Depuis plusieurs années, le nombre de personnes atteintes de maladies chroniques ne cesse d'augmenter au sein de toute la population en général, et au sein de la population âgée en particulier. Le vieillissement de la population et les mauvaises habitudes de vie contribuent à accentuer ce phénomène. Aujourd'hui, avec le progrès scientifique, la médecine est capable de soigner, de contrôler et de guérir des maladies chroniques, ce qui jadis, n'était pas possible. Le fait que les gens vivent plus longtemps et contrôlent leur état chronique, rend la facture médicale très élevée. Cette étude a pour objectif de mesurer l'impact des maladies chroniques sur l'utilisation des services de santé. L'étude utilise les données longitudinales de l'Enquête Nationale sur la Santé de la Population, effectuée sur huit cycles, de 1994 à 2009, avec 17 276 individus de tous les âges. En nous inspirant d'une étude de Verbrugge et Patrick (1995), nous sélectionnons huit maladies chroniques, composées de maladies fatales et non fatales. Ces maladies sont : l'arthrite, le rhumatisme ou les maux de dos, les troubles visuels (cataracte et glaucome), l'hypertension artérielle, les maladies respiratoires (l'asthme, la bronchite chronique ou l'emphysème), le diabète, les maladies cardiaques, les maladies mentales (l'Alzheimer ou autre démence mentale) et le cancer. Nous mesurons ensuite l'utilisation des services de santé des personnes atteintes de ces huit maladies chroniques comparativement aux personnes ne souffrant d'aucune maladie chronique, et à l'ensemble de la population. Les services de santé retenus sont : le séjour dans un hôpital, les consultations avec un autre professionnel de la santé, les consultations avec un spécialiste de la médecine douce et alternative, les soins reçus à domicile, le nombre de nuits comme patient, le nombre de consultations avec un médecin et le nombre de consultations avec une infirmière. Deux types de variables dépendantes, à savoir binaires et discrètes positives, sont traitées respectivement avec le modèle de régression xtlogit et le modèle de régression linéaire xtreg, avec des effets fixes et aléatoires. Le modèle population average est également utilisé parce qu'il est plus efficient et tient compte des autocorrélations. Il ressort que les personnes atteintes des huit maladies chroniques sélectionnées utilisent plus intensément les services de santé que la moyenne de la population. Les motifs d'utilisation peuvent être différents de la maladie chronique dont l'individu est atteint. Le modèle de régression avec effets fixes permet de mieux mesurer les impacts des maladies chroniques sur l'utilisation des services de santé, parce qu'il traite l'ensemble des spécificités inobservables qui sont corrélées avec les variables des maladies chroniques et les variables de contrôle. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Données longitudinales, maladies chroniques, services de santé.

Der vorliegende Bericht ist gemäß den Bestimmungen für kleine Jahres- und Lehrberichte der Sächsischen Lehrberichtsverordnung vom 2. April 1997 für das Studienjahr 1999/2000 erstellt worden.

One of the musical conductor's fundamental responsibilities is leading others to interpret and create music in a manner that was unfamiliar, unimagined, or inconceivable prior to the rehearsal experience. Regardless of the level or type of musical ensemble being conducted, each person within that ensemble possesses a unique perception of the musical, pedagogical, and stylistic elements, which must be compromised—if not completely abandoned in some instances—in the process of creating a cohesive musical ensemble. In addition to personal musical preparation and leadership, conductors are also responsible for leading, managing, and encouraging the carrying out of necessary administrative details that directly affect the desired musical product, such as resource management and staff development.This study begins by creating the general profile of an ideal leader based on theories common to numerous leadership and management scholars. Then, utilizing the established profile of the ideal leader, Robert Shaw's leadership behaviors and administrative practices were studied, documented, and organized into categories that correspond with those found in the profile of the ideal leader, providing an in-depth profile of Shaw's character, convictions, and competence, both as a human being and as a musician.Robert Shaw was not only an exceptional musician, but also an accomplished leader and manager of multifaceted musical organizations. As a result, Shaw's time was not only occupied with musical study and preparation, but he was equally aware of the administrative and organizational details necessary for the music to reach its highest potential. As is true with all successful leaders, Shaw delegated many duties and responsibilities to others, such as Nola Frink, Charles McKay, and Nick Jones. Even so, he maintained an acute awareness of the multitude of tasks being performed under his aegis. Also a vital leader within his local community, Shaw's leadership reached far beyond the realm of conducting. Frequently speaking in churches, social clubs, and graduation ceremonies, he was an activist for the arts, civil rights, and contemporary music throughout his life. / School of Music

Originally presented as author's Master's thesis titled: Savremeni položaj Srpske Pravoslavne Crkve u konfliktu na Kosovu i Metohiji ; defended July 11, 2005, Fakultet civilne odbrane Univerziteta u Beogradu. / Includes bibliographical references (p. 71-75) and index.

