Orientador: Prof. Dr. Paulo Tadeu da Silva. / Dissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Filosofia, 2017. / O presente trabalho visa analisar o desenvolvimento de uma nova metodologia, entre os séculos XVI e XVII, que parece promover um maior rigor científico. Tal metodologia expressa uma nova relação entre saber e técnica, pressupondo uma imagem de natureza que possa ser usada de modo a favorecer o correto entendimento de mundo. Valores cognitivos são debatidos para que a interpretação da natureza ocorresse da melhor forma possível. Na astronomia, foco do trabalho, essa estratégia se concretizou com o uso da luneta, por Galileu, bem como com os critérios por ele adotados, que se expressavam no desejo pela autonomia da ciência. Não obstante, espero demonstrar que essa metodologia começou com Tycho Brahe, importante astrônomo da era pré-telescópio que desenvolveu grandes instrumentos para o estudo dos céus de modo a obter os números mais exatos de sua época; igualmente, a adequação empírica parece ser um importante valor a ser manifestado por concepções científicas, segundo o pensamento do autor. Nesse sentido, o presente estudo de caso dará enfoque a este novo método que parece nascer com Brahe e se consolidar com Galileu. / This work aims to analyze the development of a new methodology, between the sixteenth and seventeenth centuries, that seems to have promoted a greater scientific rigor. This methodology expresses a new relation between knowledge and technique, assuming a picture of Nature that could be used to enable the correct understanding of the World. Cognitive values were discussed so the interpretation of Nature could happen in the most desirable approach. In astronomy, focus of this work, this strategy was consolidated amidst the use of the telescope, as Galileo, in conjunction with the criteria adopted by him which expressed his desire for an autonomy of science. Nevertheless, I aim to demonstrate that this methodology began with Tycho Brahe, an important astronomer from the pre-telescope age, who developed great instruments for the pondering of the heavens as to get the most accurate numbers during his time; likewise, the empirical adequacy seems to be an important value to be manifested for scientific conceptions, according to the author. In this sense, the work focuses on this new method that seems to have begun with Brahe and have consolidated with Galileo.

Si la miséricorde fut à une certaine époque inspiration profonde de l'agir chrétien, il est malheureux que sa saveur se soit estompée au cours des siècles pour être reléguée aux oubliettes. Cette recherche a pour fin première de faire redécouvrir la valeur de cette vertu qui, au XVIIème siècle, a été à la source de di verses initiatives pastorales, de plusieurs fondations religieuses et même avec les nuances qu'il faudrait apporter, de l'envoi des premiers missionnaires, hommes et femmes, en Amérique. Touché par la décadence du peuple de Dieu rencontrée dans toutes ces couches sociales, y compris le clergé, saint Jean Eudes fut tour à tour fondateur des Congrégations de Notre-Dame de Charité du Refuge (1641) et de Jésus et Marie (1643). Il voulait ainsi proposer des applications concrètes et permanentes de cette miséricorde qui l'habitait au plus profond de son être. La richesse des écrits légués en héritage à ses fils et à ses filles, et rassemblés sous le titre d'Oeuvres Complètes, constitueront l'assise de ce travail qui permettra de reconnaître comment cette vertu de miséricorde demeure encore aujourd'hui source fondamentale d'un agir chrétien authentique.

Texte remanié de : Thèse Etat : Lettres : Paris 4 : 1989. / ISBN de l'édition imprimée : 2-85203-251-1. Titre provenant de la page de titre. Bibliogr. Index.

Zugl.: Univ. of California, Diss., 2003. / Includes bibliographical references.

