Eighteenth-century London was a hotbed for instrumental arrangements, and many of these works were derived from the operas of George Frideric Handel (1685-1759). Thirty-one of his operas, in whole or in part, were arranged for recorder or flute, and there were over seventy keyboard transcriptions of the overtures to these operas. While the transcriptions of Handel overtures have been thoroughly examined, opera aria transcriptions have never received an appropriate level of study and analysis. The Ladys Banquet or The Lady’s Entertainment provides an excellent starting point. Not only does it include numerous opera aria arrangements, but its volumes were re-issued several times, suggesting a wide circulation. Its study raises a number of issues, including publication and authorship of Handel transcriptions, gendered music of the eighteenth century and analysis of opera transcriptions. The Ladys Banquet or The Lady’s Entertainment is a collection of six volumes of keyboard music published by John Walsh in the first half of the eighteenth century. The first two books were issued in 1704 and 1706 respectively, and included many undemanding pieces by fashionable composers such as Jeremiah Clarke (c.1674-1707) and Henry Purcell (1659-1695). The Third and Fourth Books followed in circa 1715 and 1716 and contain predominantly dance tunes and popular songs revised for the keyboard. When, in the early 1730s, the Fifth and Sixth Books appeared, the original four volumes were revised, and included wholly different material than the first editions. The publications of John Walsh are notoriously confusing owing to their lack of publication dates, repeated use of title pages, and misleading advertisements. The Ladys Banquet, as a whole, is especially bewildering because of the reissues of the collection and the changing repertoire. My research focuses on the Fifth Book of The Ladys Banquet, first printed around 1734, due to its abundance of opera aria transcriptions and consistency of content within editions. This document compiles relevant background information and offers a lucid guide to The Ladys Banquet. It provides historical context, examination and discussion of the contents of each volume, with specific details about the music in the Fifth Book, as well as analysis of the Handel aria transcriptions.

Eighteenth-century London was a hotbed for instrumental arrangements, and many of these works were derived from the operas of George Frideric Handel (1685-1759). Thirty-one of his operas, in whole or in part, were arranged for recorder or flute, and there were over seventy keyboard transcriptions of the overtures to these operas. While the transcriptions of Handel overtures have been thoroughly examined, opera aria transcriptions have never received an appropriate level of study and analysis. The Ladys Banquet or The Lady’s Entertainment provides an excellent starting point. Not only does it include numerous opera aria arrangements, but its volumes were re-issued several times, suggesting a wide circulation. Its study raises a number of issues, including publication and authorship of Handel transcriptions, gendered music of the eighteenth century and analysis of opera transcriptions. The Ladys Banquet or The Lady’s Entertainment is a collection of six volumes of keyboard music published by John Walsh in the first half of the eighteenth century. The first two books were issued in 1704 and 1706 respectively, and included many undemanding pieces by fashionable composers such as Jeremiah Clarke (c.1674-1707) and Henry Purcell (1659-1695). The Third and Fourth Books followed in circa 1715 and 1716 and contain predominantly dance tunes and popular songs revised for the keyboard. When, in the early 1730s, the Fifth and Sixth Books appeared, the original four volumes were revised, and included wholly different material than the first editions. The publications of John Walsh are notoriously confusing owing to their lack of publication dates, repeated use of title pages, and misleading advertisements. The Ladys Banquet, as a whole, is especially bewildering because of the reissues of the collection and the changing repertoire. My research focuses on the Fifth Book of The Ladys Banquet, first printed around 1734, due to its abundance of opera aria transcriptions and consistency of content within editions. This document compiles relevant background information and offers a lucid guide to The Ladys Banquet. It provides historical context, examination and discussion of the contents of each volume, with specific details about the music in the Fifth Book, as well as analysis of the Handel aria transcriptions.

