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Céline dans les PamphletsDelguste, Christian January 1982 (has links)
Note:
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The growth and interrelations of political groups and parties in Russia, 1898-1906Treadgold, Donald W. January 1949 (has links)
No description available.
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A HARMONIC ANALYSIS OF SELECTED PIANO MUSIC OF EMMANUEL CHABRIER.Telesco, Paula Jean. January 1985 (has links)
No description available.
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Dooyeweerd's Theory of Public Justice: a Critical ExpositionChaplin, Jonathan 06 1900 (has links)
Permission from the author to digitize this work is pending. Please contact the ICS library if you would like to view this work.
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Out of my country and myself I go : a critical examination of the fiction of Robert Louis StevensonClunas, Alexander B. January 1983 (has links)
The idea we have of a literary tradition is not a matter of fixity. In a living language the canon is continually being added to and therefore, to the extent that the tradition is present to us and simultaneous with us, liable to be changed by new work. Fresh contributions, innovative of necessity, realign our picture of the past and, above all, redefine it. Writers, to paraphrase Jorge Luis Borges, create their own ancestors. So it is that a hitherto peripheral writer or a form considered "low" may be reassessed and enlisted in the perpetual struggle with narrative forms. Just this is the case of Robert Louis Stevenson (1850-94) whose experimental transformations of a number of genres of fiction have an almost exemplary status at the present time. Meanwhile, Vladimir Nabokov's lectures on Dr Jekyll and Mr Hyde and Borges' ubiquitous remarks on the Scots writers illuminate both his work and theirs. ' He is now an ancestor and requires the consideration of all who are interested in the continuing life of storytelling. From the point of view of literary criticism, the shifting tradition consists first and foremost only of literary works and not of a philosophy of literary form or of any ideas originating outside the realm of literature itself. The language which criticism uses to speak about the novel, for example, will derive from specific novels. At the same time it is engaged in selecting those very novels which will constitute its values. The language the critic uses to describe some kinds of fiction can seem absolute, when in actual fact it is simply the case that his language is suitable for describing one kind and is inappropriate to another.
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Die vroulike beginsel in die kuns van Irma Stern30 July 2015 (has links)
M.A. (Fine Arts) / The predominant artistic motif in the art of Irma Stern is the fecale figure. Stern prefers certain "types" of females in her art - that of young girls, of adolescents, of female workers, of nudes, of brides, of mature women and of mothers. This dissertation aims to show that these different motifs are not isolated, but rather interrelated to elicit a holistic symbolic syntax in the art of Stern. The symbolic relevance is extended with regard to her personalized world and with regard to the world around her. In Chapter 1 the female figure is analysed in terms of its forma7 qualities and the types of motifs in the art of Stern are juxtaposed with the characteristic types of motif preferred by the German Expressionists. It is noted that the female figure in the art of Stern is closely associated with the cultivation of the land - so much so that a cycle emerges which includes such activities as planting, bearing fruit and harvestirg. Other motifs such as young girls, adolescents and mature women indicate a cycle in the physiological as well as psychic development of the female. In Chapter 2 the symbolic meaning of the motifs is discussed in terms of the cultivation cycle of the land and the cycle tracing the deveThpment of the female. A corollary is also established between the female's role in the cultivation of the land and the female's own development. Chapter 3 examines the symbolic relevance of the art of Stern in terms of her ontogenetic development as human being in relation to society and in terms of the phylogenetic development of society itself. The relevance of the female principle in the art of Stern is evauated in terms of the above approach in the final chapter.
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Vladimir Mayakovsky : the language of revolutionCarrick, Rosy Patience January 2017 (has links)
My thesis addresses two significant misrepresentations in western criticism and translation of Mayakovsky that have developed since his death in 1930: his diminished status as a Marxist poet; and his negative attitude towards everyday life (byt). Part One (‘Mayakovsky and Marxism') contests the consistent refusal in the west to acknowledge Mayakovsky as a Marxist poet and demonstrates instead, through a close examination of the specific terminology used in certain essays and poems by Mayakovsky in relation to that used by Karl Marx in Capital, not only that the poet is keenly engaged with and influenced by Marxist theory, but that he uses that theory explicitly to describe and imagine the production of ideal communist writing. Part Two (‘Mayakovsky and Byt') contests the widespread western characterisation of Mayakovsky as a misogynist whose hatred of domesticity in all its forms has long been accepted as fact. At the heart of this characterisation is the Russian concept of byt (everyday life), which has been systematically misunderstood and mistranslated in relation to Mayakovsky. Through a study of the complex cultural, political and social developments of this concept in early Soviet Russia, alongside the collation of my own translations of twenty-nine never-before-translated poems by Mayakovsky on the subject of byt, this part of the thesis presents a radical and feminist perspective of the poet as a vocal proponent of equality and revolution in everyday life. Both contestations represent the first sustained studies of their kind in English, and – in the case of Part Two in particular, which is the first of its kind in any language – constitute significant and challenging contributions to Mayakovsky scholarship.
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Niveaux de langage dans Voyage au bout de la nuit de L.-F. Céline.Robitaille, Yves Georges Louis January 1972 (has links)
No description available.
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A philosophical investigation of Helmholtz' theory of perceptionWindes, James Dudley, 1937- January 1963 (has links)
No description available.
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Niveaux de langage dans Voyage au bout de la nuit de L.-F. Céline.Robitaille, Yves Georges Louis January 1972 (has links)
No description available.
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