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Horizontes éticos : o cuidado como possibilidade de ser-no-mundoMello, Luciana Soares de 26 September 2013 (has links)
A presente dissertação, Horizontes éticos: o cuidado como possibilidade de ser-no-mundo,
tem o objetivo de refletir e estabelecer exemplificações sobre a noção de
cuidado em Heidegger. O cuidado a ser interpretado parte de uma perspectiva da
analítica existencial nos níveis, ôntico e ontológico, procurando construir horizontes
éticos, através do método hermenêutico. A interpretação do cuidado tem como base
teórica as obras de Heidegger: Ser e tempo e Carta sobre o humanismo. Ressaltase
que, isso não significa que outras obras de Heidegger não sejam utilizadas no
decorrer destas reflexões; apenas salientaremos a ênfase argumentativa em torno
das duas citadas. A base argumentativa surge da seguinte indagação: Existe a
possibilidade de averiguações de horizontes éticos em suas reflexões acerca do
ser? Parti-se da hipótese de que são possíveis, por meio de estudos já existentes
acerca da temática. Diante da característica marcante das obras de Heidegger,
desvendarem questionamentos referentes ao ser e a crítica à sociedade do seu
tempo no âmbito de seu modo de ser. Este trabalho dissertativo busca também
estabelecer a aplicabilidade de suas teorizações no contexto da sociedade
contemporânea, em que a ascensão da ciência compartimental, ainda é paradigma
dominante. Nesta contextualização, quer-se demonstrar a importância das reflexões
do pensador no âmbito da natureza, estabelecendo um dialogismo interdisciplinar
entre os saberes humano, prático e teórico, pois Heidegger percebeu que a falta de
cuidado foi um estigma da sociedade, em que ele viveu, no século XX, em que a
guerra e ascensão das ciências técnicas eram os paradigmas dominantes. Diante do
fato de que algumas constatações, verificadas pelo pensador, no século XX, acerca
da sociedade tecnológica, ainda estarem presentes nos dias de hoje, percebe-se a
importância de suas reflexões para um convívio harmônico, afetivo e cooperativo em
sociedade. / This entitled dissertation, Ethics horizons: the care as the possibility of being- in- the
world, aims to reflect and establish exemplifications on the notion of care in
Heidegger. The care will be interpreted from the perspective of the existential analytic
levels, ontic and ontological, seeking to build ethical horizons through hermeneutic
method. The interpretation of care is based on the theoretical ideias of Heidegger:
Being and Time and the Letter about Humanism. We emphasize that it does not
mean that other Heidegger´s ideas are not used in the course of these reflections, we
only highlight the argumentative enphasis around the two mentioned ideias. The
basis of argument arises from the following question: Is there the possibility to
investigate the ethical horizons in your reflections about being? We started from the
hypothesis that it is possible through existing studies about the theme. Given the
striking feature of the Heidegger´s ideas, questions relating to unravel and be critical
to society of their time within their way of being. This dissertation also seeks to
establish the applicability of their theories in the context of contemporary society, in
which the rise of science compartment, is still the dominant paradigm. In this context,
we want to demonstrate the importance of Heidegger´s reflections within nature,
interdisciplinary setting a dialogism between human knowledge, practical and
theoretical because Heidegger realized that the lack of care was a stigma of the
society in which he lived, in the twentieth century, when the war and the rise of
technical sciences were the dominant paradigms. Given the fact that some findings,
verified by Heidegger in the twentieth century, about the technological society, are
still present nowadays, we see the importance of his reflections for a harmonious
coexistence, affective and cooperative society.
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Répétition et destruction dans Sein und Zeit de HeideggerLeduc, Alexandra January 1998 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Le concept de "phénomène" dans Être et le temps de HeideggerRoy, Martin January 1999 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Ouverture et vérité dans Être et temps de Martin HeideggerSchürch, Franz-Emmanuel January 1999 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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A Crushing Truth for Art: Martin Heidegger's Meditation on Truth and the Work of Art in Der Ursprung des KunstwerkesKnudsen, Donald L. January 1987 (has links)
No description available.
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Relationships with others : insights from the work of Martin Heidegger for feminism, ethics and careBowden, Peta Lyn January 1987 (has links)
No description available.
