Tesis para optar al grado de Magíster en Literatura / El objeto de esta investigación compromete, en primer lugar, un determinado género discursivo, el diario íntimo, y dentro de su universo, una determinada realización latinoamericana de él, más precisamente mexicana, cuya singularidad e interés crítico espero irán quedando poco a poco a la vista. Es así, como en este trabajo me referiré a El diario de Frida Kahlo: un íntimo autorretrato1, el que fue publicado el año 2005. Éste, incluye una introducción del novelista mexicano Carlos Fuentes y un ensayo con comentarios de Sarah M. Lowe. La edición, autorizada por el Instituto Nacional de Bellas Artes y Literatura de México, Distrito Federal, es la del diario de la pintora en su versión original, es decir en su forma manuscrita y con los dibujos de Frida que figuraban como parte del diario. En la segunda parte de la edición, se ofrece además, una trascripción del manuscrito, acompañada de referencias y comentarios explicativos, cronología y referencias bibliográficas.

La bataille de Diên Biên Phu est connue pour avoir été une défaite retentissante de la France en 1954. Certains aspects de cette bataille devenue une véritable affaire sont pourtant encore méconnus dans leurs formes et leurs conséquences, notamment ses dimensions humaine, sociale et même judiciaire. Il est tout d’abord intéressant de mieux connaitre les hommes qui ont participé au front comme à l’arrière, à cette bataille. « Ceux de Diên Biên Phu » représentent en effet un groupe social éphémère mais qui a fonctionné dans un contexte bien particulier pendant près de cinq mois et demi. Or, ce groupe présente des caractéristiques qui lui sont propres et qui dépendent à la fois de leur rôle de militaires et du contexte de bataille. Mieux connaitre ces soldats, c’est aussi s’intéresser à leur parcours bien avant la bataille et pour les survivants, bien après celle-ci. Toutefois, en 1954, la société militaire de Diên Biên Phu a connu un quotidien qu’il est possible de diviser en trois grandes périodes le définissant. La vie de l’avant-bataille n’est pas la même que celle menée dans les combats, elle-même différente de la vie de prisonniers de guerre. Diên Biên Phu peut ainsi être vu au prisme du vécu et du ressenti de ses combattants. Enfin, cette bataille a eu des conséquences bien au-delà du 7 mai 1954. Elle prend alors son sens « d’affaire ». Elle est devenue un mythe de l’Armée française mais la recherche des responsabilités qui s’est engagée alors en France met au jour des conflits bien plus anciens et personnels. Cette dernière composante de l’Affaire de Diên Biên Phu s’incarne dans un conflit entre les généraux Navarre et Cogny, anciens hauts responsables militaires en Indochine et parties prenantes de la bataille, qui les a menés jusqu’au tribunal. Des tranchées au prétoire, Diên Biên Phu est bien une grande affaire aux multiples acceptions. Elle n’est pas seulement la bataille de la fin de la guerre d’Indochine. Elle est également, peut-être même avant tout, une affaire de soldats, une affaire d’hommes et une affaire sociale, politique et judiciaire. / Diên Biên Phu is well known as a great French defeat in 1954. Nevertheless some aspects of this real case are still to discover, for example the human, social and legal aspects. At first, it is interesting to know better the men who were soldiers during the battle, those from the front as those stayed in Hanoi or Saigon. All of them represent a real society which worked in a special context during more than five months. This social group as his own characteristics which depend on his military functions and the battle itself. Knowing these men better, is also searching to know who they were before coming in Indochina and what they became even a long time after the battle of Diên Biên Phu. However, in 1954, the Diên Biên Phu’s military society had had three different lives during these five months : before the fights, they naturally had a different life than during the battle, and then, when the survivors became prisoners, they started another new part of their life. Diên Biên Phu can also be studied by the prism of the everyday life and the felt of the fighters. This battle had finally had consequences well beyond May 7th. Then, it becomes the “case”. Diên Biên Phu became one of the great military myth but in the same time, the research of the responsibilities in France has begun. This new case brings to light other older and more personal conflicts. The more important of these conflicts is the one between the two former chief generals in Indochina in charge of the battle, general Navarre and general Cogny. This very important personal and professional conflict led them to the court. From trenches to the court, Diên Biên Phu is an important and more complex case than just a battle camp. It is not just the fight which lid to the end of Indochina War. It is also and maybe more than anything else, a men’s business and a social, political and judicial affair.

