A presente dissertação de Mestrado tem por objetivo estabelecer, analisar e demonstrar as relações de intertextualidade explícita e os aspectos interdiscursivos ou dialógicos de cunho divergente existentes em duas obras oriundas da literatura argentina dos passados século XIX e século XX: Martín Fierro de José Hernández escrito em 1875 e o conto curto O fim de Jorge Luis Borges extraído da sua obra Ficções de 1944. O estudo se fundamenta nos princípios e postulados da Literatura Comparada a partir dos pressupostos teóricos sobre o discurso levantados e defendidos pelo lingüista e filósofo russo Mijaíl Bajtin na metade do século passado, durante o período estalinista da ex União Soviética. O trabalho se complementa e conta, também, com a contribuição de teóricos e pensadores oriundos da Antropologia, Filosofia, História, Lingüística, Literatura, Paleontologia, Sociologia e Teologia da Libertação, dentre os quais se destacam Carlos Faracco, José Luis Fiorin, Javier Torres Vindas, Roque de Barros Laraia, Edgard Morin, Max Horkheimer, Louis Althusser, Herbert Marcuse, Frederic Jameson, Leonardo Boff, Jean Genette, Dominique Maingueneu, Jean Yves Tadie, Emanuele Padoa e Daniel Vidart entre outros, conjuntamente com as análises de Beatriz Sarlo e Ricardo Piglia no que diz respeito ao universo literário borgiano. / La presente disertación de Maestría tiene por objetivo establecer, analizar y demostrar las relaciones de intertextualidad explícita y los aspectos interdiscursivos o dialógicos de cuño divergente existentes en dos obras oriundas de la literatura argentina de los pasados siglos XIX y XX: Martín Fierro de José Hernández escrita en 1875 y el cuento corto El fin de Jorge Luis Borges extraído de su obra Ficções de 1944. El estudio se fundamenta en los principios y postulados de la Literatura Comparada a partir de los presupuestos teóricos sobre el discurso levantados y defendidos por el lingüista y filósofo ruso Mijaíl Bajtin en la mitad del siglo pasado, durante el período estalinista de la ex Unión Soviética. El trabajo se complementa y cuenta, también, con la contribución de teóricos y pensadores oriundos de la Antropologia, Filosofia, Historia, Lingüística, Literatura, Paleontologia, Sociologia y Teologia da Libertación, de entre los cuales se destacan, Carlos Faracco, José Luis Fiorin, Javier Torres Vindas, Roque de Barros Laraia, Edgard Morin, Max Horkheimer, Louis Althusser, Herbert Marcuse, Frederic Jameson, Leonardo Boff, Gean Genette, Dominique Maingueneu, Jean Yves Tadie, Emanuele Padoa y Daniel Vidart entre otros, conjuntamente con los análisis de Beatriz Sarlo y Ricardo Piglia en lo que se refiere al universo literario borgiano.

A presente dissertação de Mestrado tem por objetivo estabelecer, analisar e demonstrar as relações de intertextualidade explícita e os aspectos interdiscursivos ou dialógicos de cunho divergente existentes em duas obras oriundas da literatura argentina dos passados século XIX e século XX: Martín Fierro de José Hernández escrito em 1875 e o conto curto O fim de Jorge Luis Borges extraído da sua obra Ficções de 1944. O estudo se fundamenta nos princípios e postulados da Literatura Comparada a partir dos pressupostos teóricos sobre o discurso levantados e defendidos pelo lingüista e filósofo russo Mijaíl Bajtin na metade do século passado, durante o período estalinista da ex União Soviética. O trabalho se complementa e conta, também, com a contribuição de teóricos e pensadores oriundos da Antropologia, Filosofia, História, Lingüística, Literatura, Paleontologia, Sociologia e Teologia da Libertação, dentre os quais se destacam Carlos Faracco, José Luis Fiorin, Javier Torres Vindas, Roque de Barros Laraia, Edgard Morin, Max Horkheimer, Louis Althusser, Herbert Marcuse, Frederic Jameson, Leonardo Boff, Jean Genette, Dominique Maingueneu, Jean Yves Tadie, Emanuele Padoa e Daniel Vidart entre outros, conjuntamente com as análises de Beatriz Sarlo e Ricardo Piglia no que diz respeito ao universo literário borgiano. / La presente disertación de Maestría tiene por objetivo establecer, analizar y demostrar las relaciones de intertextualidad explícita y los aspectos interdiscursivos o dialógicos de cuño divergente existentes en dos obras oriundas de la literatura argentina de los pasados siglos XIX y XX: Martín Fierro de José Hernández escrita en 1875 y el cuento corto El fin de Jorge Luis Borges extraído de su obra Ficções de 1944. El estudio se fundamenta en los principios y postulados de la Literatura Comparada a partir de los presupuestos teóricos sobre el discurso levantados y defendidos por el lingüista y filósofo ruso Mijaíl Bajtin en la mitad del siglo pasado, durante el período estalinista de la ex Unión Soviética. El trabajo se complementa y cuenta, también, con la contribución de teóricos y pensadores oriundos de la Antropologia, Filosofia, Historia, Lingüística, Literatura, Paleontologia, Sociologia y Teologia da Libertación, de entre los cuales se destacan, Carlos Faracco, José Luis Fiorin, Javier Torres Vindas, Roque de Barros Laraia, Edgard Morin, Max Horkheimer, Louis Althusser, Herbert Marcuse, Frederic Jameson, Leonardo Boff, Gean Genette, Dominique Maingueneu, Jean Yves Tadie, Emanuele Padoa y Daniel Vidart entre otros, conjuntamente con los análisis de Beatriz Sarlo y Ricardo Piglia en lo que se refiere al universo literario borgiano.

