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La genèse de "Dialogues des carmélites"Murray, S Meredith. January 1900 (has links)
Thèse--Fribourg. / Includes bibliographical references (p. 171-174).
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"Deutsche Stunde" Volksgemeinschaft und Antisemitismus in der politischen Theologie bei Paul AlthausHetzer, Tanja January 2007 (has links)
Zugl.: Brighton, Univ., Diss., 2007 / Hergestellt on demand
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José Saramago: leitor de Pessoa, autor de Ricardo ReisSoares, Maria Antonia [UNESP] 01 March 2005 (has links) (PDF)
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soares_ma_dr_assis.pdf: 486151 bytes, checksum: dc454bd34db10419d7ad2f67fcd29fce (MD5) / O trabalho pretende analisar o processo criativo do escritor português José Saramago, com vistas a demonstrar como Saramago assimila e transforma as matérias lidas e converte-as em escrituras, caracterizando-as como releituras com alta literariedade. Para dar conta desse objetivo adotamos uma perspectiva téorico-metodológica ampla e flexível, recorrendo às contribuições das teorias bakhtinianas sobre a intertextualidade e da Estética da Recepção, que nortearão este estudo e, como texto produzido pelo escritor, o romance O Ano da Morte de Ricardo Reis. Para atingir este propósito, tornou-se necessário um estudo detalhado da condição desse autodidata atingir, em um alcance máximo, a artisticidade literária pelo viés da linguagem oralizante, permeada de ironia e denúncia social, para tentar perceber os ecos polifônicos das leituras que se aglutinaram para representar, por meio de escritura, a concretização de uma obra inovadora. / This work aims at analyzing the creative process of the Portuguese writer José Saramago in order to show how Saramago assimilates and turns all topics he rereads into great literary works, by making them literature of high quality. In order to reach that goal, the novel O Ano da Morte de Ricardo Reis, a text produced by Saramago, was selected as the main object of this study. First, an expressional route made by Saramago is traced in the search of a textual framework which shows the way to see and feel the world - a real scripture. To reach this objective, it was necessary to accomplish a detailed study to realize how this self-taught person came to be a remarkable writer in literature through the oral language, full of irony and social denouncement to try to perceive the polyphonic echoes of the reading, which agglutinated to present by, means of scripture, the concretion of an innovator work.
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La carnavalización del lenguaje por medio del humor en la ortografía en algunas greguerías de Ramón Gómez de la SernaVargas Vargas, Juan Francisco 12 September 2013 (has links)
Tesis
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El viaje de Reis: de Pessoa a SaramagoIturrieta Leal, Claudia January 2010 (has links)
No description available.
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Fernando Pessoa: Posibilidad para la filosofía actual: Ficción y DespersonalizaciónGuerrero Chinga, Alex January 2009 (has links)
No description available.
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Text and sub-text in T.S. Eliot : a general study of his practice, with special reference to the origins and development through successive drafts of 'The Confidential Clerk'Barr, A. F. M. Abdul January 1985 (has links)
This thesis explores Eliot's allusive method, that is his use of Judaeo-Christianity with its analogues (and sometimes sources) in pre-Biblical primitive myths and legends. The first chapters study The Confidential Clerk and the draft material of the play which contains overt allusions-subsequently expurgated - to Sargon and Dionysos'as pre-Biblical archetypes of Moses and Christ respectively. I discuss the growth and development of the two legends of Sargon and Dionysos and their Biblical counterparts through successive drafts of the' play. In adapting the Sargon-Moses legend, Eliot was influenced by Sigmund Freud and Sir James George Frazer who both believed that the legend of Moses's birth and early life closely resembles that of his Babylonian predecessor, Sargon of Accad, which the Hebrews imitated. In adapting, on another level of the play, the Dionysos-Christ legend, Eliot was in debt of Frazer and. John M. Robertson who have persuasively shorn the shaping influence of Dionysos and the Dionysos religion upon the Founder of Christianity and the Christian system. I have used the same approach in studying the other plays of Eliot, The same pattern,ie.,the adaptation of a pre-Biblical legend which has its counterpart in the Bible is to be found in The Family Reunion in which Eliot drew upon the Babylonian epic of Gilgamesh from which he adapted the pre- Biblical legend of the Fall and the deluge story. For the minutiae of these legends in the epic of Gilgamesh and their Old Testament parallels Eliot is indebted to Alfred Loisy, the French Modernist theologian who explains the Genesis in terms of Babylonian mythology. In writing. The Cocktail Party, Eliot went to The Golden Ass of Apuleius, an anti- Christian work, from which he transformed the pre-Biblical legend of Isis, the forerunner of the Virgin Mary, as well as other motifs. Finally The Elder Statesman, Eliot's last play, adapts the pre-Biblical legend of Ahriman, an archetype of the Biblical story of Satan and the concept of evil in the Old Testament. But I have not included this play in my thesis, although I have investigated it, because of limitations of length, and also because the connection of text and sub-text in The Elder Statesman is less significant than that in the other plays.
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Modernity and subjectivity: an intertextual analysis on Hamlet and Long Day's Journey into NightUlloa Alcántar, Javier January 2014 (has links)
Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa
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Poética do fragmentário : a escritura-processo em Fernando Pessoa / Bernardo Soares e em Woody AllenSouto, Andrea do Roccio January 2005 (has links)
No que diz respeito ao processo criativo respectivamente de Fernando Pessoa e de Woody Allen, um olhar comparatista panorâmico pode conduzir à idéia de que o primeiro fragmenta-se a si próprio em diferentes olhares e vozes, das quais aqui nos interessa, especialmente, o semi-heterônimo Bernardo Soares; o segundo estilhaça seu olhar em vários filmes. Tanto na filmografia de Allen, como no Livro do desassossego, não se configura uma demarcação limitada e limitadora nem de tempo nem de espaço. Há uma escritura-processo que se caracteriza pelo deslocamento, pelo desdobramento e pelo conseqüente estilhaçamento que multiplica. Essa mobilidade é justamente o que possibilita a disseminação – que se concretiza, especialmente, na fragmentação emergente da prosa poética e do texto fílmico, na pulverização da voz e no esfacelamento do sujeito enunciador.
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Eugene O´Neill: Anna Christie - komplexní scénografický projekt a osobní rozbor hry / Eugene O'Neill: Anna ChristieForstová, Anna January 2015 (has links)
Theoretical part of my thesis is focused on work of the American playwright Eugen O'Neill, specifically his drama Anna Christie.
On the basis of the text of the drama I did try to make an insight into the story and analysis of the characters of the main protagonists. I hereby present my own analysis of the work, timeframe atmosphere, study of the archetypes and places, where the story took place. I try to catch up the poetic atmosphere created by the endless of the sea. For better understanding I am amending the study for factual information which describes life stories of the main protagonists even beyond the horizon of the playwright.
I am as well presenting selected productions of the Anna Christie's and compare their visual adaptation with my own conception of it. I am describing and explaining my own approach to the scenographic conception of this play. In explication part I am focusing on practical part of my thesis and other assignments I worked on during my master's study.
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