abstract: This study employed Participatory Action Research (PAR) which applied critical pedagogy, actor-network theory, and social network theory to create and implement an Application Framework for Critical Pedagogy (AFCP) with the goal of making critical pedagogy more broadly accessible to a wider range of faculty in higher education. Participants in the study included faculty, staff, and students from Watts College of Public Service and Community Solutions of Arizona State University, and data was collected in the form of surveys, interviews, written interactions, and video observations of multidisciplinary committee meetings to build the framework. The study concluded with a functional framework from which faculty and instructional designers alike can work to create better, more effective courses. Including participants of diverse backgrounds, varying power levels, and sometimes opposing perspectives in the study created a diversity of thought and experience which offered the opportunity to refine the purpose, expectations, and specific language of the tool. While the framework is not intended to be a definitive source of critical pedagogy application, this refinement allows the possibility that more faculty, instructional designers, and other higher education stakeholders may find utility in the revised framework as a tool for self-advocating and for professional pedagogical growth. / Dissertation/Thesis / Doctoral Dissertation Leadership and Innovation 2020

Homebirth as Actor-Network: Multiple realities The topic of this medical anthropology thesis is a description of homebirth seen through the eyes of Actor-Network Theory. The focus of this work is thus not on the professional concept of homebirth as a biological process or soon-to-be-mothers experience and take on homebirth. Focus is on homebirth in itself, how it is enacted via interactions of actors in network. After the presentation of two points of view on medicine (disease and illness), an introduction into the basic principles and innovations of ANT (including anthropology of symmetry), into the works of people, who build their ideas on it (Mol - multiplicity, De Laet - fluidity, Law) and the presentation of the current birthing situation in the Czech Republic, the thesis shifts its focus to the description of the whole actor-network, which enacts homebirth via interaction between the actors in practice. These practices are abstracted from the interviews with mothers, a dula and a paediatrician. The description includes people and objects, because according to ANT, they have the same amount of social agency. Homebirth is then enacted by the objects needed for homebirth - tools to make birth easier and to support its process, by people who partake, venues it takes place in and the birthing positions it...

This interdisciplinary project investigates the extents and limits of alternative news translation in the era of globalization and virtualization and is guided by the insights drawn from actor-network theory, material semiotics, ethnomethodology, anthropology, news sociology, and the philosophy of translation. It visually represents the semiotic, sociological and material components of news translation as well as describes the patterned and concerted actions of human and non-human actors that go into making news stories in the context of IPS, a global news agency. A contribution is made to both theoretical knowledge and the development of the conceptual research method, which is given scarce attention in translation studies as compared to prevailing empirical research. A meta-semiotic concept of sociological translation that I formulate helps bridge the gap between tackling ‘translation’ in terms ofJakobson’s triadic classification as either an intralingual, interlingual or intersemiotic phenomenon, and the recurrent metaphorical usage of ‘translation’ in the humanities, social sciences and beyond. The concept is informed by the networked ontology of actor-network theory and embodies the idea that meanings and translation are created by means of social interactions rather than by language alone. It is suggested that sociological translation stands for any linguistic, material-semiotic transformations and social articulations, which are all enmeshed with IPS journalistic and interlingual translation practices. On the other hand, in view of the absence of methodological tools for studying nonlanguage-based translation in translation studies, I have assembled my own methodology drawing on the traditions of the wider humanities and the social sciences. My case study adopts Law’s ideas on method assemblage and Latour’s elaborations on infra-reflexivity which are well-suited for conveying the serendipity and messiness of ‘real-life’ research. It incorporates traditional ethnography, virtual ethnography and digital methods. Visualizing a network of sociological translations at different junctures as well outlining a holistic map of the concept allows one to observe the practices of journalist-editor-translators from both micro- and macro-perspectives. Finally, the studied phenomenon reflects modern conditions of life: non-stopping globalization and virtualization and is transdisciplinary in nature. Delineating and comparing the articulations of sociological translation in a wider connected and virtual context illuminates the concept’s mechanisms and contributes to the scholarly awareness of the complexity of news translation in a digital age. In conclusion, the thesis offers a new conceptual space within TS—translational sociology—which would strike up a conversation between TS and other disciplines in the social sciences with the goal of cross-fertilization of knowledge and finding better-informed interdisciplinary solutions to the shared problems including their linguistic, discursive and cultural aspects.

