This thesis explores the phenomenon of intramural infant burial during Middle Helladic III–Late Helladic II during the Aegean Bronze Age. Intramural graves of children aged two years or less at Málthi and Ayios Stephanos, two settlements on the Greek mainland, are studied from a number of perspectives: the physical properties of the graves and the buried infants, the spatial and intramural context of the grave, and their relationship to their social and societal context. Some things found to be relevant in the analysis were the importance of kinship and group belonging, as well as shifting funerary practices in a time of large-scale socio-economic change in the region. / Denna kandidatuppsats utforskar fenomenet intramurala spädbarnsgravar under Mellanhelladisk III–Senhelladisk II under den egeiska bronsåldern. Intramurala gravar av barn som var två år gamla eller yngre vid Málthi och Ayios Stephanos, två boplatser på det grekiska fastlandet, studeras ur ett antal perspektiv: gravarna och de begravda spädbarnens fysiska egenskaper, gravens rumsliga och intramurala kontext, och dess relation till dess sociala och samhälleliga kontext. Några ting som visade sig vara relevanta i analysen var vikten av släktskap och grupptillhörighet, såväl som föränderliga begravningsskick under en tid med storskaliga socioekonomiska förändringar i regionen.

This dissertation considers the figural bronze statuettes crowning Etruscan candelabra (c. 520- c. 350 BCE) to discuss the value and role of body images in Etruscan art and domestic as well as funerary contexts. Candelabra rose over a meter in height to present these radiant bodies in isolation, framed by flames. The finial figures were bodies on conspicuous display, as flickering and gleaming light attracted the viewer’s gaze and focused attention on the body’s exposure, dress, and gestures. The emitted light defined social spaces such as the banquet and enhanced the interactions between participants, while candelabra themselves were objects of communal pleasure and viewing. In more personal contexts, candelabra also facilitated interaction with one’s own body by lighting activities such as grooming and self-adornment. Ultimately, this dissertation considers the unique contributions of finial bodies in making candelabra personally and socially meaningful in domestic life, and therefore important memorial objects during a funerary transition at the end of life.By foregrounding the finials and their cultural contexts, I aim to make contributions not only to ancient or Etruscan domestic and funerary culture generally, but particularly to the role that images of the body played as they were incorporated within personal and social objects in these contexts. To this end, I apply theories of phenomenology, embodiment, and perception while considering the value of finials as body images rather than simple subject matter. Because of the relationships that candelabra developed with their users specifically through the body, as well as their conspicuous display of body images, Etruscan candelabra earn a place in these greater theoretical discussions and have value for scholars outside the Etruscan or Ancient world.

The method I use in creating abstract sculpture presented the question that became the subject of my Master's thesis. Only occasionally will I create from a pre-conceived concept. The sculptures evolve through a process of addition and subtraction of material to something that simply pleases me. This method, really no method at all, seemed contradictory to my original intentions. My artistic goals were purposeful; I wanted to create sculpture that would provoke a reaction first, not a judgment of features. I wanted the viewers emotional and psychological involvement to be the basis for content and meaning in the work. In spite of the indirect approach, I felt there was some success in achieving my goal. Discovering how this occurred was important because I was at a loss to understand the content of my own work. Did the sculpture I was making hold any deeper meaning for me? My thesis proposal advanced the question of how sculptural form expresses content. A more accurate question is, what does it mean? I had faith that I was indeed making art that was more than a pleasant arrangement of forms. Confident that there was also meaning, I proceeded to explore and analyze the relationship of creative process to sculptural form and content. While writing a draft of my thesis, I realized the question was beyond a definitive answer. This was a personal investigation of a fundamental question. My expectation was that insight and analysis would provide the answer I needed.

Indiana University-Purdue University Indianapolis (IUPUI) / Bronze is a popular metal for many important uses. Currently, there are no economical 3D printers that can print Bronze powders. A recent product, Bronze Metal Clay (BMC) has arrived. Additionally, commercial metal 3D printers require laser or electron beam sources, which are expensive and not easily accessible. The objective of this research is to develop a new two-step processing technique to produce 3D printed metallic component. The processing step includes room temperature 3D printing followed by high-temperature sintering. Since no material data exists for this clay, the tensile strength and hardness properties of BMC are compared to wrought counterpart. In this research tests are completed to determine the mechanical properties of Cu89Sn11 Bronze Metal Clay. The author of this thesis compares the physical properties of the same material in two different formats: 3D printed clay and molded clay. Using measured stress-strain curves and derived mechanical properties, including Young's modulus, yield strength, and ultimate tensile strength, the two formats demonstrate inherit differences. The Ultimate tensile strength for molded BMC and 3D-printed specimens sintered at 960 C was 161.94 MPa and 157 MPa, respectively. A 3D printed specimen which was red at 843 C had 104.32 MPa tensile strength. Factory acquired C90700 specimen had an ultimate stress of 209.29 MPa. The Young's modulus for molded BMC and 3D-printed specimens sintered at 960 C was 36.41 GPa and 37.05 GPa, respectively. The 843 C 3D-printed specimen had a modulus of 22.12 GPa. C90700 had the highest modulus of 76.81 GPa. The Yield stress values for molded BMC and 3D-printed specimens sintered at 960 C was 77.81 MPa and 72.82 MPa, respectively. The 3D-printed specimen had 46.44 MPa. C90700 specimen had 115.21 MPa. Hand molded specimens had a Rockwell hardness HRB85, while printed samples had a mean of HRB69. Also, molded samples recorded a higher Young's Modulus of 43 GPa vs. 33 GPa for the printed specimens. Both samples were weaker than the wrought Cu88:8Sn11P0:2 which had a 72 GPa. Cu88:8Sn11P0:2 also was a harder material with an HRC45. The property di erence between 3D printed, molded, and wrought samples was explained by examining their micro structures. It shows that 3D printed sample had more pores than the molded one due to printing process. This study demonstrates the flexibility and feasibility of using 3D printing to produce metallic components, without laser or electron beam source.

