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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

大橋頭「復興社」研究 / 北縣三重市後竹圍街42號

高振宏 Unknown Date (has links)
本文透過田野與文獻資料來建構內台歌仔戲班台北大橋頭「復興社」的劇團史,對其股東、組織經營、重要演員及演出活動等做一深度的記錄,並由此基礎資料出發,進一步對整個內台歌仔戲的情況進行較深入的說明與討論。 論文共分五章,各章重點如下:第一章「緒論」:文中先回顧相關文獻,檢討若干前人研究中存在的盲點,接著具體說明論文的研究方法,由於本文缺少具體的文本,必須透過許多田野訪談才能完成,因此研究方法可分為兩個層次,其一為進行訪談時所採用的田野調查與口述歷史兩種方法,其次則是如何將這些田野資料脈絡化,透過怎樣的架構與書寫策略讓它能形成一個具體的論文,最後則對研究對象與研究範圍做一說明。第二章「『復興社』的歷史、組織與經營」:第一節除了簡要說明「復興社」的歷史,還檢討前人研究資料上的一些問題,重新爬梳了內台歌仔戲班的消長情形,當作歷史背景的交代,而「復興社」的股東是當時台北地區赫赫有名的大流氓,又同時為歌仔戲子弟,在此筆者做了一些資料性的記錄;第二節則介紹劇團的組織、演員招募、訓練以及經營管理,說明當時的社會環境與劇團經營間的問題。第三章「『復興社』的舞台人員」則是詳細的介紹內台歌仔戲舞台人員的職司、各角色的分配情形,以及記錄「復興社」的重要演員。第四章「『復興社』的演出活動」:本章就著商業邏輯與觀眾趣味兩條主線來理解整個演出活動的宣傳手法、演出內容以及演出形態的轉變,希望能藉此對內台歌仔戲的面貌有更深的理解。第五章「結論」總結本文的研究成果,筆者將「復興社」視為一種具代表性的內台歌仔戲劇團類型,討論其在整個歌仔戲發展史上的意義;最後則列舉四個可延伸的研究課題,其中以六、七○年代大稻埕、大橋頭一帶的戲劇活動最值得重視。 整體來說,本篇論文是放置在一個歌仔戲研究的脈絡裡進行論述,就不採用一般通史性的書寫方式,因此許多與論題無關的資料便略過不談,如許多歌仔戲著作都會提到《臺灣民報》反對歌仔戲演出的報導,或是「臺灣民眾黨」將「反對演歌仔戲」列為黨綱等等。且由於許多前輩學者已有相當不錯的研究成果,許多重要問題都已清楚做出解釋,文中就多簡要提點而少繁文引述,花較多的筆墨來討論一些不同前人研究的問題,透過「同中見異」的方式來逼顯一些未被思考到的面向,希望能立基在舊有的基礎之上做出一些新的思考。此外,由於研究對象的資料性質是輻射性的外散,還可以延伸出許許多多的小論題,儘管筆者盡可能將相關聯的資料聚攏討論,但還是有許多無法兜攏但頗值得一談的題目,就只能安置在注釋中,譬如某些研究盲點的檢討、研究資料的辨證、具有開發性的論題等等。所以整個論文在書寫上與一般學術論文略有差異,有些篇章正文與注釋幾乎佔了相同的份量,也因此筆者自認論文的「注釋部分」不只是說明出處而已,還有不少可觀之處,亦與正文具有同等的價值,讀者閱讀之後當會有更清楚的理解。限於學力、時間有限,僅能交出如此的成績,其中仍有不少闕漏與謬誤之處,還望方家不吝指正。 / This thesis built the club history of Taiwanese Opera(歌仔戲) club named "Fu-Xin Ser"(復興社) in Taipei's Da-Qiau-Tou(大橋頭) via my field works and documents. First, I introduce the shareowners, club organization, main performers and presentation history. Second, I discussd the Indoor Commercial Taiwanese Opera(內台歌仔戲) based on these basic data . The thesis divided into five chapters: Chapter 1, I reviewd papers and introduce the research methods which was mainly deep interview. Chapter 2, I discussed the history, organization and management of Fu-Xin Ser. Capter 3, I introduced the duty, role distribution, and record the main performers. Chpter 4, I dicussed the performance propaganda gimmicks, performance contents, and the transformation of performance by the way of commercial logics and audience's taste, Chapter 5, I saw Fu-Xin Ser as a typical case of indoor commercial Taiwanese Opera, then I discussed the role it played during the development of the history of Taiwanese Opera. Totally speaking, this thesis was discussd located in the Taiwanese Opera research context, because of the lack of related documents, the background description take up the main capacity of the thesis. But I also look after the sides of research, expecting to give rise to related research.
2

