Thesis (Ph.D.) -- University of Adelaide, School of Humanities, Discipline of Classics, 2008. / "November 2008" Includes bibliography ( p. 355-378) and index. Also available in print form.

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2007. / Title from title screen (site viewed June 17, 2008). PDF text: v, 193 p. ; 652 K. UMI publication number: AAT 3293923. Includes bibliographical references. Also available in microfilm and microfiche formats.

Thesis--Marburg. / Vita. Includes bibliographical references (p. 239-253).

Thesis (Ph.D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references (leaves 199-221). Available also from UMI Company.

The hypothesis for this research project is: Ammianus’ treatment of the emotion of anger reveals as much, if not more, about his education, values, beliefs, personality, than it does about the people he writes about and that he sees in emotion a major causative factor. This research contained within aims to contribute to a greater depth of understanding of the role of the key emotion of anger within the individual and collective lives of the characters as portrayed by Ammianus Marcellinus and how he uses them to influence the reader and colour his narrative. Scholars now tend to examine Ammianus to discern or evaluate the historical reliability of his authorship. Thus there is scope for examining how Ammianus shapes his narrative and tries to influence the reader by his portraits of individuals and collective characters. Although this approach seems an obvious one, the particular value of this thesis and of its contribution to late Roman historiography is that no one has hitherto done this in an extended and thorough way. While we welcome the importance Ammianus gives to emotions as historical agents, his treatment and representations of them have idiosyncratic features that crucially affect any assessment of him as a subjective observer and reporter of Rome and its past. Making the study keyword based reduces the need to make (possibly erroneous) inferences about whether it is really anger or some related emotion that we are dealing with. This has then lead to the compilation of lists of relevant anger words in Latin that relate to the individuals and groups who are the basis for my study.1 Following this analysis of the use of anger by Ammianus Marcellinus through a careful study of his Res Gestae and the characterisations he incorporated within it is hoped that we can better understand the discourse of Ammianus, by unearthing the bias, the propagandist elements and the general trends of his portrayals, through keywords that refer directly to anger. In this way it is anticipated that we can better understand the purpose behind many of these representations. / Thesis (Ph.D.) - University of Adelaide, School of Humanities, 2008

Thesis (Ph. D.)--University of California, Riverside, 2009. / Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed March 23, 2010). Includes bibliographical references. Also issued in print.

Thesis (M.A.)--Ohio University, August, 2009. / Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until September 1, 2014. Includes bibliographical references (p. 96-99)

Texte remanié de : Thèse de doctorat : Lettres : Heidelberg : 1983. / Bibliogr. p. 243-252.

This study critically explores the numerous strains of “madness” that Zimbabwean authors represent in their postcolonial literature. My focus is on their reflection of “madness” as either an individual state of being, or as symptomatic of the socio-political and economic condition in the country. I have adopted insights from an existential psychoanalytic framework in my literary analysis in order to bring in an innovative dimension to this investigation of the phenomenon. I consider this an appropriate stance for this study as it has enriched my reading of the literary texts under study, as well as played a crucial role in providing me with effective conceptual tools for understanding the manifestations of “madness” in the texts. The literary works that I critique are Shimmer Chinodya’s Chairman of Fools (2009), Mashingaidze Gomo’s A Fine Madness (2010), Brian Chikwava’s Harare North, Petina Gappah’s An Elegy for Easterly (2009), Tsitsi Dangarembga’s The Book of Not (2006) and Yvonne Vera’s Without a Name (1994) and Butterfly Burning (1998). These selected texts offer me an opportunity to analyse the gender dynamics and discourses of “madness”, which I do from a peculiarly indigenous and feminist perspective. My study reveals that these authors’ representations are located in and shaped by very specific temporal and spatial contexts, which, in turn, shed light on the characters’ existential reality, revealing aspects of their relationship with the world around them. It demonstrates that their notions of “madness” denote different markers of identity, such as race, class, gender, and religion, amongst others. Significantly, my literary analysis illustrates the varied permutations of “madness” by exposing how these authors characterise the phenomenon as trauma, as alienation, as depression, as insanity, as subversion, as freedom, and even as a sign of the state of affairs in Zimbabwe. This investigation also reveals that because “madness” in these authors’ fiction is intricately linked to the question of identity, it manifests in situations where the characters’ sense of ontological security is compromised in some way. What emerges is that “madness” can either signify a grapple with identity, a loss of it, or a struggle for its redefinition / English Studies / D.Litt. et Phil. (English)