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Deponeringar under bronsåldern är ett fenomen som uppstod både på land och i olika formerav vattentillstånd som till exempel sjöar, våtmarker, floder och vattenfall. Mycket forskninghar gjorts inom det här området, kring vilka typer av fynd och föremål som har hittats i dessasammanhang och många frågor uppstår när man arbetar med deponeringar som ett fenomen.Vad var anledningarna till deponering, vad var orsaken till varför de har placerats där ochhade omgivningen någon betydelse för människorna som deponerade människor vid dessaplatser. Frågorna som ställs inför den här studien kommer att vara för att se om vattnet hadesin egna aktörskap som spelade roll, om platsen, såsom rinnande eller stillastående vattenhade en påverkan, om det fanns andra faktorer eller krafter bakom valet av plats fördeponering. Denna artikel syftar till att diskutera vatten med sin egna form av akens och hurdetta relaterar till varför deponeringar skedde från första början i Mälardalsområdet. / Bronze age depositions was a phenomenon that occured both on land and in different forms ofwatery places such as lakes, bogs, rivers and waterfalls. A lot of research has been done inthis area, around what kinds of finds and objects have been found in these contexts and manyquestions arise while working with depositions as a phenomena. As to why they have beenput there, what were the reasons behind the depositioning and did the surrounding area matterto the people putting their own and other people down in these watery places. The questionsfor this study will be if the waters had its own agential power that played a part, whether theplace, such as flowing or stationary water had an impact or if there were other factors orpowers behind the choosing of place to deposition. This paper aims to discuss water with itsown form of agency and how this relates to why depositions took place in the first place inMälardalen.

This paper explores/investigates the circumstances around the unusual level of preservation of organic materials within certain mounds in Jutland, Denmark, as well as the scientific benefits of these findings. These mounds contain coffins made from oak-logs and within them mummies of different degree of preservation have been found. Five mounds have been selected to represent the find category: Borum Eshøj, Trindhøj, Storhøj in Egtved, Skrydstrupand Muldbjerg. These five have all become staples in their own right within Scandinavian Bronze Age Archaeology. Within this paper different interpretations of how these oak-log coffins and their contents have remained in their current state of preservation while other similar graves have not will be explored. In addition, different areas of research that have benefited from these findings will be highlighted. / I den här uppsatsen kommer förhållandena kring den ovaligt höga bevaringsgraden av organisikt material i en specifik typ av gravhögar från Jylland i Danmark utforskas. Dessa gravhögar innehåller kistor gjorda av ekstockar och inuti dem hittas mumier som bevarats till olika grader. Fem gravhögar har valts ut för att representera fyndkategorin: Borum Eshøj, Trindhøj, Storhøj i Egtved, Skrydstrup and Muldbjerg. Dessa fem har alla kommit att bli grundstenar i Skandinavisk bronsålders arkeologi. Den här uppsatsen kommer utforska olika tolkningar av hur dessa ekkistor och deras innehållhar bevarats när andra liknande gravar inte har det. Utöver det kommer olika forskningsområden som dragit nytta av dessa fynd att lyftas fram.

This research utilizes two analytical methods to examine the dental microwear of two skeletal samples from East Lokris, Greece. The samples are from the Bronze age/Early Iron age sites of Mitrou and Tragana Agia Triada. The samples were tested according to various temporal and geographic designations in an attempt to determine if any differences in dietary constituent could be discerned from their dental microwear signatures. Both traditional dental microwear analysis using a scanning electron microscope and dental microwear texture analysis employing scale sensitive fractal analysis and a Sensofar Plµ Confocal Profiler were used. The results of analysis for both methods differ in regards to their level of statistical significance but both suggest a general trend of coarsening of masticated materials during the Bronze/Iron age transition. Current evidence suggests that the changes in the dietary texture are due to changes in pottery production and are likely not due to dietary changes.

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