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This thesis discusses the life and work of the eighteenth-century French composer, Julie Pinel. Pinel’s extant music comprises one collection of music, Nouveau recueil d’airs sérieux et à boire à une et deux voix, de Brunettes à 2 dessus, scène pastorale, et cantatille avec accompagnement, published in 1737, of which a critical edition has been produced in volume II of this thesis. There is little information regarding Pinel’s life and work, however, the preface and privilège included in her Nouveau recueil provide some clues as to Pinel’s biography. Her life and music are examined, with reference to the social, literary and musical environment she was working in. An added dimension is that Pinel was working as a professional musicienne at a time when women were beginning to find their voice and place in professional society. Pinel claims authorship of the majority of the poems in her collection, and the rest come from anonymous sources. Pinel’s literary and musical output illustrates her obvious knowledge of the current trends in eighteenth-century France, with most of her poetry written for a female poetic voice, displaying many of the fashionable themes of the day. Her music displays a variety of styles, ranging from simple airs in binary form, traditionally found in most French airs sérieux et à boire, to the operatic, and the fashionable rococo styles.

Extensive witchcraft trials took place in Sweden between the years 1668 and 1676. Approximately three hundred individuals were executed during a period of very few years. However, far more common were trials of a more modest nature, concerning minor magic and malevolent witchcraft without aspects of diabolism. The present dissertation deals with these minor cases, which have previously attracted very little academic interest. The source material for this study comprises 353 cases (involving 880 individuals), submitted to the Göta Royal Superior Court by informants during the period 1635-1754. The area of jurisdiction covered by the Göta Royal Superior Court embraced the southernmost areas of Sweden. This study discusses witchcraft and magic trials from three perspectives: 1. The elite perspective (the acculturation model); 2. The functionalistic conflict perspective; and 3. The systems-oriented perspective of popular magic. Ideologically and religiously coloured perceptions of magic became more pervasive at the same time as the number of trials increased. This was caused by central administrative measures, which broadened the opportunities for pursuing cases on the local level. However, the increased influence of the dite cannot be characterized as a conquest of folk culture by the elite. It is more adequate to speak of a movement of repression, originating in a state become all the more civilized. Death sentences were few and far between and most of the cases concerned minor magic. There existed no independent popular level such as emerges in the reports from the proceedings of the trials. People clearly differentiated between different types of malevolent witchcraft when standing before the courts. They were more likely to go directly to trial when the signs preceding their misfortunes hinted at magical activity (viewed as sorcery), than they were when suspicions against witches were based on threats made in conflict situations. Witchcraft which had its basis in conflict situations appears to have been more dependent upon first receiving encouragement in the form of obliging courts, before people would take their cases to trial. This has created a pattern which ostensibly makes it seem that the level of social tensions was low, so that people therefore appeared indifferent toward malevolent witchcraft. Just as illusory is the competing image of an uninfluenced popular perception of witchcraft which actually emerges in the Göta Royal Superior Court. However, this does not mean that the actions of individuals was characterized by an assimilation of the values of the dominant culture. Receptivity to the signals of the elite was certainly clear, but at the same time the responses indicate a great deal of independence. Popular participation in witchcraft trials took place without any prerequisite profound cultural transformations. / digitalisering@umu

