In FAMOUS MEN WHO NEVER LIVED, unwilling refugees from an alternate universe find their place in our New York City, making peace with what they have lost.

With my dissertation entitled “Between the Flash and Fall of Turning”: “New York” School Poets, American Pragmatism and the Construction of Identity, I seek to account for the depiction of the anti-foundational self which emerges time and again in the poetry of John Ashbery, Frank O’Hara, Barbara Guest, James Schuyler and Kenneth Koch. While theorizing the self as a contingent, provisional, and shifting construct is hardly new to a theoretically oriented academy transiting into the present century, scholars and critics have tended to ground such interpretations in “structural linguistics” and so-called “French philosophy.” One of the goals of this project, therefore, is to propose that the philosophical skepticism toward the self as a site of stable and enduring meaning has always been felt and articulated by American Pragmatism, specifically in the writings of Ralph Waldo Emerson, William James and John Dewey. While a handful of critics have looked to Pragmatism to account for the protean self in the work of “New York” School Poets, these commentators have tended to focus their attention largely on O’Hara’s and Ashbery’s poetry. This project seeks, on the one hand, to round out this work with close readings of all the major “New York” School Poets, and extend it, on the other, by looking beyond poetry to visual art and classroom pedagogy to examine evidence of a Pragmatist orientation across the disciplines, despite the apparent interpretive consensus that American Pragmatism “goes silent” at mid-century.

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Dissolutional features called karst exist on the surface, and in the subsurface as caves. In glaciated regions caves were thought to be post-glacial in origin. Work in the 1970s demonstrated that pre-glacial caves existed, but did not answer if a cave could form post-glacially. A model proposed by Mylroie and Carew (1987) states that a post-glacial cave would be controlled entirely by glacial features and the deranged drainage of glaciated terrains. Caves known as maze caves form at maximum rates, and could form to navigable size in the time since deglaciation. Maze caves form in the shallow subsurface, allowing them to be removed in subsequent glaciations. GIS water flow analysis, and calculation of formation times using cross-section data demonstrates that maze caves in the glaciated region of New York are post-glacial in origin fitting in the deranged drainage and forming in the time since deglaciation.

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Public Relations advertisements in crisis situations are vital to the image of a company. The actions the company takes are complemented by the type of advertisements that are run as a result of the crisis. These ads help the organization in crisis state their position and communicate with their publics. This study is unique in that The New York Times itself was not in crisis, however, they produced ads for a country that was. This study examines the “Make Sense of Our Times” campaign run in The New York Times after September 11 th . This campaign used Norman Rockwell images that had one element altered to reflect the aftermath Americans were living during the post September 11 th tragedy. The purpose of this study was to determine the factors that motivated the creation of this campaign, and determine if this series of ads can be considered soft-sell public relations, as well as public relations stewardship. (Abstract shortened by UMI.)

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