Com a popularização da Web 2.0 e RIA - Rich Internet Applications, as aplicações web cada vez mais utilizam-se da linguagem JavaScript, para implementar recursos de interação sofisticados e complexos na plataforma da Web, visando atrair os usuários com experiências que agradem e atendam suas expectativas. Uma vez que esses recursos de RIA, muitas vezes, fornecem feedback visual de mudanças realizadas na interface, usuários que interagem com a Web por meio de Tecnologias Assistivas, como leitores de tela, não são capazes de identificar e interagir corretamente com os componentes de interface. Assim, a WAI - Web Accessibility Initiative propôs a especificação ARIA - Accessible Rich Internet Applications que determina um conjunto de propriedades que atribuem semântica aos elementos de um componente de interface (Widget), permitindo que as Tecnologias Assistivas identifiquem previamente o comportamento dos componentes de interface e informem o usuário sobre as alterações que possam ser realizadas na estrutura da página web. Nesse contexto, esta tese teve como objetivo elaborar estratégias de avaliação automática dos requisitos de acessibilidade da especificação ARIA. Foram elaboradas três diferentes abordagens para analisar os requisitos da especificação ARIA, utilizando a metodologia de pesquisa-ação com a condução de três ciclos das atividades de planejar, agir, descrever e avaliar. As abordagens foram desenvolvidas com base em Testes de Aceitação e verificações de características tecnológicas das aplicações web, considerando especificamente o modelo de interação de usuários deficientes visuais que utilizam leitores de tela. Cada uma das abordagens foi validada separadamente e os resultados apresentam tendências de que as estratégias são capazes de avaliar corretamente o comportamento esperado de uma aplicação rica de Internet acessível, segundo as recomendações ARIA para usuÁ¡rios deficientes visuais. As abordagens também apresentaram como contribuições: a inclusão do modelo de interação do usuário no processo de avaliação e levantamentos sobre os níveis de conformidade de aplicações web e bibliotecas JavaScript com a especificação ARIA. Os resultados obtidos a partir das abordagens propostas nesta tese contribuem para o processo de Engenharia Web de aplicações ricas de Internet acessíveis / With the increased popularity of the Web 2.0 and RIA - Rich Internet Applications, web applications rely more and more in JavaScript to implement richer and more complex interaction mechanisms in the Web platform. Since these mechanisms, frequently, generate dynamic updates to the DOM - Document Object Model structure of a webpage and require visual perception of users to notify them about these changes in the interface, users that interact with the Web through usage of Assistive Technologies such as a screen reader are not capable of correctly identifying and interacting with the interface components built with these technologies - the widgets. In this context, the WAI - Web Accessibility Initiative created the ARIA - Accessible Rich Internet Applications specification which describes the use of properties that add semantics to elements that compose a widget, allowing Assistive Technology to priorly identify the behavior of a widget and inform the user about changes that might be made to the DOM structure of the webpage. This thesis goal was to elaborate automatic evaluation strategies for accessibility requirements of the ARIA specification. Three evaluation strategies were elaborated following the research-action methodology with the conduction of three cycles of the activities of planning, acting, describing and evaluating. The strategies were implemented based in Acceptance Tests and verifications on specific details of the technology that compose web applications, considering specifically blind users interaction patterns through the use of screen readers. Each strategy was separately validated and the results show tendencies that the strategies were capable of correctly evaluating the behavior of web applications, considering their conformance with ARIA recommendations for blind users. The development and validation of the evaluation strategies also presented contributions by: including user interaction models in the automatic evaluation approaches and presenting a survey on web applications and JavaScript toolkits conformance rates with the ARIA specification. Thus contributing to the Web Engineering process of ARIA

Introduction: Le traitement de la rhinite allergique (RA) est maintenant bien établi et la plupart des patients atteints par cette maladie y répondent. Néanmoins, il existe un pourcentage de patients qui ne sont pas contrôlés, malgré un traitement maximal, amenant au concept de SCUAD (Severe Chronic Upper Airway Disease), acronyme anglais pour "atteinte sévère et chronique des voies aériennes supérieures". En Chine, les données concernant la RA non contrôlée et le SCUAD sont insuffisantes. Le test de contrôle de la rhinite allergique (Allergic Rhinitis Control Test, ARCT) est un outil validé pour évaluer le contrôle de la RA et identifier la RA sévère. Néanmoins, l'ARIA (Allergic Rhinitis and its Impact on Asthma, acronyme anglais pour Rhinite Allergique et son Impact sur l'Asthme) n'offre pas de définition claire du contrôle