Orientador: Luiz Cesar Marques Filho / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-22T18:03:34Z (GMT). No. of bitstreams: 1 Carvalho_LarissaSousade_M.pdf: 23224889 bytes, checksum: 87808a1fa3818c985298723245553554 (MD5) Previous issue date: 2013 / Resumo: A pesquisa apresenta como principal objeto de análise a obra De gli habiti antichi, et moderni di diuerse parti del mondo (1590), do italiano Cesare Vecellio (c.1521-1601). Uma segunda edição foi publicada sob o título Habiti antichi et moderni di tutto il mondo em 1598. Essa apresenta um projeto diverso da primeira, tendo seu conteúdo iconográfico ampliado, ao contrário dos comentários do autor, omitidos ou simplesmente reduzidos. O surgimento deste gênero de publicação, os chamados "livros de vestuário", ocorreram durante o século XVI, juntamente ao interesse cartográfico e enciclopédico. A época do autor presenciou a rápida expansão da imprensa em Veneza, dos studioli, os cabinets de curiosité e os Wunderkämmern, além de acompanhar a criação de uma rede interligada de publicações que firmavam um repertório de "tipos sociais" repetidos ao longo desses anos e que auxiliava na visão que, sobretudo os venezianos, tinham do restante do mundo. O teor da obra, grosso modo, permeia os costumes - em um sentido bastante amplo - aliados à representação de uma série de trajes. Vecellio não apenas representa a vestimenta europeia, como também inclui exemplares asiáticos, africanos e americanos. Essa antologia do vestuário mundial também é considera por alguns autores como a primeira história moderna do vestuário, já que são concebidas imagens comentadas de povos da Antiguidade até o século do autor, em um amplo espectro geográfico. No presente trabalho intenta-se perceber, portanto, o projeto da obra vecelliana. A partir de três ensaios discutiremos a respeito da ruína de valores antigos e da mutação (a veste aliada ao mito veneziano, a questão da boa governança e prosperidade das cidades, a relação entre antigo e moderno etc.); em seguida, problematizaremos a postura de Veneza ao projetar uma imagem positiva da cidade em meio a um contexto conturbado, bem como o modo vecelliano de dialogar com essa questão mediante a apresentação de "tipos sociais" (doge, virgem veneziana, cortesã...) associados à auto-imagem do Estado; e, por fim, apresentamos um panorama de sua obra, cujo objetivo será compreender a postura e o discurso de nosso autor frente à alteridade, discutindo, assim, algumas noções e a problemática do "Eu" que se define a partir do "Outro". Em correlato, propõe-se a tradução parcial do conteúdo da obra para uma versão portuguesa (inédita e comentada), no intuito de contribuir para as discussões teóricas - ínfimas em nossa realidade brasileira -, sem abandonar, entretanto, o escopo aqui descrito / Abstract: This research presents as main object of analysis the book De gli habiti antichi, et moderni di diuerse parti del mondo (1590), by the Italian author Cesare Vecellio (c.1521-1601). A second edition was published with the title Habiti antichi et moderni di tutto il mondo in 1598. This edition presents a project different from the first one. Its iconographic content is expanded, whereas the author's comments are either reduced or even omitted. The emergence of this type of publication, called costume books, occurred during the Sixteenth Century, along with the cartographic and encyclopedic interest. The period in which the author lived, witnessed the rapid expansion of the printing press in Venice, as well as of the studioli, the cabinets de curiosité and Wunderkammern. Apart from that, those years followed the creation of an interconnected network of publications that established a repertoire of "social types", repeated throughout the years, and helped in the idea that, especially the Venetians, had about the rest of the world. The content of the work covers the habits - in a very broad sense - combined with the representation of a variety of costumes. Vecellio does not only represent European clothing, but he also includes Asian, African and American costumes. This anthology of world clothing is also considered, by some authors, as the first modern history of costume, since it covers commented images from Antiquity until the time of the author, in a broad geographical spectrum. In this text we aim to understand the project of the Vecellian work. Starting with three essays of the current study, we will discuss the ruin of the old values and the mutation (clothing associated with the Venetian myth, the issue of good governance and prosperity of cities, the relationship between ancient and modern etc.); then we will problematize the posture of Venice, which projects a positive image of the city within a turbulent context, as well as the Vecellian way of discussing this subject while presenting the "social types" (doge, Venetian virgin, courtesan...), associated with the State's self-image; finally, we will present an overview of his work, whose purpose will be to understand the author's posture and the discourse towards otherness, discussing some problematic notions of the "I", which is defined from the confrontation with the "Other". Furthermore, together with this, we propose a partial translation of the content of the book into a Portuguese version (unpublished and commented), with the intention of contributing to the theoretical debate - very restricted in our Brazilian reality -, without abandoning, however, the scope described herein / Mestrado / Historia da Arte / Mestra em História

Robert Greene began collaborating with Thomas Nashe as English prose was turning away from the style and subject matter of Lyly's Euphues (1578) and Sidney's Arcadia (1590). When Greene and Nashe came together in London, the two writers appear to have set the tone for the pamphleteers who would establish the realistic tradition that contributed to the development of the novel. Greene's Menaphon (1589) may be a satire representing his abandonment of courtly fiction. The influence of the Marprelate controversy is reflected in Greene's appeals to the pragmatic character of the emerging literate middle class. Greene's Vision (1592) appears to be Greene's affirmation of his critical philosophy at a point of stress in the authors' relationship.

