Esta dissertação versa sobre o mundo do trabalho contemporâneo e suas implicações sociais e econômicas na esfera de gênero. Aqui abordamos a situação das mulheres bolivianas no setor de confecção na cidade de São Paulo, no período de 1980 a 2010. Procuramos, através desta pesquisa, elucidar os modos de inserção e permanência deste grupo na referida cidade, observando os papéis que desempenha na economia informal, através do seu trabalho no setor de confecção; buscamos, também, ampliar a compreensão acerca do mundo do trabalho contemporâneo, reestruturação produtiva e a questão de gênero. Para tanto, utilizamos como principais fontes as fichas de coletas de dados da Pastoral do Migrante no processo de Anistia de 2009, dados do setor de têxteis e confecção, além de entrevistas. / Sought through this research to elucidate the modes of insertion and retention of this group in that city, noting the roles it plays in the informal economy, through their work in the sector of manufacturing; seek also to broaden the understanding about the world of contemporary work , production restructuring and gender. Therefore, we use the chips as the main sources of data collection for the Pastoral Care of Migrants in the process of Amnesty of 2009, data from the textiles and clothing, as well as interviews.

\"Migrantes Bolivianas e a Gravidez: Saúde Pública na Zona Leste, Trajetórias e Especificidades\" é uma pesquisa dos estudos culturais, que tem como eixo norteador entrevistas realizadas com gestantes migrantes bolivianas nos bairros da Penha e Cangaíba.O foco da pesquisa são mulheres bolivianas gestantes e seu relacionamento com as políticas públicas de maternidade dentro das Unidades Básicas de Saúde -UBS. O objetivo é conhecer as experiências vividas pelas mulheres bolivianas desde sua trajetória, o momento que se reconhece como migrante e como a sua condição de gênero interfere nesse processo. Bem como assimilar os padrões da inserção territorial desse grupo específico, sendo fundamental para interpretar os processos de exclusão e segregação da cidade. Pretende-se compreender as especificidades da experiência de migrar sendo mulher e como as diferenças culturais e identitárias afetam esse processo. Para isto, realizou-se uma análise qualitativa de 15 entrevistas, tendo resultados que sinalizam sobre a inserção das bolivianas na Penha e o quanto as diferenças de gênero redefinem o processo da imigração / \"Bolivian Migrants and Pregnancy: Public Health at East Zone, Trajectory and Specificities\" is a research in Cultural Studies which is guided by interviews with Bolivian pregnant migrants at Penha and Cangaíba neighborhood. The focus of the research is Bolivian pregnant migrant and their relationship with health public policies inside the health Basic Health Units, so called UBS. The objective is to get to know the experience lived by those Bolivian women since their trajectories, the moment they recognize themselves as migrants and how the gender condition interfere in this process, as well as to comprehend the stands insertion conditions at this specific territory, fundamental to understand the segregation and exclusion processes of the city. The research intent to understand the specificities of the experience of migration being a woman and how cultural and identity differences affects this process. For that, 15 qualitative interviews were made and obtained results that indicate about Bolivian women insertion and how gender differences redefine the immigration process

Esta dissertação versa sobre o mundo do trabalho contemporâneo e suas implicações sociais e econômicas na esfera de gênero. Aqui abordamos a situação das mulheres bolivianas no setor de confecção na cidade de São Paulo, no período de 1980 a 2010. Procuramos, através desta pesquisa, elucidar os modos de inserção e permanência deste grupo na referida cidade, observando os papéis que desempenha na economia informal, através do seu trabalho no setor de confecção; buscamos, também, ampliar a compreensão acerca do mundo do trabalho contemporâneo, reestruturação produtiva e a questão de gênero. Para tanto, utilizamos como principais fontes as fichas de coletas de dados da Pastoral do Migrante no processo de Anistia de 2009, dados do setor de têxteis e confecção, além de entrevistas. / Sought through this research to elucidate the modes of insertion and retention of this group in that city, noting the roles it plays in the informal economy, through their work in the sector of manufacturing; seek also to broaden the understanding about the world of contemporary work , production restructuring and gender. Therefore, we use the chips as the main sources of data collection for the Pastoral Care of Migrants in the process of Amnesty of 2009, data from the textiles and clothing, as well as interviews.

