This thesis explores the use of collective memory in the practice of landscape architecture, specifically the use of 'memory mapping' as an imaging technique. The specific site chosen is Shaniwarwada, a fortified royal complex dating from the eighteenth century, in the city of Pune, India. In order to gain an insider's perspective of the site, written questionnaires were distributed and interviews were given. The findings of these inquiries coupled with an understanding of contemporary theories concerning memory mapping guided the development of programs and physical interventions. It is hoped that these undertakings will enhance the role of Shaniwarwada as an historical site and a community place in the future.

This project is submitted in fulfillment of the requirements for the Masters Degree in Landscape Architecture at Ball State University. It involves the creation of a Concept Master Plan for a 16-acre parcel of privately owned land located in the northern Hoosier National Forest (the "Project Site"). The Project Site includes about eight acres of wooded hills and approximately eight acres of gently sloping cleared area, which had been previously farmed, two creeks and a one-acre pond.The Concept Plan presented in this paper attempts to achieve the clients' program, i.e., enhancing the aesthetics of the Project Site and enriching the environmental complexity of its ecosystem through an integrated set of interventions that have as their focus maintaining a clearing in the woods.The design process includes a historical and contextual analysis of the Project Site and the region; identifying strong points, opportunities for enhancement and problems to be solved. Various alternatives to address issues are evaluated; and specific projects are then integrated into the Concept Plan.The two key dualities of the Project Site from which all else flows are: (i) hills/valley and (ii) clearing/forest. Enhancing and articulating these two pairs of complementary elements are the core opportunities at the Project Site. All other problems and opportunities are subordinate to these two unifying elements. Among the key near-term problems to be solved are: (1) stabilizing the pond; (2) minimizing the presence of alien invasives and opportunistic native species; (3) introducing appropriate native plant species which encourage a more varied fauna; (4) enhancing the functionality and aesthetics of wetlands; (5) developing naturalistic vistas based on existing topography; and (6) providing for an enriched diverse environment that requires a minimum of ongoing maintenance and intervention.The Concept Plan is composed of two elements:1.Description of specific "capital" projects which were selected during the evaluation process described above; and2.Management/maintenance plan, which is programmatic in nature and deals with ongoing activities such as monitoring, managing the growth of alien invasives and opportunistic natives, replacement and augmenting planting, etc.Measures proposed in the Concept Plan will arrest succession at the savanna stage to maintain a continuous, layered forest edge. New native plant species will be introduced, generating a more diverse landscape than would otherwise exist. Man-made elements such as a shelter and bridge will meet the clients' functional needs and serve as focal points and aesthetic elements. / Department of Landscape Architecture

Thesis (M. Arch.)--Carleton University, 2004. / Includes bibliographical references (p. 106-108). Also available in electronic format on the Internet.

The cultural landscape has long been the indigenous language of man and the original inhabitancy of all living things. Humans evolved amongst animals, under the sky, upon the earth and near water resources. We have touched, saw, heard, smelled, tasted, lived in, and shaped the landscape before the spaces had words to describe what it did. Inhabited landscapes were the first human texts, read before the invention of other signs and symbols. This legacy of ‘native identity’ and cultural process makes a connection in each one, physically and mentally. Landscape thus provides the social milieu of our lives and even though we consist of multi-layered knowledge of the ethnographic landscape which is dependent on personal background, traditions, education and character, we should be collectively and individually aware of changes in our cultural landscape and or heritage (Swaffield 2005: 17). The following dissertation attempts to present an approach that might inform landscape design strategies or principles as a basis to the reclamation and/or conservation of redundant cultural heritage places. Along with theory, this paper will also investigate precedential studies to gain knowledge on how to efficiently redevelop a cultural landscape. Key Words: Cultural landscape, heritage, landscape design, reclamation, conservation / Dissertation ML(Prof)--University of Pretoria, 2014. / Architecture / ML(Prof) / Unrestricted

This thesis explores the use of collective memory in the practice of landscape architecture, specifically the use of 'memory mapping' as an imaging technique. The specific site chosen is Shaniwarwada, a fortified royal complex dating from the eighteenth century, in the city of Pune, India. In order to gain an insider's perspective of the site, written questionnaires were distributed and interviews were given. The findings of these inquiries coupled with an understanding of contemporary theories concerning memory mapping guided the development of programs and physical interventions. It is hoped that these undertakings will enhance the role of Shaniwarwada as an historical site and a community place in the future. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate

Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1991. / Odd-number pages numbered; even number pages blank. Pages 170 and 171 blank. / Includes bibliographical references. / The intent of this work was to explore an additive working method as a way to generate building form. It was initiated without any preconceived ideas about the project's final outcome. Instead, it focused on observations, associations, and attitudes of existing experiences and information. Working from the position that "one perception must immediately and directly lead to a further perception," a decisions were made. The design of an elementary school was the vehicle for the process. / by Mark Daley. / M.S.

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第19977号 / 工博第4221号 / 新制||工||1653(附属図書館) / 33073 / 京都大学大学院工学研究科社会基盤工学専攻 / (主査)教授 川﨑 雅史, 教授 中川 大, 准教授 久保田 善明 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

Woody ornamental plants are considered the key for well- designed landscapes; Callistemon citrinus is one of those plants. In arid and semiarid areas, Callistemon has been used in gardens and landscapes for its unique characteristics. This study was conducted to evaluate the performance of Callistemon in landscapes under different environmental stress conditions including water, and heat. Further, the potential of using 3D software SketchUp in landscape design was also investigated. Callistemon plants were grown under 100, 50 or 30% of field capacity with or without shredded hardwood mulch. When field capacity decreased, root: shoot ratio and water use efficiency were improved, but canopy temperature increased. The decreased water caused decreases in leaf greenness, chlorophyll a, shoot volume, root volume, leaf water potential, and transpiration rate. Mulch increased root volume and leaf water potential. Callistemon growth under shade structure angle and orientation was examined. Shade structures were installed at 90° and 70° to the ground and three orientations, south, east, and west. Transpiration rate was reduced under the shade. The plant’s response to heat was also examined. Plant were exposed to 45/35, 35/25, or 25/15 °C, d/n. The plant’s physiological response was tested after two weeks. Highest temperatures decreased Chl b content and SOD activity compared to control. In contrast, carotenoid content and H2O2 level increased under the highest temperature treatment. Catalase activity was increased at moderate but decreased under the highest temperatures. Designing a 3D model using SketchUp software was examined. The program function was evaluated, and the designed experiment was tested. Planning a site with shadows predicted was achieved. The work was done with greater precision and less effort. The program was effective in reducing time and cost. SketchUp can be successfully used in landscape work.

This thesis is a qualitative study of current teaching practices in landscape architecture centering around instructors' understanding and use of studio teaching methods. Selected faculty, considered by their peers to be expert studio instructors, participated in one hour, open-ended interviews sing their instructional experiences and examining the teaching methods they espouse. The resulting transcripts provided a base for qualitative analyses for a small sample of current teaching practices. By documenting selected design studio instruction methods, new faculty may draw upon a pool of education possibilities ranging far beyond their experience as students. Similarly, examination of the theoretical foundations, expected outcomes, and teaching methods of professors may provide new faculty with a more holistic benchmark for gauging their professional growth. / Master of Landscape Architecture

Owing to the author's interest in and concern for earth's processes, healthy ecosystems, and environmental decline and devastation, this thesis examines the human – nature relationship, as it relates to landscape architecture, through spiritual, mathematical, geometrical, historical, economical, ecological, philosophical and ethical perspectives. Sustainable design and eco-revelatory design methods are also explored in order to aid in the development of a personal design ethic that defines and produces ecologically responsible works of landscape architecture. The goal is to establish a personal framework for design that results in built landscapes that are ecologically more benign, holistically more functional, and culturally more significant than standard practices. Research methodologies include literature review, case study analysis, project site analysis, and personal interviews. Findings suggest that despite a longstanding and growing call for a more harmonious relationship between nature and anthropogenic changes on the land, the green movement remains a loosely defined alternative undercurrent. The field of landscape architecture is uniquely poised to be a leader in the sustainable revolution; this is especially true when its practitioners, researchers and theorists are dedicated to ideals and activities that bring about true ecological value. For the individual designer, the experience of developing and committing to a personal design ethic can be empowering, and can produce work that has more mettle, veracity and purpose than the designer has previously known. / Master of Landscape Architecture