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A arte e o pôr-se-em-obra da verdade na filosofia de Martin Heidegger / The art and the setting up of work-in-fact in the philosophy of Martin HeideggerSiqueira, Ana Carla de Abreu January 2014 (has links)
SIQUEIRA, Ana Carla de Abreu. A arte e o pôr-se-em-obra da verdade na filosofia de Martin Heidegger. 2014. 109f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Filosofia, Fortaleza (CE), 2014. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-10-20T16:08:41Z
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Previous issue date: 2014 / The main aim of this dissertation is to state that the truth is set in artworks. We use the perspective of Martin Heidegger as the base of our argument. Firstly, we display how Heidegger interprets aesthetical themes and their key concepts. After questioning art as mimesis, Heidegger inspects the course of inputting art in the horizon of aesthetics. His investigation lengthens the Nietzsche’s thought that while maintaining the aesthetic debate around the subjects who contemplate the art subject; one would not have meditated on the artwork itself. Then, we follow promoting a review of the conference The Origin of the Work of Art’s guiding concepts, when the philosopher analyzes the origin as a founding leap. By situating artworks in a site where they are considered further than ordinary things and utensils, it gives them the character of carrying within themselves the time of a historical people. Finally, we analyze the deconstruction of truth as suitability, interpreting it as unconcealment, the recognition consisted in the removal of an entity’s veiling. The truth would be conquered in the struggle between World and Earth, that which is manifested against that which is hidden. This tension is effected in the artwork, be it figurative, architectural or poetic. Without the intention of drafting a new artistic theory or placing it in an aesthetic, Heidegger believed that art is essentially a originator and foundation of the truth. / O propósito geral desta dissertação consiste em defender, sob a perspectiva de Martin Heidegger, que a verdade põe-se em obra na arte. Em um primeiro momento, mostramos como Heidegger interpreta os temas da Estética e seus principais conceitos. Após questionar a arte como mímesis, ele examina o processo de entrada da arte no horizonte da Estética. Sua investigação se estende ao pensamento de Nietzsche que, ao manter o debate estético em torno do sujeito, não teria meditado sobre a própria obra. Em seguida, promovemos uma revisão dos conceitos norteadores da conferência A Origem da Obra de Arte, quando o filósofo analisa a origem como um salto fundador. Ao situar as obras de arte em uma posição além das meras coisas e dos utensílios, confere a elas o caráter de resguardar em si a época de um povo histórico. Por fim, iniciamos uma análise da desconstrução da verdade como adequação, interpretando-a como desvelamento, que consiste na retirada de um ente do velamento. A verdade seria conquistada no combate entre Mundo e Terra, o que está manifesto e oculto. Essa tensão é efetivada na obra de arte, seja figurativa, arquitetônica ou poética. Sem a pretensão de esboçar uma nova teoria artística ou de se situar em uma Estética, Heidegger acredita então que a arte é essencialmente uma origem compositora e instauradora da verdade.
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Relationships with others : insights from the work of Martin Heidegger for feminism, ethics and careBowden, Peta Lyn January 1987 (has links)
No description available.
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From an epistemology of unerstanding to an ontology of understanding: Heidegger’s hermeneutical shift / From an epistemology of understanding to an ontology of understanding: Heidegger’s hermeneutical shiftBoleko, Bienvenu Benketo 10 1900 (has links)
Text in English / The current investigation explores the possibility of surpassing or subordinating epistemology to ontology by focusing on the hermeneutics of Heidegger. Based on his works, which consider the understanding as a way of being and therefore offering the foundation for all knowledge, this study will underline the decisive shift concerning the question of being (l’être) in the works of modern hermeneutics fathers.
A critical move made by Heidegger's philosophical perspective underlines the epistemology of understanding. The question of the ontology of understanding is investigated differently from his predecessors Schleiermacher and Dilthey, and culminates in a revolution in hermeneutics. The understanding is not knowledge, but a behavioural Dasein. His main contribution to hermeneutics consists of subordinating the methodological and epistemological questions to the ontological ones. The problem of understanding is no longer linked to “other” but is extended to the world. There is therefore a mundanisation of understanding, which overlaps its depsychologisation. Understanding is a mode of being of Dasein that extends in interpretation, which leads to language. The interpretation is only a development of understanding, which is articulated in language. The phenomenological method and critical analysis are used for this investigation. / Philosophy, Practical and Systematic Theology / M.A. (Philosophy)
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L'évolution du concept de vérité et l'interprétation critique de Platon chez Heidegger de 1927 à 1943Côté, Gabriel 27 September 2018 (has links)
Ce mémoire se donne pour objectif de montrer le lien entre le développement de la thèse de Martin Heidegger au sujet de l’essence de la vérité et son interprétation critique de la philosophie de Platon au cours de la période du « tournant ». Pour ce faire, nous retracerons dans une première partie la genèse de la thèse heideggérienne sur l’essence de la vérité d’Être et Temps (1927) à « De l’essence de la vérité » (1930). Nous nous intéresserons ensuite dans une deuxième partie aux diverses interprétations de Heidegger de la philosophie de Platon entre 1931 et 1943. Nous chercherons alors à montrer la complémentarité de ces interprétations par-delà leurs nombreuses différences. L’ensemble de ce parcours fera ressortir que la matrice de l’évolution de la thèse de Heidegger sur l’essence de la vérité réside dans l’évolution de son rapport à Platon, lequel vacille toujours entre l’admiration et la reconnaissance d’une dette, et la nécessité d’un dépassement.
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