L'écriture dans une langue « d'adoption » est un phénomène littéraire de plus en plus courant. À ce jour, la contextualisation qui en est faite gravite principalement autour de l'identitaire et de l'exil, et néglige une approche moins biographique, plus attentive à ce que l'on pourrait appeler une poétique du bilinguisme, en filiation avec la philosophie du langage de Walter Benjamin. Le concept d'une langue pure, résonnant dans le silence de chacune des langues comme une présence antérieure, peut permettre d'accéder à cette ouverture des mots, et contribuer à réaliser leur simultané pouvoir de dévoilement et de dérobade, comme une invitation à l'écoute attentive de ce qui se dit à travers eux. de Silvia Baron Supervielle, écrivaine et traductrice francophone d'origine argentine, témoigne de l'extériorité inhérente aux langues. L'analyse du mémoire essaye de manière suggestive, par un agencement de concepts philosophiques complémentaires, de rendre palpable cette voix singulière dans trois publications de genres différents : réflexions philosophiques sur les langues (l'alphabet du feu), journal de lectrice et de poète (Le pays de l'écriture), poème en prose (La frontière). Il s'agit moins de formuler une théorie de l'entre- deux-langues que de montrer l'ouverture du verbe générée par l'écriture d'une langue à l'autre. / Writing in an «adopted» language has become more and more a common literary phenomenon. To date, its contextualisation mostly emphasizes on the topics of identity and exile, and neglects a less biographic approach, that would more likely refer to a poetic of bilingualism in the tradition of Walter Benjamin's philosophy of language. The concept of a pure language, resonating within the silence of each language like the evidence of an elapsed presence, can help to access this opening-dimension of words, their concurrent power of both unveiling and eluding what they supposedly name; it might lead to an attention on what's being said through them. The work of Silvia Baron Supervielle, a francophone writer and translator of Argentinian origin, testifies this exteriority inherent to all languages. By configuring complementary philosophical concepts, the thesis' analysis aims, in a suggestive way, to make this singular voice palpable in three publication of different genres: philosophical reflections on language (L'alphabet du feu), a diary of a reading poet (Le pays de l'écriture), and a poem in prose (La frontière). It intends less to develop a theory of the in-between-language than rather to show the opening of the word, generated by the writing from one language to the other.

My thesis is that many of Tennyson's apparently paranormal experiences are explicable in terms of temporal lobe epilepsy; and that a study of the occurrence, in the work of art, of phenomena associated with these experiences, may be useful in elucidating the workings of the aesthetic imagination. A body of knowledge relevant to paranormal experience in Tennyson's life and work, assembled from both literary and biographical sources, is applied to a Subjective Paranormal Experience Questionnaire, compiled by Professor V.M. Neppe, in order to establish the range of the poet's apparently "psychic" experiences. The information is then analysed in terms of the symptomatology of temporal lobe epilepsy (TLE), and the problems of differential diagnosis are considered. It is shown, by means of close and comparative analyses of a number of poems, that recurring clusters of images in Tennyson's poetry may have their genesis in TLE. These images are investigated in terms of modern research into altered states of consciousness. They are found to be consistent with a "model" of the three stages of trance experience constructed by Professor A.D. Lewis-Williams to account for shamanistic rock art in the San, Coso and Upper Paleolithic contexts. My study of the relevant phenomena in the work of a nineteenth century English poet would seem to offer cross-cultural verification of the applicability of the model to a range of altered-state contexts. This study goes on to investigate some of the psychological processes which may influence the way in which pathology is manifested in the poetry of Alfred Tennyson. But, throughout the investigation, the possible effects of literary precursors and of other art forms are acknowledged. The subjective paranormal phenomena in Tennyson's poems are compared not only with some modern neuropsychiatric cases, but also with those of several nineteenth-century writers who seem to have had similar experiences . These include Dostoevsky and Edward Lear, who are known to have been epileptics, and Edgar Allan Poe. Similarity between some aspects of Tennyson's work and that of various Romantic poets, notably Shelley, is stressed; and it is tentatively suggested that it might be possible to extrapolate from my findings in this study to a more general theory of the "Romantic" imagination.