by Wanda Wing Yi Tsui. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 92-101). / Chapter CHAPTER ONE --- Gender and Identity: Subjectivity in Women's Writing --- p.1 / Chapter CHAPTER TWO --- The Androgynous Personality Celebrated in Virginia Woolf's To the Lighthouse --- p.20 / Chapter CHAPTER THREE --- The Inner Growth of the Female Characters in Wang Anyi's Stories --- p.53 / Chapter CHAPTER FOUR --- Female Identity: the Significance of Androgyny --- p.80 / NOTES --- p.90 / WORKS CITED --- p.92

Typescript, etc. / Digitized by Kansas Correctional Industries

Resumo não disponível

Orientador: Decio Azevedo Marques de Saes / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-09-14T20:37:43Z (GMT). No. of bitstreams: 1 BoitoJunior_Armando_M.pdf: 5784525 bytes, checksum: 39916dbcdf8c8f6994310cc5b2f9b6cf (MD5) Previous issue date: 1976 / Resumo: Não informado / Abstract: Not informed. / Mestrado / Mestre em Ciência Política

Orientador: Claudio Henrique de Moraes Batalha / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-10-31T18:30:09Z (GMT). No. of bitstreams: 1 Silva_IdaliceRibeiro_M.pdf: 34825674 bytes, checksum: 05aaafb0337af41cd855a7c0282f3c03 (MD5) Previous issue date: 2000 / Resumo: Esta dissertação reconstitui, em muitas passagens, trafegando pelo anticomunismo, a atuação dos comunistas em Uberlândia, enfatizando tanto os registros da existência de um núcleo de comunistas nos anos 30, quanto as experiências comunistas relativas ao período compreendido entre 1945 e 1954, bem como indicando a presença deles, evidenciada pelas fontes pesquisadas, nos primeiros anos da década de 1940, tais como: as atividades comunistas e a propagação do comunismo no cenário local dos anos 30; a fundação dos comitês do Partido Comunista Brasileiro em Uberlândia, e noutras importantes cidades do Triângulo Mineiro, em 1945, e as campanhas pela eleição dos "candidatos do povo"; a organização e as lutas dos comitês populares e das ligas camponesas por melhores condições de trabalho e vida e pela democratização do país no pós-guerra; a atuação dos "Vereadores de Prestes" nos espaços da política local; as manifestações comunistas por terra, paz, liberdade, trabalho e pão. Na contraface, o trabalho proporciona uma visão da maneira como o anticomunismo aplacou parte dos discursos veiculados em Uberlândia, seja pela imprensa local, seja por intermédio das instituições sociais, que, a fim de preservar os interesses dominantes, investiram aguerridamente contra os intentos de enraizamento do comunismo na cultura política uberlandense / Abstract: This dissertation aims at reconstituting the actuation of communists in Uberlândia. It deals with the registers that confirm the presence of a group of communists in the 30's. It also analyses the actuation of communism in the period of 1945 and 1954 by examining the sources found in the first years of the 40's, among them: communist activities and the spread of communism in the 30's, the foundation of Party Communist Brazilian committees, the campaigns to elect the so called "candidatos do povo", the organization of popular committees and peasant leagues for better conditions of life, work, and democratization of the country afier the war, the actuation of the so called "vereadores de Prestes" and the demonstration of communists for land, peace, líberty and word. The dissertation also shows the way anticommunism constituted part of the discourses in Uberlândia evidenced in the local media as well as in social institutions that aimed at preserving the ruling interests / Mestrado / Mestre em História

This dissertation is a comparative study which traces the development of a distinctive aesthetics in the late twentieth century novels of the Austrian writer, Christoph Ransmayr. The three novels, Die Schrecken des Eises und der Finsternis, Die letzte Welt and Morbus Kitahara, while quite different in terms of spatial and temporal orientation, share several key features which contribute to the operation of what I define and examine as the aesthetics of humility in the texts. These recurrent thematic, structural and symbolic elements in the three novels relate to the texts??? critique of scientific modernity, their privileging of myth (both thematically and stylistically), the representation of nature and the texts??? readings of apocalypse and transformation. The theory of myth developed by Hans Blumenberg in Arbeit am Mythos provides an interpretative framework to explain the re-emergence of myth as a contemporary response to the ???absolutism of reality??? which the systems and technologies of scientific modernity have produced in the twentieth century. The first part of this thesis examines the representation in individual novels of the collapse and breakdown of selected metanarratives of modernity. The second part consists of an examination of three core myths which function to restructure the narrative of human existence in each novel. This thesis determines that the development of the aesthetics of humility in Ransmayr???s novels is dependent on the reader???s recognition of the changed perspective and the changed perception which characters in each novel experience. To different extents the characters in each novel abandon a rational perception of reality. The aesthetics of reality acknowledges a textual consciousness and privileging of the projected Other of reason; nature, myth, fantasy, irrationality and barbarity. The human subject no longer occupies the privileged central position in humanist cosmology. Displaced from the centre to the periphery of civilization, the human subject is also represented as having lost control of its physical and psychical environment. Human pretensions to power and influence over itself and its environment are negated in the texts??? revelation of the transience of life. This loss of status and place is related on a seemingly moral level to the novels??? representation of the human potential for brutality and cruelty. The ultimate disappearance of the human subject in each novel is related to the subject???s gradual objectification in the text and the final dissolution of its identity.

