Thesis (MA)--Stellenbosch University, 2012. / Two separate texts are submitted towards the degree of MA in Creative Writing. The first is this essay, A Reading of Blood Meridian. The second is a novel, The Book of War. Essay The general focus of the essay is the theme of free will in Blood Meridian and the techniques with which the narrative elements of character, story, style and voice are deployed to focus the reader's mind on this theme. The central question: is the meaning, the final message, of Blood Meridian that as individuals human beings lack agency and that as groups they are shackled to a common destiny? The hypothesis is that Blood Meridian contains significant patterns, oppositions and dialectics, designed to place arguments for and against agency in the mind of the reader, but that the book's response to the theme is inherently and structurally ambiguous. Novel The novel was written before the essay. It was written in direct response to Blood Meridian and to the realization that Blood Meridian was a text rooted in history. Like Blood Meridian, The Book of War is based on, grows out of, first person accounts, specifically Stephen Bartlett Lakeman's What I saw in Kaffir-Land (1880) and William Ross King's Campaigning in Kaffirland: Or Scenes and Adventures in The Kaffir War of 1851- 1852 (1853). The novel takes characters devolved from Lakeman and places them in King’s journey through the war. These characters create, around a child called the kid, the social backdrop of a coming of age tale. The novel uses its source texts as a lens through which to view, and tell the story of, the War of The Prophet (Eight Frontier War 1850-53). Readers seeking to answer the question: Why is South Africa a violent society? might find at least part of the answer in the nature of, and the relationships between, English, Xhosa, Dutch, Khoi and Mfengu cultures in the 19th Century.

Thesis (MA)-- Stellenbosch University, 2013. / AFRIKAANSE OPSOMMING: Die eerste gedeelte van hierdie tesis is ʼn opstel met die titel Van plaas tot agterplaas: Die uitbeelding van Afrikaners in Johannesburg in drie Hertzogpryswenners en die tweede deel is ʼn roman getiteld ʼn Duisend stories oor Johannesburg. Die roman en die opstel hou tematies met mekaar verband. Soos die roman, speel al drie bekroonde werke in Johannesburg af met Afrikaners as sentrale karakters. Die bepaalde historiese konteks waarin elkeen van die drie pryswenners verskyn het, dikteer die invalshoek van die opstel, hoe die werk krities ontvang is, sowel as die rol en waarde wat deur die Afrikaner-instelling daaraan toegeken is. Daar sal verder in die bespreking getoon word watter rol die Hertzogprys in die skepping van die Afrikaner-instelling gespeel het. Die gebruik van die begrip en eienaam “Afrikaner” in hierdie bespreking verwys na die wit, Afrikaanssprekende, Christelike gemeenskap in Suid-Afrika, in die sin dat dit ooreenstem met die (uiters aanvegbare) stelling dat alle wit Afrikaanssprekers saamgevoeg kan word in ʼn organiese “volkseenheid”. Hierdie voorveronderstelling aanvaar ook dat hierdie “Afrikanerdom” tradisionele, konserwatiewe volkswaardes deel, en altyd beskikbaar is vir mobilisering ter wille van gedeelde Afrikaner-belange, soos deur Dan O‟Meara gedefinieer in sy Volkskapitalisme: Class, capital and ideology in the development of Afrikaner nationalism, 1934 – 1948 (1983:6). Hierdie kwessies word, onder meer, deur die polisisteemteorie van die Israeliese kultuurnavorser, Itamar Even-Zohar, asook J.B. Thompson se kritiese teorie van ideologie gedoen. Daar word ook na Jacques Rancière se teorie oor “die verspreiding van die waarneembare” (the distribution of the sensible) verwys. Daar word tot die gevolgtrekking gekom dat die Hertzogprys van meet af aan in diens van die Afrikaner-instelling gestaan het en ten spyte van ʼn veranderende ideologiese landskap, ʼn voortgesette rol gespeel het in die daarstelling van die Afrikaner-repertoire. Binne die polisisteemteorie is die “repertoire” die versameling reëls en elemente wat die produksie van tekste bepaal. Die term “instelling” verwys na die faktore wat betrokke is by die instandhouding van die letterkunde as ʼn sosio-kulturele aktiwiteit. Die roman speel af in ʼn klein Johannesburgse hotelletjie, genaamd Mei Villa, in die buurt Belgravia, tydens ʼn uitbarsting van xenofobiese geweld in 2008. Binne ʼn raamverhaalstruktuur fokus die roman op twee karakters, naamlik die ontheemde argitek, Zweig van Niekerk, wat na 40 jaar na Johannesburg terugkeer, asook die hoteleienaar, die bekroonde maar mindere digter, Bosman Hiemstra. Omring deur hotelgaste en personeel met hulle uiteenlopende verhale, soek Zweig van Niekerk tevergeefs na die Johannesburg van sy jeug, terwyl Bosman Hiemstra met ewe min sukses ʼn tweede digbundel probeer skryf. Aan die einde van die boek begin die digter ʼn roman te skryf met sy gas se lewensverhaal as gegewe dalk ook die boek wat die leser pas klaar gelees het. / ENGLISH ABSTRACT: The first part of this thesis is an essay titled Van plaas tot agterplaas: Die uitbeelding van Afrikaners in Johannesburg in drie Hertzogpryswenners (From farm yard to back yard: The depiction of Afrikaners in Johannesburg in three Hertzog Prize winners) and the second part is a novel called ʼn Duisend stories oor Johannesburg (A thousand tales of Johannesburg). The novel and the essay are thematically linked. Like the novel, the three Hertzog Prize winners takes place in Johannesburg with Afrikaners as central characters. The point of departure of