Tableau d'honneur de la Faculté des études supérieures et postdoctorales, 2019 / La présente étude propose d'approcher la pratique sculpturale de l'artiste américain Brian Dettmer. Désarticulés, scellés avant d'être soigneusement découpés, les livres qui constituent la matrice de son travail échangent leur aspect traditionnel contre des formes inusitées n'ayant de cesse de subvertir les propriétés structurelles et esthétiques de l'objet. Résolument délinquants, ces ouvrages altérés, encore aujourd'hui marqués de l'empreinte du premier codex, voient leur caractère survivant ouvrir à un questionnement sur le rapport que nous entretenons avec le livre à l'ère du numérique. Une relation conflictuelle, oscillante, qui sous-tend la démarche de Dettmer dont le discours, indissociable de sa pratique, porte à considérer la forme livresque tel le symptôme de changements socioculturels profonds. Tressant anthropologie, philosophie et sociologie, l'enjeu de cette recherche multidisciplinaire est de mettre au jour les chemins de pensée empruntés par l'artiste pour instaurer un dialogue entre l'objet-livre et l'environnement informationnel dématérialisé qui lui disputerait son statut de gardien de la connaissance. C'est donc par une attention accordée aux propos de Dettmer, à la matérialité de ses sculptures et aux effets épistémologiques qu'elles induisent que notre analyse tente de donner corps à cette rencontre entre deux dispositifs du savoir. / This study focuses on the sculptural practice of Brian Dettmer. Disarticulated, sealed prior to being carefully carved, the books at the center of the artist’s practice forego their traditional aspect and take on strange forms that relentlessly subvert the structural and esthetical proprieties of the object itself. Definitely delinquent while still bearing to this day the imprint of the first codex, these altered objects, through the survival of their fundamental quality, question the relationship we have with books in the digital age. Conflictual, oscillating, this relationship underlies the process of the artist, whose own discourse, always tightly related to his practice, sees in the book format a symptom of deep sociocultural changes. Drawing from anthropology, philosophy and sociology, this multidisciplinary study intends on revealing the pathof thought used by Dettmer in his effort to establish a dialogue between the “object-book” and the dematerialized informational environment, the latter contending the former’s claim to the guardianship of knowledge. Through a careful consideration of the artist’s commentaries, the materiality of his sculptures and the epistemological effects they induce, our study ultimately explores the encounter between these two different devices of knowledge.

Douglas Henry Pike was born in China in 1908, the second of five children, whose Australian parents were missionaries with a Protestant interdenominational faith mission, the China Inland Mission. Following graduation from an English style mission boarding school at Chefoo in northern China, Pike came to Melbourne in 1924; and from 1926 spent twelve years jackerooing on various New South Wales country properties. He returned to Melbourne in 1938, trained for the ministry in a Churches of Christ College, graduated in November 1941, married Olive Hagger and was sent to Adelaide. During pastorates at Colonel Light Gardens and Glenelg he studied at the University of Adelaide for his BA. He achieved History Honours, resigned from the ministry, taught briefly in Adelaide and at the University of Western Australia then returned to Adelaide as Reader from 1950 to 1960. Pike obtained his MA, then the D. Litt. for Paradise of Dissent, a history of South Australia. During the 1950s he wrote a series of newspaper articles, ‘Early Adelaide with the lid off’. Douglas Pike (1908-1974) South Australian and Australian Historian. In 1960 he was appointed to the Chair of History at the University of Tasmania and published his second book, Australia: The Quiet Continent. In 1964 he moved to the Australian National University and commenced his pioneering task as founding editor of the Australian Dictionary of Biography. Therefore the most significant period of his working life in history and historiography covers the years from 1948 until his sudden illness in November 1973, and death in May 1974. The Second World War at first slowed but then stimulated the teaching and writing of history in Australia. Pike commenced his university studies during the war; his research and writing followed in the post-war period. His years in academia witnessed the establishment between 1946 and 1958 of four more universities in Australia, including the ANU, where he spent the last ten years of his life. However, apart from book reviews, obituaries in newspapers and journals, biographical paragraphs and the ADB, Pike’s contribution and significance to Australian historiography has been largely neglected. My thesis is based on personal interviews and correspondence with people who knew Douglas Pike, including family members, together with archival material from the Australian National Library and the universities where Pike worked. Printed sources include newspapers, journals, and Pike’s own published writings. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1347424 / Thesis (M.A.) - University of Adelaide, School of History and Politics, 2008

This thesis expounds the theoretical underpinnings of problem-solving approach to conflict resolution. It also criticizes the traditional state-centric approach to conflict resolution being followed by the Inter Governmental Authority on Development (IGAD) in the Sudanese civil war. IGAD was initially known as Inter Governmental Authority on Drought and Desertification (IGADD), but was renamed IGAD in 1996. Its objectives were reformulated to give priority to conflict prevention, resolution, and management, and humanitarian affairs. It is stipulated in the thesis that IGAD faces problems that need attention if the Sudanese civil war is to be resolved. A key problem is that while IGAD's objectives were reformulated to give priority to conflict resolution, IGAD's management structure has remained the same. The management structure is state-centric and lacks neutrality, which is a very important ingredient in deep-rooted social conflict resolution. The management structure, which was initially based on combating drought and desertification, was not restructured to conform to the realities of a problem solving approach to conflict resolution. The committee that was formed to look into the Sudanese conflict is composed of states in dispute with Sudan. The other structural problem cited in the thesis is that the IGAD peace process is cumbersome and does not include all aggrieved parties. The meetings involve heads of state, ministers, ambassadors and other government representatives. The peace process is not inclusive of other important players such as other rebel movements. This thesis concludes that: 1. there is a need for peace keeping forces from neutral African Union (AU) member states; 2. conflict resolution specialists are deployed in the region whose main task would be to assist the belligerent groups to reach a common understanding of their problems; 3. the United Nations (UN) acts proactively to create international awareness to the Sudanese problem.

Harry Partch's tuning system is an important contribution to tuning theory, and his music is original and significant. Part One of this study presents a brief biography of Partch, a discussion of his musical aesthetics (Monophony and Corporeality), and a technical summary of his tuning system. These elements are placed in historical perspective. Part Two presents a comprehensive analysis of "And on the Seventh Day Petals Fell on Petaluma," discussing the organization of formal, textural, rhythmic, linear, and tonal elements in the thirty-four "verses" of the work. Part Two concludes by showing how large-scale structure in the work is achieved through an overlay process.

The diploma thesis named "Nixon-Brezhnev Summits in 1973 and 1974 in Czechoslovakian Press" deals with the presentation of summits between Leonid Brezhnev and Richard Nixon in contemporary Czechoslovakian dailies. It analyzes texts published by the media concerning the meetings in 1973 and 1974 in Washington and Moscow in the set period of more than one month around the meetings. Not only does the thesis research the degree of bias of the media content due to the ideological inclination towards the Soviet Union. It also analyzes the way in which the media in Czechoslovakia dealt with the presentation of both the enemy superpowers as partners. The theory part provides in introduction of the topic and basic historical context of the events. Furthermore it characterizes the respective meetings and the analyzed dailies. The practical part covers detailed qualitative content analysis of the selected representatives of the contemporary Czechoslovakian press, namely Rudé právo, Svobodné slovo, Mladá fronta and Lidová demokracie. Then the thesis compares the presentation of the respective summits and attempts to find the causes of the differences and trends in the in the presentation. As an addition the thesis also provides a comparison with similar meetings between Ronald Reagan and Mikhail Gorbachev,...

