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Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

After the Council of Trent, Catholic Spain in the seventeenth century increasingly turned to the arts to articulate their identity and mission as a church. Writing for the Spanish Court in the early 1630s, Pedro Calderón de la Barca uses La cena del rey Baltasar to portray the Church as an essential mediator for the relationship between the congregant and the divine, specifically through the use of didactic imagery and authoritative interpretation of God’s word. This essay reviews elements in the play that support this message and articulates the eucharistic and allegorical elements therein. The action of the Biblical narrative and the play culminates in the divine manifestation of the hand of God, a moment also captured in paint by the Catholic Spanish painter Jusepe de Ribera and the Protestant Dutch painter Rembrandt van Rijn. These painted works serve as visual hermeneutics articulating the contrasting views of Catholics and Protestants in post-Tridentine Europe.

京都大学 / 新制・課程博士 / 博士(情報学) / 甲第24738号 / 情博第826号 / 新制||情||138(附属図書館) / 京都大学大学院情報学研究科先端数理科学専攻 / (主査)教授 磯 祐介, 准教授 吉川 仁, 准教授 藤原 宏志, 教授 西村 直志(京都大学 名誉教授) / 学位規則第4条第1項該当 / Doctor of Informatics / Kyoto University / DFAM

La thèse propose l’analyse d’un ensemble d’œuvres péruviennes écrites pendant l’époque moderniste que nous situons de 1880 à 1920. Notre recherche est centrée sur la prose de Manuel Gonzalez Prada (1844-1918), Clemente Palma (1872-1946) et Ventura García Calderón (1886-1959). Nous nous efforçons de définir les modalités narratives propres au modernisme, les spécificités des formes brèves, les nouvelles, les essais et les chroniques littéraires, tous ces types de récit qui furent très répandus dans la presse péruvienne. Dans un premier temps, nous analysons la validité d’un discours de la modernité et ses liens avec le discours du modernisme en ce qui concerne la littérature péruvienne. Le corpus est varié aussi bien pour sa thématique que du point de vue formel. Nous nous interrogeons sur le rôle de la critique littéraire péruvienne qui a eu tendance à minimiser l’importance de la prose moderniste, en la considérant comme esthétisante et superficielle. Dans un deuxième temps, nous essayons de caractériser la prose brève : l’essai, la nouvelle et la chronique, comme dépendant étroitement du développement de la presse latino-américaine. La presse continentale a été le moyen de transférer les modèles de la modernité nés en Europe. Enfin, dans la troisième partie, nous analysons les textes de González Prada, de Palma et de García Calderón, en relevant les leitmotivs présents dans les nouvelles et les chroniques, les thèmes de la maladie, la ville et sa modernisation, la femme fatale, allégorie d’une modernité qui se distingue par ses paradoxes et insatisfactions. / This dissertation analyzes a corpus of texts from Peru written in the period of Modernism (1880-1920). This research examined the prose of authors Manuel González Prada (1844-1918), Clemente Palma (1872-1946), and Ventura García Calderón (1886-1959). It investigates the modalities particular to literary Modernism and how they adapted their vision to the shorter prose genres - the short story, the essay, and literary crónica - highly diffused through the Peruvian press. In this way, the first section of this work explores the necessity (appropriateness) of a modern discourse in this period and its relation to Peruvian modernista literature. Thus, this study will present the diversity of topics and the range of forms inherent to modernista prose, as well as bring into question the role of Peruvian literary criticism who tended to derogate it as aestheticizing and superficial. The second section is focused on the characteristics of the brief narratives: short stories, essays, and literary chronicle, as essential genres in the development of the Latin American press within a society preoccupied with incorporating the models of modernity arriving from Europe. The third and final section is dedicated to the analysis of works from González Prada, Palma, and García Calderón. It highlights the various leitmotifs employed, primarily in the short story, including disease, urban life and its modernization, and the femme fatale as an allegory for a modernity ripe with paradox and dissatisfaction.

Esta tesis consiste en un estudio literario sobre los aspectos centrales de la comedia de santos Las cadenas del Demonio y en los prolegómenos de su edición crítica. Está constituida por tres partes. En el primer capítulo, dedicado al estudio literario, se recoge el debate respecto de la autoría calderoniana, se aborda el subgénero de la comedia, la probable fecha de composición, sus representaciones y traducciones y, finalmente, se revisan las posibles fuentes en las que Calderón se pudo haber basado para la elaboración de esta comedia. El segundo capítulo presenta el estudio de la transmisión textual. A partir del análisis de las variantes en los testimonios más representativos, se determinó que el testimonio G, correspondiente a una suelta temprana, es el más cercano al arquetipo y que, en la transmisión de los testimonios estudiados, existen dos subarquetipos perdidos. El tercer capítulo contiene el texto crítico fijado a partir del stemma obtenido en el capítulo anterior. Dicho texto crítico aparece enriquecido por la revisión de las acotaciones, la introducción de las enmiendas que se consideren necesarias, así como notas al pie de página que permitan esclarecer ciertos términos y recoger comentarios críticos pertinentes.

This thesis concerns with the issue of war on drugs in Mexico. The paper analyses development of drug trafficking, reasons of its origin and the role of the United States. Also it observes drug policies of both states and their common programmes and operations. One of them is the Mérida Initiative, programme of financial assistance for Mexico to combat the drug trafficking. The aim of this thesis is also to present actual mexican drug production and drug cartels. The final part pays attention to few last years when the mexican war on drugs escalated and offers possible solutions of the situation.

Made available in DSpace on 2016-06-02T20:28:24Z (GMT). No. of bitstreams: 1 2583.pdf: 836539 bytes, checksum: e0a45d9823e5681bd14db3b57f2cdf99 (MD5) Previous issue date: 2009-04-14 / Financiadora de Estudos e Projetos / In this work, we present necessary and suficient conditions for that an operator of Calderón-Zygmund type can be extended to a bounded operator on L2. By using results of interpolation and cancellation conditions on the kernel to obtain the boundeness in Lp, for all 1 < p < 1. / Neste trabalho, apresentamos condições necessárias e suficientes para que um operador de tipo Calderón-Zygmund possa ser estendido a um operador limitado em L2. Usando resultados de interpolação e condições de cancelamentos sobre o núcleo obter a limitação em Lp, para todo 1 < p < 1.