the essay is the historical context in which the three literary works were published, the critical reception thereof and what role and value was attributed to it by the Afrikaner institution. The role played by the Hertzog Prize in the creation of the Afrikaner institution will also be discussed. The term “Afrikaner” in this discussion refers to the white Afrikaans-speaking, Christian community in South Africa, in the sense that it correlates with the (highly debatable) contention that all white Afrikaans-speakers can be combined in an organic “volkseenheid”. This use of the term assumes that “Afrikanerdom” also shares traditional, conservative national values, and is always available for mobilisation in service of shared Afrikaner interests, as defined by Dan O'Meara in his Volkskapitalisme: Class, capital and ideology in the development of Afrikaner nationalism, 1934 – 1948 (1983:6). To examine these issues, the polysystem theory of the Israeli cultural researcher, Itamar Even-Zohar, as well as J.B. Thompson's critical theory of ideology, will be used. Reference is also made to Jacques Rancière's theory around “the distribution of the sensible”. The conclusion is reached that despite a continuously changing ideological landscape, the Hertzog Prize served the interests of the Afrikaner institution from the very start and played an ongoing role in the Afrikaner repertoire. Within the polysystem theory the “repertoire” is the aggregate of rules and elements which determine the production of texts. The term “institution” refers to the factors involved in the maintenance of literature as a socio-cultural activity. The novel is set in a small hotel, Mei Villa, in the Belgravia neighbourhood in Johannesburg during an outbreak of xenophobic violence in 2008. Within the story structure it focuses on two characters, the displaced architect, Zweig van Niekerk, who returns to Johannesburg after 40 years, and the hotel owner and award-winning, but lesser poet, Bosman Hiemstra. Surrounded by other hotel guests and staff with their own stories, Zweig van Niekerk searches in vain for the Johannesburg of his youth, while Bosman Hiemstra attempts with equal lack of success, to write a second book of poetry. At the end of the book the poet starts to write a novel using his guest's life as material; that could be the book that the reader has just completed.

Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2005. / ENGLISH ABSTRACT: The construction of the female subject in the poetry of Afrikaans women poets since 1970 is examined with reference to the oeuvres of Sheila Cussons, Ina Rousseau, Wilma Stockenström and Antjie Krog. The work of three French feminists, namely Julia Kristeva, Hélène Cixous and Luce Irigaray, is selected as the theoretical framework, because of, amongst other reasons, their attention to the structuring role which language plays in the construction of subjectivity. In terms of defining the scope more precisely, there is a specific focus on the role of the mother-daughter relationship, as reflected in the work of these three women. This focus examines not only biological mother-daughter relationships, but also the stance which women adopt regarding the “place of the mother”, as well as the way in which the relationship with the mother’s body emerges in the writing of women. The question is posed whether there is indeed a clearly identifiable feminine subject in the oevres of the four Afrikaans women discussed and, if so, whether this feminine subject is potentially capable of destabilising or even subverting the prevailing patriarchal order.

Thesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2006. / ENGLISH ABSTRACT:In the field of the science of language, dictionaries have always been part of a standardisation process. They are also part of the expansion, the development and the promotion of languages in societies. On the other hand, the education system is an important partner for both foreign language teaching and the development of local languages in countries with a weak written tradition like Gabon. It is a strong platform for the production of dictionaries because it includes the diffusion and the application of school programmes and school manuals. Therefore, it is relevant for the Gabonese population to rely on a well-established lexicographic tradition to preserve and promote their local languages. Introducing dictionaries in the field of education can ensure this. Dictionaries have to be compiled in the Gabonese languages for Gabonese pupils learning those languages. Because each culture encourages the development of dictionaries suitable to particular difficulties, dictionaries compiled in Gabonese languages have to be made according to the Gabonese situation. The present dissertation will present a model for a bilingual school dictionary involving Yipunu, one of the Gabonese languages, and French. The aim will be to develop a model, based on metalexicographical principles, applicable to the Gabonese context. In this model the French section of the dictionary will not be active. The frame structure required in the compilation of such a model will contain a front matter, a back matter and a central list. Even if there are two treated languages, the dominant language in this dictionary will be Yipunu. French will appear only as translation equivalents. And for the convenience of the target users, the model will describe the content of a polyfunctional monodirectional bilingual Yipunu/French dictionary for Yipunu learners.

