complementary relation that results in the grasping of a fragmented and plural narrative, as a spiral figure, that has no beginning, no middle, and no end incomplete. The memory space provides the principle of creation of the legend s image in Quarto de Hora, which finds its representation in the origin of the human language, in the voice, and in gesticulations of the poetic expression at the threshold of prose / O propósito desta dissertação é estudar o processo de criação poética no livro de contos Quarto de Hora de Maria Lúcia Medeiros, publicado em 1994, em Belém do Pará, Brasil. É um processo ficcional que, em vista das múltiplas marcas estilísticas, apresenta similaridades com o discurso da oralidade, enquanto lendas ou histórias infantis, além das próprias fronteiras literárias, no domínio das artes visuais. Duas hipóteses foram trabalhadas nesta investigação: uma referente à natureza ambivalente do discurso em primeira pessoa; outra referente à presença da narrativa memorialista no ensaio poético. Ambas são fundamentadas nas teorias dos Formalistas Russos, Paul Zumthor, Henri Bergson, Maurice Halbwachs, Gaston Bachelard, principalmente. O estudo dos contos foi baseado na análise e construção de procedimentos cinematográficos, que sugerem imagens processadas como recolhas do relato da ilusão oral. A inter-relação tempo-espaço é trabalhada na seqüência narrativa pela imaginação e memória, nos três capítulos, enquanto uma relação complementar que resulta na apreensão de uma narrativa fragmentada e plural, como uma figura espiral, que não tem início, meio e fim inconclusa. O espaço da memória fundamenta o princípio da criação da imagem da lenda em Quarto de Hora, que encontra sua representação na origem da linguagem humana, na voz, e nas gestualidades da expressão poética, nos limites da prosa

Made available in DSpace on 2016-04-28T19:59:18Z (GMT). No. of bitstreams: 1 Alexandre Goncalves Pereira.pdf: 920270 bytes, checksum: b74d5a26245b74e2ce72895710738b72 (MD5) Previous issue date: 2009-08-11 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The research investigates Guimarães Rosa s mythical speech through the construction of the mythical character, according to Campbell s model of the monomyth. The corpus adopted is the short story A Hora e Vez de Augusto Matraga. It also focuses the sources of the literary creation in which the author got his inspiration to conceive a character that although he symbolizes a man from Brazilian backlands, transcends the documental record, the ascension to the condition of mythical hero through the adventures and the search of the salvation of his soul. We started from the hypothesis of that the construction of the mythical character, according to the diagram of the monomyth, besides being an indelible features of identification of the myth in Rosa s fiction, also clarifies the importance of the metaphysical religious worries of the author about the conception of his work, because the hero of the monomyth shows, during his trajectory, features of rituals of initiation. The aspect of initiation of the trajectory of the mythological hero reveals the holy meaning of the myth of the hero: this one symbolizes the divine potential in human being who only can be developed due to a project of ascetic life and of a heroic ethos. Identifying the archetype of the mythological hero in creation of the character Augusto Matraga, according to the key of reading of the monomyth, we identify the meeting among myth, religion and literature in the work of an author who transcended the documental regionalism, as a result of the creation of the myth of the spiritual asceticism of a character in the heart of the backlands of the North of Minas Gerais / A pesquisa investiga a realização do discurso mítico rosiano por meio da construção da personagem mítica, segundo o modelo campbelliano do monomito. O corpus adotado é o conto A Hora e Vez de Augusto Matraga. Enfoca, também, as fontes da criação literária em que o autor se inspirou para conceber uma personagem que, a despeito de representar um homem do sertão brasileiro, transcende ao registro documental, ao ascender à condição de herói mítico por meio das peripécias, da trajetória de aventuras e pela busca da salvação de sua alma. Partimos da hipótese de que a construção da personagem mítica, de acordo com o diagrama do monomito, além de ser um traço indelével de identificação do mito na ficção rosiana, também esclarece a importância das preocupações metafísico-religiosas do autor para a concepção de sua obra, pois o herói do monomito apresenta, em sua trajetória, traços de rituais de iniciação. O caráter iniciático da trajetória do herói mitológico revela o sentido sagrado do mito do herói: este emblematiza o potencial divino no ser humano que só pode ser desenvolvido em razão de um projeto de vida ascética e de um ethos heróico. Identificando o modelo arquetípico do herói mitológico na criação da personagem Augusto Matraga, segundo a chave de leitura do monomito, identifica-se o encontro entre mito, religião e literatura na obra de um autor que transcendeu o regionalismo documental, em virtude da criação do mito da ascese espiritual de uma personagem no âmago do sertão norte-mineiro