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1	Aleister Crowley und die Versuchung der Politik Pasi, Marco January 1993 (has links) Zugl.: Milano, Univ. degli Studi, Diss. 1993/1994 / Bibliogr. S. 307 - 310 Crowley, Aleister Politisches Denken
2	Theatre magick Aleister Crowley and the Rites of Eleusis / Tupman, Tracy Ward, January 2003 (has links) Thesis (Ph. D.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains xi, 355 p.; also includes graphics (some col.). Includes bibliographical references (p. 341-355). Available online via OhioLINK's ETD Center.
3	Theatre magick: Aleister Crowley and the Rites of eleusis Tupman, Tracy Ward 01 October 2003 (has links) No description available. Theater Aleister Crowley Magick Eleusis
4	Det Stora Vilddjuret och Yogan : En religionshistorisk studie av Aleister Crowleys yoga och hans påverkan på sentida efterföljare i Sverige / The Great Beast and Yoga : A religious-historical study of Aleister Crowleys yoga and his impact on modern followers in Sweden Albin, Irgens January 2018 (has links) Den här uppsatsen behandlar den brittiske tänkaren Aleister Crowley, hans tolkning avyoga, och hans tankars påverkan på moderna efterföljare av hans religion i Sverige.Uppsatsen behandlar frågorna om hur Crowleys syn på yoga utvecklats och hur denkan ses i svenska efterföljares tankar idag. Uppsatsen använder sig av litteraturstudierav Crowleys verk, samt intervjuer med medlemmar i ordern Ordo Templi OrientisSverige. Uppsatsen utmynnar i att Crowleys tankar om yoga kan ses i sin historiskakontext påverkad av bland annat orientalism och religionism, och att Crowleys tankarfortsätter påverka moderna utövare av yoga inom O.T.O. Aleister Crowley yoga O.T.O esoterism i Sverige Religious Studies Religionsvetenskap
5	Thelema em Aleister Crowley: Magick e Ciência da Religião Campos, Humberto Miranda de 21 August 2018 (has links) Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-10-30T15:09:29Z No. of bitstreams: 1 humbertomirandadecampos.pdf: 1856621 bytes, checksum: d796364f891dfc048a5a4d8183de950f (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-11-23T11:28:22Z (GMT) No. of bitstreams: 1 humbertomirandadecampos.pdf: 1856621 bytes, checksum: d796364f891dfc048a5a4d8183de950f (MD5) / Made available in DSpace on 2018-11-23T11:28:22Z (GMT). No. of bitstreams: 1 humbertomirandadecampos.pdf: 1856621 bytes, checksum: d796364f891dfc048a5a4d8183de950f (MD5) Previous issue date: 2018-08-21 / CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico / O objetivo deste trabalho é analisar Thelema de Aleister Crowley, tendo como ponto de partida o livro Magick Without Tears. Parte-se da hipótese de que, pelo fato de Aleister Crowley ter experiência com filosofias esotéricas ocidentais, e por ter recebido uma educação cristã, sua concepção e estruturação dos dogmas e doutrinas apresentem considerável viés judaico-cristão que podem não ter sido descartados e sim reconstruídos e relidos. Desta maneira, a investigação se focará em realizar uma pesquisa genealógica das leituras e dos símbolos trabalhados por Aleister Crowley. Como referencial teórico, adota-se Wouter J. Hanegraaff e sua metodologia denominada História das Ideias. Através deste paradigma, pretende-se identificar e analisar pontos de diálogo entre elementos do corpus de Thelema e as variadas influências esotéricas com as quais o autor trabalhou, e que são encontrados no livro escolhido. Além disso, tenta-se explicar como a mesma se desdobra num corpo de práticas denominadas Magick, resultando naquilo que Crowley definiu como Iluminismo Científico. Culminando assim, na resposta à pergunta: Thelema é uma Religião? / The aim of this research is to analyze Thelema of Aleister Crowley. Taking as a starting point the book Magick Without Tears. It is hypothesized that, based in Aleister Crowley’s experience with Western Esoteric philosophies, and in function of his christian education, his conception and structuring of dogmas and doctrines present considerable Judeo-Christian bias that may not have been discarded but reconstructed and reread. In this way, the research will focus on performing a genealogical investigation on the readings and symbols worked on by Aleister Crowley. As a theoretical reference, Wouter J. Hanegraaff and his methodology called History of ideas are adopted. Through this paradigm, we intend to identify and analyze points of dialogue between elements of the corpus of Thelema and the various esoteric influences with which the author worked, and which are found in the chosen book. In addition, it attempts to explain how it unfolds in a body of practices called Magick, resulting in what Crowley defined as Scientific Enlightenment. Culminating thus, in the answer to the question: Is Thelema a Religion?. CNPQ::CIENCIAS HUMANAS Thelema Magick Aleister Crowley Esoterismo ocidental História das Ideias Thelema Magick Aleister Crowley Western esotericism History of Ideas