Thesis (PhD)-- Stellenbosch University, 2012. / ENGLISH ABSTRACT: This study considers a lexicographical intervention in the acquisition and use of English in Zimbabwe. English is the country’s sole official language. This means that it dominates all the other languages in the country in terms of prestige and usage in the high status domains such as government, media, law, education, etc. English is learnt as a compulsory subject throughout the education system up to the General Certificate of Ordinary Level (‘O’ Level) and used as medium of instruction from the fourth grade upwards. The annual national pass rate of around 33% and less than 10% for some schools in this subject has been recorded in recent years. An ‘O’ Level certificate is considered complete if is has registered five ‘O’ Level subjects including English. This means that without an ‘O’ Level English pass, learners have no chance to proceed to the General Certificate in Education Advanced Level (‘A’ Level) or tertiary education, and their chances of getting employment in the public service are limited, if not non-existent. In the mainstream scholarship on language policy and language planning in the country, this situation has resulted in advocating that indigenous languages, particularly Shona and Ndebele, be developed and elevated to the official status currently enjoyed by English. Far from being against the development and status elevation of indigenous languages, this study proposes a lexicographical intervention in the acquisition and use of English as one of the necessary mechanisms that may mitigate some problems associated with this language. It is argued that the problem with English is not simply that it is a language of foreign origin, to be explicit, the language of the former colonial master. Rather, the problem is that the majority of Zimbabweans are not competent enough to function in this language. Of course, this may be related to the fact that many Zimbabweans have to learn it as an additional language since it is not an indigenous language and thus linguistically and culturally distant from the native languages of its learners. Dealing with the field of lexicography, this dissertation considers an intervention with respect to those problems that may be addressed by the consultation of dictionaries. The availability, use and user-friendliness of English dictionaries are investigated in view of the characteristics of Zimbabweans as additional language learners of English, their situations in which lexicographically-relevant problems occur and the subsequent information needs. In doing this, the theory of learners’ lexicography (Tarp 2004; 2004a; 2008) is used. Firstly, it is established that dictionaries are scarce commodities in Zimbabwe, with a very limited range of dictionaries being available for Zimbabweans to buy. Secondly, dictionaries are not actively used in the learning and use of English within the school system, except in the former Group A schools which are elitist in nature. Curriculum developers, teachers, assessors and learners are not very clear about the role of dictionaries within the school system. Thirdly, the dictionaries that are used are not appropriate for the learners who consult them, with advanced learners’ dictionaries dominating the limited presence even at primary schools. Notwithstanding this poor background, it is generally accepted that appropriate dictionaries, despite the fact that there is a general lack of awareness of the differences between dictionaries, may address some of the problems associated with English, especially within the education system. Should this happen, the learners will develop a dictionary culture and regard dictionaries as utility products which they may rely on later in their academic and professional careers in which English continues to be dominant. A model of lexicographical intervention in the acquisition and use of English in Zimbabwe is therefore formulated. This is done against the above background and also the history of both English and Zimbabwean lexicography. English lexicography now sees English dictionaries being produced in a host of countries other than Britain, America, Australia and New Zealand, where English is a native language. This is mainly because of the dominant role that English has acquired in those countries such as South Africa. However, Zimbabwean lexicography has thus far focused on mother-tongue dictionaries in Shona and Ndebele, the main reason being the need to develop these formerly marginalised languages. Accordingly, the proposed model seeks to expand the scope of Zimbabwean lexicography. This is not just for the sake of expanding. On the contrary, in the research it is observed that the dictionaries constituting the envisaged lexicographical intervention have to be produced in Zimbabwe in order for them to effectively address the local needs regarding this language. For example, lemma selection, paraphrases of meaning, illustrative examples and data contained in the outer texts have to be linguistically and culturally relevant, taking into cognisance the native languages and cultures of the target users. It is observed that if the proposed model is to be successfully implemented, local publishers will need to play an important role, while curriculum developers, assessors, teachers and learners have to be lexicographically educated. At present, local publishers with international affiliations distribute externally-motivated dictionaries (Gouws 2005). Where dictionaries are used, no serious consideration is given regarding the appropriateness of the dictionaries. Any available dictionary is purchased regardless of its user-friendliness. Unfortunately this results in a situation where users fail to extract the best from the dictionaries and end up being disillusioned about the usefulness of dictionaries as utility tools. Some of the dictionaries found at schools are just locked in safe cabinets in headmasters’ offices while learners continue experiencing problems that could be solved by appropriate dictionaries. Accordingly, with lexicographical pedagogy, and further research on specific aspects of the model, a lexicographical intervention in the acquisition and use of English in Zimbabwe is considered a worthwhile enterprise. / AFRIKAANSE OPSOMMING: Hierdie studie beskou 'n leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe. Engels is die land se enigste offisiële taal. Dit beteken dat dit al die ander tale in die land oorheers wat betref prestige en gebruik in die hoërstatusterreine soos die regering, media, reg, opvoeding, ens. Engels word as 'n verpligte vak geleer dwarsdeur die opvoedingstelsel tot by die Algemene Sertifikaat van Gewone Vlak ('O'-vlak) en gebruik as onderrigmedium vanaf die vierde graad en hoër. Die jaarlikse nasionale slaagsyfer van rondom 33% en minder as 10% vir sommige skole in hierdie vak is in onlangse jare waargeneem. 