Orientador: Edmundo Pacheco Hora / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T20:22:36Z (GMT). No. of bitstreams: 1 Abreu_AlexandreJosede_M.pdf: 3281072 bytes, checksum: 5500b7643758c917f2a8930d10890e1b (MD5) Previous issue date: 2010 / Resumo: A presente dissertação estuda a trajetória do maestro José Pedro de Sant?Anna Gomes (1834-1908), sua atividade como musico e regente na cidade de Campinas durante a segunda metade do século XIX, e sua importância para a atuação das bandas de música que se estabeleceram na cidade no mesmo período. A dissertação apresenta a inter-relação estabelecida entre o trabalho do maestro e a atividade das bandas, destacada pela larga esfera de atribuições do primeiro e a complexa extensão social da segunda. Fontes diversas foram utilizadas: relatos de cronistas, o repertório de Sant?Anna Gomes para a formação de bandas de música, além de dados referentes à atividade musical exercida na cidade de Campinas durante o século XIX. Primeiramente, o trabalho apresenta uma breve biografia do compositor e maestro Sant?Anna Gomes destacando aspectos representativos de sua atuação. Em seguida, o trabalho aborda assuntos relacionados à atividade das bandas na cidade, fazendo uma extensa análise de suas atribuições. Neste sentido, incluímos aspectos urbanísticos e sociais interpretados como mudanças que alteraram o caráter da cidade, assim como, destacamos os diversos segmentos sociais que contaram com a atividade das bandas. Por meio deste enfoque, sugerimos a importância do estabelecimento de um "gosto? comum, norteando o repertório das bandas e contribuindo para uma maior "permeabilidade? em meio a segmentos tão distintos. Finalmente, o trabalho apresenta as quatro obras originais de Sant?Anna Gomes para a formação de bandas: Valsa Club Campineiro, Quadrilha Club Semanal, Polka Sem Fim e Polka Filuta e estabelece sua importância dentro do momento histórico-cultural no qual se inserem. Como anexo, o trabalho inclui, igualmente, a edição das quatro obras apresentadas / Abstract: This dissertation aims at looking at the paths taken by conductor José Pedro de Sant?Anna Gomes (1834 - 1908); his activity as musician and conductor in the city of Campinas during the late nineteenth century, and at presenting the relevance of his work for the activity of music groups that were formed in the city during the same period. The investigation shows the inter-relationship established between the conductor?s work and the activities of the groups, highlighted by the wide scope of the former?s work, and the latter?s complex social environment. Several sources have been used: chronicles by travelling reporters, Sant?Anna Gomes?s repertoire for the formation of bands, besides data referring to the music activity in Campinas during the nineteenth century. In terms of organization, the paper first presents a brief biography of Sant?Anna Gomes underlining important aspects of his works. Secondly, this work focuses topics pertaining to band activities in the city, extensively analyzing several aspects. Here, we have included social and urban aspects that have been interpreted as relevant to the changes that the city underwent, as well as the several social sectors that had music bands. By following this line of thought, we suggest the importance of a common taste, directing the music band?s repertoire and contributing to greater "permeability? despite such different sectors. Lastly, this dissertation presents the four original pieces for band instrumentation by Sant?Anna Gomes: Valsa Club Campineiro, Quadrilha Club Semanal, Polka Sem Fim e Polka Filuta, and establishes their importance within the cultural-historical period in which they are set. As part of the appendix, the paper also includes the four pieces here studied / Mestrado / Mestre em Música

