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This thesis has been written with several goals in mind. The first purpose has been to inform the reader about the life of Charles Ives and the influences he experienced that gave him the impetus to experiment and write music of a nature thirty years ahead of its time, while the rest of the world was basking in the waning light of Romanticism. The second purpose has been to describe in a short space general characteristics that may be found throughout the entire musical output of Ives. The third purpose has been to analyze in greater detail the major portion of his contributions to piano literature, the three piano sonatas, so that the student may better understand the complexities which will face him in performance of these compositions. Perhaps the strongest motivation for the present study has been the hope that it might induce more students to be explorers themselves and become familiar with this music of Ives.

Friedrich Daniel Rudolf Kuhlau (1786–1832), was a German-Danish composer and pianist best known for his flute and opera works. His piano sonatinas have historically been overlooked for sonatinas of more popular composers such as Clementi, Mozart, and Beethoven. This research evaluates the technical and musical elements in Kuhlau's sonatinas and asserts that studying these works benefits intermediate level piano students, particularly in their musical and technical development. This document also provides performance practice and pedagogical discussion. Chapter 1 outlines the purpose of the dissertation and presents a brief biography of Kuhlau. Chapter 2 details the general expected achievements of the early intermediate, intermediate, and late intermediate piano levels. Chapter 3 focuses on specific Kuhlau sonatinas for each level, building on elements discussed from the previous chapter. Chapter 4 compares and contrasts the similarities and uniqueness between Kuhlau's sonatinas and those of Clementi (Op. 36, No. 3) and Beethoven (E-flat Major Sonatina). Chapter 5 discusses performance practices and related pedagogical concerns for students and teachers. Chapter 6 concludes the paper.

[ES] El piano en la obra de Reveriano Soutullo Otero (1880 - 1932) Resumen: Reveriano Soutullo es reconocido como uno de los compositores importantes del primer tercio del siglo XX en el género lírico. Sin embargo, el repertorio donde incluye el piano pasó desapercibido; como consecuencia, nos planteamos realizar este trabajo con el objetivo de proporcionar a intérpretes y estudiosos, un documento de consulta del repertorio en el que este utiliza dicho instrumento, lo que se resume en obras para piano solo, música de cámara para sexteto con piano (compuesto por dos violines, viola, chelo, contrabajo y piano), para violín y piano y voz y piano. Incluimos en los anexos la revisión y edición en formato partitura de una selección representativa de obras, así como la grabación y edición en soporte CD, de una elección de ellas para piano solo. Este repertorio está enmarcado en lo que podemos denominar genéricamente «música de salón». Como resultado del trabajo de investigación desarrollado podemos conocer mejor a este compositor y aportar nuevos datos sobre su vida y obra. Por último, las obras catalogadas fueron un total de 85, distribuidas en: 63 para piano solo, 5 para sexteto con piano, 3 para violín y piano y 14 para voz y piano. Palabras clave: Reveriano Soutullo, piano, pianola, sexteto con piano, música de salón. / [CA] El piano en l'obra de Reveriano Soutullo Otero (1880 - 1932) Resum: Reveriano Soutullo és reconegut com un dels compositors importants del primer terç del segle XX en el gènere líric. Tanmateix, el repertori on inclou el piano va passar desapercebut i per això, ens plantegem realitzar aquest treball amb l'objectiu de proporcionar a intèrprets i estudiosos, un document de consulta del repertori on ell utilitza aquest instrument, el qual es resumeix en: obres per a piano sol, música de cambra per a sextet amb piano (compost per dos violins, viola, violoncel, contrabaix i piano), música per a violí i piano i música per a veu i piano. Incloem als annexos la revisió i edició en format partitura d'una selecció d'obres representativa, i també la gravació i edició en suport CD, d'una elecció d'elles per a piano. Aquest repertori està emmarcat en el que podem denominar genèricament «música de saló». Com a resultat del treball d'investigació desenvolupat podem conèixer millor aquest compositor i aportar noves dades sobre la seua vida i obra. Per últim, les obres catalogades foren un total de 85, distribuïdes en: 63 per a piano, 5 per sextet amb piano, 3 per a violí i piano i 14 per a veu i piano. Paraules clau: Reveriano Soutullo, piano, pianola, sextet amb piano, música de saló. / [EN] The piano in the work of Reveriano Soutullo (1880 - 1932) Abstract: Reveriano Soutullo is recognized as one of the important composers of the first third of the twentieth century in the lyrical genre. However, the repertoire where the piano is included went unnoticed; as a consequence, we set out to carry out this work with the aim of providing interpreters and scholars with a reference document of the repertoire in which the instrument is used, which is summarized in works for solo piano, chamber music for a piano sextet (composed of two violins, viola, cello, double bass and piano), for violin and piano and voice and piano. We include in the annexes the revision and edition in a score format of a representative selection of works, as well as the recording and edition in CD format, of a choice of them for solo piano. This repertoire is framed in what we can generically call «lounge music». As a result of the research work developed, we can get to know this composer better and provide new information about his life and work. Finally, the cataloged works were a total of 85, distributed in: 63 for solo piano, 5 for sextet with piano, 3 for violin and piano and 14 for voice and piano. Keywords: Reveriano Soutullo, piano, pianola, sextet with piano, lounge music. / Amoedo Portela, A. (2019). El piano en la obra de Reveriano Soutullo Otero (1880 - 1932) [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/133997

<p>Participaters: Andy Yeo (electric guitar), Samuel Löfdahl (double bass) and Karl-Henrik Ousbäck (drums).</p><p>Program:</p><p>Interplay - composed by Bill Evans</p><p>It was time to move - composed by Filipe Raposo</p><p>Inquiétude - composed by Filipe Raposo</p><p>Unglamorous profession - composed by Filipe Raposo</p><p>Entrudo I - II - composed by Filipe Raposo</p><p>Fugue with no prelude - composed by Filipe Raposo</p><p>Uncertainly lost in Stockholm - composed by Filipe Raposo</p><p>Se uma gaivota (encore) - composed by Allain Ouman</p><p>  </p>

Suite italienne / Igor Stravinsky -- Capriccio per Siegfried Palm / Krzysztof Penderecki -- From Jewish life / Ernest Bloch -- Sonata, op. 6 / Samuel Barber. / text