Thesis (M.A.)--University of Wisconsin--Madison, 1960. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 72-76).

No description available.

Thesis (B.A.(Hons.))-- University of Adelaide, Dept. of History, 1979.

Based on the author's thesis. / Includes bibliographical references and index.

Thesis (Ph. D.)--University of California, San Diego, 2001. / Vita. Includes bibliographical references (leaves 516-576).

No description available.

Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2017-07-03T12:55:05Z No. of bitstreams: 1 Caroline Poletto_.pdf: 20052877 bytes, checksum: 81e9c306b569d9aee6c6cd148c2d84cb (MD5) / Made available in DSpace on 2017-07-03T12:55:05Z (GMT). No. of bitstreams: 1 Caroline Poletto_.pdf: 20052877 bytes, checksum: 81e9c306b569d9aee6c6cd148c2d84cb (MD5) Previous issue date: 2017-05-05 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / PROSUP - Programa de Suporte à Pós-Gradução de Instituições de Ensino Particulares / A presente tese se propõe a desvendar parte do imaginário subversivo divulgado pelas páginas de determinadas publicações da imprensa anarquista e anticlerical espanhola, argentina e brasileira, entre os anos de 1897 a 1936, totalizando catorze publicações distintas. Assim, este estudo também comunga com os pressupostos da chamada história transnacional e demonstra, no seu desenrolar, que as publicações dessa imprensa alternativa, apesar das distâncias geográficas significativas e das dificuldades de manutenção que apresentavam, estavam em constante contato umas com as outras, estabelecendo laços de solidariedade, possibilitando a ampla circulação de artefatos culturais e, consequentemente, a constituição de um imaginário combativo e próprio. Imaginário esse que é forjado e aqui revelado através da observação de elementos centrais da arte de protesto: poesias, imagens e contos. Ao desvendar tal imaginário também se está tentando recuperar o percurso realizado por determinadas imagens, suas rotas de circulação e sua apropriação, permanência e alterações na referida imprensa. Com esses objetivos em vista, a tese se centrará na análise de duas temáticas principais para a criação e manutenção desse repertório imagético: o anticlericalismo e o evento datado do 1º de Maio, o qual se constitui na principal data do calendário dos trabalhadores e permite o estabelecimento de um universo simbólico próprio. É possível observar em cada temática a prevalência de certas ideias-imagens e sua constante repetição, permanência e relativa modificação, marcas essenciais de qualquer imaginário, seja esse subversivo ou hegemônico na sociedade, bem como o caráter de complementariedade existente entre o conteúdo textual e o conteúdo visual desse imaginário, uma vez que ambas dimensões discursivas se reforçam e reafirmam mutuamente. / The present dissertation aims to unveil a part of the subversive imaginary disclosed by certain publications of the anarchist and anticlerical press in Spain, Argentina, and Brazil, between the years of 1897 and 1936, encompassing fourteen different publications. Hence, this study also partakes in the presuppositions of the so-called transnational history and demonstrates, in its exposition, that the publications of this alternative press, despite significant geographical distances and the difficulties arising from their maintenance, were in constant contact with one another, establishing solidarity bonds, enabling a broad circulation of cultural artifacts and, consequently, the constitution of a particular and combative imaginary. An imaginary that is forged and revealed here through the observation of the central elements of protest art: poems, images, and short stories. By uncovering such imaginary one is also trying to reestablish the path taken by certain images, their circulation routes and their appropriation, permanence, and alterations in the aforementioned press. With these goals in mind, the dissertation will focus on the analysis of two main themes to create and support this imagetic repertoire: the anti-clericalism and the events that took place on May 1st, a date that became the most important calendar day for workers and allowed for the establishment of their own symbolic universe. One can observe in each of the themes the prevalence of certain image-ideas and their constant repetition, permanence, and relative modification, essential hallmarks of any imaginary, whether it be subversive or hegemonic in society, as well as a complementarity element that exists between the textual and the visual content of said imaginary, since both discursive dimensions mutually reinforce and reaffirm each other.

