Orientador: Jose Dias Sobrinho / Dissertação (mestrado)-Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-07-13T21:38:11Z (GMT). No. of bitstreams: 1 Fernandes_AngelaVianaMachado_M.pdf: 22792992 bytes, checksum: 114ce8161bb4fef99b38f06e2380eb3c (MD5) Previous issue date: 1990 / Mestrado

Orientador : Angel Pino Sirgado / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-07-15T20:07:43Z (GMT). No. of bitstreams: 1 Lajonquiere_Leandrode_D.pdf: 16586986 bytes, checksum: d3e2cc63cbaa8e36fae689c75ae9d2c1 (MD5) Previous issue date: 1992 / Doutorado / Psicologia Educacional / Doutor em Educação

Orientador : Rosaria Maria Ribeiro de AraGão / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-07-19T11:38:58Z (GMT). No. of bitstreams: 1 Marques_CarmenSilviaRamalho_D.pdf: 17049860 bytes, checksum: 00ff63625d5465dd7ec411490a478a44 (MD5) Previous issue date: 1994 / Resumo: O presente trabalho busca reconstituir a história da escola Oca dos Curumins, situada em São Carlos, interior do Estado de São Paulo, cujo projeto pedagógico inspirou-se nos princípios da Pedagogia Freinet. Nessa perspectiva, objetivamos evidenciar as contribuições possíveis de uma ação educativa como essa para o ensino de 10. Grau regular, no atual contexto em que vivemos. Iniciamos a tese pela Construção da Escola, sua Caracterização, seu Histórico. Posteriormente, reconstruímos seu projeto pedagógico configurando a Trajetória Metodológica de Trabalho, bem como os Conteúdos de Ensino e a Produção dos alunos. Evidenciamos, finalmente, A VIDA NA ESCOLA, através dos processos pedagógicos vivenciados, ouvindo as vozes de PROFESSORES e ALUNOS / Abstract: This thesis on education tries to reconstitute the history of the school "Oca dos Curumins" (= "the children's house in the South American Indies tribes' language), located in S. Carlos, a city in S. Paulo State/Brazil, whose pedagogical project is based on Freinet's Pedagogy. Within this theoretical and practical educational perspective the author tried to stress its possible contributions to an educational action for primary schools in our contemporary context. In its initial part the thesis deals with the construction of the school, its characterization and its historical assets. Then the autor exposes its pedagogical project by explaining its methodological ways of working, its teaching contents and its students' production. The thesis ends by stressing "Iife in the school", i.e. the living pedagogical experience through both the teachers' and the students' voices / Doutorado / Metodologia de Ensino / Doutor em Educação

Among slaughterhouses and suffragists—writers of the American Modernist movement were called to the creative task of reimagining boundaries between human and nonhuman while also extending this conversation onto the site of “New Women.” The threat to “civilized man” by “primal nonhuman animal” becomes tied up with the threat of an independent “wild” woman to a system which traditionally depends upon her domestication. Female animality in modernist texts thus emerges as a symbol of both masculine anxiety and feminine liberation. When women begin to challenge traditional institutions which would see her survive exclusively by contract to a male “keeper,” men become increasingly desperate to establish an apex social, economic, and political position. As such, female animality in these texts is designed to reinforce or resist standard constructs of human/nonhuman and masculine/feminine, yet both assert the feminine-animal-character as a hybrid commodity bred for patriarchal consumption. Despite the heteronormative compulsion to sketch woman as an elusive animal to be hunted (courtship), caged (marriage), and kept (children)—there is also an advantage in recognizing one’s place in such a “jungle,” as scholars have often described progressive-era America. By examining the intersection of animality and feminist theory within modernist literature, it becomes clear that the category of nonhuman animal is one historically manipulated through patriarchal systems to delegate women’s bodies as a site of oppression and subordination. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2021. / FAU Electronic Theses and Dissertations Collection

French composer Fernande Decruck (1896-1954) composed over forty works for the saxophone, but her music fell into obscurity soon after her death. In recent years, the Sonate en ut# pour saxophone alto (ou alto) et orchestre (1943) has been rediscovered, performed, and recorded by prominent concert saxophonists. This document takes a historical approach by examining Decruck's biography, as well as a theoretical approach to provide a deeper understanding and appreciation of her work through analysis. The first four chapters of this document provide biographical background on Decruck, her career, professional associations, and her husband, Maurice Decruck, saxophonist and music publisher. Additionally, an examination of her saxophone output includes a brief discussion of her compositional development. Fernande Decruck dedicated her sonata to French saxophone virtuoso Marcel Mule, but a version for solo viola also exists. From the discrepancies between the versions, one might infer that portions of the work were composed originally for the viola. There are also two versions of the accompaniment: one for full orchestra and the other for piano. Analysis comprises the bulk of this study. The work is composed in a traditional four-movement setting: a sonata-form opening movement, a slow second movement, a movement entitled "Fileuse" (spinning song), substituting for the traditional scherzo, and a rondo-like finale. The work incorporates trends of Impressionism through its harmonic vocabulary, chordal planing, and pentatonic scales. It also demonstrates a sophisticated application of polytonal techniques in several passages. In addition to analysis of each movement, common interpretive practices are discussed, based upon available commercial recorded performances, and performance suggestions are given. There are several notation errors within the parts, as well as some significant differences between the two accompaniments. These errata and discrepancies between the solo parts are listed and discussed.

Loneliness is ubiquitous in the life world of every human being. When the phenomenon is recognised and lived, it can be a positive experience propelling the experiencing person to growth and meaningful relations with others. However, the dread it elicits and the anxiety it engenders in a person may have as a result, a denial that leads to symptoms which can be pathological, such as severe anxiety or depression. Concomitant with this is an inauthentic or false way of being which leads to disconnectedness from others and alienation from the self. This exacerbates the feelings of loneliness. The experiencing person will do almost anything to avoid this as is often seen in man's frenzied daily activity and intellectualisation, denying the affective part of the self. These 'difficult to bear feelings' are often the reason for the experiencing person to seek psychotherapeutic help. The psychotherapeutic dialogue can assist the unfolding of the experience of loneliness and make that which is implicitly known to the patient more explicit. In this way loneliness and inauthentic living can be confronted and alleviated. Because loneliness is a lived phenomenon it cannot be studied through measurement. It can only be understood as it is experienced by the person. For this reason a qualitative, descriptive-dialogic case study research design was chosen for this study. Data for the study was obtained from one long-term psychotherapy patient who provided a rich source of information. Salient themes on the way in which the patient entered into dialogue with the therapist through various phases in the psychotherapeutic process, were extrapolated. These themes were discussed according to some of Winnicott's and Heidegger's concepts, representing the object relations and phenomenological paradigms, respectively. To facilitate the movement from Heidegger's fundamental ontology to an ontic-psychological discourse, relevant concepts from Buber and Binswanger were used. The problems engendered by the denial of loneliness and an inauthentic or false way of being is aptly illustrated in the case in question. Although the understanding and verbalisation of loneliness is painful, it also brings relief. The therapeutic alliance makes the phenomenon in question more accessible to the patient and therefore, makes it a positive experience rather than a ground for dread and anxiety. Loneliness must be confronted and lived. The alleviation of it is only possible through meaningful relationships with others. To have meaningful relationships, where separateness and mutuality are the essence, one must live in a true and authentic manner. / Thesis (D Phil (Psychotherapy))--University of Pretoria, 2007. / Psychology / unrestricted

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