de la RA et, du fait de l'absence de critères uniformes, le choix de la pharmacothérapie varie dans différentes régions et populations. Objectif: La première étude a eu pour objectif d'évaluer la prévalence et les caractéristiques des patients avec RA non contrôlée et SCUAD à Wuhan. A partir de cette étude préliminaire, une autre étude a été mise en oeuvre, pour évaluer le rôle de l'ARCT en tant qu'outil pour guider une pharmacothérapie par paliers, dans le but d'atteindre le contrôle de la RA. Méthode : Dans la première étude, tous les patients consultant pour une RA ont été évalues en prospectif par EVA et ARCT, et mis sous traitement selon le guide ARIA. Au bout de 15 jours (J15), une interview téléphonique a permis de ré-évaluer la RA au moyen d'une échelle numérique et de l'ARCT. La RA non contrôlée était définie par un score ARCT<20. Les patients souffrant de SCUAD étaient définis par un score ≥5 à J15. Dans la 2ème étude prospective, un traitement pharmacologique standard a été proposé aux patients souffrant de RA. Les paliers allaient du palier 1 (antihistaminique H1 à la demande) jusqu'au palier 5 (corticoïde oral). La RA était traitée et évaluée tous les 15 jours par ARCT. Si le score ARCT était ≥20, maintenu pendant 15 jours, le patient terminait l'étude. Si l'ARCT était <20, le patient recevait le prochain palier de traitement, selon une démarché prédéfinie, progressive, jusqu'au palier 5. Résultats: Au total, 252 patients ont été inclus dans la 1ère étude. La RA modérée/sévère était présente en 82,9% des patients, avec un impact sur le sommeil, travail, activités sociales et physique. Les patients avec RA non contrôlée à J15 étaient ceux avec un poids plus important (P=0,042), antécédents d'infections ORL ou de prise d'antibiotiques pour infections respiratoires dans les derniers 12 mois (62,3 vs. 45,6%, P=0,018), de tabagisme (P=0,024) et de dysosmie (P=0,005). Les patients avec SCUAD avaient plus fréquemment des antécédents d'infections ORL ou de prise d'antibiotiques pour infections respiratoires (P=0,014) et de dysosmie (P=0,003) et moins fréquemment de dermatite atopique (P=0,017). 255 patients ont été inclus dans la 2ème étude. Seulement 3,2% sont restés non contrôlés à la fin de l'étude. Les patients avec une RA modérée à sévère selon ARIA, RA persistante, impact modéré à sévère sur la qualité de vie, antécédents d'asthme, rhinorrhée et toux avaient toujours besoin d'un traitement associé, ainsi qu'un traitement prolongé pour atteindre le contrôle. Après ajustement sur chacune des variables, le seul facteur de risque restant significatif était la présence d'un asthme (il était moins probable que ces patients soient contrôlés par les premiers paliers de traitement). Conclusion: Les patients ayant une RA non-contrôlée ou atteints de SCUAD sont nombreux. L'EVA et l'ARCT sont des outils simples qui peuvent être utilisés dans l'évaluation globale de la sévérité et du contrôle de la RA. L'ARCT offre un critère objectif pour guider le traitement par paliers... / Background : The treatment of Allergic rhinitis (AR) is now well established and most patients respond well to the treatment. However, there are still some patients with uncontrolled AR despite optimal maximum treatment, leading to the concept of severe chronic upper airway disease (SCUAD). In China, there are insufficient epidemiological data regarding uncontrolled AR and SCUAD. Allergic Rhinitis Control Test (ARCT) has been validated for assessing AR control and to identify severe AR. However, Allergic Rhinitis and its Impact on Asthma (ARIA) still has no clear definition of AR control, and due to the absence of uniformed criteria, pharmacotherapy adjustment regimens varies in different areas and populations. ObjectiveThe first study aimed to assess the prevalence and the characteristics of patients with uncontrolled AR and SCUAD in Wuhan. On the basis of the preliminary study, a further study is designed to assess ARCT as a questionnaire driven stepwise pharmacological treatment to achieve AR control. Methods : In the first epidemiology study, all patients consulting for AR were prospectively assessed using VAS and ARCT and put on standardized treatment based on ARIA guidelines. After 15 days, they were reevaluated by a telephone interview using a numerical scale and ARCT. A score of ARCT <0 defined uncontrolled AR and a score ≥5 at day-15 defined SCUAD patients.In the second study, a standard pharmacotherapy regimen from step1 (oral second generation H1 antihistamine as needed) to step 5 (oral corticosteroid) was applied prospectively in a Chinese AR population. The AR patients were initiated with ARIA appropriate step treatment and assessed with ARCT every 15 days. If ARCT score was equal or above 20 and maintained for 15 days, the patient would finish the study; if ARCT score was strictly less than 20, the patient would receive higher step treatment according to a predefined open design up to step 5. Results: A total of 252 patients were included in the first study. Moderate/severe AR was diagnosed in 82.9% of the patients and they had an impact on sleep, work life, social activities and physical activities. Patients with uncontrolled ARat day-15 more frequently presented a higher weight (P=0.042), past history of ENT infection or antibiotics intake for respiratory infection in the last 12 months (P=0.018), smoking (P=0.024) and smell disturbance (P=0.005). Patients with SCUAD more frequently presented a past history of ENT infection or antibiotics intake for respiratory infection (P=0.014) and smell disturbance (P=0.003), while less commonly had atopic dermatitis (P=0.017). 