Arthur Boyd (1920-1999) presents art historians with an exceptionally complex critical dimension in terms of his position in twentieth century painting. Although he is considered to be one of the most distinguished Australian painters of the century, in terms of the originality and accomplishment exhibited over five decades (the other being Sir Sidney Nolan O.M,.R.A.), Boyd has been, to date, ill-served by contemporary historians. The earlier definitive publication, by Franz Philipp was published in London as early as 1967. There was subsequently a relatively brief study by Dr Ursula Hoff (1986). In both cases the research was valuable, given the social and cultural climate of each respective period, but their conclusions demand revision in the present perspective. Boyd's completed oeuvre is now open to revisionary analysis in art historical terms, in the light of evolving and more demanding criteria with respect to a properly contemporary social and cultural perspective. My work was in large part complete by 1996, after which the artist suffered terminally from a physically and mentally debilitating condition ; he died three years later. In a radical reappraisal I have accordingly reviewed the chronological progression of his work in various media. This is charted and analysed in terms of its transition from the relatively benign landscape and figurative subject material in the prewar period , then following the trauma of world war a transformation into a more psychologically riven genre of allegorical departures from harmony and visual cohesion; to work driven by global knowledge of atrocity and deprivation. As the postwar work developed, the artist's imagery reflected a deliberate level of appropriation of subject and composition. An awareness of European narrative painting grew at first hand, deployed by him subsequently to develop content via specific collaborations in graphic work, with established scholars and poets. In the 1960s and 1970s Boyd successfully evolved, with his exceptional technical proficiency and draughtmanship, a model whereby religious or historical narrative text was combined with an expanding repertoire of Boyd imagery. I have explored this process and its results to find an original connectivity not previously evaluated. This examines the development of the oeuvre as between thematic content and its expression through Boyd's personal language in painting. Of particular significance I have reappraised Boyd's Bride paintings of the 1950s in the light of the Human Rights and Equal Opportunity Commission's report, Report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from their Families, (1997). In doing so Boyd can be seen as both a courageous and a highly original artist who sought to expose the ills of society through painting. At the same time his work is the product of the ignorance of white Australians in their comprehension of the plight of Australia's dispossessed Indigenous race. These social aspects are here exposed for the first time in my conclusions as essential to the complete reappraisal of Arthur Boyd's ultimate standing in terms of present day critique.

This diploma work entitled The Naked Actor or Adventure Time is not an academic, scientific thesis to all intents and purposes. It is more personal search and enquiry of the motifs of nakedness, exposedness and adventure which further proceeds to more distant, yet relevant ideas as are authenticity, ease, play, states of consciousness, improvisation, sexuality, abashment, corporality etc. Certain parts of the study utilize some ideas of Jerzy Grotowski and the author also uses individual experiences and examples from her own professional career. On that account the form of the work itself is structured to make the best record of the very process of enquiry and thinking.