A obra de Lídia Jorge, iniciada em 1980, com a publicação de O dia dos prodígios, constitui um dos mais significativos e relevantes conjuntos de escritos da literatura portuguesa contemporânea. Entre coletâneas de contos, peças de teatro, poemas e textos da literatura infantil, seus dez romances, publicados até 2011, versam sobre diversos aspectos da natureza humana e da vida portuguesa, especialmente no tocante aos fatos ocorridos após a Revolução dos Cravos (1974), compondo um dos mais importantes panoramas da evolução sociopolítica em Portugal desde então. O projeto de pesquisa que deu origem a esta tese buscou contemplar quais aspectos desse panorama aparecem com maior consistência ao longo de sua escrita romanesca e qual sua relação com os fatos Históricos do país, em sua fase democrática. Aliada a isso, a escrita de Lídia Jorge apresenta, ao longo dos dez romances, uma reflexão sobre o próprio ato de escrever e sobre a relação entre a História e sua representação na ficção contemporânea portuguesa. Assim, sob a perspectiva da metaficção historiográfica, conforme a definem Hutcheon (1991) e White (1995), esta tese faz uma leitura dessas dez obras, buscando compreender o projeto estético-ideológico da autora, como ele se consubstancia e de que maneira se desdobra, desde O dia dos prodígios até A noite das mulheres cantoras (2011). Este trabalho propõe que os romances de Lídia Jorge constituam, até agora, três diferentes fases: o percurso inicial, formado pelos quatro primeiros romances O dia dos prodígios (1980), O cais das merendas (1982), Notícia da cidade silvestre (1984) e A costa dos murmúrios (1988); a segunda fase, de que fazem parte A última dona (1992), O jardim sem limites (1995) e O vale da paixão (1998); e a terceira fase, constituída pelos romances O vento assobiando nas gruas (2002), Combateremos a sombra (2007) e A noite das mulheres cantoras (2011). Serviu como espinha dorsal para a construção deste estudo a imagem do bordado como técnica para a construção de imagens, as quais, em conjunto e por si sós, constituem um painel representativo de um povo, de sua História e de sua relação com sua própria identidade. Em suma, este trabalho busca caracterizar quem é e como escreve um dos mais importantes nomes da literatura portuguesa contemporânea. / Lídia Jorges work, started in 1980 with the novel O dia dos prodígios, forms one of the most significant and relevant sets of literary pieces produced in the Portuguese contemporary literature. Among short stories, plays, poems, and books for children, her ten novels so far, published between 1980 and 2011, evolve around several aspects of human nature and of the Portuguese life, especially the ones occurred after the Carnation Revolution (1974) building one of the most important overviews of the Portuguese sociopolitical evolution since then. The research project which originated this dissertation aimed to comprehend which aspects of that overview show more consistently in her novelistic writing, as well as its relation with the historical events of the country, in its democratic period (after 1974). In addition, Lidia Jorges writing presents, throughout her so-far ten novels, a reflection upon the act of writing itself and its relation with History and how it is represented in Portuguese contemporary fiction. Therefore, under the perspective of historiographic metafiction, as defined by Hutcheon (1991) and White (1995), this dissertation provides an analysis of her so-far ten novels, aiming at understanding the writers aesthetic and ideological project, how it consubstantiates and how it develops, since O dia dos prodígios and A noite das mulheres cantoras (2011). This work proposes that Lidia Jorges novels be divided into three different moments: the initial phase, made up of her first novels O dia dos prodígios (1980), O cais das merendas (1982), Notícia da cidade Silvestre (1984), and A costa dos murmúrios (1988); the second moment, in which belong A última dona (1992), O jardim sem limites (1995), and O vale da paixão (1998); and the third moment, which includes O vento assobiando nas gruas (2002), Combateremos a sombra (2007), and A noite das mulheres cantoras (2011). As foundation for developing this study, it was used the image of the needlework as metaphor for building imagery which, as a set and each one by itself, constitute a representative panel of a people, their History, and their relation with their own identity. In short, this work aims to characterize who one of the most important of the Portuguese contemporary literature is and writes.

