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Henry James and James McNeill Whistler : representing modernityMaclean, Lisa Anne 11 1900 (has links)
This thesis is an examination of Henry James and James McNeill Whistler as
cultural analysts of modernity. Using the theoretical work of Peter Burger, Jurgen
Habermas and Theodor Adorno as a frame, I analyse James's and Whistler's theoretical
and artistic responses to modernity and the problematic status of autonomous art and the
modernist artist in late nineteenth century industrial capitalism. In so doing, I place both
figures in their social and historical context and show how their work not only reflects but
itself participates in the complex social and cultural transformations of late nineteenth
century society.
While Henry James has continued to attract critical attention from many quarters,
those who have studied him in the larger context of nineteenth-century avant-garde culture
are still relatively few. Of those contextual studies, none has examined James's career and
work in the light of parallel developments in avant-garde visual art during this important
and complex period. James McNeill Whistler, like Henry James an American expatriate
working in late nineteenth century London, has been the subject of many studies
describing his formal achievement; however, he has not yet attracted the attention of
critics interested in theories of modernist representation, gender and sexuality. Because
modernisation was a phenomenon which had an impact on all aspects of late nineteenth
century culture, as both James and Whistler themselves acknowledge, my interdisciplinary,
contextualist approach to cultural production can illuminate aspects of cultural theory and
practice which might remain hidden in analyses contained within disciplinary boundaries.
The present thesis is not primarily a work of art-historical scholarship nor is it an in-depth
textual analysis of the Jamesian canon; it is an analysis of the ways in which two
individuals deal with the conditions of their artistic practice. My thesis is original in its
bringing together of two important figures - a writer and a visual artist - whose theory and
practice reveals the complexity of early modern art's dialectical relationship with
modernity. In so doing, I offer a critical reevaluation of the work of Henry James and
James McNeill Whistler in light of its engagement with the discourses of modernity and
modernism. / Graduate and Postdoctoral Studies / Graduate
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The personal relations existing between Wordsworth and ColeridgeUnknown Date (has links)
I.M. Bradford / Typescript / M.A. Florida State College for Women 1909 / Includes bibliographical references (leaves 1-2)
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Reubke's The 94th Psalm: Synthesis of Conservative and Progressive Styles, a Lecture Recital, together with Three Recitals of Selected Works of J.S. Bach, C. Franck, A. Heiller, M. Reger, L. Sowerby, M. Widor and OthersLee, Choonhae Kim 12 1900 (has links)
This dissertation is a study of the styles shown in Reubke's The 94th Psalm. As a student of Hermann Bonicke, Theodor Kullak, and Adolf Marx, Reubke was trained in the masters of the Baroque and Classical traditions. Written after his study with Franz Liszt in the newer style, The 94th Psalm is a crystallization of these various influences into his own personal style, a remarkable achievement at age twenty three. It is a synthesis of two different styles of organ music at the time; the traditional and conservative represented by Mendelssohn and Schumann, and the progressive by Liszt. Reubke's unique approach to the sonata fomi in the "double function" unified three individual movements into one musical entity by the use of the cyclic theme. The harmony and the tonality are advanced and anticipate the late nineteenth-century style. As the first programmatic organ music in the nineteenth century, The 94th Psalm is an idiomatic organ work which employed the virtuoso piano technique of the time. In spite of Reubke's young age, The 94th Psalm demonstrates his great maturity. His wish to express himself is realized in the work in profound depth and imagination. Through the psalm text he poured out his mind and soul with tremendous energy. In addition to the prevailing concept of the dominant influence of Liszt on the work, the study discusses in detail other aspects which are equally significant to The 94th Psalm, particularly the classical organ tradition of the time and Adolf Marx's influence. After the introduction in Chapter I, Chapter II describes Reubke's family, his life including musical training and his works. Chapter II discusses the influences on The 94th Psalm; organ composition of the mid-nineteenth-century Germany, the influential teachers and their works. Chapter IV presents an analysis of the work, the programmatic feature, the characteristic harmony, and the cyclic use of the theme. Chapter V deals with the performance of The 94th Psalm: the characteristics of the mid-nineteenth-century organ in Germany, the registration, dynamic and expression marks, and published editions. The final Chapter VI is a conclusion.
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Individuality and Social Cohesion. Humboldt and Schleiermacher at the Origin of Modern LiberalismPapcke, Luise January 2020 (has links)
In this dissertation I retrace the notion of social individuality in early German liberal thought to respond to the ongoing criticism of liberal individuality as being at its foundation anti-social and atomistic. I concentrate on the exposition of this concept in the works of Wilhelm von Humboldt and Friedrich Schleiermacher at the turn of the 18th to 19th century, who I argue presented the clearest defense of individuality understood as interdependent uniqueness. Analyzing their relevant academic writings, speeches, sermons, letters, diary entries as well as political reports, I situate their conceptualization of social individuality within their wider thought, and examine what social institutions and practices as well as political consequences derive from understanding individuality as inherently social.