OLIVEIRA, Luciana Barroso de. FEBEMCE: entre meninos e histórias. Um resgate da memória da Fundação do Bem-estar do Menor do Ceará. 2007. 82f. Dissertação (Mestrado em Educação) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós-Graduação em Educação Brasileira, Fortaleza-CE, 2007. / Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-07-05T15:31:55Z No. of bitstreams: 1 2007_Dis_LBOliveira.pdf: 452294 bytes, checksum: a2037fa40632c6cf916b1f595b9d23ca (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-20T11:40:09Z (GMT) No. of bitstreams: 1 2007_Dis_LBOliveira.pdf: 452294 bytes, checksum: a2037fa40632c6cf916b1f595b9d23ca (MD5) / Made available in DSpace on 2012-07-20T11:40:09Z (GMT). No. of bitstreams: 1 2007_Dis_LBOliveira.pdf: 452294 bytes, checksum: a2037fa40632c6cf916b1f595b9d23ca (MD5) Previous issue date: 2007 / Esta dissertação conta a história da Fundação do Bem-Estar do Menor no Ceará – FEBEMCE, com ênfase na sua atuação como instituição educacional. O estudo inicia-se no ano de 1990, por ter sido o ano da publicação do Estatuto da Criança e do Adolescente, lei que rege, no Brasil, esse segmento social até os dias atuais e se finda em 1999, ano de extinção da FEBEMCE como instituição de amparo às crianças e adolescentes. A pesquisa usou o método histórico e explorou técnicas de pesquisa documental e história oral. / Esta disertación habla de la historia de la “Fundação do Bem-Estar do Menor no Ceará – FEBEMCE”, con atención en su actuación como institución educacional. El estudio tiene inicio en el año de 1990, por haber este sido el año da publicación de “Estatuto da Criança e do Adolescente”, ley que, en Brasil, se aplica a este segmento social hasta los días actuales y se concluye en 1999, año de extinción de la FEBEMCE como institución de ayuda a los niños y adolescentes. La pesquisa usó el procedimiento histórico y exploró técnicas de pesquisa documental e historia oral.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2017. / Submitted by Raquel Almeida (raquel.df13@gmail.com) on 2017-06-21T21:05:06Z No. of bitstreams: 1 2017_AnaPaulaRibeiroCâmara.pdf: 6726574 bytes, checksum: bdd5f442d40c75783f21af660b21cc55 (MD5) / Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2017-06-23T16:53:03Z (GMT) No. of bitstreams: 1 2017_AnaPaulaRibeiroCâmara.pdf: 6726574 bytes, checksum: bdd5f442d40c75783f21af660b21cc55 (MD5) / Made available in DSpace on 2017-06-23T16:53:03Z (GMT). No. of bitstreams: 1 2017_AnaPaulaRibeiroCâmara.pdf: 6726574 bytes, checksum: bdd5f442d40c75783f21af660b21cc55 (MD5) Previous issue date: 2017-06-23 / A poesia e a pintura possuem um longo histórico de relações, às vezes amistosas, outras nem tanto. Em 1945, o escritor espanhol Rafael Alberti publica um livro de poemas intitulado A la pintura. Poema del color y la línea. Com essa obra, o autor retoma a questão da aproximação entre as artes. Nesta dissertação, objetiva-se entender qual o papel da pintura no desenvolvimento do livro. Há três tipos de poemas na obra, aqui, ocupa-se mais detalhadamente dos poemas dedicados a pintores. Os outros se referem às cores e às técnicas, gêneros e partes da pintura. A pesquisa feita é qualitativa e tem um caráter descritivo e analítico-interpretativo. Percebe-se que o poeta usa diversos procedimentos para transformar a pintura dos 26 pintores escolhidos em poesia. Entre eles estão a ekphrasis, a metatextualidade e a hipertextualidade. A pintura tem um papel múltiplo na construção da obra. Espera-se que este estudo contribua para as investigações interartes de literatura espanhola no Brasil. / Poetry and painting have a long history of relationships, sometimes friendly, sometimes not. In 1945, the Spanish writer Rafael Alberti publishes a book of poems entitled A la pintura. Poema del color y la línea. The author returns to the issue of the approximation among the arts by this work. The objective of this dissertation is to understand the role of painting in the development of this literary work. There are three types of poems in the book, here, it deals more in detail of the poems dedicated to painters. The others refer to the colors and techniques, genres and parts of the painting. It was a qualitative research and has a descriptive and analytic-interpretative character. It is noticed that the poet uses