O objetivo deste trabalho é analisar a constituição de um discurso em torno do ideário da democracia racial brasileira no pensamento de dois autores modernistas: Menotti Del Picchia e Cassiano Ricardo. A constatação da presença de tal concepção no pensamento de autores cujas obras tiveram repercussões anteriores aos escritos de Gilberto Freyre permite aprofundar a discussão sobre o assim chamado \"mito da democracia racial\" no Brasil. Esta tese procura estudar esse ideário, evidenciando, a um só tempo, a sua difusão entre vários autores, a polissemia decorrente do uso plural da expressão democracia racial e a impossibilidade de atribuir sua origem a uma autoria específica. Por meio do cruzamento de várias formas de manifestação do pensamento dos dois autores modernistas - ou seja, da poesia e da literatura de ficção, das obras e dos discursos políticos e das artes figurativas - busca-se ampliar o estudo sobre o ideário da democracia racial no Brasil, descentrando o foco da análise da obra de Gilberto Freyre, autor mais comumente associado a essa noção de democracia racial. A investigação dos ensaios políticos em que Cassiano Ricardo e Menotti Del Picchia expressam as suas concepções sobre a formação racial brasileira visa interpretar não só o significado desse ideário na obra dos próprios autores como também o modo de inserção e de divulgação desse discurso no contexto do movimento modernista. Procura-se, assim, recuperar, até 1945, uma parcela da história da criação de uma linguagem política operante entre pensadores brasileiros. Mapeando um campo de discurso e estudando a ação e a transformação que vão se efetuando nesse conceito, busca-se associar o seu desenvolvimento às trajetórias sociobiográficas dos autores que o assumiram e divulgaram-no como uma particularidade da nacionalidade brasileira. / The present thesis analyzes the constitution of a discourse around the conception of the Brazilian racial democracy in the thought of two modernist authors: Menotti Del Picchia and Cassiano Ricardo. Such conception, found in the thought of authors whose works preceded Gilberto Freire´s studies, opened the way to a careful examination over the discussion about the so called \"myth of racial democracy\" in Brazil. This thesis embraces the study around this conception and, along with it, reveals its diffusion among several authors, the polysemy as a result of the plural use of the expression \"racial democracy\" and the impossibility to attribute its origin to any specific authorship. Through the intersection of the several ways the thoughts of these two authors became manifest - that is, by means of poetry, novels, works, political discourses and figurative arts - this thesis intends to question and enrich the study about the conception of racial democracy in Brazil. It does so by displacing the focus of the analysis on Gilberto Freire´s work, most currently author associated to the racial democracy theme. The study of the political essays in which Cassiano Ricardo e Menotti Del Picchia expressed their conceptions about the Brazilian racial constitution intends to interpret not only the meaning of this conception in the work of these two authors but also the ways the insertion and transmission of this discourse occurred within the context of modernist movement. The present thesis, thus, intends to recover part of the history concerning the creation of a current political discourse among brazilian intellectuals. Examining the components of the discourse and studying the action and transformation that have impact on the referred concept, this thesis relates the development of this concept to the sociobiographic trajectories of the authors who assumed and conveyed it as a peculiarity of Brazilian nationality.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-05T12:59:58Z No. of bitstreams: 1 Afonso Campos Bregalda.pdf: 1196444 bytes, checksum: e49e7ca4d5ac50958726df1bb58ccea0 (MD5) / Made available in DSpace on 2018-11-05T12:59:58Z (GMT). No. of bitstreams: 1 Afonso Campos Bregalda.pdf: 1196444 bytes, checksum: e49e7ca4d5ac50958726df1bb58ccea0 (MD5) Previous issue date: 2018-09-14 / Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq / Carlos Lamarca was a Brazilian Army soldier between 1960 and 1969, who defected from the Armed Forces in January 1969 to shape and lead the guerrilla group Vanguarda Popular Revolucionaria (VPR), whose aim was to overthrow the military dictatorship and implement the socialist revolution in Brazil via armed struggle. The present study analyzes the documents written by Lamarca as leader of the clandestine organization, as well as official documents that compose the framework of its history and its memory. It´s an study on the understanding of its historical memory, trying to apprehend through the logic of documentary texts its objectives and their historical meanings. Being that the operation of Lamarca in the years of clandestine between 1969 and 1971 was revealed complex, as well as the participation of the Army in his capture and assassination. The research dealt with the relation he made of himself (from the documents of his own authorship) with the official military perspective (from