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Para Augusto COMTE, a História fornece vínculos explicativos decisivos e sustenta um projeto de futuro relacionado à evolução continuada da humanidade. Este filósofo realizou uma leitura original e abrangente da História da humanidade, com relações causais entre os diferentes estágios, o que significa a atribuição de valores às diferentes etapas e culturas, entre as quais, com grande destaque, as culturas da antigüidade. Neste estudo da vinculação histórica em COMTE, privilegiou-se a percepção do clássico greco-romano, uma referência muito importante no contexto histórico em que COMTE viveu, demonstrando quais as imagens produzidas e funções atribuídas a este momento da História, dentro dos escopos da doutrina positivista. / This paper intends to realize how did Auguste COMTE detached from his tenets the several demands of historical meanings necessary to his explanation of the present to his projects for the humankind. It is clear on the work of this philosopher his major concerning about History, provider of elucidative and ultimate bonds, and sustaining of a future project related to continuous evolution. COMTE fulfilled an original and exhibited interpretation of the Humanity History, with casual relationships among distinct levels, what means attribution of value to different stages and cultures, among which, vividly, to ancient cultures. To make viable this work about historical bounding in COMTE, the Greek-Roman perception of the classic was privileged, establishing which images and functions this historical stage had, in the design of the positivistic doctrine.

This study examines a frontier businessman and the evolution of his business enterprises in conjunction with the emergence of northern Indiana from its frontier period to the time that it became a settled agricultural region with strong ties to the national economy. The subject is Allen Hamilton, an Irish immigrant who settled in Fort Wayne, Indiana in 1823 and remained here until his death in 18514. Hamilton's involvement with the affairs of the state government, the Miami and Potawatomi Indians, retailing, land speculation, the promotion and construction of the Wabash and Erie Canal and numerous plank road and railroad projects, the fur trade and the Indian trade, the second State Bank of Indiana and the creation of the Hamilton ink involved him deeply in the economic development and the political affairs of Indiana and, to a lesser extent, of the North.This study of Hamilton's rise to wealth parallels the development of Indiana and is intertwined with it. At nearly all points in his career Hamilton achieved financial success by meeting the needs of the developing region. He functioned at first as a fur trade .end Indian trader, meeting the needs of the Indians as well as the large Eastern fur merchants. Toward the end of his career he was primarily a banker and promoter of internal improvements, serving both his own interests and those of the expanding white population of northern Indiana for credit and adequate transportation facilities.In order to compete successfully as a businessman, Hamilton found it necessary to become involved with the politics of the region and at times was himself a successful candidate for local and state offices. Generally, however, his political activities were confined to the support of influential men from northern Indiana, several of whom were his business partners. The ability to form judicious alliances which took advantage of both political influence and entrepreneurial talent was a chief factor of Hamilton's success. His business partnerships demonstrated the evolution of his activities and his partners included the most important men in that section of the state. These partnerships were flexible, allowing for significant alteration as new opportunities (such as the milling of wheat) presented themselves and older avenues to wealth (such as the fur trade) dried up. As Hamilton outgrew the older partnerships he created others that reflected not only the need for a different type of expertise in his partner but also his own changed economic, social and political situation. One of the consistencies of Hamilton's partnerships was their diversification which made them more fluid in nature and more capable of capitalizing on new opportunities.Hamilton's rise to wealth was significant not only to himself. His wealthy Irish origins had set for him a model to which the wealthy should aspire. Correspondingly, he was a social leader in Fort Wayne and nurtured in his offspring a respect for the highest of goals in education and civic responsibility. He was a patrician and a symbol not only of the opportunities of the West, but also of the fact that the West was far from being an area inhabited by social equals. Indeed, Hamilton's extensive commitment to land speculation was more than simply a means ofachieving wealth. The possession of large tracts of land symbolized, for Hamilton, the recreation of his family's former status in Ireland, powerfully augmenting the traditional status gained through land ownership in the United States.Through Allen Hamilton one may view not only the development of Indiana in the second quarter of the nineteenth century, but also a pattern of economic maturation that was often experienced in areas far to the east and west of the state.