Submitted by Adriana Alves Rodrigues (aalves@espm.br) on 2018-10-04T18:47:12Z No. of bitstreams: 1 ppgcom - priscilla silva de oliveira.pdf: 1894377 bytes, checksum: 53b87af0c9d8f052fdfdd12efaef0c68 (MD5) / Approved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2018-10-04T18:48:02Z (GMT) No. of bitstreams: 1 ppgcom - priscilla silva de oliveira.pdf: 1894377 bytes, checksum: 53b87af0c9d8f052fdfdd12efaef0c68 (MD5) / Approved for entry into archive by Debora Cristina Bonfim Aquarone (deborabonfim@espm.br) on 2018-10-04T18:48:49Z (GMT) No. of bitstreams: 1 ppgcom - priscilla silva de oliveira.pdf: 1894377 bytes, checksum: 53b87af0c9d8f052fdfdd12efaef0c68 (MD5) / Made available in DSpace on 2018-10-04T18:49:02Z (GMT). No. of bitstreams: 1 ppgcom - priscilla silva de oliveira.pdf: 1894377 bytes, checksum: 53b87af0c9d8f052fdfdd12efaef0c68 (MD5) Previous issue date: 2018-03-18 / The research focuses, within the studies of communication, consumption and socio-cultural contexts, on the possible displacements of representations on women, migrants and Bolivians. We emphasize as a guiding question of the research: Which representations do the rappers of Santa Mala construct about being a woman, a migrant and a Bolivian from the uses and appropriations of the media that suggest the displacement of the dominant representations about the Bolivian migrants in the city of São Paulo? The theoretical reference of this study is anchored in the interfaces between production, consumption and media reception and the understanding of the notions of uses and appropriations (CANCLINI, 1999). The theoretical framewor of this study is anchored in Hall's concept of representation (2016), who argues that representation is constructivist and that meanings and senses are produced. The research contemplates the issue of migration from a gender perspective, based on Alencar-Rodrigues, Strey and Espinosa (2009), who seek to understand that being a woman entails specificities in all stages of the migratory process. In methodological terms, the research is qualitative and is developed through a case study, with a combination of data collection techniques with three procedures: (1) Documentary research; (2) Semi-structured interviews; (3) Observation. The analysis of the different collected materials is carried out in two main categories, the first one being related to representations of Bolivian migrants and the second one to women and rappers. From the analysis, it was possible to perceive that the members of Santa Mala use rap to propose representations about the Bolivian woman, migrant and rapper, which do not correspond to the hegemonic stereotypes circulating in society, highlighting the female autonomy and criticizing representations of gender that establish fixed roles for these subjects. / A pesquisa tem como foco, dentro dos estudos de comunicação, consumo e contextos socioculturais, os possíveis deslocamentos das representações sobre mulheres, migrantes e bolivianas. Destacamos como pergunta orientadora da pesquisa Quais representações as rappers integrantes do Santa Mala constroem sobre ser mulher, migrante e boliviana a partir dos usos e apropriações das mídias que sugerem o deslocamento das representações dominantes sobre as migrantes bolivianas na cidade de São Paulo? O referencial teórico desse estudo se ancora nas interfaces entre produção, consumo e recepção midiáticas e a compreensão das noções de usos e apropriações (CANCLINI, 1999). Utilizamos o conceito de representação de Hall (2016), defende que a representação é construtivista e que os sentidos e significados são produzidos. A pesquisa contempla a questão da migração através da perspectiva de gênero, com base em Alencar-Rodrigues, Strey e Espinosa (2009), que buscam entender que ser mulher acarreta especificidades em todas as etapas do processo migratório. Em termos metodológicos, a pesquisa é qualitativa e se desenvolve a partir do estudo de caso, com uma combinação de técnicas de coleta com três procedimentos: (1) Pesquisa documental; (2) Entrevistas semi-estruturadas; (3) Observação. A análise dos diferentes materiais coletados é realizada por duas principais categorias, sendo a primeira relacionada às representações de migrantes bolivianas e a segunda às de mulheres e rappers. A partir da análise, foi possível perceber que as integrantes do Santa Mala utilizam o rap para propor representações sobre a mulher boliviana, migrante e rapper que não correspondem aos estereótipos hegemônicos circulantes na sociedade, destacando a autonomia feminina e criticando representações de gênero que estabelecem papeis fixos para esses sujeitos.