Orientador: Edgar Salvadori de Decca / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-22T13:21:27Z (GMT). No. of bitstreams: 1 Schiavinatto_IaraLis_D.pdf: 18794450 bytes, checksum: 5221f102b68fdddc7aa222658b6c04f4 (MD5) Previous issue date: 1997 / Resumo: Não informado. / Abstract: Not informed. / Doutorado / Doutor em História

It is the purpose of this paper to explore how Morris' novel relates to life in Twin Oaks, primarily as depicted in two books: Living the Dream (1983) by Ingrid Komar, a long-term visitor to the commune and Kinkade's Is It Utopia Yet? (1996). This comparison will demonstrate that the experiences of contemporary intentional communities such as Twin Oaks provide a meaningful context for reading News from Nowhere because of the similarities in goals and philosophy. It will further demonstrate that though Twin Oaks was originally inspired by a utopian novel much more in the tradition of Bellamy's work than Morris', the community's subsequent evolution has brought it much closer in philosophy to News from Nowhere than Looking Backward.

Xylose is an unusual nectar sugar found in the nectar of Protea and Faurea (Proteaceae). Since nectar composition is an important floral characteristic in plant strategies for ensuring reproductive success, the unexplained presence of xylose in Protea nectar prompted this study of the interaction between pollinators and Protea species. Among pollinators that visit Proteaflowers in the south-western Cape Floral Kingdom, South Africa, insects and birds show an aversion to, and are poor assimilators of, xylose, whereas rodents such as Namaqua rock mice Aethomys namaquensis are the only pollinators so far shown to consume xylose willingly, and are able to obtain metabolic energy from this sugar. Mammalian tissues are not capable of catabolizing xylose efficiently, but certain gastrointestinal microflora are, through a process of fermentation which produces short-chain fatty acids used by host animals in oxidative metabolism. I explored mechanisms enabling Aethomys namaquensis to utilize xylose, in particular, the role of resident intestinal microflora in this process. Chapter One discusses pollination syndromes and the definitions thereof, mammal pollination, with particular reference to Australia and South Africa, and explains the rationale behind the questions addressed in this thesis. To assess xylose utilization in wild-caught mice with and without their natural gastrointestinal microflora, an antibiotic treatment was developed (Chapter Two). The veterinary antimicrobial agent, Baytril 10% oral solution, was found to be effective in significantly reducing gut microflora in animals on a four-day treatment protocol. The protocol developed here reduced the gut microflora sufficiently for subsequent experiments comparing xylose utilization in mice with and without intact microflora. Xylose utilization was assessed using 14C-labelled xylose (Chapter Three). Rock mice were caught during Protea humifloraflowering and non-flowering seasons, and fed 14C-labelled xylose. Exhaled CO 2 and excreted urine and faeces were collected, and label recovery determined. These experiments showed that xylose-utilizing bacteria in the rock mouse gut are very important for xylose utilization. More efficient xylose utilization during the flowering season suggests that this component of the gut microflora is inducible. Culturable gut microflora were then isolated from rock mouse faecal and caecal samples, assessed for xylose utilization to identify positive xylose-fermenters and classified by 16S rRNA based taxonomy (Chapter Four). Faecal isolates were Lactobacillus murinus and Enterococcus faecium, and caecal isolates were three Bacillus species, Shigella boydii, one Arthrobacter species and two fungal isolates from Aspergillus and Penicillium genera. The types and concentrations of short-chain fatty acids arising from xylose fermentation by caecal microflora were measured using gas chromatography. The fatty acid profile produced by rock mouse gut microflora is similar to that for other animals that rely on gut microbial fermentation to produce fatty acids then used in oxidative metabolism. Chapter Five concludes with a discussion of possible explanations for the presence of xylose as a nectar sugar, its ecological significance, and the relevance of the fermentative capacity of pollinator digestive systems for xylose utilization in animals. / Thesis (PhD (Zoology))--University of Pretoria, 2007. / Zoology and Entomology / unrestricted