6	"Faze o que tu queres": as noções de ética e moral nos escritos de Aleister Crowley em sua Thelema sob a luz da sociologia sensível de Michel Maffesoli Mizanzuk, Ivan Alexander 31 May 2010 (has links) Made available in DSpace on 2016-04-25T19:21:07Z (GMT). No. of bitstreams: 1 Ivan Alexander Mizanzuk.pdf: 815740 bytes, checksum: ec841b97987c80848ce4ebdd7b34e93f (MD5) Previous issue date: 2010-05-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The present dissertation provides a research about the writings of the English magus Aleister Crowley (1875-1946), founder of the religion Thelema, which deal with the subjects of Ethics and Moral, aiming as such a study about the possible aspects of a postmodern ethics as so understood in relation with the works of the French sociologist Michel Maffesoli in the religious field. It is followed the hypothesis that Crowley preshaped a religious thinker of a post-modern ethics, and the whole work is developed with the objective to prove such. By the end, it is concluded that, although the crowleyan ethics does possess many of the aspects of the so-called maffesolian ethic-aesthetics, there is still the presence of a categorical imperative, his concept of Will, which is inseparable of his thoughts on ethics and moral due to the mystic nature of his philosophy / A presente dissertação busca realizar uma investigação teórica acerca dos escritos do mago inglês Aleister Crowley (1875-1946), fundador da religião Thelema, que tocam nos temas da Ética e da Moral, visando assim um estudo sobre os possíveis aspectos de uma ética pós-moderna termo assim compreendido de acordo com a obra do sociólogo francês Michel Maffesoli no campo religioso. Parte-se da hipótese de que Crowley préfigurava um pensador religioso de uma ética pós-moderna, e se desenvolve o trabalho com o objetivo de comprovar tal desconfiança inicial. Ao final, conclui-se que, apesar da ética crowleyana possuir muitos aspectos da chamada ética estética maffesoliana, ainda há a presença de um imperativo categórico, o seu conceito de Vontade, que é indissociável de seu pensamento ético-moral devido à natureza mística de sua filosofia religião Thelema Etica Pos-modernidade Post-modernity Ethics religion Thelema CNPQ::CIENCIAS HUMANAS::TEOLOGIA
7	Lucifer och den performativa filmkonsten : En studie kring sataniska visioner i den kaliforniska filmvärlden Ljung, Peter January 2019 (has links) This study regards the influence of ’modern’ satanism on performative art in the nineteen sixties- and seventies. The methodological framework consists of performativity theory, religious visual culture and aesthetics of experimental film. The material consists mainly of cinematic work by Kenneth Anger and Alejandro Jodorowsky, as well as musical performances by the likes of Mick Jagger, the Rolling Stones and David Bowie. In addition to this material I also use academic texts, dissertations and books written about the subjects themselves as a foundation for my own further analysis and discussions. By looking closely at a selection of cinnematic work of foremost Kenneth Anger, I try to show how his own esoteric and occult interests are present as a fundamental part of his creative process and the following filmworks/artworks themselves. This is also put into relationship with Anton Szandor Lavey, founder of the Church of Satan, and their common thoughts concerning ritually performed magic. By using performativity theory I trie to emphasise the interlocking structures of these two worlds in the artwork of Kenneth Anger and other artists active in the culturual ’milieu’ of the sixties- and seventies. The results indicate that the religious sphere of satanism, occultism and esotericism (and alternative modes of religion in general) was closeley inflicted with counterculture-infused film and music (as represented by the selection of material). Satanism performativity performance ritual black mass Kenneth Anger Anton LaVey Satan Lucifer Anton Szandor LaVey Church of Satan Aleister Crowley magick Mick Jagger Alejandro Jodorowsky Rolling Stones David Bowie film experimental film art film art satanism performativitet performativitetsteori Kenneth Anger Anton LaVey Anton Szandor LaVey Church of Satan Alejandro Jodorowsky Mick Jagger David Bowie Rolling Stones Lucifer Svart mässa Aleister Crowley magick film experimentell film filmkonst konst Religious Studies Religionsvetenskap
8	L'influence du black metal sur la composition de quatre œuvres musicales originales Dumont, Mathieu 17 April 2018 (has links) Ce mémoire traite globalement de l'influence de la musique populaire sur la création de nouvelles musiques d'art, et plus spécifiquement de l'influence du true norwegian black metal (TNBM) sur quatre de mes compositions récentes. Dans la première partie du chapitre I, nous exposons les aspects musicaux et extramusicaux des principales périodes du black metal afin de bien comprendre la genèse du TNBM. Dans la seconde partie du chapitre I, nous abordons spécifiquement le TNBM de la même façon. Dans le chapitre II, nous démontrons concrètement, à l'aide de plusieurs exemples, les modes d'influence des musiques du TNBM sur les quatre musiques à l'étude. Ces types d'influence sont au nombre de cinq : les caractères propres au TNBM, ses caractéristiques structurelles, les techniques d'écriture employées, la gestion des hauteurs et les techniques instrumentales typiques. Je dresse un portrait sommaire en conclusion des enjeux importants de ma musique à venir : la musique de timbre et l'accessibilité de la musique d'art à un large public. ML 21.5 UL 2011 D893 Dumont, Mathieu. Extraits Black metal (Musique) -- Influence Quatuors à cordes -- Partitions Orchestre, Musique d' -- Partitions Musique -- Canada

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