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1968. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Para Augusto COMTE, a História fornece vínculos explicativos decisivos e sustenta um projeto de futuro relacionado à evolução continuada da humanidade. Este filósofo realizou uma leitura original e abrangente da História da humanidade, com relações causais entre os diferentes estágios, o que significa a atribuição de valores às diferentes etapas e culturas, entre as quais, com grande destaque, as culturas da antigüidade. Neste estudo da vinculação histórica em COMTE, privilegiou-se a percepção do clássico greco-romano, uma referência muito importante no contexto histórico em que COMTE viveu, demonstrando quais as imagens produzidas e funções atribuídas a este momento da História, dentro dos escopos da doutrina positivista. / This paper intends to realize how did Auguste COMTE detached from his tenets the several demands of historical meanings necessary to his explanation of the present to his projects for the humankind. It is clear on the work of this philosopher his major concerning about History, provider of elucidative and ultimate bonds, and sustaining of a future project related to continuous evolution. COMTE fulfilled an original and exhibited interpretation of the Humanity History, with casual relationships among distinct levels, what means attribution of value to different stages and cultures, among which, vividly, to ancient cultures. To make viable this work about historical bounding in COMTE, the Greek-Roman perception of the classic was privileged, establishing which images and functions this historical stage had, in the design of the positivistic doctrine.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Arte, 2015. / Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2016-01-19T15:06:07Z No. of bitstreams: 1 2015_LiviaZacariasRocha.pdf: 10414134 bytes, checksum: 474e7e3b6aec9401821bc58f6aed576c (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2016-01-26T20:29:50Z (GMT) No. of bitstreams: 1 2015_LiviaZacariasRocha.pdf: 10414134 bytes, checksum: 474e7e3b6aec9401821bc58f6aed576c (MD5) / Made available in DSpace on 2016-01-26T20:29:50Z (GMT). No. of bitstreams: 1 2015_LiviaZacariasRocha.pdf: 10414134 bytes, checksum: 474e7e3b6aec9401821bc58f6aed576c (MD5) / O trabalho proposto nesta dissertação objetiva analisar as relações entre literatura, teatro e artes visuais, tendo como ponto de partida as versões sobre A Morte de Ofélia, do pintor francês Eugène Delacroix (1798-1863). Assim, a pesquisa abordará questões teóricas acerca dos estudos interartes e as contribuições que o pintor proporcionou para esse campo de trabalho. Por meio da explanação das transformações ocorridas no teatro francês entre os séculos XVII e XIX, esta investigação pretende, também, estabelecer conexões entre a mise en scène e o estilo de interpretação francês do século XIX com as escolhas feitas por Delacroix em relação ao gesto e à organização dos personagens em suas obras. / The work proposed in this dissertation intends to analyze the relationship among literature, theater and visual arts, taking as a starting point the versions of The Death of Ophelia by French painter Eugène Delacroix (1798-1863). Thus, theoretical questions about interart studies and the contributions that the painter gave to this field of work will be arguing. By the means of the explanation of the changes occurred in French theatre between the seventeenth and nineteenth centuries it is intended to create connections among the mise en scène and French acting style of nineteenth century with the choices made by Delacroix in relation to gesture and characters organization in his works.

Para Augusto COMTE, a História fornece vínculos explicativos decisivos e sustenta um projeto de futuro relacionado à evolução continuada da humanidade. Este filósofo realizou uma leitura original e abrangente da História da humanidade, com relações causais entre os diferentes estágios, o que significa a atribuição de valores às diferentes etapas e culturas, entre as quais, com grande destaque, as culturas da antigüidade. Neste estudo da vinculação histórica em COMTE, privilegiou-se a percepção do clássico greco-romano, uma referência muito importante no contexto histórico em que COMTE viveu, demonstrando quais as imagens produzidas e funções atribuídas a este momento da História, dentro dos escopos da doutrina positivista. / This paper intends to realize how did Auguste COMTE detached from his tenets the several demands of historical meanings necessary to his explanation of the present to his projects for the humankind. It is clear on the work of this philosopher his major concerning about History, provider of elucidative and ultimate bonds, and sustaining of a future project related to continuous evolution. COMTE fulfilled an original and exhibited interpretation of the Humanity History, with casual relationships among distinct levels, what means attribution of value to different stages and cultures, among which, vividly, to ancient cultures. To make viable this work about historical bounding in COMTE, the Greek-Roman perception of the classic was privileged, establishing which images and functions this historical stage had, in the design of the positivistic doctrine.

