In the summer of 1964 a study was carried out on the impounded Buttle and Lower Campbell Lakes located on Vancouver Island, British Columbia. An attempt was made to determine the effects of increased water level fluctuation on the limnology, particularly the bottom fauna, in areas with different substrate types. All data from two pre-impoundment studies were examined, and additional sampling carried out to provide a basis for comparison. In addition, several stations were chosen in each lake according to specific substrate types. These different bottom conditions were formed from the combined effects of erosion by water level fluctuation and wave action, over areas where different methods of pre-impoundment clearing of vegetation had been employed. The stations chosen were the shallow onshore areas which were exposed to the air during the winter months of minimum water level, the unexposed area immediately below the minimum drawdown level, and the pre-impoundment littoral zones in each study lake. A single pre-impoundment river channel station was located in Buttle Lake. In addition to bottom dredgings, funnel traps and nocturnal surface tows were used to sample the emerging insect fauna from each station. The total seasonal chironomid catch indicated significantly different total emergence between the several stations sampled. The pre-impoundment river station in Buttle Lake produced the highest total chironomid catch. Among the other stations the unexposed area immediately below the drawdown level was most productive. In Buttle Lake where the greatest seasonal fluctuation occurred and where the completely cleared littoral area was least protected from wave action, the total seasonal emergence over the exposed littoral area was very low. But in Lower Campbell Lake which received a much smaller seasonal water level fluctuation, total emergence was much higher over the exposed littoral. This area was cleared completely in this lake and the irregular shoreline afforded considerable protection from wind action. An inverted bathymetric distribution of the fauna was apparent with the greatest concentration occurring immediately below the drawdown limit in the unexposed littoral zone. The effects of water level changes were therefore considered the most important single factors influencing the bottom fauna distribution in each lake. / Science, Faculty of / Zoology, Department of / Graduate

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The purpose of this study was to develop and field test an audiovisual interest inventory suitable for use in group testing situations where known or suspected reading disabilities are extant in testees. The Strong-Campbell Interest Inventory was selected for use as a model in developing the audiovisual development.

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This document explores the relationships between science fiction and mythology, utilizing the theories of Joseph Campbell and Carl Jung in particular. Conclusions are then drawn that argue that science fiction performs the same functions as mythology in the modern world. The author provides examples of these functions being performed in science fiction by analyzing two novels: The Forest of Hands and Teeth, and Stranger in a Strange Land. Finally, the document explores the narratives' uses of time in historical and ahistorical modes as a vehicle for its functions, and argues that the various uses of time are key to science fiction acting as modern mythology. / Master of Arts

Thesis (M.A.)--Cincinnati Christian University, 2007. / Includes abstract and vita. Includes bibliographical references (leaves 103-106).

Thesis (M.A.)--Cincinnati Christian University, 2007. / Includes abstract and vita. Description based on Print version record. Bibliography: leaves 103-106.

Made available in DSpace on 2015-05-14T12:14:12Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1302756 bytes, checksum: b8a7afd2c286c669deb3740b7865b4da (MD5) Previous issue date: 2014-02-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / We consider the problem of embedding the spacetime in pseudo-Riemannian manifolds and its connection with the Campbell-Magaard theorem. We give a brief history of the evolution of the idea of extra dimensions in physics as well as account of the development of the embedding theory as a branch of mathematics motivated by physics. We show that Kaluza-Klein is not an embedding theory of spacetime. Finally, we show the approach of immersion for the induced matter theory and applied, using the theorem of Campbell- Magaard, the other solutions to the space-time / Tratamos o problema da imersão do espaço-tempo em variedades pseudoriemannianas e sua relação com o teorema de Campbell-Magaard. Fazemos, à guisa de introdução e motivação, uma retrospectiva da ideia de dimensões extras na física e, paralelamente, apresentamos uma breve história da teoria de imersões na matemática. Mostramos que a teoria de Kaluza-Klein não pode ser vista como uma teoria de imersão do espaço-tempo. Por fim, mostramos a abordagem da imersão para a teoria de matéria induzida e aplicamos, usando o teorema de Campbell-Magaard, à outras soluções para o espaço-tempo

Ce travail étudie les rapports que les mythes (considérés du point de vue de la psychologie analytique) entretiennent avec le cinéma et la vidéo, supports devenus, grâce à leurs caractéristiques techniques, discursives et esthétiques propres, des moyens idéaux à l’expression moderne du mythe, lui apportant en même temps de nouvelles possibilités de construction ainsi que des dynamiques nouvelles. En comparant d’une part, la conception du mythe chez Carl Gustav Jung, Joseph Campbell et autres auteurs, et d’autre part, les techniques et structures cinématographiques, on montre que le mythe continue de se produire de nos jours au sein de notre société tout en se métamorphosant et en se nourrissant des possibilités qu’offre le cinéma. Les outils et techniques cinématographiques, de par leurs caractéristiques, amplifient les traits caractéristiques fondamentaux du mythe, donnant lieu à des dynamiques particulières entre cinéma et mythe. Les médias audiovisuels diffusent un nombre important de productions que l’on appellera ici cinéma-mythe. Par la comparaison parallèle de la structure cinématographique et les techniques audiovisuelles d’une part, et de la structure du monomythe (Campbell) d’autre part, il est montré que les caractéristiques inhérentes au cinéma et à la vidéo rendent ceux-ci des moyens idéaux à l’élaboration du mythe. Le schéma narratif du mythe, selon Jung et Campbell, s’exprime essentiellement au travers du signe, qui fuit la pure appréhension intellectuelle. Ce sont les rapports entre les signes qui déterminent le discours et le message du mythe. / This thesis analyses the relationship between myths (according to analytical psychology), films and video, cinematographic forms who became the ideal medium of modern myth expression due to their technical, aesthetical and discursive characteristics. This relationship allows new dynamics and construction possibilities in cinema and myth.By comparing Carl Gustav Jung’s and Joseph Campbell’s conception of myth and cinematographic techniques and structures, it is shown that myth production goes on nowadays, in our society, nourished and metamorphosed through cinema possibilities. Cinematographic techniques and tools, by their characteristics, magnify myth’s essential elements, allowing particular dynamics between myth and film. Audiovisual productions feature some examples of what we should call cine-myth.By comparing cinematographic structures and techniques, and monomyth’s structure (Campbell), it is shown that inherent characteristics about cinema and video make them ideal mediums for myth creation. According to Jung and Campbell, the narrative schema of myth is essentially expressed through symbol, who is not merely reduced to intellectual understanding. The relationships between symbols create the message and meaning of myth.