The extent to which the 'honour' of the Spirit influenced the theology of Jonathan Edwards is a hitherto underdeveloped theme. Against a backdrop of Patristic thought and in dialogue with the theology of Karl Barth, evaluation is made of pneumatological union in Edwards' Trinitarian theology as this centres on the nature and inter-relatedness of the 'three unions' that characterize his theology: the union of the three Persons of the Trinity, the union of the saints with God, and the union of the divine and human natures of Christ. Edwards' seeks to honour the Spirit as the mutual love of the Father for the Son within his Augustinian, Lockean model of the immanent Trinity, and as 'Person' in the economy. The challenges of doing so within the limits of this psychological model of the Trinity are evaluated in dialogue with the Cappadocian Fathers and Barth. In a manner patterned after union in the Trinity, Edwards gave prominence to the concept of the pneumatological union of the saints with God in Christ, in fulfilment of the self-glorifying purpose of God in creation and redemption. Edwards' experiential theology of conversion, and his elevation of subjective sanctification by the Spirit over objective justification in Christ, for assurance, is contrasted with Barth's greater emphases on the Christological union of God with humanity and objective justification in Christ. Barth's more contemplative approach is contrasted with the overly introspective spirituality of Edwards. Edwards' view of the role of the Spirit in the hypostatic union of God with humanity in Christ, which is reflective of the other unions, is also evaluated in light of Patristic, Reformed-Puritan and Barthian thought on the nature of the humanity Christ assumed, and the doctrine of the vicarious humanity of Christ. A more emphatic incarnational emphasis may have saved Edwards' Spirit- honouring spirituality from an anthropocentricity which is ironical given that the glory of God is his ontic doxological concern.

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No description available.

From the Enlightenment to the Romantic period, many writers transformed Christianity into a religion of temporal salvation. Whether they manifest, in their writings, a will to destroy it (Voltaire, Helvetius, d'Holbach, etc.) or to surpass it (Leroux, Lamennais, Hugo, etc.), all refer to its dogmas as a paradigm of argumentation from which they suggest a new explanation of the world and, most important, they all propose a transformation of the society. The goal of my thesis is to offer a new analysis of this period that spreads from 1750 to 1848. In my hypothesis, I stipulate that before 1789, the philosophers of the Enlightenment never undertook a real "de-Christianisation" and that at the turn of the century, the writers did not return exactly to Christianity. Far from taking the position that the argumentation had transformed itself in a manner that radically differed during this historical period that preceded and followed the French Revolution, my goal is to show that a same will to ameliorate the human condition on earth was manifested in comparable ways throughout these different discourses. The thought of these authors is rather a testimony of a new "sacralisation" of which finality is now on a temporal level: sin is not necessary and, more importantly, it is possible to abolish it through social reformations. This desire of a better world is the most important message that Christianity passed on to the thinkers of this period. By viewing human existence in this way, modernity could be defined not as the end, but rather as the inheritance of Christianity or, to say it all, as its humanization.

This study investigated one central aspect of the political views of John Withexspoon: His steadfast belief in the right of resistance. A product of the Reformation and Enlightenment movements, this doctrine offered justification for questioning the authority of magistrates acting contrary to their sovereignty: it further compelled disobedience to unjust laws and the removal of unjust officials to protect the instituted social order. The context of post-Union Scottish society provided a distinct setting for Witherspoon's introduction to resistance theory. As a devout Scottish Presbyterian and a learned Enlightenment scholar, Withexspoon commanded a thorough understanding of this civil-religious right and duty to protect society.Through his education at Edinburgh University, Witherspoon became acquainted with the substance of Scottish Enlightenment philosophy. Edinburgh instructors utilized the writings of Commonwealth theorists and the classical writers to construct their views of society and social obligation: Society was a constituted civil order, restrained by law, preserved by the efforts of every individual citizen. Witherspoon's Scottish ecclesiastical heritage served to vindicate his Enlightenment education by echoing a similar view of restraint and balance.Covenant Pianism, the product of the 16th-Century reformer John Knox and the Westminster Assembly of the 1640s, invoked the supremacy of a sovereign God over all instituted states. In the Scotsman's view, human depravity and selfish ambition would destroy government if not for the diligent vigil of involved, virtuous citizens. Members of society were thus obliged to oppose tyranny -the unjust, illegitimate exercise of civil-religious authority. Hence, both academic enterprise and doctrinal conviction provided Witherspoon a firm theoretical foundation to support the right of resistance.As President of Princeton during the Anglo-American crisis of the 1770s, Witherspoon directed the education of many future leaders of the new American nation. He was certainly not an idealistic crusader nor a reluctant follower, but consistently argued for the right of American colonists to resist the tyranny of England's Parliament. An early supporter of independence, Witherspoon was the only clergyman to sign Jefferson's Declaration. His most significant contributions, though, were made as a committee member in the Second Continental Congress. / Department of History