In the nineteenth century, amidst the rise of anti-Catholicism in the Western world, narratives served as a persuasive medium to influence the reading public. Anti-clerical sentiment was conveyed in various forms of text, often depicting the Catholic convent as a place of sinister confinement. This thesis offers an alternative representation of the French nineteenth-century convent. Considering the prevailing social, economic, and political environment in France, along with the conception of social space, I argue that the convent represents a place of sanctuary and opportunity for some women and girls. Further, in view of Victor Hugo's Les Misérables, I examine the representation of the convent as a place for rebirth. Likewise, in analyzing George Sand's autobiography Histoire de ma vie, I explore the representation of the convent as a haven for reviving creativity. Thus, by close reading and critical examination of these literary representations, I contend that the nineteenth-century convent can provide a place of refuge. / Master of Arts / Following the French Revolution of 1789, two opposing ideologies gathered momentum in France: monasticism and anti-clericalism. Beginning in 1815, enlistment of nuns in religious congregations doubled every fifteen years until the end of the century. During this period, anti-clericalism remained a potent political and social force. As with any institution of power, narratives served as a persuasive medium to influence the reading public. Anti-clerical sentiment was conveyed in various forms of text, often depicting the Catholic convent as a place of sinister confinement. These diverse depictions of the convent as a nefarious enclosure seem to contradict the growth and appeal of female religious orders during the epoch. This thesis offers an alternative representation of the French nineteenth-century convent. Partially owing to prevailing social, economic, and political structures that limited women's opportunities, convents attracted women from middle- or upper-class families who desired to serve in the public domains of healthcare and education. Considering this environment in France, along with the conception of social space, I argue that the convent represents a place of sanctuary and opportunity for some women and girls. Further, in view of Victor Hugo's Les Misérables, I examine the representation of the convent as a place for rebirth. Likewise, in analyzing George Sand's autobiography Histoire de ma vie, I explore the representation of the convent as a haven for reviving creativity. Thus, by close reading and critical examination of these literary representations, I contend that the nineteenth-century convent can provide a place of refuge.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-07T12:24:45Z No. of bitstreams: 1 Maria Emilia Martins Pinto Schuck.pdf: 1805026 bytes, checksum: 8cc27003cbb25f1f61504f15d30a51c3 (MD5) / Made available in DSpace on 2018-11-07T12:24:45Z (GMT). No. of bitstreams: 1 Maria Emilia Martins Pinto Schuck.pdf: 1805026 bytes, checksum: 8cc27003cbb25f1f61504f15d30a51c3 (MD5) Previous issue date: 2018-09-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The objective of this Dissertation is to analyze Brazilian anticlericalism in the newspaper A Lanterna (1901-1935). We understand that this newspaper was the main representative of the anti-clerical movement and it was widely publicized throughout Brazil in the 20th century. This only occurred mainly due to anticlerical leagues, Masonic strongholds, Kardecist spiritists and anarchists. Brazilian anticlericalism presented specific characteristics differentiated, for example, from French anticlericalism. We started with the hypothesis that Brazilian anticlericalism in the newspaper A Lanterna was much more religious than political, because through the analysis of the discourse contained in the newspaper we were able to identify elements of attack on clerics of a moral and dogmatic order. In addition, the social space was a field of contention for other religions in the context of the transition from monarchy to the Brazilian Republic. The process of laicization that began in the Constitution of 1891 and boosted the anticlerical Brazilian movement. We can observe that until the mid-1930s the religious clash was intense, characterized by various forms of contestation of the influence of the Catholic Church in the Brazilian public space / O objetivo desta Dissertação é analisar o anticlericalismo brasileiro no jornal A Lanterna (1901-1935). Entendemos que este jornal foi o principal representante do movimento anticlerical e teve larga divulgação por todo o Brasil no século XX. Isto somente ocorreu devido principalmente às ligas anticlericais, redutos de maçons, espiritas kardecistas e anarquistas. O anticlericalismo brasileiro apresentou características especificas diferenciado, por exemplo, do anticlericalismo francês. Partimos da hipótese de que o anticlericalismo Brasileiro no jornal A Lanterna, foi muito mais de cunho religioso do que político, pois através da análise do discurso contido no jornal conseguimos identificar elementos de ataque aos clérigos de ordem moral e dogmática. Além disso, o espaço social foi campo de disputa por outras religiões no contexto de transição da monarquia para a Republica Brasileira. O processo de laicização que se iniciou na Constituição de 1891 e impulsionou o movimento anticlerical Brasileiro. Podemos observar que até meados da década de 30 o embate religioso era intenso, caracterizado por diversas formas de contestação da influência da Igreja Católica no espaço público brasileiro

