近年來，動漫(動畫、漫畫與線上遊戲)越來越受歡迎。全球資訊網也陸續出現收集大量包括故事情節、動漫角色、作者等動漫相關資訊的動漫網站。多數動漫網站都提供使用者文字檢索的功能，以搜尋動漫網站文字內容。但是動站網站若能提供根據文字與圖形風格來搜尋圖文內容，對於動漫使用者而言，將更為方便。圖文風格可能是漫畫人物的繪畫風格、動畫故事的敘事風格等等。 為了方便使用者以圖文風格進行搜尋相關資訊，本論文根據動漫關連探勘技術，研究並開發一個動漫網站的搜尋引擎：動漫魔鏡，以提供使用者根據圖文關連來搜尋動漫網站中風格相似的動漫資訊。本論文的搜索方法關聯了圖像特徵和文字特徵。首先，針對圖像特徵，由於動漫角色是動漫的靈魂，因此經過動漫臉部偵測後，我們以電腦視覺中的局部二值樣式(Local Binary Pattern, LBP)與灰階值分佈來抽取並表示動漫角色的臉部特徵。針對文字特徵，我們利用一般全文檢索技術來擷取文字特徵。接著，運用階層式分群技術將文字特徵與圖像特徵值轉換為文字與圖像關鍵詞。最後，以語意主題模型中的隱含狄利克雷分布(Latent Dirichlet Allocation, LDA)分析圖文關鍵詞的潛在語意，並據此計算動漫網頁之間的相似性。實驗結果顯示本論文所研發的風格搜尋，其效果優於其他三種基本作法。 / Animations, comics, and games (ACG) have become more and more popular in recent years. There exist many ACG web sites which contain lots of textual and visual information on stories, characters and authors of animations, comics and games. Most ACG web sites provide users text retrieval capability to search for textual contents. However, there is a need for users to search for textual and visual contents by styles. Examples of styles are drawing styles of comic characters, narrative styles of animation stories and so on. In order to help users to search for textual and visual contents by similar styles, this thesis investigates and develops a search engine, Comirror, for ACG web sites based on latent correlation between textual and visual contents. First, while facial styles of characters play important roles in ACG, after comic face detection, Local Binary Pattern (LBP) along with gray-value histogram is utilized to extract and represent the visual features. For the textual contents, traditional full-text indexing technique is employed to extract textual features. Then, hierarchical clustering is performed to quantize and transform the textual and visual features into textual and visual words. Finally, Latent Dirichlet Allocation (LDA) is utilized to discover the latent semantic correlation between visual and textual words. Experiments show that the developed approach performs better than the other baseline approaches.

台灣在文化與流行方面一向受鄰近國日本的影響，舉凡服飾流行、音樂、電影、動漫等，其中影響青少年最大的應該可以說是動漫畫，近幾十年來，動漫畫中的「耽美文學」，又可以說是一股在台灣出版界新興的文體類型。 「BL」漫畫即指「Boy's Love」，又稱耽美漫畫。原本是指女性漫畫家創作給女性讀者看的「少年愛」漫畫，內容以美貌男子之間的愛情為主。BL漫畫算是少女漫畫中比較另類的內容類型，內容唯美浪漫，而「耽美」的日文原意就是「唯美主義」。日本耽美漫畫在台灣從單純的閱讀，到現在發展出作家、網站、同人團體、甚至還有專門的商業出版社；而出版的物品，也從當初的日文翻譯漫畫、動畫到現在國人自行創作的漫畫、小說、周邊產品等。在台灣的耽美迷中，可以初分為兩種：一種只是純粹的耽美文本閱聽人，另一種除了閱聽文本外，還會主動衍生新的創作與文本，而在這些耽美迷的衍生文本中，居然有大半是台灣本土霹靂布袋戲迷所創作的耽美文本。 台灣的本土布袋戲為何會跟耽美牽上關係？日本式的耽美到了台灣又有什麼樣的變化？而這在台灣本土形成的新型耽美中佔最大比率的文本─「霹靂耽美文本」，竟也被日本耽美迷所承認，在日本有了台灣霹靂耽美文本的閱聽人。本研究將從日本的耽美文化在台灣的演化，以及文化逆流的現象，勾勒出一個屬於台灣在地耽美文化的輪廓。 關鍵字：漫畫、動漫、同人誌、Boy's Love(BL)、霹靂布袋戲 / The culture and fashion of Taiwan are historically influenced by Japan. Among many, the Slash Literature, or ‘Boy’s Love’ (BL), is one of rising style in recent decades. BL, which originally means ‘aestheticism’ in Japanese, features aesthetic and romantic in its content. While it is an alternative to mainstream style, BL allures remarkable amount of audience. The audience can be distinguished into two types: passive receiver on the one hand and active creator on the other. Surprisingly, most of the active creator of derivative BL context comes from enthusiasts of Pili Hand Puppet Show, a traditional Taiwanese culture. The locally shaped ‘Pili BL context’ not only is the most popular one in derivative BL context in Taiwan, but is recognized by Japanese BL enthusiasts. Thus, ‘Pili BL context’ is the countercurrent of BL culture back to Japan. This phenomenon prompts research questions of this study: how does Taiwanese Hand Puppet Show relate to BL? What are the transformations of Japanese BL adapted in Taiwan? To answer these questions, this study will investigate the evolution of Japanese BL culture in Taiwan and the countercurrent of ‘Pili BL context’ and will seek to contour the local BL culture of Taiwan. Keywords: Slash Literature, BL, Aestheticism, Subculture, Pili Hand Puppet Show.

本研究嘗試透過傅柯系譜學的架構，從台灣哈日迷思到數位傳播生態，由歷史、符號、語言等三面向檢視線上遊戲「殺Online」延燒之童顏巨乳現象蘊藏的性別文化與符號意義，從內隱到外顯、從他者到再現，跳出性別二元對立之窠臼，反覆辯證此一女體性象徵符號如何在父權巧妙操控下，孕育滋長壯大卻又悄然銷聲匿跡，以及其與國家機器、社會菁英「論述、權力、知識」間之微妙接合（articulation，闡述與扣連）關係。 / Genealogy as the framework to Foucault, from Taiwan Japanophile myth to digital television environment, using history, symbols, language, three for viewing online game "kill Online" big phenomenon spread of 「Baby Face -Big Breast」 hidden meaning of the gender culture of the times, from the implicit to explicit, from the other to representation, beyond gender dualism of mold, and repeated the dialectical nature of body of women in the patriarchal symbol how clever manipulation, breeding grow stronger but quietly disappeared, and its state apparatus, social elite "discourse, power, knowledge," the delicate bonding between articulation and buckle set relationships.