'n 'O'-vlaksertifikaat word as volledig beskou indien dit vyf 'O'-vlakvakke insluitende Engels geregistreer het. Dit beteken dat sonder die slaag van Engels op 'O'-vlak leerders geen kans het om voort te gaan na die Algemene Sertifikaat in Opvoedkunde Gevorderde Vlak ('A'-vlak) of tersiêre onderwys nie, en hul kanse is beperk, indien nie niebestaande nie, om werk in die openbare diens te kry. In die hoofstroomvakkundigheid betreffende taalpolitiek en taalbeplanning in die land het hierdie situasie daartoe gelei dat bepleit word dat die inheemse tale, veral Sjona en Ndebele, ontwikkel en verhef word tot die offisiële status wat tans deur Engels geniet word. Verre van teen die ontwikkeling en statusverheffing van die inheemse tale te wees, stel hierdie studie 'n tussenkoms in die verwerwing en gebruik van Engels voor as een van die noodsaaklike meganismes wat sommige probleme wat verband hou met hierdie taal, kan versag. Daar word geredeneer dat die probleem met Engels nie eenvoudig is dat dit 'n taal van vreemde herkoms, om dit onomwonde te stel, die taal van die vroeëre koloniale baas is nie. Die probleem is eerder dat die meerderheid Zimbabwiërs nie bedrewe genoeg is om in hierdie taal te funksioneer nie. Dit kan natuurlik verwant wees aan die feit dat baie Zimbabwiërs dit as 'n bykomende taal moet leer aangesien dit nie 'n inheemse taal is nie en daarom linguisties en kultureel verwyder is van die inheemse tale van sy leerders. Omdat dit oor die gebied van die leksikografie handel, beskou hierdie verhandeling 'n tussenkoms met betrekking tot daardie probleme wat deur die raadpleging van woordeboeke benader kan word. Die beskikbaarheid, gebruik en gebruikersvriendelikheid van Engelse woordeboeke word ondersoek met betrekking tot die kenmerke van Zimbabwiërs as leerders van Engels as 'n bykomende taal, hul omstandighede waarin leksikografies relevante probleme voorkom en die gevolglike inligtingsbehoeftes. Om dit te doen, word die teorie van aanleerdersleksikografie (Tarp 2004; 2004a; 2008) gebruik. Eerstens is vasgestel dat woordeboeke skaars artikels in Zimbabwe is, met 'n baie beperkte reeks woordeboeke vir Zimbabwiërs om te koop. Tweedens word woordeboeke nie daadwerklik aangewend by die leer en gebruik van Engels binne die skoolstelsel nie, behalwe in die vroeëre Groep A-skole wat elitisties van aard is. Leerplanontwikkelaars, onderwysers, assessore en leerders het nie baie groot duidelikheid oor die rol van woordeboeke binne die skoolstelsel nie. Derdens, die woordeboeke wat gebruik word, is nie geskik vir die leerders wat hulle raadpleeg nie, met gevorderde aanleerderswoordeboeke wat selfs in primêre skole die beperkte aanwesigheid oorheers. Nieteenstaande hierdie swak agtergrond, word dit algemeen aanvaar dat geskikte woordeboeke, ten spyte van die feit dat daar 'n algemene gebrek aan 'n bewustheid van die verskille tussen woordeboeke is, sommige van die probleme wat met Engels verband hou, veral in die onderwysstelsel, kan oplos. Sou dit gebeur, sal leerders 'n woordeboekkultuur ontwikkel en woordeboeke as nutsartikels beskou waarop hulle later kan steun in hul akademiese en professionele loopbane waarin Engels voortgaan om oorheersend te wees. 'n Model van leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe word gevolglik geformuleer. Dit word gedoen teen die voorafgaande agtergrond en ook die geskiedenis van sowel Engelse as Zimbabwiese leksikografie. Engelse leksikografie toon tans dat Engelse woordeboeke voortgebring word in 'n menigte ander lande as Brittanje, Amerika, Australië en Nieu-Seeland waar Engels 'n inheemse taal is. Dit is hoofsaaklik as gevolg van die oorheersende rol wat Engels in daardie lande soos Suid- Afrika verkry het. Zimbabwiese leksikografie het egter tot sover gefokus op moedertaalwoordeboeke in Sjona en Ndebele, met as hoofrede die behoefte om hierdie voorheen gemarginaliseerde tale te ontwikkel. Gevolglik probeer die voorgestelde model om die omvang van Zimbabwiese leksikografie uit te brei. Dit is nie net ter wille van uitbreiding nie. Inteendeel. In die navorsing word dit waargeneem dat die woordeboeke wat die beoogde leksikografiese tussenkoms uitmaak, in Zimbabwe voortgebring moet word vir hulle om die plaaslike behoeftes met betrekking tot hierdie taal doeltreffend te benader. Byvoorbeeld, lemmakeuse, betekenisparafrases, toeligtende voorbeelde en data bevat in die buitetekste moet linguisties en kultureel toepaslik wees om die inheemse tale en kulture van die teikengebruikers in aanmerking te neem. Daar word opgemerk dat, om die voorgestelde model suksesvol deur te voer, plaaslike uitgewers 'n belangrike rol sal moet speel, terwyl leerplanontwikkelaars, assessore, onderwysers en leerders leksikografies opgevoed sal moet word. Op die oomblik versprei plaaslike uitgewers met internasionale verbintenisse ekstern-gemotiveerde woordeboeke (Gouws 2005). Waar woordeboeke gebruik word, word geen ernstige oorwegings geskenk aan die geskiktheid van woordeboeke nie. Enige beskikbare woordeboek word gekoop ongeag sy bruikbaarheid. Ongelukkig lei dit tot 'n situasie waar gebruikers in gebreke bly om die beste uit die woordeboeke te haal en ontnugter eindig oor die nuttigheid van woordeboeke as gebruiksgereedskap Sommige van die woordeboeke wat in skole aangetref is, word net in veilige kaste in skoolhoofde se kantore weggesluit, terwyl leerders voortgaan om probleme te ondervind wat opgelos kan word deur geskikte woordeboeke. Met leksikografiese opvoeding, en verdere navorsing oor bepaalde aspekte van die model, word 'n leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe gevolglik as 'n verdienstelike onderneming beskou.