Submitted by LARISSA VIANA (larissaviana@id.uff.br) on 2017-08-31T13:26:11Z No. of bitstreams: 1 A história do índio Antônio Felipe (Poti) Camarão.pdf: 14140829 bytes, checksum: a02d0278da9e718ead00140a98175800 (MD5) / Approved for entry into archive by Jussara Moore (jussaramoore@id.uff.br) on 2017-09-18T15:16:18Z (GMT) No. of bitstreams: 1 A história do índio Antônio Felipe (Poti) Camarão.pdf: 14140829 bytes, checksum: a02d0278da9e718ead00140a98175800 (MD5) / Made available in DSpace on 2017-09-18T15:16:18Z (GMT). No. of bitstreams: 1 A história do índio Antônio Felipe (Poti) Camarão.pdf: 14140829 bytes, checksum: a02d0278da9e718ead00140a98175800 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O trabalho se apresenta sob a forma de um produto, um livro dirigido ao público escolar e geral, cujo tema central é a análise da história do indígena Antônio Felipe Camarão. O objetivo central do trabalho é compartilhar e gerar conhecimento sobre a temática indígena a partir de reflexões mobilizadoras, despertadas pela trajetória docente do autor e pelas reflexões propiciadas pelo Profhistória. A proposta é colaborar com a implementação da Lei n° 11.645/08, que torna obrigatória a temática indígena no currículo das redes de ensino público e particular. Nesse sentido, deseja-se contribuir com a produção de material destinado ao ensino e reflexão sobre a temática dos povos indígenas a partir da trajetória de Antônio Felipe Camarão nas guerras pernambucanas do século XVII. / This dissertation is presented in the form of a product, a book aimed at the school and general public, whose central theme is the analysis of the history of the indian Antonio Felipe Camarão. The central objective is to share and generate knowledge about indian history, from a perspective inspired by the teaching trajectory of the author and the reflections offered by Profhistória. The proposal is to collaborate with the implementation of Law No. 11.645 / 08, which mandates the teaching of indian history in the curriculum of public and private school systems. In this sense, we want to contribute to the production of material for the teaching and reflection on the theme of indigenous peoples considering Antonio Felipe Camarão trajectory in Pernamabuco wars of the seventeenth century.

No description available.

In this study, administrative reform in the EU accession process was analysed with reference to the cases of Hungary and Turkey. The main goal of this study is to show that both objective (economy) and subjective (politics) factors are important and acceding countries to have room to manoeuvre in the context of the social-liberal framework of the EU. To this end, necessary causality between neoliberal administrative reform and EU accession, and determinism in the enlargement process, which leaves no room to manoeuvre for candidate countries, are denied. In conclusion, it is seen that since there is no public administration model, candidate countries are free to determine the content of the administrative reforms within the framework of general principles set by the EU. Moreover, it is found that the EU accession process is closely related to modernisation of the public administration system in the candidate countries and administrative reform has been overlapped and equalized to EU accession. Finally, it is understood that administrative reform with its extensive content, caused centralisation.

Five hundred years of Christian martyrdom are represented in the Ecclesiae militantis triumphi (1583). Engraved by Giovanni Battista Cavalieri, the series that was bound into a book reproduces a fresco cycle in the church of San Stefano Rotondo in Rome. While the church belonged to the Jesuit German-Hungarian College, the book accompanied priests in their proselytizing mission in Northern Europe. This thesis will look at the function of the book in relation to various audiences, in different viewing contexts. Analyzed primarily in relation to the intended Jesuit audience as an object of devotion, the book will also be inserted within the Early Christian revival promoted by Gregory XIII (1572-1585). Finally, it will be looked at in relation to an audience composed of individuals interested in factual knowledge about Early Christian history and in the martyr as a historical figure. A general endeavor of the thesis is to situate the Ecclesiae militantis triumphi in relation to late sixteen-century representations of martyrdom, both Catholic and Protestant, as well as in relation to other contemporary Roman printed works.