This essay analyzes Mette Edvardsens performative work oslo, which usually falls under the label of dance and choreography. The performance is in many ways making use of and staging language though, so the aim here is to examine how the linguistic and textual material of the performance is enacted in relation to its mediating devices and vice versa. The essay is making use of the media theory by David J. Bolter and Richard A. Grusin to show that no medium stands by itself but always exists and works in a web-like relation to other medias. Language will therefore not be seen as isolated but always interacting with other mediating instances. Their theory will also stand as a base in trying to track different medias ideological origin. With inspiration from actor-network theory, this essay tries to map the performance as a network made up by components. The components will be understood, through material- semiotic theorists as Donna Haraway and Karen Barad, to exhibit agency. That is, they are seen to be doing something, they affect the network in a way which is beyond the control and possible intention by an author. The essay shows that Edvardsens performance is being enacted by its network, wherein the author or choreographer is one but not the only actor. The essay also examines how we come to understand a body or and object for what they are, how we define their borders, and will argue that borders are not static but are open for negotiation.

English Abstract This Master Degree (Mgr.) thesis, takes up the topic of so called Military Revolution theory debate, focusing on historical and social developmental process, unfolding in the Early modern Europe. Military revolution is conceptualised as a source of far reaching societal change, having a civilisational dimension, contributing to overall weberian rationalisation process, happening in the Occident. In this text, military revolution is theoretically approached as a non-substantional developmental process and its structure and dynamics are analyzed using customized version of actor-network-theory of Bruno Latour. In this attempt, usual assumptions of natural ontological continuity, totality and developmental character of social realm are critically suppressed. Theoretical outcome of this thesis, based upon historical evidences, confirms, that even using this profoundly critical approach, military revolution possesses a distinctive quality of a developmental process and it can serve as a strong cognitive instrument of social sciences for researching Early modernity in Europe. Powered by TCPDF (www.tcpdf.org)

Václav Drozd Object oriented political theory? A contribution of object oriented philosophy for political theory Abstract (in English): This diploma thesis is concerned with the turn to materiality and object in contemporary philosophy and explores its impact on political theory. It focuses on conceptions trying to reformulate the relation between subject and object, culture and nature or human and inhuman entities - symetrical ontology of Bruno Latour, speculative realism and object-oriented ontology. The aim of the study is to identify the benefits of these aproaches for political theory. The first frame topic important for investigated theories is the relation of human and state towards complex technologies. The second general topic is the existence under conditions of anthropocene and climate change. Keywords: anthropocene, speculative realism, object, corelationism, actor, vibrant matter, technologies, symmetry, actor-network-theory, Latour

Homebirth as Actor-Network: Multiple realities The topic of this medical anthropology thesis is a description of homebirth seen through the eyes of Actor-Network Theory. The focus of this work is thus not on the professional concept of homebirth as a biological process or soon-to-be-mothers experience and take on homebirth. Focus is on homebirth in itself, how it is enacted in practice. After the presentation of two points of view on medicine (disease and illness), an introduction into the basic principles and innovations of ANT (including anthropology of symmetry) and works of people, who build their ideas on it (Mol - multiplicity, De Laet - fluidity, Law), the thesis shifts its focus to the description of the whole actor- network, which enacts homebirth via interaction between the actors in practice. These practices are abstracted from the interviews with mothers, a dula and a paediatrician. The description includes people and objects, because according to ANT, they have the same amount of social agency. Homebirth is then enacted by the objects needed for homebirth - tools to make birth easier and to support its process, by people who partake, venues it takes place and the birthing positions it brings. Another part of the actor-network can be found before the homebirth happens - the hunt for information...

