人文學是指與人類文化有關，或與分析、判斷人類價值和獨特的精神表現的研究方法有關的學科。本研究透過臺灣人文學引文索引核心期刊資料庫(THCI Core)與美國藝術與人文引文索引資料庫(A&HCI)，選擇人文學5門學科權威期刊內2011年出版的文獻進行文獻引用之分析，探討並比較國內外人文學科引用文獻的性質與類型，藉以瞭解人文學科學者的引用特性。 本研究結果如下：1.人文學引用文獻特性之分布現象：(1) 除語言學以期刊為主要引用資料類型外，人文學各學科引用資料類型以圖書為主；(2)除圖書與期刊外，文學、哲學與藝術偏重對博碩士論文的引用，歷史學則著重於檔案與報紙的使用，對於研究報告引用情形最少；(3)人文學參考文獻語文以中文為主，語言學之參考文獻以英文為多；(4)人文學引用文獻年代分布長遠，引用文獻半衰期平均為16.8年；2.人文學引用文獻位置與特性：(1)人文學學門以論述型文獻為主；(2)人文學論述型文獻對於引用文獻使用頻率以本文部分最多，結論最少；(3)人文學使用內容註現象頻繁；3.人文學引用類型都是以「首次作品」類型為多；4.語言學與其他人文學學門之引用文獻特質有所差異。 本研究結果可應用於規劃圖書館或相關研究單位之館藏資源類型，了解人文學學者的學術資訊需求與特性，界定學門中重要的資料類型，以提供研究人員完善的資訊服務。同時可將研究分析結果應用於國內人文學引文資料庫之建置建議，提供人文學學者撰寫註釋與引用格式之相關資訊，用以作為資料庫建置人員之參考。 / Humanities, those branches of knowledge that concern themselves with human beings and their culture or with analytic and critical methods of inquiry derived from an appreciation of human values and of the unique ability of the human spirit to express itself. Via Taiwan Humanities Citation Index Core and Arts & Humanities Citation Index, this study select 2011 representative journals of five disciplines to analysis their citations, and explore and compare humanities citation type and characteristics as to observe humanities scholars’ citation behavior. The results are as follows: 1.The analysis of Citation and Reference in Humanities: (1) The humanities citation mostly refer to books except the discipline of language; (2) In addition to books and periodicals, the citation emphasis on dissertations and theses in the discipline of literature, philosophy and art, and History focuses on the use of files and newspapers; (3) The majority of citations were to Chinese materials; (4) The half-life of the cited journal in the humanities is average 16.8 years; 2. The position of citation in humanities literature and research features: (1)The ratio of describing research literature in humanities is higher;(2) Humanities scholars frequently use citations at the part of body, which seldom at the part of conclusion;(3) The content note usage in humanities is frequently phenomenon;3. The classification of citation in humanities is mostly “primary sources”; 4. The citation characteristics of Linguistics differ from other discipline of humanities. The results can be applied to planning the resource type to libraries or research units, realize the academic information needs and characteristics of humanities scholars, and defining important research sources to provide researchers complete information services. Meanwhile, the analysis can be used in proposals of building citation index database, providing scholars to write notes and citation format, and as the recommend for humanities’ database.

