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1	"Jag slog honom flera gånger och kysste honom mellan varje slag" : Incest, pedofili, sadomasochism och gotik i Carina Rydbergs roman Månaderna utan R Jakobsson, Hilda January 2006 (has links) I denna studie undersöker jag Carina Rydbergs skildring av "dålig" sexualitet. Jag gör en närläsning av Rydbergs roman Månaderna utan R. Läsningen utgår från Michel Foucaults och Jacques Derridas dekonstruktionsteorier samt från Judith Butlers genusteorier. Jag undersöker huruvida romanen kan läsas som gotisk, huruvida Rydberg kan sägas luckra upp gränsen mellan "god" och "dålig" sexualitet, samt huruvida hon skildrar sadomasochistiska kvinnor som subjekt. Jag kommer fram till att Rydberg kan sägas luckra upp gränsen mellan "god" och "dålig" sexualitet och att hon, genom att skildra sadomasochistiska kvinnor som subjekt, stör könade sexualitetsnormer. Häri ligger Rydbergs subversiva potential. Detta betraktar jag som en aspekt av den gotiska tradition som Månaderna utan R kan sägas tillhöra. Carina Rydberg gothic sexuality sadomasochism gender theory queer theory Carina Rydberg gotik sexualitet sadomasochism genusteori queerteori
2	Fiktionen som verklighet, verkligheten som fiktion : En analys av gränsupplösningen mellan verklighet och fiktion i Carina Rydbergs Djävulsformeln / Fiction as Reality, Reality as Fiction : An Analysis of the Dissolving of Boundaries between Reality and Fiction in Carina Rydberg’s Djävulsformeln Torstensson, Matilda January 2010 (has links) The way we socialize today is radically different from how it was only twenty years ago. Since the arrival of the Internet more and more of what we know about the lives of our friends comes from text-based social networks, or blogs. This means that we all, more or less, have become authors of our own life stories and that the reality we live in have become fictionalized. In this paper I explore what effects this postmodern process of dissolving boundaries has had on the autobiographical genre, where the line between fiction and reality is traditionally stressed. By analysing Carina Rydberg’s (b. 1962) autobiographical novel Djävulsformeln (2000) I reveal how the autobiographical genre has evolved during the postmodernist era and how Philippe Lejeune’s autobiographical contract now commonly is replaced by a double contract (Poul Behrendt). This means that the contemporary autobiographical novel claims to be both a true story and made up, or, as Christian Lenemark calls it, true lies. To understand the mixed signals about whether the literary text is fiction or a true story the contemporary reader turns to the media and therefore authors more and more often choose to comment on and explain their works in interviews and articles to regain some control over how the text is perceived, thus overstepping the boundary of fiction. We have, as Lenemark puts it, a medialization of the role of the author. With the distinction between what is a depiction of reality and what is fiction, in a state of dissolution the traditional genre classifications have become dated. My claim is that the boundary between fiction and reality has imploded as an effect of the post- modern process and that readers today, like cultural consumers in general, look for "the real thing" but want a better reality than the one they get in real life. Traditional classifications like "autobiography", "reality" and "fiction" thereby no longer apply to contemporary literature. fiction reality postmodernism autobiographical novel Carina Rydberg fiktion verklighet postmodernism självbiografisk roman Carina Rydberg Literature Litteraturvetenskap
3	Den ensamma sjöjungfrun : Om Carina Rydbergs jagberättande ur ett genreperspektiv / The Lonely Mermaid : On Identity Narration and Genre in the Autobiographical Works of Carina Rydberg Andersson, Tamara January 2015 (has links) The focus of this study is the two autobiographical novels Den högsta kasten (1997) and Djävulsformeln (2000) by Swedish author Carina Rydberg. Both novels generated lively public debate regarding how they ought to be read and understood, what genre they belonged to, and the ontological status of the narrating “I”. The aim is to investigate why the protagonist, Carina, is perceived as unintelligible by many readers and explore how she can be understood in relation to what constitutes an intelligible identity from a literary and cultural perspective. The novels, as well as their protagonist, are approached from the perspective of genre theory, the argument being that Carina’s unintelligibility is directly dependent on what genre she is read in relation to. In the first part of the thesis the ambiguities of autobiographical texts are discussed, and the narrative and protagonist are analyzed in relation to the autobiographical genre. In the second part of the thesis the consequences of reading the texts as examples of the Gothic with emphasis on monstrosity, the uncanny and sexual transgression are examined. The two readings demonstrate how interpretations of text and character are highly influenced by the reader's expectations connected to genre. Rydberg’s transgression of the norms of genre, gender, and identity leaves the reader with a contradictory set of genre-specific expectations, which in turn makes it difficult to understand and accept the protagonist. The main theme of both novels is Carina’s unsuccessful attempts to reconcile what she sees as two separate, essentially incompatible identities: woman and author. The final chapter includes a comparative study in which Rydberg’s novels are linked to works by other Swedish female writers, both past and contemporary, to demonstrate that the conflict of woman versus author is a common problem for female writers. The thesis closes with a discussion about the possibility of placing Rydberg in a specifically female literary tradition and demonstrate how a feminist analysis can make the unintelligible intelligible. Carina Rydberg autofiction autobiography identity narrative the Gothic female Gothic genre Swedish literature identity gender sex femininity monstrosity female authors transgression the uncanny intelligibility Carina Rydberg autofiktion självbiografi jagberättande gotik genre svensk litteratur identitet genus kön femininitet monster kvinnliga författare författarroll transgression det kusliga das Unheimliche begriplighet

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"Jag slog honom flera gånger och kysste honom mellan varje slag" : Incest, pedofili, sadomasochism och gotik i Carina Rydbergs roman Månaderna utan R

Den ensamma sjöjungfrun : Om Carina Rydbergs jagberättande ur ett genreperspektiv / The Lonely Mermaid : On Identity Narration and Genre in the Autobiographical Works of Carina Rydberg