255 patients were enrolled in the second study. Only 3.2% patients remained uncontrolled at the endpoint of the study. Patients with ARIA moderate/severe or persistent symptoms, moderate/severe impaired quality of life, asthma history, rhinorrhea and cough symptoms always needed up to step 4 and prolonged treatments to achieve disease control. After adjustment on each of the variables, the only factor that remained significant was asthma (less likely to be in a group controlled by the first steps’ therapies) .Conclusion: Uncontrolled AR and SCUAD patients are numerous. VAS and ARCT are simple and quantitative methods and self-completion questionnaire that can be used for a global evaluation of the severity and control of AR. ARCT offers an objective criterion for the stepwise pharmacotherapy of AR. Risk factor analysis did not reveal strong clinical characteristics that would help the physician to control AR better.

The unpublished concert aria, "Ch'io t'abbandono," by Felix Mendelssohn Bartholdy (1825), is representative of the adolescent composer's developing musical aesthetic. In this study, Mendelssohn's education, work ethic, and perfectionism are revealed, paradoxically, as both the catalysts for the piece's composition and also the reasons it was not published during Mendelssohn's lifetime. An exploration of the text, form, thematic usage, and performance demands of the aria yields specific examples of his uniquely balanced romantic-classicist style. A consideration of possible original performers of the piece, Franz Hauser and Eduard Devrient, leads to further discussion about the nature of the work as both a reflection of Mendelssohn's romantic self-expression and his appreciation for the Baroque melismatic style. The significance of the aria, both stylistic and biographical, is further delineated by a presentation of possible motivations for its composition. The musical setting of the text, as well as the text itself, indicates both Mendelssohn's awareness of himself as a maturing adolescent composer and his desire to be a composer of operatic works, a desire that was never fully realized.

Background There is a widespread perception that the health status of rural Australians is poorer than that of urban Australians, characterised by higher mortality, lower life expectancies, and an increased incidence of some diseases. At present this perception is difficult to confirm or refute, in terms of mental illness, because of limited published data on the extent of mental illness in regional Australia. Australians from rural areas are also reported to have less access to appropriate health care compared to their urban counterparts; however, there is limited evidence to support such claims using large population-based epidemiological data. It is not known whether remoteness per se is an important determinant of health. Aim To determine if rural and remote South Australians were disadvantaged in terms of their mental health status and access to health care. The aims were to: 1) determine if prevalence of mental illness and comorbidity were associated with accessibility and remoteness; 2) examine the effects of accessibility and remoteness on health service utilisation; and 3) determine if remoteness per se was an important determinant of mental illness. Methods Prospectively designed, secondary analysis of data from a large cross sectional, population–based health survey, conducted in South Australia (SA) in 2000. In all, 2,454 adults, aged 18 years or more, were randomly selected and interviewed using the Computer Assisted Telephone Interview (CATI) system. CATI is a telephone monitoring system that is an efficient means of assessing self-reported aspects of population health, particularly in rural and remote areas. Psychological distress and depression were assessed using the Kessler 10 (K10) Psychological Distress Scale, the SF-12 measure of health status and self-reported, medically-confirmed mental illness, in the previous 12 months. Additional outcome measures included socio-demographic characteristics, a range of health services measures, psychosocial and health risk factors. Geographical variation in outcome measures was assessed using the Accessibility and Remoteness Index of Australia (ARIA). The data were analysed using SPPS and Stata statistical programs and weighted by region, age, sex and probability of selection in the household, using the 1999 total estimated resident population (ERP) figures supplied by the Australian Bureau of Statistics. Direct age-sex standardisation was applied to prevalence rates of mental illness, socio-demographic and health service utilisation data. Results Overall age-sex adjusted mental illness prevalence estimates were similar using the three measures of psychological distress (10.5%), depression (12.9%) and self-reported medically-confirmed mental illness (12.9%). For each measure, there was no significant variation in prevalence across ARIA categories, except