Thesis (DPhil)--Stellenbosch University, 1992. / ENGLISH ABSTRACT: Culture is and always will be of paramount importance to man. If the culture base is threatened, serious conflict and other problems will ensue. Even though there has been talk about a so-called internationalism that denotes a world devoid of different cultures, reality has caught up with the much advocated "melting pot" theory. Depriving groups of their cultural rights, or simply overlooking these rights, can result in a dangerous "boiling pot". Each culture group has a need for its own identity. Because only a small portion of the world population live in culturally homogenious states the potential for conflict is great between different groups that want to uphold and develop their own cultures. This is especially true where minority and majority groups exist within the same national boundaries. For any minority group wishing to preserve and develop its culture a logical solution would be to organize people in cultural organizations to maximize their effectiveness in attaining their goals. In this study, the task and activities of the cultural organization are examined, especially in respect of preserving, maintaining, and developing the culture of a specific group, in particular within minority cultures. Firstly, minorities as a group are discussed, with special reference to their particular needs, conflicts and threats and the conditions for survival.Subsequently, culture as a humanphenomenonis examined. In chapter 3 the cultural organization as a distinct organization, with its own characteristics, problems and success factors, is discussed. Chapter 4 examines cultural organizations and analyzes different ones, especially those of minority groups. Chapter 5 discusses Afrikaans cultural organizations along broad lines, emphasizing their chronological development, problems, inadequacies and challenges. The ATKV, as a minority cultural organization, and its activities are extensively discussed in the followingchapter. In conclusion, the study deals with the requirements and challenges for the successful task fulfilment of cultural organizations in order to understand, plan and evaluate their important task, especially within minority cultures. / AFRIKAANSE OPSOMMING: Kultuur is en bly vir die mens van wesentlike belang. Wanneer die kulturele basis bedreig of aangeraak word, vind ernstige teenreaksie plaas met gepaardgaande konflik en probleme. Alhoewel daar dikwels al gepraat is van internasionalisme in die sin van wegdoening met kulturele en volksbande, is hierdie siening as verkeerd bewys, want elke kultuurgroep het 'n besondere behoefte aan 'n eie kulturele identiteit. Aangesien slegs In klein gedeelte van die wereldbevolking in homogene state leef, is die potensiaal vir konflik tussen verskillende kultuurgroepe, wat elkeen streef na die behoud en uitbouing van die eie, groote Die voorkoms van minderhede, wat toenemend bewus raak van hul eie identiteit, is In feit en vera! waar minderheidsgroepe saam met meerderheidsgroepe voorkom, verhoog die konflikpotensiaal. Vir enige minderheidsgroep Ie 'n logiese oplossing vir die behoud en uitbouing van eie kulturele regte in die organisering van mense in kultuurorganisasies om In kollektiewe en meer effektiewe bedingingsmag te verkry. In hierdie studie word die taak en werksaamhede van kultuurorganisasies ten opsigte van van 'n spesifieke groep minderheidskultuurgroepe. die bewaring, handhawing en uitbouing se kultuur ondersoek, veral binne Eerstens word gekyk na die samestelling van minderheidsgroepe met hul eiesoortige behoeftes, konflikte en bedreigings, asook voorvereistes vir hul voortbestaan. Daarna word kultuur as menslike verskynsel bespreek. Hoofstuk 3 word gewy aan die kultuurorganisasie as In eiesoortige organisasie met sy eie kenmerke, probleme en suksesfaktore. Die kultuurorganisasie in praktyk, vera! binne minderheidsgroepe, kom in hoofstuk 4 aan die bod en word daar ontledend gekyk na verskillende kultuurorganisasies. In hoofstuk 5 word Afrikaanse kultuurorganisasies breedweg bespreek en word vera! gekyk na die organisasies se kronologiese ontwikkeling, asook probleme, leemtes en uitdagings. Daarna word die ATKV as In minderheidskultuurorganisasie, met sy werksaamhede in die praktyk indringend bespreek. Ten slotte word die vereistes en uitdagings op die pad van kultuurorganisasies vir suksesvolle en effektiewe taakvervulling bespreek om sodoende die belangrike taak van die kultuurorganisasie, vera! binne minderheidskultuurgroepe, te verstaan, te beplan en te beoordeel.

Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: The focus in this paper is on terms of endearment, and initially linking it with love, affection and care, which prominently feature in the oldest ancient languages. Users of dictionaries are motivated by finding and understanding the unbelievable variety of words in languages. In many faiths/religions people give credence to a perception that love and understanding of one another's needs and aspirations form the true basis of successful interpersonal relationships but as yet no consensus has been reached. The data was empirically collected through personal conversations with local people, including children, the young generation, parents and grandparents, staff of banks, supermarkets and bookshops. A distinction is made between terms generally used for kids, adults, men and women according to context in usage and the meanings thereof as reported by respondents, varying from seriously meant (dearest), to affectionate (darling, beloved) to mere superficial friendship (pal, love). As the focus was on Afrikaans which is the home language of the most residents in the Western Cape, according to information received from Statistics South Africa, and the knowledge as well as present usage of the word 'troetel' as a term of endearment, the English equivalents and additional similar terms are not of importance here. The impression is, however, that a special nuance of emotion is attached to the usage of the mentioned examples. Dictionaries should include terms of endearment known in the colloquial language at the time of their compilation and must be reliable sources of information regarding vocabulary, ways to address people and the varying degrees of communication in the wide distinguishable variety of contexts. / AFRIKAANSE OPSOMMING: Woordeboekverklarings vir die woord troetel sluit onder meer in met liefde behandel, liefkoos, streel en versorg. Hierdie besonder positiewe konnotasie het gelei na ʼn soekroete in die oudste antieke tale as vertrekpunt om die ontstaan, bekendheid en gebruik van hierdie woordjie in Afrikaans te probeer vasstel. Omdat liefde in verskeie gelowe as basis vir suksesvolle menseverhoudinge deur die eeue aanbeveel, uitgeleef of geopponeer is, en tog nog geen algemeen aanvaarde konsensus, ten spyte van al die slim argumente en beredenerings deur briljante geleerdes bereik is nie, kan troeteltaal wat meestal met ʼn ondertoon van ʼn nuanse van liefde gepaard gaan, gebruikstaal positief beïnvloed. Deur middel van onoffisiële proefvraelysies aan die publiek plaaslik en op die platteland en deur persoonlike empiriese navorsing in gemeenskappe is die verlangde inligting by oud en jonk versamel, bank-, supermark- en boekwinkelpersoneel se menings is ingewin. Daar is onderskei tussen troetel- of troetelverwante name vir babas tot jongmense en seniors, mans en dames, met betekenisse volgens konteks soos deur respondente verstrek. Alhoewel troetel as sulks nie by die jonger geslag juis algemeen, soos vroeër, bekend is nie, veral in dorpsgemeenskappe, kom dit nog redelik wyd in die Wes-Kaap, streek- en gesinsgebonde voor. Daar word probeer om leksikograwe te beïnvloed om meer aandag aan troetelwoordjies soos bokkie, dingetjie, kleintjie en pikkie in woordeboek te gee en die gebruik daarvan en krag daarin opgesluit by gebruikers te laat ervaar en weer in gebruik te laat herlewe, veral by ouers en jongmense. ʼn Doel van woordeboeke vir die algemene taalgebruiker is in hoofsaak om ʼn data-aanbod daar te stel wat verteenwoordigend is van die gewone omgangstaal in die tydsgewrig van samestelling, maar om verder ook as interessante inligtingsbronne van data in gebruikstaal te dien.

Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This study determines whether media reporting has any influence on members’ image formation processes of the Dutch Reformed Church (DRC). The aim of this study was (a) to determine respondents’ attitudes towards the Church, (b) to determine respondents’ image of the Church, (c) to establish whether media reporting has any influence on members’ image formation of the DRC, and (d) to define such influence, if any. This study is based on the Integrated Communication Model for Image Formation and Projection (the IFP model) as theoretical foundation. The IFP model suggests that certain document design aspects, such as content, style, structure and graphics, may influence a company or organisation’s image. Following on the IFP model this study determined the effect that rhetorical content devices in media reports have on DRC members’ image of the Church. The rhetorical devices that were analysed are direct criticism, contrast, laden words, implication phenomena, sarcasm and insinuation. The study investigated how these rhetorical devices are employed to have a harmful effect on the image of the DRC. A total of 127 respondents, all of them DRC members, were selected from four congregations in the Boland region. The congregations are situated in Worcester (rural), Malmesbury (semi-rural), Paarl (semi-urban) and Durbanville (urban). Gender and age were incorporated as independent variables of this study. Members’ attitude and image with regard to the DRC and media reporting were determined by means of a questionnaire survey as primary methodology, while the possible influence of media reporting was established through a text analysis (rhetorical discourse analysis, or RDA) – another primary methodology. Professor Martin Kidd from Stellenbosch University’s Centre for Statistical Consultation prepared the statistical processing of the survey responses. The results are depicted by means of histograms and other statistical methods. The results show that members’ attitudes towards, and image of, the Church are less positive than what the Church may have hoped for: Members generally have a cautiously