In this diploma thesis I focus on the formation of urban cycling including heterogeneous participating actors - people, discourses, technologies, infrastructures and other materialities. I examine cyclists' relationships with their environment and describe asymmetries connected with the dominant status of automobilism in urban environment, and strategies for contesting this situation. I also focus on cyclo-activist discourse which plays an important role in the empowerment of cyclists in urban traffic. Mobilizing arguments of critical theory and the "right for the city" concept cyclo-advoacy strives to include as many citizens as possible in debate about public space and in this way support pro-cycling developments. From the perspective of actor-network theory (ANT) this strategy has limits due to its operation with stabilized social science categories and I argue that ANT could contribute a more nuanced arguments to cyclo-advocacy with detailed description of connections between cyclists and urban environment, focus on embodiment and emotions and highlighting the role of materialities. It could thereby provide a stronger argument for furthering the pro-cycling development. Key words: urban cycling, automobilism, actor-network theory (ANT), cycloadvocacy, critical theory, materiality

This study is a symmetrical ethnography of the Czech development project Kola pro Afriku (Czech Bikes for Gambian Schools), which involves the collection, repairs, modification and shipment of old Czech bicycles to The Gambia. Once there, they are distributed to partner schools and offered to communing pupils. In my research, I mainly focus on the pivotal technology of the project, bicycles, and their performances. Drawing on classic ethnographies of development and (most importantly) on studies based on the actor-network theory (ANT), I gradually explore the bike collection process, their modifications and repairs, their shipment to The Gambia and their local operations. When doing so, I focus on the social topology of the bicycles and its transformations in the timespace. In this regard, the bicycles gradually appear as junk (i.e. a dysfunctional relict of stabilized networks), as a fluid collectivity and as individually fluid. Thereby, this study shows that technology transfers may lead not only to changes in the set of relations, of which the given object consists, but in the very modes, in which those relations arise. It is precisely these topological transformations that significantly contribute to the functioning of the project Kola pro Afriku. Key words: development cooperation,...

The use of standards has become widespread in the field of digital archiving. The most notable of these is the Open Archival Information System (OAIS) model. In the development and usage of such standards both researchers and practitioners have been similarly focused on the technical dimension of standards, prioritizing efficiency, and cost-effectiveness. Less attention has been paid to study the implementation of standards from a social perspective. Based on the reflexive methodology, suggested by Mats Alvesson and Kaj Sköldberg, and adopting an actor-network theory (ANT) approach, this study attempted to understand the role played by a technological artifact such as the OAIS standard in the specific context of a Swedish e-archive known as R7e-arkiv. Understanding the social in terms of association and focusing on key ANT concepts such as actors, mediators, intermediaries, network and translation the study found that the role played by the OAIS, was that of a silent intermediary until recent developments in the e-archive made it acquire the momentary role of mediator, giving it the capabilities of acting upon the actor-network. The discussion outlines different conceptions of standards through ANT approaches. Among these, the view of the OAIS as a black box and the understanding of compliancy as performativity could serve as interesting starting points for further inquiries concerning the use of standards in digital archiving. / Användandet av standarder har blivit allt vanligare inom digital arkivhantering. En framstående standard är Open Archival Information System (OAIS) Model. Vad det gäller utveckling och användning av sådana standarder har tonvikten, både för yrkesverksamma arkivarier och forskare, legat på standardens tekniska dimension. Effektivitet och kostnadseffektivitet har varit det viktigaste. Lite uppmärksamhet har däremot ägnats åt hur standarder implementerats från ett socialt perspektiv. Denna uppsats har med utgångspunkt i reflexiv metod av Mats Alvesson och Kaj Sköldberg, samt aktör-nätverksteori undersökt vilken roll en teknologisk artefakt som OAIS spelar för det svenska e-arkivet R7e-arkiv. Genom att förstå det sociala i termer av associationer och med hjälp av aktör-nätverksteoretiska begrepp som aktör, medlare, mellanhand, nätverk och översättningar fann undersökningen att OAIS sedan R7e-arkivs grundande har haft rollen av en tyst mellanhand. Senare utvecklingar och förändringar i e-arkivet har dock lett till standarden att uppta rollen av medlare, vilket gett den möjligheten att agera och göra skillnad på aktör-nätverket. Uppsatsens diskussion erbjuder alternativa sätt att förstå standarder utifrån ett ANT-perspektiv. Bland dessa perspektiv framstår två som möjliga utgångspunkter för vidare forskning: OAIS förstått som svart låda samt följsamhet av standarder förstått i termer av performativitet.