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<p>The modern coastline provides few clues as to the ancient harbour configuration since Kalamianos has been partially submerged by > 6 m of relative sea-level rise since the Early Helladic. In 2009, a detailed marine geophysical survey and underwater diver search was conducted in the inshore waters to identify potential anchorage sites and to examine evidence for coastal subsidence. Single-beam bathymetry and magnetic gradiometer data were acquired and integrated within a detailed digital bathymetric model (DBM).</p> <p>The DBM revealed two submerged beachrock platforms (BR-1, BR-2) paralleling the modern shoreline and a submerged isthmus connecting the mainland with small island 200 m offshore. The BR-1 platform (3.5-3.7 m depth) contained abundant Late Helladic (LH; 1300-1190 BC) pottery sherds (30-50%) and wood charcoal fragments.¹⁴C dating of the extracted charcoal yielded an AMS ¹⁴C uncalibrated age of 3250±40 BP, consistent with the LH ceramics. The BR-2 platform (5.8-5.9 m depth) contained less pottery (<20%) and included well-preserved fragments of Early Helladic (EH) jars.</p> <p>The beachrock elevations and ¹⁴C and pottery ages were used to reconstruct a sea level curve and a series of paleogeographic maps of the EH to LH shorelines. The presence of abundant pottery and wood charcoal in the BR-1 beachrock indicates that shipping activity during the LH was focused at the south end of the site in a western harbour basin. This is supported by magnetic gradiometer results, which identified several magnetic anomalies in the western harbour basin. These were investigated by diver search and found to be concentrations of ship ballast stones (mainly andesite) and clay pottery.</p> / Master of Science (MSc)

Prehistoric Town Planning in Crete" was published in 1950 by Richard Hutchinson. He determined there was no evidence of town planning on Minoan Crete except for two instances. Hutchinson's approach compared the layout of the few excavated Minoan towns to other contemporary sites, such as Kahun, Egypt and Harrappa, India. These towns were laid out in grid-like squares, on flat, level ground. Compared to these sites the settlements on Crete appeared as an amalgamation of disorganized, organic growth. More than half a century has elapsed between Hutchinson's article and this study. Within that time many more Minoan sites and towns have been excavated and published. This greater corpus offers an opportunity to examine Minoan town planning with a new eye. This greater number of excavated Minoan towns allows for a study of town planning by comparing Minoan communities to one another. When an investigation is done comparing sites within Crete only, a pattern starts to emerge. To accomplish this analysis nine elements of Minoan town planning are defined, examined at individual sites, and compared among settlements. These nine elements are: 1. A street system adhering to the natural contours of the land 2. Buildings arranged in irregular, attached blocks defined by the street system 3. A large plateia or centrally located community court easily accessible from all parts of the town 4. Other open public spaces throughout the settlement 5. An elite building near the plateia 6. Public buildings in which there is no habitation 7. Semi-public buildings 8. Built fortifications 9. Extramural dependencies, which are structural features or natural areas outside the borders of the town proper but are an integral part of the community This comparison elucidates a very specific and existing type of Minoan town planning. It began at least as early as Early Minoan II and reached its apogee in Late Minoan I. What at first glance looks random, is not. Minoan towns were laid out within the constraints of the local landscape and with the desired aesthetic. The result was a lifestyle in LM I far beyond subsistence living. / Art History

Tripods constituted a specific group of pottery within the Bronze Age Aegean tradition. The shape was typically associated with ritual and cooking activities. This study presents an examination of Minoan tripod cooking pots from Crete. By tracing the morphological changes that occur from one period to the next, this research seeks to discuss the relationship between the form and function of these vessels. It is hoped that the following analysis may also shed light on the origin and practicality of tripod cooking pots. / Art History