跨越邊界的流動與認同:日治時期「內台共婚」研究 / The study of interracial marriages between Taiwanese and Japanese during the Japanese colonial period.

楊裴文, Yang, Pei Wen Unknown Date (has links)
日治時期台灣人與日本人的通婚並非如同今日的國際婚姻關係,而是日本帝國國民之間的異民族通婚行為,是謂「內台共婚」。比起一般婚姻,「內台共婚」可說是一跨越多重「邊界」的結合。 所謂的「邊界」,除了意指地理空間中的境界,同樣也包括社會學意義上的文化、價值觀等方面的差異與隔閡;並且由於當時日本人與台灣人之間制度性地存在「支配者─被支配者」的殖民統治位階關係,使得矗立於「大日本帝國」與「殖民地台灣」之間的「邊界」更形巨大而難以跨越。然而,內台共婚者卻以個人之力跨越厚重的界限,並且將「邊界」兩端的差異、矛盾與衝突濃縮於一個家庭的日常生活之中。 本研究試圖回答以下三個問題:(一)、跨界流動如何可能?綜觀日治時期,乃是一內地與殖民地間「距離」縮短的過程。所謂「距離」,不僅意指地理空間上的差距,更包括內台人在「社會距離」與「心理距離」上的接近程度。藉由觀察各種「距離」變化的過程,探究使得跨界流動的日台人通婚由「不可能」至「可能」的社會背景因素。(二)、是「誰」跨界通婚?由共婚者個人背景之分析,進一步探討存在於「內台共婚」的特殊階級性格。此外,影響共婚者決定結婚的關鍵性因素也是一個有趣的議題,其中包括愛國情操、利益追求,以及嚮往愛情這三種理由。(三)、跨界之後:共婚生活之分析。共婚家庭不僅必須面對來自外部的障礙,例如體制上的不友善以及社會輿論壓力等,也必須克服許多經營家庭生活的艱難課題。此外,跨界的流動也為共婚者本身及其混血兒子女的自我認同與定位帶來許多衝擊。 「內台共婚」者跨越多重的社會位置,其認同也依照不同的社會時空、生活處境而有所轉變,本研究基於史料耙梳、文獻蒐集與經驗訪談等資料,試圖理解共婚者跨越邊界而結合的流動與其複雜的認同軌跡。 / During the Japanese colonial period, the marriage between Taiwanese and Japanese was called "Nai-Tai marriage." The "Nai-Tai marriage" could be seen as an integration that crossed the boundaries between Taiwan and Japan. This study attempts to answer the following three questions: (1) Was the "Nai-Tai marriage" possible? The "distance" meant that not only the the distance from Taiwan to Japan, but also including the "social distance" and "psychological distance" between Taiwanese and Japanese. By observing the ways of "distance" changed, this research try to explore the social background factors of the "Nai-Tai marriage". (2) "Who" did it? This research analyzed the personal backgrounds and the social class of the "Nai-Tai marriage." In addition, the key reason of people decided to "Nai-Tai marriage" is also an interesting question. (3) How about their family life? The families of the "Nai-Tai marriage" had to overcome a variety of problems. In addition, for the "Nai-Tai marriage" people and their mixed-blood children, the mobility of cross-boundary also brought many shocks to their self-identity, and made them feel unsure of themselves in social situations. The "Nai-Tai marriage" people crossed multiple social positions, their identity also changed with their different social space, living conditions and social class. This study explained the "Nai-Tai marriage" people how to live their lives, and how their complex identity had changed.

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