With the publication of her novel, My Brilliant Career, in 1901, Miles Franklin became the darling of the Sydney literati. Great things were expected of the little girl from the bush. But five years later, nothing had eventuated; her talent, Miles thought, was barely recognised in Australia. In the hope of gaining greater writing opportunities, she shipped to Chicago where she became involved in social reform. It was hard work and ill paid, and though she bewailed the fact that it sapped her writing energy, she nonetheless felt a commitment to the cause such that she remained for almost a decade. In her spare time, though, she continued to write -- and not just prose. More and more she wrote for the theatre, attempting to push into a world of which she had always dreamed. Blessed with a beautiful singing voice, she had long desired to be on the stage. This was impossible, though; her voice, she believed, had been ruined by bad training in her youth. To write for the stage, then, though a poor substitute, was at least in the field of her original ideal. Miles' plays, though, are not remembered today, and are little thought of in scholarship, are considered, in fact, to have failed. This gives the false impression that they were always little thought of. Her correspondence, however, reveals that at least five of the plays were produced, indicating a certain level of success. Miles Franklin's theatrical work, then, is surely worthy of further examination. This thesis looks at five of the plays in the light of Miles' life and in the light of the society in which she found herself. In turn, it uses the plays to reveal something of the nature of the playwright herself and to show that Miles Franklin's theatrical writing did not fail as once thought. In addition, it provides a complete bibliography of the plays (inclusive of locations), lists the duplications as they appear under alternate titles and provides synopses of a large number. This will make up for a gap in Miles Franklin scholarship and will facilitate other scholars in accessing the plays. This thesis, then, is an introduction to a new facet of Miles Franklin scholarship.

S'appuyant sur les théories féministes, cette recherche vise à se questionner sur la démystification des héroïnes de music-hall ainsi que sur la fabrication des traits sémantiques qui participent à leur réhabilitation dans cinq textes de Colette: Music-Halls (dans le recueil Les Vrilles de la vigne, 1908), La Vagabonde (1910), L'Envers du music-hall (1913), Mitsou ou Comment l'esprit vient aux filles (1919) et Gribiche (dans le recueil Bella-Vista, 1937). Après avoir effectué une présentation des textes à l'étude ainsi qu'une synthèse du music-hall parisien de la Belle Époque, nous montrerons comment Colette crée une corporéisation de ses héroïnes qui révèle le malheur et la souffrance (sous-alimentation, exposition aux températures excessives, surmenage, maladie, pleurs, etc.) remettant en cause la représentation de certains idéaux corporels de la féminité exacerbés dans l'univers du spectacle (minceur, activité, santé, sourire, etc.). Ensuite, nous allons démontrer comment les états sociaux des héroïnes sont novateurs et transgressifs en ce qu'ils s'opposent à la conception traditionnelle qui cantonne la féminité aux situations de mère et d'épouse. Colette défie la fixité de l'ordre patriarcal en négociant pour ses héroïnes un espace fictionnel pour les identités féminines plurielles: travailleuses à l'extérieur du foyer au music-hall, mères hors du mariage, divorcées et célibataires. À partir de ce mouvement subversif qui anticipe sur l'Histoire, nous verrons comment les préjugés sociaux marginalisent les personnages. Après avoir étudié la démystification des héroïnes de music-hall sur les plans corporel et social, nous verrons, au troisième chapitre, comment l'écriture de Colette témoigne de sa filiation avec les héroïnes dans le plaidoyer qu'elle formule en leur faveur: en fabriquant pour ses anciennes compagnes de métier des traits sémantiques positifs (résistance, fierté, vaillance, etc.) dont l'effet est de les valoriser, Colette renouvelle leur image et détermine leur réhabilitation. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Colette, Music-hall, Féminisme, Démystification, Réhabilitation.