Orientadora: Profa. Dra. Marilda Aparecida Menezes / Dissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Ciências Humanas e Sociais, 2016. / Essa pesquisa apresenta como mulheres bolivianas no município de Indaiatuba-SP poderiam exercer uma certa cidadania através da saúde pública ainda que elas não sejam consideradas cidadãs nos termos da lei, e levando em conta o fato de que muitas vezes estão vivendo sob condições precárias de trabalho e identidade. Para isso, esse estudo aborda as condições de trabalho e vida de mulheres bolivianas através de uma pesquisa bibliográfica além de analisar as narrativas sobre trabalho nas vozes das mulheres bolivianas e na dos agentes de saúde do Programa Saúde da Família, bem como se busca entender as percepções dos agentes de saúde sobre as migrantes bolivianas e a relação delas com o sistema de saúde; analisar o que se narra e o que se silencia sobre as relações de trabalho e condições de vida por intermédio das narrativas dos agentes, dos médicos do Programa e, também, das próprias bolivianas. A dissertação traz, no capítulo 1 aspectos teóricos das migrações e em especial a migração feminina boliviana. No capítulo 2 apresento a pesquisa bibliográfica destacando o trabalho da costura realizado pelas bolivianas, mediante uma análise da legislação trabalhista e um estado da arte que respalda e sustenta a parte empírica da pesquisa. Já no capítulo 3 descrevo a formação histórica do município de Indaiatuba, dando destaque aos grupos migratórios e, por fim, analiso o trabalho de campo sobre a migração boliviana feminina e sua relação com a política de saúde. / This research presents a way for Bolivian women in the city of Indaiatuba-SP (Brazil) to exert a certain citizenship through public healthcare, even though they aren't considered citizens by law, and taking into account the fact that many of them are living under precarious conditions of labor and identity. In this regard, this study approaches the work and life conditions of Bolivian women by means of a bibliographic review, in addition to an analysis of narratives about labor through the spoken words of the Bolivian women and of the healthcare agents of the Programa Saúde Família (Family Healthcare Program), while reaching for an understanding of the perceptions of the healthcare agents in regard to the Bolivian immigrants and their relation with the healthcare system; the analysis of what is spoken and what is made silent in the subject of the work relations and life conditions by means of the agents' narratives, the Program doctors' and also the narratives of the Bolivians themselves. The dissertation brings, in chapter 1, theoretical aspects of the migrations and in particular of Bolivian feminine migration. In chapter 2, I present the bibliographic review highlighting the sewing work performed by the Bolivians, by way of an analysis of the labor law and a state of the art that upholds and supports the empirical part of the research. As for chapter 3, in it I describe the historic formation of the city of Indaiatuba, highlighting the migratory groups and, finally, I analyze the gathered data regarding Bolivian feminine migration and its relation with the healthcare policies.

abstract: In the last years of the twentieth century, while the narrative of women in other Latin American countries has received critical attention, Bolivian women's narrative has been widely ignored. The fact that the voice of Bolivian women in Latin American feminist discourse is rarely discussed in Latin American criticism is enough to justify the present study. This work focuses on three prominent Bolivian writers: Gaby Vallejos, Giovanna Rivero Santa Cruz, and Erika Bruzonic. The short stories of these three authors are characterized by accentuating certain telluric features revealed in the background of their feminine/feminist narratives. At the same time, based on the American and European feminist literary critique, this work analyzes the feminine/feminist themes mounted in the narrative of these authors. Gaby Vallejos, with a cinematic style, chronicles the life and customs of the "valluno" context, building a mosaic of different voices in dialogue. Her topics revolve around binaries: life-death, and pain and pleasure, voicing condemnation for a patriarchal society. Ericka Bruzonic deals with women and identity, memory and the breaking of lineage as an imposing structure. Her themes are built around the cosmopolitism of "paceña" urban life, and her voice transgresses the binomials established by a patriarchal society. Finally Giovanna Rivero Santa Cruz takes the life and customs of the Santa Cruz and the Guarani culture and her plots weave these elements reaching for myths and taboos, involving the reader into her stories. In this manner, her narrative makes an incursion into the conscious and unconscious realm of the readers questioning their wealth of moral and social values, their notions of heterosexuality, and sexual taboos. The three writers, with different narrative styles yet dialogical, narrate various experiences of women from different regions, social classes, ages, education, and sexual orientations. Our authors give high value to the word and the body embedded in the culture, thereby affirming their woman's voice as Bolivians and their literary presence in the context of Latin American literature. / Dissertation/Thesis / M.A. Spanish 2013

DISSERTATION ABSTRACT María Vania V. Díaz Romero Paz Title: La Revolución de 1952 en la Novela Boliviana Contemporánea Escrita por Mujeres This dissertation studies the different discourses of nation that underlie contemporary novels written by women authors in Bolivia during the period between 1977 and 2007. My primary corpus is comprised of three novels: Gaby Vallejo’s Hijo de opa (1977), Giancarla Zabalaga’s La Flor de "La Candelaria" (1990) and Verónica Ormachea’s Los ingenuos (2007). These novels allude to the Revolution of 1952 at its different stages, either explicitly or implicitly. Written during different time periods, these novels are a product of their respective historical periods and therefore reveal diverse ways of reading the nationalist discourse and the revolution. My objective is to analyze and discuss the concept of nation and how this concept varies among the different novels by focusing on the Revolution of 1952. The Revolution of 1952 is one of the most important moments in the history of Bolivia, when the conditions for socio-political change converge in order to make possible an “imagined community,” of proposing and implementing a nation-building project based on state capitalism. The mestizo is called upon to serve as a vanguard of this revolution. These novels explore how social, economic, and cultural contradictions make the construction of the nation difficult, and transmit a critique of this process of nation-building, and its nationalist discourse. The main purpose of my dissertation is to examine the recurrence of retellings of the revolution from a feminine perspective in which the domestic space is privileged and the house and family work as a metaphor of the country. The three novels I analyze prioritize female protagonists and the female perspective, embracing a feminist critique of the traditionally patriarchal representation of the revolution. Each of them makes the presence of women visible, prioritizes domestic space as a place of enunciation of national imaginaries and portrays the home as a metaphor for the nation. These authors develop their own political agenda in order to become effective political actors, challenge the patriarchal order and claim their space and their right to participate in nation building. This dissertation is written in Spanish.