several procedures to transform the painting of the 26 chosen painters into poetry. Among them are ekphrasis, metatextuality and hypertextuality. Painting plays a multiple role in the construction of these poems. It is hoped that this study will contribute to the interart investigations of Spanish literature in Brazil. / La poesía y la pintura poseen un largo historial de relaciones. Estas a veces son amigables, otras veces no tanto. En el año 1945, el escritor gaditano Rafael Alberti publica A la pintura. Poema del color y la línea. Al escribir este libro, el autor reanuda la discusión de la aproximación entre las artes. En este estudio se procura entender el papel de la pintura en la constitución de esa obra. En el escrito, hay tres tipos de poemas: los dedicados a pintores, los direccionados a los colores y los que contemplan las técnicas, géneros y partes de la pintura. En esta investigación se da especial atención a las poesías que tratan de los pintores. Este estudio es cualitativo y tiene un carácter descriptivo, analítico e interpretativo. Se percibe que el poeta usa diversos procedimientos al transformar la pintura de los 26 pintores elegidos en poesía. Entre esos procesos están la ekphrasis, la metatextualidad y la hipertextualidad. La pintura tiene roles múltiples en la construcción del libro. Se espera que esta investigación haga aportaciones a los estudios interartes de literatura española en Brasil.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura Brasileira, 2014. / Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2014-10-14T18:29:22Z No. of bitstreams: 1 2014_LuizadeCarvalho.pdf: 917157 bytes, checksum: 57b691e117265ef89d83974a70ee5661 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-10-15T14:28:03Z (GMT) No. of bitstreams: 1 2014_LuizadeCarvalho.pdf: 917157 bytes, checksum: 57b691e117265ef89d83974a70ee5661 (MD5) / Made available in DSpace on 2014-10-15T14:28:03Z (GMT). No. of bitstreams: 1 2014_LuizadeCarvalho.pdf: 917157 bytes, checksum: 57b691e117265ef89d83974a70ee5661 (MD5) / Este trabalho procura analisar as relações entre a obra O Cão Sem Plumas, de João Cabral de Melo Neto, de 1950, e Rua do Mundo, de Eucanaã Ferraz, de 2004. Para melhor compreensão dos procedimentos poéticos que geram um movimento de aproximação e afastamento entre as duas obras, serão aprofundados os temas da integração do homem na paisagem e da musicalidade na poesia de Cabral e Ferraz. Por um lado, será observado na obra de Cabral o movimento de um eu-lírico regional que se mistura à paisagem de lama e à condição miserável do Recife dos anos 50, mas que tende a se universalizar. Por outro, na obra de Ferraz, assistiremos a um movimento oposto, de um eu-lírico sem fronteiras definidas e que luta para buscar suas características regionais. ____________________________________________________________________________________ ABSTRACT / This paper analyzes the relationship built between O Cão Sem Plumas (1950), wrote by João Cabral de Melo Neto, and Rua do Mundo (2004), wrote by Eucananã Ferraz. For better understanding of poetic procedures that generates a movement toward and away between the two books, will be focused the issues of integration of man in the landscape and musicality in poetry of Cabral and Ferraz. On the one hand, will be seen in the work of Cabral the movement of a regional self-lyrical that mixes with mud landscape and the miserable condition of Recife '50s, but that tends to universalize. On the other, in the work of Ferraz, will be seen an opposite movement, of a self-lyrical without precise borders and fighting to get its regional characteristics.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Relações Internacionais, 2009. / Submitted by Larissa Ferreira dos Angelos (ferreirangelos@gmail.com) on 2010-04-20T16:22:15Z No. of bitstreams: 1 Dissertação João Nackle Urt.pdf: 860338 bytes, checksum: 8a2ebfe0058998709036cf59fb15b078 (MD5) / Approved for entry into archive by Daniel Ribeiro(daniel@bce.unb.br) on 2010-04-29T17:39:00Z (GMT) No. of bitstreams: 1 Dissertação João Nackle Urt.pdf: 860338 bytes, checksum: 8a2ebfe0058998709036cf59fb15b078 (MD5) / Made available in DSpace on 2010-04-29T17:39:00Z (GMT). No. of bitstreams: 1 Dissertação João Nackle Urt.pdf: 860338 bytes, checksum: 8a2ebfe0058998709036cf59fb15b078 (MD5) Previous issue date: 2009 / A presente dissertação situa-se na intersecção entre os temas da política externa brasileira do governo do presidente João Batista Figueiredo (1979-1985) e das relações interamericanas de segurança do mesmo período. Demonstrou-se que até o começo da década de 1980, a América do Sul era vista por especialistas como uma região instável, com risco de alastramento de conflitos armados e até de nuclearização. Além disso, alguns atos da política externa brasileira antes de 1979 davam margem a que o Brasil fosse visto por seus vizinhos como um país intervencionista, imperialista ou subimperialista. Com o advento da crise energética e da crise dos juros, entre o fim da década de 1970 e o começo da década de 1980, o Brasil viu limitadas suas possibilidades de atuação internacional. O governo Figueiredo entendeu que cabia concentrar seus esforços diplomáticos numa só área preferencial de atuação. A área escolhida foi aquela onde havia melhores chances de sucesso, dada a proximidade geográfica e a ausência de grandes potências: a América do Sul. Para executar esse projeto de aproximação com a América do Sul era necessário construir uma identidade regional mais amigável para o Brasil. Assim, durante esse período, o interesse-síntese que orientou o discurso político e as ações diplomáticas do País, notadamente em questões de segurança, foi a construção de confiança com os países da América do Sul. Isso pôde ser observado por ocasião de dois eventos emblemáticos das questões de segurança na região: a Guerra das Malvinas (1982) e os golpes de Estado no Suriname (1980 a 1982). Por meio da neutralidade imperfeita na Guerra das Malvinas e da missão Venturini, enviada ao Suriname com o objetivo de afastar a influência cubana, o Brasil comunicou uma identidade regional de país cooperativo e confiável. Pode-se concluir que a política externa do governo Figueiredo, além de colaborar com a construção de uma zona de influência para o Brasil na América do Sul, também contribuiu com a formação de um complexo sul-americano de segurança relativamente pacífico, tal como ele se apresenta contemporaneamente. _________________________________________________________________________________ ABSTRACT / The present dissertation is placed between two bordering subjects: the Brazilian foreign policy during the government of President João Batista Figueiredo (1979-1985) and the interamerican security relations during this period. Until the beginning of the 1980s, South America was seen by experts as an unstable region, with risk of generalization of armed conflicts and nuclearization. Moreover, some gestures of Brazilian foreign policy before 1979 allowed South American countries to see Brazil as an interventionist, imperialist or subimperialist country. With the advent of the Oil Crisis and the Debt Crisis, between the end of the 1970s and the beginning of the 1980s, Brazils international possibilities of acting were severely limited. The government of Figueiredo decided to concentrate its diplomatic efforts in a single preferential area. The chosen area was that where Brazil had the best chances of success, given the geographical proximity and the absence of great powers: South America. In order to obtain closer relations with South America, it was necessary to build a friendlier regional identity for Brazil. Confidence-building towards South America was then the key-interest that oriented Brazilian political speech and diplomatic actions during that period, especially regarding security matters. That was observed on the occasion of two emblematic events of regional security: the Falklands War (1982) and the military coups in Suriname (1980 to 1982). By means of both the imperfect neutrality in the Falklands War and the Venturini mission, sent to Suriname in order to avert Cuban influence, Brazil succeeded in communicating its own regional identity as that of a cooperative and trustworthy country. It was possible to conclude that the Brazilian foreign policy under the government of Figueiredo not only collaborated with the construction of a zone of influence for Brazil in South America, but it also contributed to the formation of a relatively pacific South American Security Complex, such as it exists contemporarily.