positive image of the Church. In addition, results indicate that media reporting does indeed influence the image formation processes of the DRC; that this influence is negative, and that it contributes to a less positive image of the Church. / AFRIKAANSE OPSOMMING: Hierdie studie bepaal of mediaberiggewing enige invloed op die beeldvormingsprosesse van individue van die Nederduitse Gereformeerde (NG) Kerk het. Die doel van die ondersoek was (a) om respondente se houding teenoor die Kerk te bepaal, (b) om respondente se beeld van die NG Kerk te bepaal, (c) om vas te stel of mediaberiggewing enige invloed op lidmate se beeldvormingsprosesse van die NG Kerk het, en (d) om sodanige invloed, indien enige, te omskryf. Die Geïntegreerde Kommunikasiemodel vir Beeldvorming en -projeksie, oftewel die IFPmodel (“Integrated Communication Model for Image Formation and Projection”), is die teoretiese model waarbinne die studie uitgevoer sal word. Die IFP-model beweer dat sekere dokumentontwerpaspekte, soos inhoud, styl, struktuur en grafika, ʼn instansie se beeld kan beïnvloed. Na aanleiding hiervan het dié studie dus die uitwerking van inhoudelike retoriese meganismes in mediaberigte op NG Kerk-lidmate se beeld van die Kerk bepaal. Die retoriese meganismes wat ontleed is, is direkte kritiek, kontras, gelade woorde, implikasieverskynsels, sarkasme en insinuasie. Daar is ondersoek ingestel na hoe hierdie retoriese meganismes aangewend word om die beeld van die NG Kerk negatief te beïnvloed. Altesaam 127 respondente, almal NG Kerk-lidmate, is uit vier gemeentes in die Bolandomgewing gekies. Die gemeentes is geleë in Worcester (platteland), Malmesbury (semiplatteland), in die Paarl (semistad) en Durbanville (stad). Geslag en ouderdom is as onafhanklike veranderlikes in aanmerking geneem. Lidmate se houding en beeld ten opsigte van die NG Kerk en mediaberiggewing is deur middel van ʼn vraelysondersoek as primêre metodologie bepaal, terwyl die moontlike invloed van die mediaberigte met behulp van ʼn teksanalise (retoriese diskoersanalise, of RDA) – nóg ʼn primêre metodologie – ontleed is. Prof Martin Kidd van die Universiteit Stellenbosch se Sentrum vir Statistiese Konsultasie het die vraelysantwoorde statisties verwerk. Die uitslag word met histogramme en ander statistiese metodes uitgebeeld. Die resultate toon dat lidmate se houding jeens, en beeld van, die Kerk minder positief is as wat die Kerk dalk hoop: Lidmate het in die algemeen ʼn versigtig positiewe beeld van die Kerk. Resultate suggereer voorts dat mediaberiggewing wél die beeldvormingsprosesse van die NG Kerk beïnvloed; dat sodanige invloed negatief is, en dat dit gevolglik tot ʼn minder positiewe beeld van die Kerk onder lidmate bydra.

Thesis (MA)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: Since the sixties many short story collections referred to as ‘eenheidsbundels’ (‘unified volumes’) have appeared in Afrikaans. Especially those collections published since the eighties and nineties prominently display an overall unity suggestive of the greater unity found in the novel. These collections are usually characterised by the recurring appearance of characters beyond the borders of the individual stories and the use of themes and recurring motifs that run through the collection. Sometimes the separate stories within a collection share the same time period or geographical space. The same narrator may also appear throughout the collection. Although the individual stories within a volume may be regarded in isolation (or even published in isolation), they will inevitably be deprived of possible interpretations that would otherwise have been evident in relation to the collection as a whole. As a result, it would seem that the boundary between the short story volume and the novel becomes blurred in these unified collections. The main objective of this thesis is to try to determine whether the short story collections under discussion represent a new genre or subgenre or whether they could possibly constitute a continuation of an existing genre. The point of departure is the suggestion by J.P. Smuts (1989: 23) that the phenomenon is linked to the writers of the sixties’ rebellion against stereotyped literary forms and that these collections appear to represent an intermediate form, something that lies between the traditional short story collection and the novel. Chapter 2 serves as the theoretical foundation of the research: the traditional characteristics of the short story and novel are investigated. Postmodernism as school of thought associated with the problematisation of the boundaries between genres is also investigated. In Chapters 3 and 4 two unified collections from the nineties are analysed: Jaco Botha’s Sweisbril (1999) and S.P. Benjamin’s Die lewe is ’n halwe roman (1999). The purpose of these analyses is to determine the extent to which the extensive unity in these collections can be compared to the unity found in the novel. The secondary goal of the thesis is to suggest (in response to Maritha Snyman’s appeal (2011)) a more suitable Afrikaans name for the study object (“eenheidsbundel”). Neil Cochrane and Nina Botes’s proposed term “kortverhaalsiklus” (“short story cycle”) (2011) is considered, but Andr P. Brink’s reference to “’n soort kortverhaal-roman” (“a kind of short story novel”) finally takes precedence. The conclusion finds that the type of collection under discussion does represent a hybrid intermediary form located somewhere between the traditional short story collection and the novel, a form the development of which was probably influenced by postmodernism. The form seems to be a continuation of the tradition of the short story collection, one that has evolved towards the novel. Cochrane and Botes’s term “kortverhaalsiklus” is rejected in favour of the proposed term “kortverhaal-roman” (with some