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白薇（1894-1987）被譽為最優秀的中國現代女劇作家，她的劇作除對五四風潮內的核心議題有深刻反思，亦有不少超前於同代作家的創作嘗試。但可惜的是，她的劇作因其晦澀而狂放的風格而未有在當世的社會急務中獲得理解，藝術上又與旗幟鮮明的現實主義相頡頏，而少數關注她的研究者亦對其劇作的獨異之處存有不少誤解，故她真正的創作貢獻暫時仍隱沒於文學史背後。 / 「愛情」和「革命」是白薇文學創作的兩大面向，也是歷來研究其生平與文學轉向關係的焦點，但「倫理」亦同是她所著力書寫的議題，在回應自身家庭與社會問題之餘，同時叩問愛情與革命的應然性。本論文以此三項為座標，選取《琳麗》、〈打出幽靈塔〉和〈革命神的受難〉為主要研究對象，輔以其他相同題材的作品，揭示當中罕見的愛情哲學、倫理羈絆和革命諷諭。通過再探白薇之戲劇創作的熱情與理性、現實與想像，重新審視劇作蘊涵的細密思辯、藝術創新與人文關懷，為已有定評的白薇戲劇藝術提出新的分析和見解。二十年代少數作家對現代戲劇宣傳功能的突破，以及個人浪漫追求在社會現實主義洪流中的掙扎和消隱的問題，在白薇戲劇再探中可開展新的方向。 / Bai Wei (1894-1987) is known as the most outstanding Chinese modern female playwright. Her plays have embedded profound reflections upon core values of the May Fourth Era, and have displayed a variety of creative attempts which are way beyond the reach of other playwrights from the same generation. Regrettably, the obscure and wild style of her plays have precluded them to be understood by peers of the same epoch, as these plays were presumptuous and prematurely considered irrelevant to the social imperatives. And while compared to the clear-cut stance of realism, Bai Wei’s plays had antagonistically overshadowed. Moreover, misconceptions upon characteristics of Bai Wai’s drama have also been made by the few researchers who had paid attention to her. As a result, the distinguished achievements of Bai Wei are still temporarily buried in the literary history. / ‘Revolution’ and ‘Love’ are the two major aspects of Bai Wei’s literary writing, and they have long been focus of research on her life and on the shifting of direction in her literary career. However, ‘Ethics’ has also been a major concern of Bai Wei, for apart from responding to ethical issues regarding family and society, she had also provoked meditations on the suitability of love and revolution. Based on the three themes mentioned, this present study will conduct in-depth analysis on her three prominent plays, including Linli, Dachu Youlingta (Breaking out of the Ghost Tower) and Gemingshen de Shounan (The Suffering of the The Revolutionary God), complemented by investigations on works of the same motifs, with aims to reveal the philosophy of love, ethical restraints and revolutionary allegory rarely found in other plays. / By clarifying the correlation of passion and rationality, as well as the cluster of reality and imagination encompassed in Bai Wei’s drama, this study strives to re-examine the fine speculations, artistic innovations and humanistic care captured in her dramatic vision. This study sought to provide new insights on interpretations of Bai Wei’s plays, and to reiterate the significance of her endeavors, on top of the fixed impressions created by previous critics. Through the re-examination of Bai Wei’s drama, this study will also contribute to the enrichment and extension of the researches on the breakthroughs of theatrical conventions for drama to be served as tools of enlightenment and political manifestation which were facilitated by a minority group of playwrights in the 1920s, as well as on the struggles and termination of personal romantic pursuits under the overidding trend of realism across the Chinese society during the early Republican period. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 姜曉敏. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 211-226). / Abstracts in Chinese and English. / Jiang Xiaomin.

許經豪. / 手稿本, 複本據手稿本影印. / Thesis (M.A.)--香港中文大學中國語言及文學學部. / Shou gao ben, fu ben ju shou gao ben ying yin. / Includes bibliographical references (leaves 535-562). / Xu Jinghao. / Thesis (M.A.)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu. / Chapter 第一章 --- 緒言 --- p.1-35 / Chapter 第二章 --- 「圖形文字」隸入正編新增字頭考辨 --- p.36-111 / Chapter 第三章 --- 第三版《金文編》「附錄下」字隸入正編新增字頭考辨 --- p.112-312 / Chapter 第四章 --- 第三版《金文編》正編字形隸入正編新增字頭考述 --- p.313-524 / Chapter 第五章 --- 總結 --- p.525-529 / 引用書目簡稱表 --- p.530-534 / 參考書目 --- p.535-547 / 參考論文目 --- p.548-562

Since Celine's death, the pamphlets he wrote at the beginning of World War II always presented great difficulties for those who studied him. But in the last few years, for various reasons the pamphlets have stirred up researcher's interest. Following this movement, this thesis is an attempt to integrate these pamphlets to the prose of the author of Journey to the End of the Night in a general pattern of analysis. / In order to do this analysis, is developed an hermeneutic model of analysis which divides Celine's work into a poetical investigation and a polemic pursuit that demonstrate that these two genres use the same rhetorical strategies. / Part I of this thesis investigates the distinct rhetoric used by Celine in mixing poetry and polemic. Part II examines the poetic investigation and the polemic pursuit separately, Celine having separated these two genres after Journey to the End of the Night. / Without eliminating the differences between poetry and polemic, this thesis aims at demonstrating the continuity and coherence of Celine's work which is particularly well suited for putting an hermeneutic model of analysis to the test because it is a work that is torn more than any other between the ravishing and the horrific, between the beautiful and the terrifying. And that is where in this profound humanity Celine's work is so rich in interpretation.

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This thesis explores Joseph Roth's image of the Habsburg Empire es depicted in two of his works, namely Radetzkymarsch (1932) and Die Kapuzinergruft (1938).

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