documents produced by the official bodies), culminating in the construction of a complex historical character. The emblematic figure of Carlos Lamarca permeates the historical memory regarding the period of the Brazilian armed struggle against the authoritarianism of the military dictatorship. The focus was on the characterization of the character's memory, where it is treated in several different ways, depending on where the process of its action is analyzed / Carlos Lamarca foi militar do Exército brasileiro entre 1960 e 1969, que desertou das Forças Armadas em janeiro de 1969, para formatar e liderar o grupo guerrilheiro Vanguarda Popular Revolucionária (VPR), cuja finalidade era derrubar a ditadura militar para implantar a revolução socialista no Brasil via luta armada. O presente estudo analisa os documentos escritos por Lamarca enquanto líder da organização clandestina, bem como documentos oficiais que compõem o arcabouço da sua história e sua memória. Trata-se da compreensão da sua memória histórica, buscando apreender na lógica dos textos documentais seus objetivos e seus significados históricos. Sendo que se revelou complexa a atuação de Lamarca nos anos de clandestinidade (1969 e 1971), bem como a participação do Exército em sua captura e extermínio. A pesquisa aborda a relação que ele fez de si mesmo (a partir dos documentos de sua própria autoria) com a perspectiva oficial militar (a partir de documentos produzidos pelos órgãos oficiais), no que culminou para a construção de uma personagem histórica complexa. A figura emblemática de Carlos Lamarca permeia a memória histórica referente ao período da luta armada brasileira contra o autoritarismo da ditadura militar. O enfoque centrou-se na caracterização da memória da personagem, onde a mesma é tratada de diversos modos distintos, a depender de onde se analisa o processo de sua atuação

Revisa el análisis filosófico situacional de las problemáticas fundamentales de la educación peruana que formula Augusto Salazar Bondy en su obra La educación del hombre nuevo. Identifica los planteamientos, interconexiones, reflexiones y vigencia del análisis filosófico educacional de Augusto Salazar Bondy. Identifica las continuidades y rupturas en torno a los problemas fundamentales de la educación. Dilucida los mecanismos de interrelación que se establecen en el reconocimiento del “otro” bajo el signo educacional y comunicativo. / Tesis

Made available in DSpace on 2014-06-11T19:23:35Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-03-16Bitstream added on 2014-06-13T20:11:04Z : No. of bitstreams: 1 capatto_a_me_mar.pdf: 649010 bytes, checksum: 45bb6c5f9914835ca5defe85c28aac1c (MD5) / A mobilização coletiva dos trabalhadores tem despertado o questionamento da disciplina capitalista, revitalizando na prática a possibilidade de rompimento dos processos de exploração econômica. Este trabalho tem por objetivo realizar uma leitura da capacidade política das lutas ativas e coletivas estabelecidas pelos trabalhadores frente aos processos de dominação capitalista. As lutas sociais em Portugal nos anos de 1974 a 1976 nos servem de referencial para esta avaliação. A partir do resgate de algumas experiências concretas deste período, pretendemos avaliar os agentes sociais envolvidos neste processo, destacando a relação entre os principais elementos de dominação e a capacidade de ruptura dos grupos autônomos mobilizados. Para as dicussões teóricas, estabelecemos um diálogo central com o pesquisador João Bernardo, que vem desenvolvendo os conceitos de Estado Amplo e classe dos gestores. A partir destes conceitos, pretendemos analisar as formas de exercício do poder pelos capitalistas na atualidade, discutindo a possibilidade e capacidade dos movimentos coletivos e ativos de romperem com a disciplina na empresa e estabelecer novas formas de relacionamento social antagônicos à dominação capitalista / Resúmen: La movilización colectiva de los trabajadores ha despertado el cuestionamiento de la disciplina capitalista, revitalizando en la práctica la posibilidad de un rompimiento de los procesos de exploración económica. Este trabajo tiene por objetivo realizar una lectura de la capacidad política de las luchas activas y colectivas establecidas por los trabajadores frente a los procesos de dominación capitalista. Las luchas sociales en Portugal de los años de 1974 a 1976 nos sirven de referencia para esta evaluación. A partir del rescate de algunas experiencias concretas de este período, pretendemos evaluar los agentes sociales envueltos en ese proceso, destacando la relación entre los principales elementos de dominación y la capacidad de ruptura de los grupos autónomos movilizados. Para las dicusiones teóricas, establecemos un diálogo central con el investigador João Bernardo, que viene desarrollando los conceptos de Estado Amplio y de la clase de los gestores. A partir de estos conceptos, pretendemos analizar las formas de ejercício de poder por los capitalistas en la actualidad, discutiendo la posibilidad y capacidad de los movimientos colectivos y activos de romper con la disciplina en la empresa y establecer nuevas formas de relacionamiento social antagónicos a la dominación capitalista