qualifications). This term can co-exist with terms such as “hibridiese bundel” (“hybrid volume”) or the more vague “eenheidsbundel”. The observation that the term “kortverhaalsiklus” does not convey the hybrid quality of the form, and the fact that Suzanne Ferguson (2003) points out that not all unified volumes are necessarily cycles, was decisive. / AFRIKAANSE OPSOMMING: Van die sestigerjare af het daar verskeie kortverhaalbundels in Afrikaans verskyn waarna literatore as ‘eenheidsbundels’ verwys. Veral di sedert die tagtiger- en ne ntigerjare toon ’n opvallende hegtheid wat selfs aan die groter eenheid van die roman herinner. Hierdie bundels word byvoorbeeld gekenmerk deur karakteroorvleuelings oor die grense van die verskillende verhale heen, die gebruik van oorkoepelende temas en die deurgaanse herhaling van motiewe. Soms deel die verskillende verhale in ’n bundel dieselfde tydvak of geografiese ruimte. Dieselfde vertellende instansie kan ook regdeur die bundel voorkom. Alhoewel die aparte bundelverhale in isolasie beskou (of selfs gepubliseer) kan word, word hulle so van interpretasiemoontlikhede ontneem wat slegs binne bundelverband waargeneem kan word. Dit wil gevolglik voorkom of die grens tussen die kortverhaalbundel en die roman in die eenheidsbundel vervaag. Die hoofdoelwit van hierdie tesis is om te probeer vasstel of die hegte eenheidsbundel van veral sedert die tagtigerjare in Afrikaans ’n nuwe genre of subgenre verteenwoordig en of dit moontlik ’n voortbouing op ’n bestaande genre is. Daar word uitgegaan van J.P. Smuts (1989: 23) se stelling dat die betrokke verskynsel aan die jare sestig se opstand teen geykte liter re vorme te koppel is en dat hierdie bundels ’n tussenvorm is, iets wat tussen die tradisionele kortverhaalbundel en die roman l . Hoofstuk 2 dien as die teoretiese basis van die ondersoek: die algemene kenmerke van die tradisionele kortverhaal en roman word ondersoek. Die postmodernisme as denkrigting wat met die opheffing van genregrense geassosieer word, word ook kortliks ondersoek. In hoofstukke 3 en 4 word twee hegte eenheidsbundels uit die ne ntigerjare breedvoerig bespreek: Jaco Botha se Sweisbril (1999) en S.P. Benjamin se Die lewe is ’n halwe roman (1999). Die oogmerk is om vas te stel in hoeverre die uitgebreide eenheid in hierdie bundels aan die hegte eenheid van die roman herinner. Die sekond re doelwit van die tesis is om, na aanleiding van Maritha Snyman (2011) se pleidooi, ’n meer geskikte benaming vir die studieobjek (“eenheidsbundel”) te probeer voorstel. Neil Cochrane en Nina Botes (2011) se keuse van die term “kortverhaalsiklus” vir die hegter soort eenheidsbundel word bekyk, maar Andr P. Brink se verwysing na “’n soort kortverhaal-roman” geniet voorlopige voorkeur. In die konklusie word bevind dat die bespreekte bundels wel ’n hibridiese tussenvorm verteenwoordig wat iewers tussen die tradisionele kortverhaalbundel en die roman gele is en waarvan die ontstaan en ontwikkeling waarskynlik deur die postmodernisme be nvloed is. Die vorm blyk ’n voortsetting van die kortverhaalbundeltradisie te wees wat in die rigting van die roman ge volueer het. Cochrane en Botes se term “kortverhaalsiklus” word afgewys ten gunste van die voorgestelde term “kortverhaal-roman” (met voorbehoude) wat naas terme soos “hibridiese bundel” en die vaer “eenheidsbundel” sou kon bestaan. Die waarneming dat die term “kortverhaalsiklus” niks oor die romanagtigheid of die hibriditeit van die vorm oordra nie, terwyl Suzanne Ferguson (2003) onder andere daarop wys dat nie alle eenheidsbundels noodwendig siklusse is nie, was hier deurslaggewend.

Thesis (MA)--Stellenbosch University, 2012 / ENGLISH ABSTRACT: “A verse might be complete, but then I fiddle with it again and it is not complete anymore,” Ina Rousseau says in an interview. When one compares poems from her Versamelde gedigte 1954-1984 and Die stil middelpunt with their predecessors in magazines and in her volumes of poetry, one sees that Rousseau often made revisions. Over the years her poetry has come into being like a “living organism”. It reminds one of the rewritings of Martinus Nijhoff. This study aims to discuss the variants in the poetry of Ina Rousseau, by means of a variant system that unlocks the printing history of all 253 published poems. My discussion focuses on 17 poems (at least one from each volume of poetry) that is printed in full in the variant edition. I’ve used supplement material and reception texts to give the reader a perspective on Rousseau as poet, and the involvement of other roll players. By bringing in these secondary texts I aim to situate the poem discussions and try to show that theme and textgenesis should not be viewed as separate entities. / AFRIKAANSE OPSOMMING: “’n Vers kan miskien afgerond wees en dan gaan peuter ek weer aan hom en dan is hy nie meer afgerond nie,” sê Ina Rousseau in ’n onderhoud. Wanneer ’n mens dan gedigte uit haar Versamelde gedigte 1954-1984 en Die stil middelpunt vergelyk met vroeër weergawes in tydskrifte en in bundels, sien ’n mens dat sy lief was daarvoor om veranderinge aan te bring. Haar poësie, wat deur die jare soos ’n “lewende organisme” tot stand gekom het, herinner aan die verbete herdigtings van Martinus Nijhoff. Hierdie studie het ten doel om die variante in die poësie van Ina Rousseau van naderby te beskou aan die hand van ’n variante-apparaat wat die volledige drukgeskiedenis van 253 gedigte ontsluit. My bespreking fokus op 17 gedigte (minstens een uit elke bundel) wat volledig in ’n variante-edisie afgedruk staan. Ek gebruik ook aanvullende materiaal en resepsietekste om die leser ’n perspektief op Rousseau se digterskap en die betrokkenheid van ander rolspelers te gee. Deur die byhaal van hierdie sekondêre bronne probeer ek om die gedigbesprekings te situeer en te toon dat tematiek en teksontwikkeling nie losmaaklik van mekaar is nie.