for a lower than expected prevalence of depression (7.7%) in the accessible category. There was also no significant difference in the median number of uses of four types of health services across ARIA categories. Significantly fewer residents of highly accessible areas reported never using primary health care services (14.4% vs. 22.2% in very remote areas), and significantly more reported high use (6 visits, 29.3% vs. 21.5%). Fewer residents of remote areas reported never attending hospital (65.6% vs. 73.8% in highly accessible areas). Frequency of use of mental health services was low and not significantly different across ARIA categories. Very remote residents were more likely to spend at least one night in a public hospital (15.8%) than were residents of other areas (eg 5.9% for highly accessible areas). After controlling for the joint effects of stressful life events, perceived control of life events, socio-demographic characteristics and health risk factors, odds of mental illness did not vary by ARIA category (highly accessible: reference category; accessible: OR 0.9, 95% CI 0.60-1.31; moderately accessible: OR 0.80, 95% CI 0.45-1.43; remote/ very remote: 0.70, 95% CI 0.44-1.03). The most important predictors of mental illness in the multivariate logistic model were female sex; smoking; low consumption of vegetables; low exercise; a physical condition; perceived lack of control with: life in general, personal life, job security or health; and major stressful events such as family or domestic violence and the death of someone close. Conclusions Prevalence rates of psychological distress, depression and medically-confirmed mental illness in SA were high. However, there was no evidence that the prevalence of these conditions varied substantially across ARIA categories. The frequency of use of a range of health services was also broadly similar across the state. Remoteness per se was not associated with mental illness, either directly or indirectly as an important confounder in stressful life event/mental illness associations. Psychosocial factors were more important determinants of mental illness. The data do not support existing stereotypes of a rural – urban mental health differential in SA and point to potential mechanisms that may be responsible for poorer mental health outcomes.

<p>Bilaga: 1 CD</p>

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International Telemetering Conference Proceedings / November 04-07, 1991 / Riviera Hotel and Convention Center, Las Vegas, Nevada / Recent advances in acoustic detection and array processing have led to a new, state of the art, Sonobuoy Missile Impact Location System (SMILS). This system was developed for the 4950th Test Wing by E-Systems and the Johns Hopkins University Applied Physics Laboratory to support ballistic missile testing in broad ocean areas. The hardware and software required to perform the SMILS mission were developed in two different areas: 1) The flight system, installed aboard the Advanced Range Instrumentation Aircraft (ARIA), which provides everything necessary to guide the aircraft to the target area of Deep Ocean Transponders (DOTs), deploy sonobuoys, recover signals from the sonobuoys, and to process the recovered signals. The sonobuoy positions and impact locations of reentry vehicles are determined aboard the aircraft in real-time by telemetering the acoustic signals sent from the sonobuoys via Radio Frequency (RF) link to the aircraft. These acoustic signals are also recorded on analog tape in the aircraft. 2) The Post Mission Analysis System (PMAS), located at the 4950th Test Wing, processes the analog tapes recorded by the aircraft to do more sophisticated Processing than that performed on the aircraft, providing higher resolution of impact times and positions. This paper addressees the theory of PMAS operation and the specific approach used to perform automated acoustic detection of both narrow and wide band acoustic signals. It also addressees the processing technique employed to determine sonobuoy navigation and impact scoring.

The thesis consists of five chapters. Chapter One is the discussion of background, including the development of keyboard music after 17th century in France, and famous composers with their styles of creation. Chapter Two focuses on C&#x00E9;sar Franck¡¦s developmental track of music and his creation of masterpieces. Chapter Three depends on compositional style, dividing into two periods to discuss Franck¡¦s piano music. Chapter Four mainly introduces Franck¡¦s unique creative technique of piano music, featuring the traditional influence from polyphonic and contrapuntal music in Baroque era, cyclic form, phrasing structure and harmonic language. Chapter Five separately discusses formal structure and characteristic features in Pr&#x00E9;lude, Chorale et Fugue and Pr&#x00E9;lude, Aria et Final. Finally, we make a conclusion for the whole research. In 19th century, Franck was one of the most important piano composers in France. Pr&#x00E9;lude, Chorale et Fugue and Pr&#x00E9;lude, Aria et Final were his most important works, sufficiently presenting Franck¡¦s distinguished compositional style. They opened not only a new field for his composite of piano music, but also brought deep influence on many following composers.