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The theme of kpiσιϛ which runs through the gospel has been taken account of in studying the characterisation of "the Jews," but never yet of non-Jewish characters. The method set out covers all the important aspects of characterisation, including both anthropological and rhetorical interests. This method is then applied to the gospel's non-Jewish characters. The Samaritan woman's faith is tentative and hesitating at best; she sees Jesus only as a prophet. Her faith is ambiguous, but not ineffective. The ambiguity in her faith is resolved by the townspeople's. The title Saviour of the World indicates that Jesus has transcended expectations as he inaugurates a new worship which transcends all the old racial and geographical barriers. The pericope of the Greeks is brief, but important, for their arrival signals the coming of Jesus' "hour". At the moment when Jewish rejection of Jesus is becoming complete, a group of Gentiles ask to become part of the redefined people of God. The pericope is, significantly, brief and open-ended. The Johannine Pilate wants to avoid taking a stand for Jesus, and so is forced to take a stand against him. He has the authority simply to drop the charges against Jesus. But he is too afraid of the Jewish leaders to drop the charges, and not sufficiently perceptive or clever to get around the Jewish leaders by more oblique means. More than that, his indecisiveness and fear lead him to become a theomachos. "The Jews" force Pilate to give in by appealing to his patron-client relationship with Caesar. He is outmanoeuvred and shamed by "the Jews", and his actions after the trial are an attempt to salvage some gain from the affair, and revenge his humiliation. While political considerations are not absent from these passages, what is in the forefront is not Roman-Jewish relations but Pilate's reaction to Jesus; where he will take his stand in the kpiσιϛ. Here again the theme of kpiσιϛ appears -1 argue that the theme is relevant to the characterisation of non-Jewish as well as Jewish characters.

Thesis (Ph. D.)--University of Washington, 1998. / Vita. Includes bibliographical references (leaves [186]-197).

Thesis (Ph. D.)--Ohio State University, 2002. / Document formatted into pages; contains ix, 322 p. Includes bibliographical references (p. 303-322). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Sep. 25.

Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2003. / Includes bibliographical references (p. 125-141).

Thesis (Ph. D.)--York University, 2002. Graduate Programme in Women's Studies. / Typescript. Includes bibliographical references (leaves 361-399). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ72008.

This thesis suggests that whilst feminist theory has been, and remains, a significant political influence which has contributed to wholesale legislative and social changes, the climate in which this theory circulates is now markedly different from that of the 1960s, when Second Wave Feminism began. Consequently, a new form of feminist theory is developing, which attempts to respond to an increasingly more complex situation, without losing sight of the many important elements of the earlier work. This thesis is situated within this movement and I term the approach it takes Third Wave Feminist Analysis. Third Wave Feminism seeks to challenge sexism and to explore notions of femininity as they are manifested in texts, looking for both the restrictions these seek to impose on women and for the potential these offer for liberatory ways of behaving and being. As this reference to texts might suggest, Third Wave Feminist Analysis is primarily a form of literary criticism. However, it does not only draw on work from that discipline. Instead, it employs ideas and approaches used by feminists working in other fields, in order to formulate a more comprehensive analysis than was generally found in earlier feminist literary criticism. Moreover, the thesis is not limited to an exploration of only literary texts but also explores other cultural forms. This diversity is important because constructions of knowledge and subjectivity are enabled by all types of representations. Thus, interdisciplinarity moves analysis on from a straightforward identification of the Tacts' of literary cultures to an exploration of cultural identities, a step which is assisted by Third Wave Feminist Analysis's insistence on the importance of extra-textual features, including the analyst's own background knowledge of the society in which the texts being explored are produced and interpreted. The object of this emphasis on the cultural and the societal is a more equitable world; in other words, I am claiming that Third Wave Feminist Analysis aids feminist praxis. As part of this attempt, Third Wave Feminist Analysis attempts to interrogate the ways in which femininity is defined in the case studies explored. In this thesis three texts in circulation in the 1990s are examined: Jane Smiley's A Thousand Acres (1992); The Rector's Wife by Joanna Trollope (1991); and the TV Soap Opera archetype, the Soap Queen. As part of this examination, femininity is understood as one of a number of inter-connecting discourses which not only reflect but shape gender. Thus, discourses disseminate social and institutionalised values and also create them, influencing people's behaviours and attitudes, although individuals do have the potential to resist or challenge this influence. A recurrent discursive theme in the three case studies explored here is the association of femininity with the 'private' or domestic realm of home and family. In many ways, this association is rooted in an outdated notion of femininity; the Victorian concept of the feminine domestic ideal. To this extent, this thesis argues that its case studies are implicated in the promulgation of anachronistic discourses. However, all three texts also subvert this ideal in a number of ways and the ways in which this subversion occurs are also explored.

The genesis and development of modern African literature in indigenous languages in South Africa cannot be satisfactorily handled without linking them to the historical, social and political developments in South Africa. The first literary works to be published in South Africa in indigenous languclges were the products of western imperialist agents, the missionaries especially. This literature was later exposed to further ideologies when the government took control of education for Af~cans. The intensification of th€ liberation struggle from mid 20th century saw literature becoming another area of resistance politics in South Africa. African writers began to write in English. The birth of the Black Consciousness Muvement in the late sixties gave further impetus to this development with the emergence of black protest literature. This study seeks to investigate thes. developments in both African literature and black protest literature by employing a materialist analysis, specifically focusing on ideology as a material condition. / Afrikaans and Theory of literature / (M.A. (Theory of Literature ))

To provide a current survey of the scholarship and an annotated bibliography on Fanny Burney from 1920-1970 for scholars and students is the purpose of this paper.

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