Orientador: Cláudia Valladão de Mattos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-23T22:27:04Z (GMT). No. of bitstreams: 1 Murano_AnaFloraGuimaraes_M.pdf: 10013182 bytes, checksum: 2088aaa82e3e0d74a31dc17bf1d4f33d (MD5) Previous issue date: 2013 / Resumo: Esta dissertação faz uma análise iconográfica das imagens do Imperador D. Pedro I que foram produzidas a partir de três eventos de grande importância política: seu primeiro casamento, sua Aclamação e sua Coroação como Imperador do Brasil. Esses três eventos e as imagens criadas a partir deles são essenciais para a investigação das intenções políticas que permearam a construção da imagem pública do soberano, antes e depois da declaração da Independência do Brasil. Apesar do recorte, o trabalho não deixa de discorrer sobre as demais imagens de D. Pedro que constam da obra de Stanislaw Herstal denominada: "D. Pedro - Estudo Iconográfico", e que serviu de fonte de pesquisa de imagens para a elaboração desta dissertação. A análise das imagens, juntamente com as descrições encontradas nos periódicos e em trabalhos já escritos sobre cada um dos eventos, demonstrou que a imagem de D. Pedro não somente se serviu dos tradicionais elementos e símbolos do velho continente, como buscou agregar elementos característicos da nova Nação. Desta forma, D. Pedro inaugurou uma nova era iconográfica, que se assemelha ao que também buscaram os demais "Libertadores" das Américas, como Simon Bolívar e Agustín de Iturbide, este último também coroado Imperador do México / Abstract: This thesis analyzes the iconographic images of the Emperor D. Pedro I, produced from three events of great political importance: his first marriage, his acclamation and his coronation as the Emperor of Brazil. These three events and its images are essential to research the political intentions that permeated the construction of the sovereign's public image, before and after the declaration of the Independence of Brazil. Despite this frame, this thesis also talks about the other representations of D. Pedro that appear on the book by Stanislaw Herstal entitled "D. Pedro Iconographic Study". This book was a research source of images throughout the whole process of this work. The analyses of the images, alongside with the descriptions found in the journals and papers about those events, showed that the image of D. Pedro carried, not only the traditional elements and symbols of the old continent, but also intended to add characteristic and symbols of the new Nation. Moreover, D. Pedro ushered a new iconographic era which resembles what the other "Liberators" of the Americas sought, such as Simon Bolivar and Agustín de Iturbide, the latter also crowned as Emperor in Mexico / Mestrado / Historia da Arte / Mestra em História

Orientador: Oswaldo Giacoia Junior / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-04T03:48:12Z (GMT). No. of bitstreams: 1 Tiski_Sergio_D.pdf: 23317101 bytes, checksum: 8ed5de533e80b1ed7cdb2879ff27dec2 (MD5) Previous issue date: 2005 / Résumé: Ce travail discute la question de la morale chez Auguste Comte à partir de trois hypothèses: la première, celle de l¿existence de la morale en tant que la septième science, ultime et suprême. Dans ce sens, il participa également aux principes de la science morale outre que la science sociale. La deuxième hypothèse soutient la morale comme le noyau qui permet la continuité de la pensée et de l¿oeuvre d¿Auguste Comte; noyeau, parce que le fil conducteur complet, en tant que problème et sollution, est le domaine de la religion, de la morale et de l¿éducation. D¿après lui, la morale est le noyau de la religion et, dans sa partie pratique, c¿est-à-dire, en tant que morale pratique, c¿est l¿éducation. La troisième hypothèse mène à constater que, nonobstant la difficulté théorique, Auguste Comte supposa toujours l¿existence de la liberté humaine, condition indispensable à la morale. Malgré n¿utiliser le mot ¿éthique¿ que deux fois, et exclusivement comme acrostiches dans son dernier ouvragre, et malgré employer l¿expression ¿philosophie morale¿ se rapportant aux sixième et septième ordres de phénomènes de la réalité, les phénomènes sociaux et moraux, l¿éhtique ou la philosophie morale (ou théorie morale), au sens qu¿on les utilise, elle est présente du début à la fin de l¿oeuvre comtienne: c¿est ce qui apparaît dans les cinq mille quatre-vingt-dix références directes à la morale, dans les cinq mille quatre-vingt-dix usages du mot ¿moral¿ ou de ses dérivés tout au long de ses écrits. Enfin, ce travail est lié au besoin plus général et à chaque fois plus urgent de la discussion de la possibilité de consensus moral en termes aussi de science et de philosophie scientifique / Resumo: Este trabalho discute a questão da moral em Augusto Comte, a partir de três hipóteses: primeira, a da existência da moral como 7ª ciência, última e suprema, em Augusto Comte. Neste sentido ele colaborou na fundação também da ciência moral e não apenas da ciência social. A segunda afirma a moral como o núcleo possibilitador da continuidade do pensamento e da obra de Augusto Comte; núcleo, porque o fio condutor completo, enquanto problema e solução, é o âmbito religioso-moral-educacional. Segundo ele, a moral é o núcleo da religião e, na sua parte prática, isto é, enquanto moral prática, é a educação. A terceira leva à constatação de que, apesar da dificuldade teórica, Augusto Comte sempre supôs a existência da liberdade humana, condição indispensável para a moral. Apesar de utilizar o termo ¿ética¿ apenas duas vezes, e unicamente como acrósticos para a sua última obra, e apesar de usar a expressão ¿filosofia moral¿ se referindo à 6ª e 7ª ordens de fenômenos da realidade, os fenômenos sociais e morais, a ética ou filosofia moral (ou teoria moral), no sentido que usamos, comparece do começo ao fim da obra comtiana: é o que aparece nas 5.090 referências diretas à moral, nos 5.090 usos do termo ¿moral¿ ou derivados ao longo de seus escritos. Enfim, este trabalho se liga à necessidade mais geral cada vez mais urgente da discussão da possibilidade de consenso moral em termos também de ciência e de filosofia científica / Doutorado / Filosofia / Doutor em Filosofia