How can we use modern X-ray technology to raise awareness of the information that is hidden in historic upholstery? The materials and techniques add information to the history object in question and  about a profession that is sparsely documented in our country. The knowledge we have today has largely been obtained by studying damaged upholstery, or by removing the show cover and upholstery, a technique which involves high risk of damaging the upholstery. X-ray technology offers  a non- intrusive way to examine historical upholstery. Through case studies, I examined four artefacts. The artefacts went trough an inititial visual exam before being transported to The National Heritage Board in Visby where they underwent a thorough X-ray exam. This thesis investigates the process of X-raying historical furniture and gives examples of how to interpret the images. As part of the result, I have begun to create a manual that is intended to present a method that can be used in the process of documentating upholstered furniture using  X-ray. / Hur kan vi med hjälp av röntgenteknik öka kunskapen om den information som göms i historiska stoppningar? De använda materialen och teknikerna tillför en mängd information till stolens historia och berättar om en yrkesgrupp som är sparsamt dokumenterad i vårt land. Den kunskapen vi har till stor del inhämtats genom att man studerat skadade stoppningar, eller att klädsel och stoppning öppnats upp, en teknik som innebär en stor skaderisk. Röntgentekniken ger möjligheten att undersöka en historisk stoppning, utan att göra åverkan på möbeln. I fallstudier har jag undersökt fyra föremål från ca 1750 - 1800 genom en inledande okulärbesiktning, för att sedan transportera föremålen till Riksantikvarieämbetet i Visby där de genomgått en röntgenundersökning. Jag visar på en metod för hur man kan gå till väga i arbetet med att röntga kulturhistoriskt intressanta möbler samt ger exempel på hur man kan utläsa information i bilderna samt vilka för- och nackdelar som förknippas med tekniken. Som ett resultat av undersökningen har jag påbörjat arbetet med att skapa en manual som visar hur man kan använda sig av röntgen som verktyg i dokumentation av historiska stoppningar.

This thesis examines the portraiture and patronage of Marie Thérèse Louise de Savoie-Carignan, the princesse de Lamballe (1749-1792). It is the first comprehensive and detailed study to be undertaken of the princess's activities as patron. Lamballe was Marie-Antoinette's longest-serving confidante and Superintendent of the Queen's Household. Through close formal analysis of the portraits combined with careful consideration of the sitter's personal circumstances and the wider cultural and historical context, the thesis challenges scholarly assumptions that the princess had only negligible influence as a sitter and patron. As a case study of an independent, professionally ambitious and childless widow, it identifies a wider range of motives and cultural meanings than has previously been ascribed to female court patronage of this period. The first chapter demonstrates that the early depictions of Lamballe as a docile and grieving princess were largely dictated by her father-in-law, an identity the princess subsequently discarded when she assumed a professional role at court. Chapter two examines portraits executed during the princess's rise to political and social prominence and shows that her attachment to the queen and the length of time she spent in her company and service, together with her publicly visible roles as freemason and salonnière, made her a figure of considerable renown and influence and thereby a highly significant patron at the French court. This was enhanced by the princess's international reputation as a talented amateur artist in her own right and by her financial and social support of aspiring artists and art institutions. The princess's engagement with the cult of sentiment and advocacy of women artists is allied to the sorority encouraged by Marie-Antoinette within the women of her select circle. Complementary chapters on the princess's previously unknown anglophile inclinations (discussed in Chapter three) and her private collections, library, and musical and literary patronage (considered in Chapter four) further reveal that Lamballe was an informed and cultivated female patron who operated at the very centre of Marie-Antoinette's circle.