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There would be no University art without a campus and the institute buildings. Incorporated in the Office for Academic Heritage, Scientific and Art Collections (OAH) since 2003, the extensive Art Collections of the TUD Dresden University of Technology span many genres and date back to the founding of the Technical School in 1828. They are closely connected to building activities and campus planning, that is to the University buildings at changing locations over two centuries. The majority of these buildings are listed as individual monuments and are under the special protection of the Free State of Saxony.

Diese Publikation erscheint anlässlich der 9. Internationalen Ausstellung zeitgenössischer Künste Dresden, 10. Juli – 27. September 2015.

This thesis deals with the collection, sorting and by reflecting artistic expressions of a particular child during the school year. The theoretical part contains information obtained from the study of literature concerning the concepts of art education, perception, sensitivity, imagination, creation, communication, portfolio assessment, children's drawing, ontogeny, psychiatric diagnosis, developmental disorders. The empirical part focused on the development of intellectual and social abilities in connection with the development of drawings, a boy with psychiatric diagnosis. The work is processed by the methods of qualitative research. It is a case study with subsequent analysis results of operations,ie his artistic expressions.

In the interwar period, Prague became one of the important centers of immigration from the former Russian empire, mostly thanks to the receptive stance of the fledgling republic and its political representation. This dissertation, dedicated to the visual art scene of "Russian Prague", does not confine itself to only consider artists who found themselves in exile in Czechoslovakia. Rather, it focuses on the position of Prague within the larger network of contacts of the Russian diaspora as such, and surveys relations of the local exile community with other émigré centers, especially Paris. By engaging perspectives of institutional frameworks, acquisition practices and strategies, as well as their political motivations, this study takes the Russian art collection of the Karásek Gallery, state purchases of Russian art, the Archive and Collection of Slavonic Art at the Slavonic Institute, the Scythian group and the permanent art exhibition of the Russian Cultural-Historical Museum as symptomatic examples that reveal the shifting boundaries of the notion of "Russian art outside Russia." It also brings the artistic production of the interwar period into conversation with that of the art traditions of pre-revolutionary Russia. All the described phenomena are characterized by rich international contacts and a...

Diese Publikation erscheint anlässlich der 11. Internationalen Ausstellung zeitgenössischer Künste Dresden und der 1. OSTRALE-BIENNALE vom 28. Juli - 01. Oktober 2017

Diese Publikation erscheint anlässlich der 10. Internationalen Ausstellung zeitgenössischer Künste in Dresden, error:x OSTRALE'O16. Wendebuch. OSTRALE weht ODER : Artyści z Drezna we Wrocławiu, 13.05.-31.07.2016, Browar Mieszczański Wrocław

Diese Publikation erscheint anlässlich der 12. Internationalen Ausstellung zeitgenössischer Künste Dresden und der 2. OSTRALE Biennale, von 11 Juni bis 1 September 2019. / This book is published on the occasion of the 12th International Exhibition of Contemporary Arts Dresden and the 2nd OSTRALE Biennale, from 11 June to 1 September 2019.

Diese Publikation erscheint anlässlich der 13. Internationalen Ausstellung zeitgenössischer Künste, der 3. OSTRALE Biennale, stattfindend vom 1. Juli bis 3. Oktober 2021 in Dresden. / This book is published on the occasion of the 13th International Exhibition of Contemporary Arts, the 3rd OSTRALE Biennale, from July 1st to October 3rd, 2021 in Dresden.

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