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De Jove CreticoNeustadt, Ernst, January 1906 (has links)
Inaug.-Diss.--Berlin. / Vita.
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Suppliant, guest, and the power of Zeus in Homeric epicTworek-Hofstetter, Miriam, January 1900 (has links) (PDF)
Report (M.A.)--University of Texas at Austin, 2009. / Title from PDF title page (University of Texas Digital Repository, viewed on Sept. 22, 2009) Vita. Includes bibliographical references.
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A human narrative in the metopes from the Temple of Zeus at OlympiaOtt, Amanda Beth Crecelius, January 2004 (has links) (PDF)
Thesis (M.A.)--University of Louisville, 2004. / Department of Fine Arts. Vita. "May 2004." Includes bibliographical references (leaves 57-59).
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Exclusive production of J, y mesons in the ZEUS detectorTandler, Joachim. January 2003 (has links) (PDF)
University, Diss., 2003--Bonn.
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Exclusive production of J, y mesons in the ZEUS detectorTandler, Joachim. January 2003 (has links) (PDF)
University, Diss., 2003--Bonn.
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Analyse der Reaktion gp -] J/yp, J/y -] m+m mithilfe der planaren Driftkammern des ZEUS-DetektorsCoböken, Katrin. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2000--Bonn.
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Vztah práce k Diově řádu v Hésiodových Pracích a dnech / The Relation of Work to Zeus' World Order in Hesiod's Works and DaysSamec, Zdeněk January 2021 (has links)
(in English) The presented thesis is dealing with the ethics of work in the world as described by ancient Greek poet Hesiod in his famous didactic epos Works and Days. In the first part of the thesis (chapters 1 and 2), it is assumed that Hesiod's ethics are anchored in a particular situation, in which he, as a Boeotian farmer, found himself due to his dispute with his brother Perses. In the next part, firstly three major myths in the Works and Days are analyzed and the importance of work is set in a wider context of Hesiod's religious and ideological beliefs (chapter 3); subsequently our analysis is supplemented by a broader reflection of work, exertion, recreation, good and evil (chapter 4). In conclusion we finally try to answer the question of the place of work in the world order as determined by Zeus' will.
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Griechische Kultbilder - Archäologischer Befund und literarische Überlieferung / Greek Cult Images - Archaeological results and literary traditionBergbach-Bitter, Beate January 2008 (has links) (PDF)
Ziel der Arbeit ist die Bewertung der Glaubwürdigkeit antiker schriftlicher Quellen zur Rekonstruktion der vier Kultbilder des Zeus von Olympia, der Hera von Samos, der Hera von Argos und der Artemis von Ephesos. Entgegen der vielfach praktizierten Methode, literarische Quellen ohne Ansehen ihrer philologischen Herkunft mit dem archäologischen Befund zu vergleichen, konzentriert sich die Dissertation auf eine Bearbeitung der Texte in Abhängigkeit von ihrer literarischen Gattung, um zu überprüfen, ob die schriftlichen Informationen überhaupt sinnvoll zu einer Rekonstruktion herangezogen werden können. / The aim of this work is to explore, weather or not the analyzed ancient literary sources can be used for the reconstruction of four ancient Greek cult images: the Olympian Zeus, the Samian Hera, Hera of Argos and Artemis of Ephesos. Therefor it is not sufficient just to compare the written texts with the archaeological results. The fundamental idea of the dissertation is that moreover it is necessary to concentrate on the literary genre of the texts. Thereby it is easier to find out if the information from the literacy can be used for reconstructions.
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Fiando o fado dos deuses: o humano e o divino em Zeus trágico, de Luciano de SamósataFonsaca, Karina 14 February 2013 (has links)
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Previous issue date: 2013-02-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This research work, entitled The human and the divine in Zeus Rants, by Lucian of
Samosata , analyses Lucian's mentioned text, in order to identify, through comparative
and theoretical approaches, the articulation of comic and dramatic resources as formal
elements of literary composition and recreation of the ancient Greek canon, examining
dramatic traits which are particular to Lucian's poetics. This work analyses the action,
focusing on the construction of the characters in the dialogue, considering its intrinsic
relation to the representation of the philosopher, the orator, the rhetoric master and the
deities. Essential influences that help understand Lucian's text were considered in this
analysis, such as the historical moment of the Second Sophistic in the II d.C and the
contradictions in Greece under the domain of imperial Rome; the condition of the
foreigner as an element of Lucian's poetics, in which the representation of a dislocated
paideia tradition is present and constant; the fusion of philosophic dialogue with
dialogues inspired by Tragedy and Comedy in the recreation of the historical and artistic
past through the literary mimesis. From the selected theories about literary genres,
Greek society, laughter and humor, the dramatic effects, among others, the chosen
concepts were analyzed in the work through readings of the Spanish and the English
versions compared in the light of the original Greek text, applying the hypothesis
presented in the theoretical framework. The study led us to confirm the initial
hypothesis that Lucian of Samosata recreated the Hellenic tradition both in a dramatic
and comic way by placing together in Zeus Rants the Greek literary and rhetoric
creation, submitting them to particular elements of his poetics, which brings back and
dethrones the canonical places of religion, philosophy and Greek oratory. / A finalidade da presente pesquisa, intitulada "FIANDO O FADO DOS DEUSES: O HUMANO E O DIVINO EM ZEUS TRÁGICO, DE LUCIANO DE SAMÓSATA", é estudar o texto Zeus Trágico de Luciano de Samósata, procurando identificar, através da análise teórica e comparativa, a articulação dos recursos de dramaticidade e comicidade, enquanto elementos formais de composição literária e recriação do cânone antigo grego, examinando quais traços dramáticos acentuam as características da poética luciânica. Nosso estudo atém-se à analise da ação, focalizando a construção das personagens no diálogo, sobretudo, em relação intrínseca com a representação das figuras do filósofo, do orador, do mestre de retórica e das divindades. Partimos daquilo que consideramos influências essenciais para a leitura do texto luciânico: o momento histórico da Segunda Sofística no século II d.C. e as contradições da Grécia sob o comando imperial de Roma; a condição de estrangeiro como marca da poética luciânica, na qual a representação do deslocamento da tradição da paideia se faz presente e constante; a fusão do diálogo filosófico com os diálogos da Tragédia e da Comédia, na recriação do passado histórico e artístico através da mimesis literária. A partir das teorias selecionadas sobre os gêneros literários, a sociedade grega, o riso e o humor, os efeitos dramáticos, entre outras, aferimos a validade dos conceitos estudados analisando a obra, comparando as versões em espanhol e inglês à luz do texto original grego, utilizando as hipóteses elencadas na fundamentação teórica para a análise do Zeus Trágico. A pesquisa demonstrou, de acordo com nossas perspectivas iniciais, que Luciano de Samósata recriou a tradição helênica de forma dramática e cômica ao amalgamar no Zeus Trágico a criação retórica e literária grega aos elementos próprios de sua poética, os quais retomam e destronam os lugares canônicos da
religiosidade, da filosofia e da oratória gregas.
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Homo Divinans : Teckentydande i militär kontext i det klassiska Grekland 480–323 f. Kr.Henriksson, Patrik January 2014 (has links)
No description available.
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