Submitted by Mariana Dornelles Vargas (marianadv) on 2015-03-19T17:49:12Z No. of bitstreams: 1 tao_perto.pdf: 14815217 bytes, checksum: e50a3bfe314240a743ac3c073ddbd810 (MD5) / Made available in DSpace on 2015-03-19T17:49:12Z (GMT). No. of bitstreams: 1 tao_perto.pdf: 14815217 bytes, checksum: e50a3bfe314240a743ac3c073ddbd810 (MD5) Previous issue date: 2011 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A presente dissertação pretende analisar as caricaturas e contos de alguns periódicos e suplementos libertários e anticlericais de Buenos Aires e de Porto Alegre que circularam nessas cidades durante os anos de 1897 a 1916, procurando abordar as variadas maneiras e estratégias de que tais veículos da pequena imprensa se utilizavam para contestar, denunciar e, possivelmente, efetivar ações em prol de uma nova realidade. Utilizar-se-á da comparação para contrapor um contexto social a outro, para apontar diferenças e semelhanças entre as diversas publicações aqui estudadas, bem como ao que concerne à análise das caricaturas e dos contos, realizando aproximações e distanciamentos entre o discurso visual e o verbal de tais elementos. As caricaturas serão tratadas enquanto representações, pois se acredita que a dimensão das imagens é sempre uma (re) criação, uma (re) interpretação de um possível real e, no caso em questão, as imagens serão consideradas ainda como um instrumento de luta, uma arma de combate. Já os contos serão considerados elementos pedagógicos preciosos para a conscientização dos leitores, uma vez que a brevidade dos mesmos tencionava transmitir sem complexidade a mensagem a que se propunham. Além disso, supõe-se que tanto as caricaturas, quanto os contos apresentam um alcance maior do que as matérias extensas, ou seja, atingem um número maior de leitores, o que tanto justifica seu estudo como alude à importância desses elementos para a formação dos seus leitores. Os periódicos utilizados para o exame serão o La Protesta de Buenos Aires e os gaúchos A Luta e Lúcifer, somando-se a esses os suplementos La Obra e o Suplemento de La Protesta de Buenos Aires. / This essay intends to analyze caricatures and tales of some libertarian and anti-clerical journals and supplements from Buenos Aires and Porto Alegre which circulated in these cities during the years 1897 to 1916, in an attempt to portray the many ways and strategies used by those small press vehicles in order to contest, denounce and, possible, implement actions to promote a new reality. Comparison will be used in order to oppose a social context to another, pointing out differences and similarities between the several publications addressed in this study, as well as what concerns the analysis of the caricatures and tales, carrying out similarities and differences between visual and verbal discourse of such elements. The caricatures studied here will be treated as representations, since it is believed that the dimension of the images is always a (re) creation, a (re) interpretation of a possible reality, which in this case, the images are seen as a class struggle tool, a combat weapon. The tales, on the other hand, are considered valuable pedagogical elements in the promotion of the readers awareness, since its briefness had the intention to convey the message without complexity. Moreover, it is assumed that both the caricatures and the tales have a broader range than the longer materials, i.e., they reach a greater number of readers, which justifies this study and alludes to the importance of these elements in the formation of its readers. The periodicals that are going to be used for the analysis are La Protesta, from Buenos Aires and A Luta and Lúcifer, both from Porto Alegre, and also the supplements La Obra and Suplemento de La Protesta from Buenos Aires.