本研究針對台灣各大學人文及社會科學領域發表於Web of Science之SSCI、A&HCI引文索引資料庫所收錄之文獻，以書目計量學探討台灣各大學人文及社會科學領域學術生產力之研究，並針對人文及社會科學領域不同學門其學術生產方式加以分析。 依據科技部之學門分類，將人文學與社會科學領域分為21類，分別統計各領域產出相關之情形，以管理學一產出6,876篇最高，而管理學一領域同時也是產出學校數（122所）最多的領域，且以平均產出56.36篇也是最高，顯示管理學一領域相關科系為目前社會科學領域產出之主要科系。人文學與社會科學各領域文獻單一作者與多作者文獻篇數作統計結果發現，各領域間以多作者共同產出文獻為主，僅少部分領域單一作者比例高於多作者比例，以各領域平均作者人數而言，如以四捨五入後為1位者，僅文學一與哲學兩個領域，在全部21個領域中最為接近單一作者產出。其餘19個領域平均作者人數皆大於1.5人。 本研究結果為台灣各大學人文及社會科學領域學術生產力提供一個概括呈現，並協助高等教育評鑑對於全臺灣各大學社會科學領域，學術生產力概況有一背景瞭解，作為日後之評鑑參考。 / This study aims to investigate the scholarly productivity of the humanities and social sciences in Taiwan’s universities by employing a bibliometric methodology. The research data are retrieved from SCI and A&HCI database via Web of Science. In addition, this study reveals the academic production regime in different disciplines under humanities and social sciences. According to the academic classification by the Ministry of Science and Technology in Taiwan, this study is conducted to divide the humanities and social sciences into 21 disciplines, collect the statistical data, and analyze the output in all the disciplines as well. The findings are as follows. Manegement I, with an output of 6,876 articles, leads in quantity of academic papers. Furthermore, Manegement I is also the most highly productive discipline in the fields of humanities and social sciences by the research papers from 122 colleges. As for numbers of average output papers, the discipline Manegement I, again, indicates that it is currently the main department in social science fields; an average output of 56.36 papers is the highest productivity. Compare the multi-author documents with the sole author articles in humanities and social science fields; it is statistically found that, the majority are multi-author papers among the disciplines. Only a small proportion of single-author articles in some areas, the ratio are higher than that of the multi-author documents. In the analysis of the average numbers of authors after rounding to the nearest integer, Chinese Literature and Philosophy, with the average number of author--1, are the only two disciplines which are close to single-author output in all 21 disciplines. The average numbers of authors in the 19 remaining fields are more than 1.5 persons. The results of the study may draw an outline for the scholarly productivity of the humanities and social sciences in Taiwan’s universities. This thesis, on the other hand, may suggest an overview for the further evaluation of the higher education in Taiwan, by building background knowledge for the disciplines under the humanities and social sciences in the universities.

本論文以川端康成的《山之音》《湖》《睡美人》《蒲公英》為切入視點，考察川端康成老人文學中老年的生(性)。 本論之中心課題乃以川端處女作的《十六歲的日記》(1918)為首，歷經《伊豆的舞孃》《雪國》《千羽鶴》《睡美人》等名作，到未完成的遺作《蒲公英》(1968)為止，考察川端在作品世界究竟是以何種形式，將透過末期之眼所映照出之逸脫的自然來具體呈現、使其達成變化。 本論文由六個章節所組成，第一章闡述研究動機、研究方法，第二章著眼於四部作品中具體呈現的魔界空間性、脫離現實之程度、魔界之異空間及置身其中 之老人間的關係性，並嘗試分析各個相異的特徵。第三章則探討自覺到衰老之老人自我意識，與凝視老人之衰老的他者視線兩者間如何產生交疊與共鳴。第四章則是剖析老人在非日常性的魔界空間中，藉由各種聲音表現來對抗面對死亡的恐懼，並以此作為對冥界的線索，進而跨越、試圖達成生命回復之身影。在第五章則論述老年的情慾感覺如何捕捉與老人有性關係的女性身體並掌握其表徵，再根據西格蒙德‧佛洛伊德的《性理論三篇》、《夢之解析》來闡述老人之擬似性行為與夢的意涵。 / This dissertation is viewed from the works of Yasunari Kawabata─ "Yama no Oto", "Mitsuumi", "Nemunerubizyo" and "Tanpopo" to discuss the elderly’s spirit(Sexuality) in the Elder Literature. The topic begins with the maiden work of Kawabata─ "Zyuurossai no Nikki"(1918)and goes through his other famous works─ "Izu no Odoriko", "Yukiguni", "Yama no Oto", "Senbaturu", "Nemunerubizyo", and the unfinished work─ "Tanpopo"(1968).This dissertation discusses the manner the author uses in the works’ situation to show and achieve the transcendence which is reflected by “the eye of dying”. The dissertation is composed of six chapters. The first chapter illustrates the motivation, and the methodology. The second chapter focuses on the spatiality in the Makai, the extent of distance from reality, the relationship between the elders and the Makai where they are situated. The differences among the preceding points would also be analyzed. Chapter three points out the self-identity of the elders who are aware of their aging, and shows the overlap and consonance happen between the elders and the onlookers who are observing the aging process. Chapter four would explore how the author manipulates the sound to present the confrontation of fear in death when the elders are in the unusual space of Makai, and how they take the sound for the clues of hell, trying to transcend and achieve the rebirth. In chapter five, the discussion is on the features of how the elders use the erotic affections to attract women who have sexual relations with them and grasp the features of the women’s body. Meanwhile, the theories of Sigmund Freud- "Three Essays on the Theory of Sexuality" and "The Interpretation of Dreams" are used to illustrate the connotation of the elder’s dream and their mock sexual behavior.