Darbe nagrinėjami muzikavimo bosine gitara specifiniai bruožai. Bosinė gitara pastaruoju metu yra populiarus muzikos instrumentas, kuriuo gali būti atliekama įvairių stilių ir žanrų muzika. Šis instrumentas padeda palaikyti visą ansamblio ritmą, gyvybingumą, pulsą. Visgi pažymėtina tai, kad bosinės gitaros mokytojams Lietuvoje nepakanka metodinės informacijos šaltinių lietuvių kalba. Tai yra didelė neformaliojo ugdymo įstaigų problema, kurią bandant spręsti buvo rengiamas šis darbas. Tyrimo tikslas: išanalizuoti esminius grojimo bosine gitara bruožus. Tyrimo uždaviniai: apžvelgti bosinės gitaros istorinę raidą; aptarti svarbiausias šio instrumento rūšis; panagrinėti žymiausių bosinės gitaros atlikėjų nuopelnus bei jų indėlį į bosinės gitaros raidą; išanalizuoti grojimo bosine gitara stilius bei mokymo metodikas. Bakalauro darbe apžvelgta istorinė bosinės gitaros vystymosi raida, aptartos bosinių gitarų rūšys, supažindinama su žymiausiais pasaulio bosinės gitaros atlikėjais. Antrojoje darbo dalyje analizuojami muzikavimo bosine gitara specifikos bruožai. Darbe didelis dėmesys skiriamas muzikos stilių, kuriuose dominuoja bosinė gitara, apžvalgai. Taip pat siekiama panagrinėti grojimo bosine gitara technikas bei kiekvienos jų ypatumus, specifinius bruožus. / Paper analyzes the specifics of playing bass guitar. The bass guitar is a very popular musical instrument nowadays. It is the core of music groups of different styles. The given instrument helps to keep the overall rhythm, pulse and vitality of the company. It was hence really interesting and useful for me to get insight into the path “taken” by this musical instrument. Aim: To analyse the essential characteristics of playing the bass guitar. Goals: to review the historical development of the bass guitar; to discuss the most important types of the instrument; to explore the merits of the most famous bass guitar players and their contribution to the evolution of the bass guitar; to investigate the styles and teaching methodologies of playing the bass guitar. The bachelor thesis presents a review of the historical development of the bass guitar, discusses the types of the bass guitar, and introduces the world famous bass guitarists. Section Two analyses the specifics of playing the bass guitar. Much attention is paid to the overview of music styles dominated by the bass guitar. The thesis also aims to explore the techniques of playing the bass guitar, and their individual specific characteristics and features.

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Flamenco guitarist Paco de Lucía, taking advantage of the ongoing cultural revolution in Spain during the seventies decided to break from tradition by shaping ”Nuevo Flamenco” through flamenco-jazz ensemble ”Paco de Lucía Sextet”. Within its repertoire, the first regular flamenco bass-line: ”Monasterio de Sal”. Electrical bassist Carles Benavent would have a key role in this development, a trait seldom found in academical works of musicology. The aim of the present thesis is to partially fill this void while shedding some light on the revolutionary contributions of Benavent. In order to do so, studying relevant literature, listening to phonograms comparatively, transcribing/analyzing ”Monasterio de Sal” and interviewing Mr. Benavent himself were used as main methods. The conclusion has been drawn that there was barely any electrical bass in flamenco before Benavent and that his work with de Lucía (and later others) would entirely reform the way electric bass was perceived from within and outside this genre of music. It is of no less interest to observe that Benavents main influences for this endeavor were the principal figures of contemporary jazz-bass (Jaco Pastorius) and flamenco-guitar (Paco de Lucía) respectively, infusing ”Monasterio de Sal”, with meaningful historical value. / <p>Numera Inti Oyarzun-Jonsson.</p>