Este trabalho se propõe a traçar o cenário em que se desdobraram os acontecimentos que instigaram o gênio de Montesquieu a buscar um padrão cientifico para os fenômenos sociais e políticos que tão argutamente observava. Combinando as nuances doutrinárias de Montesquieu, pretende o estudo abordar as premissas conceituais básicas de federação e a ideia clássica da separação de poderes para, em seguida, examinar as atribuições da chefia de Estado numa república que adote o modelo federativo e a separação de poderes como seus nortes estruturais, no contexto de um sistema presidencialista de governo. Com base nas premissas deduzidas examina-se o alinhamento do modelo brasileiro àquelas premissas institucionais que o inspiraram. / The purpose of this research is to depict the events that unfolded within the scenario that provoked Montesquieu to search for a scientific pattern in order to explain the social and political phenomena that he carefully observed in his time. Drawing on the variations of Montesquieu’s doctrines, The work aims to explore the basic conceptual argument of federation as well as the classic idea of separation of powers. Thereafter, It intends to examine the roles of state leadership in a republic whose foundation lies upon the federative model and the separation of powers in a presidentialist system of government. Based on this, the study is going to consider the alignment of the Brazilian model to those institutional propositions that initially provoked Montesquieu’s mind.

viii, 214 p. / In this study, I examine the various techniques used by poets to provide consolation. With Tennyson's In Memoriam, I explore the relationship between formal and thematic consolation, i.e., the ways in which the use of formal elements of the poem, particularly rhyme scheme, is an attempt by the poet to attain and offer consolation. Early in his laureateship after the Duke of Wellington's funeral, Tennyson wrote "Ode on the Death of the Duke of Wellington," but this poem failed to meet his reading audience`s needs, as did the first major work published after Tennyson was named Poet Laureate: Maud. I argue that form and theme are as inextricably linked in Maud as they are in In Memoriam, and in many ways, Maud revises the type of mourning exhibited in In Memoriam. Later, I examine in greater detail the hallmarks of Victorian mourning. Although most Victorians did not mourn for as long or as excessively as Queen Victoria, the form her mourning took certainly is worth discussion. I argue that we can read Tennyson's "Dedication" to Idylls of the King and his "To the Mourners" as Victorian funeral sermons, each of which offers explicit (and at times, contradictory) advice to the Queen on how to mourn. Finally, I discuss the reactions to Tennyson's death in the popular press. Analyzing biographical accounts, letters, and memorial poems, I argue that Tennyson and his family were invested in the idea of "the good death"; Tennyson needed to die as he had lived--as the great Laureate. / Committee in charge: Richard Stein, Chair; Tres Pyle, Member; Deborah Shapple, Member; Raymond Birn, Outside Member

Este trabalho se propõe a traçar o cenário em que se desdobraram os acontecimentos que instigaram o gênio de Montesquieu a buscar um padrão cientifico para os fenômenos sociais e políticos que tão argutamente observava. Combinando as nuances doutrinárias de Montesquieu, pretende o estudo abordar as premissas conceituais básicas de federação e a ideia clássica da separação de poderes para, em seguida, examinar as atribuições da chefia de Estado numa república que adote o modelo federativo e a separação de poderes como seus nortes estruturais, no contexto de um sistema presidencialista de governo. Com base nas premissas deduzidas examina-se o alinhamento do modelo brasileiro àquelas premissas institucionais que o inspiraram. / The purpose of this research is to depict the events that unfolded within the scenario that provoked Montesquieu to search for a scientific pattern in order to explain the social and political phenomena that he carefully observed in his time. Drawing on the variations of Montesquieu’s doctrines, The work aims to explore the basic conceptual argument of federation as well as the classic idea of separation of powers. Thereafter, It intends to examine the roles of state leadership in a republic whose foundation lies upon the federative model and the separation of powers in a presidentialist system of government. Based on this, the study is going to consider the alignment of the Brazilian model to those institutional propositions that initially provoked Montesquieu’s mind.