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The artist and the Opéra : Manet, Degas, CassattBronfman, Beverly January 1991 (has links)
No description available.
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John Thelwall, political lecturer and poetWeinroth, Michelle. January 1982 (has links)
No description available.
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Zion's CampTalbot, Wilburn D. 01 January 1973 (has links) (PDF)
In 1831, Jackson County, Missouri, was designated as a place of refuge for the members of the Church of Jesus Christ of Latter-day Saints. Attempts to establish permanent residence in their Zion ended in bloodshed and violence. An army was raised to go to the aid of those cast out of their homes. This thesis pays particular attention to the recruiting of the army and the gathering of money and provisions, the trek to Missouri, and the interaction of those promoting and opposing the camp. The trek from Kirtland, Ohio, to Jackson County, Missouri, revealed frustrations, hardships, strengths, weaknesses, and deaths among those who participated in the abortive attempt to redeem the land and reinstate the people. This study also disclosed contrasting reactions of historians to this period of history and the still differing feelings of many who wrote of their personal experience with the camp. The histories of over two hundred men who comprised this trek were studied to determine its impact upon their lives. A strong loyal tie between them and their prophet leader was discovered.
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Two pre-Raphaelite poets : studies in the poetry and poetic theory of D.G. Rossetti and William MorrisWahl, John Robert January 1954 (has links)
No description available.
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The Poor Law in Bradford c. 1834-1871 : a study of the relief of poverty in mid-nineteenth century BradfordAshforth, David January 1979 (has links)
During the last twenty years there has been a proliferation of local studies of Poor Law administration, many of them concerned with the period of transition from the Old to the New Poor Laws. This thesis complements other local studies; it offers a detailed examination of Poor Law administration in and around the rapidly expanding industrial town of Bradford. At the same time, the thesis seeks to broaden the scope of such local studies by placing the Poor Law more firmly within its local social, economic and political context. Bradford's experiences are compared with those of other, particularly northern, urban Unions, and for the period after 1848, detailed comparison is made between Poor Law administration in the neighbouring Bradford and North Bierley Unions. Chapter 1 highlights those elements of Bradford's economic and social structure likely to exert the greatest influence on Poor Law administration. Chapter 2 examines administrative structures and relief practices under the Old Poor Law, with particular reference to the area's claim to-administrative efficiency. Chapter 3 examines local reactions to the 1834 Poor Law Amendment Act and traces the history of Bradford's popular anti-Poor Law movement. Chapter 4 investigates the new administrative structure. Chapter 4(1) evidences the occupational and political distinctions between the Borough and non-Borough Guardians, highlighting the political dimension of Poor Law administration. Chapter 4(ii) analyses the mechanics of relief distribution and Chapter 4(iii) examines the New Poor Law's'shaky financial base. Chapter 5(i) looks at the fate of the principles of 1834 with regard to able-bodied paupers and at the debate surrounding the introduction of the Outdoor Labour Test Order. Chapter 5(ii) deals largely with the provision of outdoor medical relief. Chapter 5(iii) examines the Workhouse regime and the treatment of particular groups of inmates, such as the mentally ill and vagrants. The education provided for Workhouse children is compared with that available to the independent poor. The Chapter concludes with a detailed examination of the Workhouse debate of 1846-8. Chapter 5(iv) investigates non-statutory relief provision in Bradford and attempts to assess its qualitative and quantitative importance. Chapter 6 examines the operation of the Law of Settlement, the workings of the non-resident relief system and the immediate impact of the legislation of 1846-7. Chapter 7 outlines the Poor Law authorities' involvement in bastardy affiliation actions. Chapter 8 assesses the impact of the New Poor Law and considers some of the major determinants of relief policy, including a survey of local attitudes to poverty. Part One concludes with the Union's division in 1848. Part Two considers the more settled administration of the 1850s and 1860s, building on the framework used in Part One. Chapter 9 looks at the occupations, politics and conduct of business of the Bradford and North Marley Boards of Guardians. Chapter 10 traces changes in the system of distributing relief and in the Poor Law's financial base, with particular reference to the financial reforms culminating in the Union Chargeability Act of 1865. Chapter 11 pursues the able-bodied debate, continues the earlier survey of outdoor medical relief and examines the novel provision of education for the children of outdoor paupers. Chapter 12 catalogues the erection of new Union Workhouses in Bradford and North Bierley and traces their evolving role as general pauper hospitals. Chapter 13 examines the enlarged contribution of charities in Bradford while Chapter 14 surveys the continuing but reduced impact of the Law of Settlement. Chapter 15 comments on the changes seen in the later period.
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La Revista de Lima y Manuel Pardo : periodismo y liberalismo en el Perú del siglo XIXSarmiento Rissi, Fernando 09 May 2011 (has links)
En este trabajo centraremos nuestra investigación en el conjunto de propuestas y criticas al modelo liberal imperante desde su labor periodística. Para ello, tomaremos como modelo de análisis uno de los trabajos más representativos al respecto. “Estudios sobre la provincia de Jauja”, de Manuel Pardo. / Tesis
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