El desarrollo de la ciudadanía a lo largo del siglo XIX será una de las grandes obsesiones por parte de la clase política peruana, se realizaron interrogantes sobre quienes encajan en esta categoría, como considerarlos, que requisitos se han de tener. La investigación tendrá como uno de sus temas el desarrollo de esta variable de la ciudadanía, que a su vez influencia en el desarrollo de la Convención Nacional de 1855 y en la Constitución de 1856. Pero esta construcción también va de la mano con el desarrollo de la opinión pública; que de hecho esta concatenado con la prensa escrita, ambas variables estudiadas logra tener un impacto sobre la población que busca obtener la ciudadanía, de allí las repercusiones que están tengan en el desarrollo de la presente investigación. / Tesis

Der Autor berichtet über die immer zu wenig beachtete Quellengattung der historischen Gästebücher in Schlössern, die ebenso überraschende wie vielfältige Einblicke in die Kulturgeschichte bieten. Am Beispiel der im Weesensteiner Gästebuch nachweisbaren Personen aus Schwarzburg-Sondershausen zeigt er die allgemeine Bedeutung auf. Dabei umreißt er das Profil der verzeichneten Besucher und die Bedeutung des aufgesuchten Ortes für diese Personen. Die schrittweise Aufarbeitung des Gästebuches bleibt als Aufgabe bestehen.

En este trabajo centraremos nuestra investigación en el conjunto de propuestas y criticas al modelo liberal imperante desde su labor periodística. Para ello, tomaremos como modelo de análisis uno de los trabajos más representativos al respecto. “Estudios sobre la provincia de Jauja”, de Manuel Pardo.

Classé sur la première liste des monuments historiques et premier édifice civil à bénéficier d’une restauration ordonnée et financée par l’État, le château de Blois voit se succéder, dès 1843, deux chantiers de réhabilitation respectivement dirigés par Félix Duban (1797-1870) et Anatole de Baudot (1834-1915). Remarquable synthèse de l’histoire de l’architecture française, le château est aussi le terrain d’expérimentation de diverses conceptions, méthodes et techniques de restauration qui, apparaissant au XIXe siècle, animent le débat national au centre duquel se place Viollet-le-Duc. L’inventaire et l’analyse inédits du fonds lapidaire du château de Blois, collection à laquelle sont associés les études, modèles avant exécution et moulages en plâtre des motifs décoratifs avant restauration, permettent de renouveler les connaissances sur le décor sculpté des ailes Louis XII et François Ier. Grâce à la mise en perspective des plâtres, des pierres déposées, des façades actuelles, des sources manuscrites et iconographiques, cette étude révèle les spécificités de chacune des deux restaurations, leur opposition et leur complémentarité. Elle met en évidence deux perceptions différentes de la Renaissance et la façon dont elles sont traduites dans la pierre par les architectes du XIXe siècle. Le château de Blois est ainsi un chantier-modèle, tant par l’exemplarité des restaurations dont il est l’objet que par l’intégration, assumée, du XIXe siècle à son histoire / Classified on the first list of “Historic Monuments” and the first civil building to have its restoration requested and funded by the French State, the Chateau of Blois was the object of two renovation programmes starting in 1843 and respectively supervised by Félix Duban (1797-1870) and Anatole de Baudot (1834-1915). An outstanding synthesis of the history of French architecture, the chateau was also the experimenting field for various techniques, methods and approaches of restoration appearing in the 19th century and stimulating the national debate, in which Viollet-le-Duc played a major role. These unique inventory and analysis of the lapidary collection of the Chateau of Blois, to which are added the studies, the mock models, and the plaster casts of the decorative patterns before their restoration, allow to renew the knowledge about the carved décor of the Louis XII’s and the Francis I’s wings. This study puts into perspective the plaster casts, the stones taken off the facades, the present facades, the manuscript and iconographic sources, and it hereby brings to light the specificities of each restoration campaign, their differences and their complementarity. It highlights two different perceptions of the Renaissance and the way they were expressed in the stone by the 19th-century architects. Thus, thanks to its exemplary restoration and the way it integrated the 19th century into its own history, the Chateau of Blois acts as a true model for restoration campaigns