Submitted by Roberta Brito (robertakellylb@gmail.com) on 2018-10-23T01:13:19Z No. of bitstreams: 3 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) carta de encaminhamento.pdf: 176136 bytes, checksum: 534f77e5effb06abb7cd3d123c67e823 (MD5) Dissertação_Vapores_de_Mauá.pdf: 9139782 bytes, checksum: d37f0bad2770b44b69294049788989d1 (MD5) / Approved for entry into archive by História PPGH (ppghsecretaria@ufam.edu.br) on 2018-10-23T16:02:38Z (GMT) No. of bitstreams: 3 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) carta de encaminhamento.pdf: 176136 bytes, checksum: 534f77e5effb06abb7cd3d123c67e823 (MD5) Dissertação_Vapores_de_Mauá.pdf: 9139782 bytes, checksum: d37f0bad2770b44b69294049788989d1 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2018-10-23T19:56:32Z (GMT) No. of bitstreams: 3 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) carta de encaminhamento.pdf: 176136 bytes, checksum: 534f77e5effb06abb7cd3d123c67e823 (MD5) Dissertação_Vapores_de_Mauá.pdf: 9139782 bytes, checksum: d37f0bad2770b44b69294049788989d1 (MD5) / Made available in DSpace on 2018-10-23T19:56:32Z (GMT). No. of bitstreams: 3 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) carta de encaminhamento.pdf: 176136 bytes, checksum: 534f77e5effb06abb7cd3d123c67e823 (MD5) Dissertação_Vapores_de_Mauá.pdf: 9139782 bytes, checksum: d37f0bad2770b44b69294049788989d1 (MD5) Previous issue date: 2018-07-26 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The steam navigation in the Amazon was a subject much discussed since the beginning of the 19th century. However, this navigation was only effected in 1853, by means of a contract with the Navigation and Commerce Company of Amazonas, under the direction of Irineu Evangelista de Souza, the Baron of Mauá. This company served for eighteen years, sailing from one extreme to another in the region (from Belém, in Pará, to Nauta, in Peru). In addition to the navigation activity, this company also carried out the activity of colonization, another important theme in the nineteenth century. This research aims to understand the Company of Amazonas as a commercial enterprise, part of a political and economic project, and reconstitute its activities, outlining its operation in the region. / A navegação a vapor na Amazônia foi um tema bastante discutido desde o início do século XIX. No entanto, essa navegação só foi efetivada em 1853, por meio de um contrato com a Companhia de Navegação e Comércio do Amazonas, sob a direção de Irineu Evangelista de Souza, o Barão de Mauá. Essa empresa atuou por dezoito anos, navegando de um extremo ao outro da região (de Belém, no Pará, a Nauta, no Peru). Além da atividade de navegação, esta empresa também realizou a atividade de colonização, outra importante temática no século XIX. Esta pesquisa tem como foco compreender a Companhia do Amazonas enquanto um empreendimento comercial, parte de um projeto político e econômico, e reconstituir suas atividades, esboçando o seu funcionamento na região. / Alterar o nome de ICHL para IFCHS. Erro de caracteres no e-mail de cadastro de novos usuários. Obs. de Marcos Roberto

In its earliest form, the Tristram legend was probably a Celtic folk-tale known in oral tradition as early as the eighth or ninth century. During the early part of the twelfth century it became known in France and Brittany; and there, in the later years of that same century, it was recorded in a lost romance now referred to as the Ur-Tristan. From this source, so it is believed, the earliest extant romances upon the subject were derived. During the twelfth century, two main versions developed—first the version des jongleurs, given in the poems of Béroul and Eilhart von Oberge, and second, the version courtoise given in Thomas's Tristan and some derivatives of it. Among these last, the Tristan of Gottfried von Strassburg, written about 1215, is generally regarded as one of the masterpieces of medieval literature. In the early thirteenth century, the legend was employed in an anonymous romance, the French prose Tristan. In this version, which was greatly influenced by the prose Lancelot cycle, the narrative is so grossly adulterated by the machinery of thirteenth-century courtly romance that the original love story is all but obscured. In most texts of the prose Tristan, even the traditional love-death scene is altered. This account of the legend became for five centuries the only version in which it was known. Two treatments of the legend appeared in Middle English literature. First is the northern Sir Tristrem, an anonymous poem composed about 1300 and based upon the Tristan of Thomas. Secondly, the Morte d'Arthur, composed by Sir Thomas Malory about 1469, contains an account of the Tristram legend based entirely upon the French prose Tristan. The legend did not again receive a major treatment in English literature until the mid-nineteenth century, when it became the subject of poems by Matthew Arnold, Alfred Lord Tennyson, and Algernon Charles Swinburne. Arnold's "Tristram and Iseult" is based, except for the love-death episode, upon the version courtoise. Arnold regarded as the central problem of the narrative, not the love story itself, but Tristram's conflicting loyalties to the two Iseults, and sympathized, not with the ill-fated lovers, but with Iseult of Brittany, the innocent victim of the tragic love. She becomes in his poem symbolic of the Stoic way of life, the compromise which Arnold offered to resolve the conflict of emotion and intellect. Tennyson treated the Tristram legend in "The Last Tournament," one of the Idylls of the King based upon Malory's Morte d'Arthur. The legend is employed in the moral allegory of the Idylls as an illustration of the evil consequences of adultery. In thus regarding the love story merely as a tale of adultery, Tennyson deviated greatly from the traditionally sympathetic treatment of the narrative. Swinburne's Tristram of Lyonesse is, like Arnold's poem, based chiefly upon the version courtoise. In Swinburne’s treatment the love story is again central, the theme being an exaltation of the ennobling and sanctifying power of human love. Along with the explicit exaltation of passionate love is an implied criticism of the hypocritical morality and distrust of passion which Swinburne regarded as prevalent in his age. Although these three Victorian poems differ widely in plot, characterization and purpose, the Tristram legend is employed didactically in each, and the purposes governing its didactic treatment are dictated by the age in which and for which the poems were written. / Arts, Faculty of / English, Department of / Graduate

Discusses the contrasts apparent in the Victorian era British writers Carlyle and Macaulay with reference to history, biography, and literary criticism.

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