The art of reading and its application to knowledge acquisition and innovation by elites have been largely neglected by historians of print culture and reading in late imperial China (1368-1911). Unlike most studies, which are concerned more with the implied reader and individual reading experience, the present study assumes that the actual reader and the social, cultural and epistemic dimensions of reading practices are the central issues of a history of reading in China. That is, while the art of reading was internalized by the individual, his learning and application of it had social, cultural and epistemic features. At a time when secular reading practices in Renaissance England were informed by Erasmian principles, Ming literati, regardless of their different philosophical stances, were being trained in an art of reading proposed by Zhu Xi (1130-1200), whose Neo-Confucian philosophy had been esteemed as orthodox since the fourteenth century. Transformations and challenges in interpreting and applying his art did not hinder its general reception among elite readers. Its common employment determined the practitioner’s epistemic frame and manner of knowledge innovation. My dissertation consists of five chapters bracketed with an introduction and conclusion. Chapter One discusses Zhu’s theory of reading and the implied pattern of acquiring and innovating knowledge, based on a careful reading of his writings and conversations. Chapter Two describes the transmission of Zhu’s theory from the thirteenth to the seventeenth centuries. During its transmission, Zhu’s art was reedited, rephrased, and even readapted by both government agencies and individual authors with different intentions and agendas. Chapter Three focuses on the reception of Zhu’s theory of reading by 1500 and argues that the moral end of reading eventually triumphed over the intellectual one in early Ming Confucian philosophy. Chapter Four explores the affinity of Ming philosophers of mind with Zhu’s theory in their reading concepts and practices from 1500 to the mid-seventeenth century. Despite their attempts to separate themselves intellectually from the Song tradition, Ming philosophers of mind followed Zhu’s rules for reading in their intellectual practices. Chapter Five outlines the reading habits and knowledge landscape based on a statistical survey of extant Ming imprints. Despite some deviations, the Ming reading habits and knowledge framework largely accorded with Zhu’s theory and its Ming adaptations. The continuity of reading habits from Zhu’s time to the seventeenth century, I conclude, inspires us to rethink the Ming apostasy from the Song tradition. The particularity of scholarly knowledge acquisition and innovation in Ming-Qing China by the eighteenth century was not invented by Ming-Qing scholars but anticipated by Zhu through his theory of reading. With respect to late imperial China, the history of reading, together with the history of knowledge, is yet to be fruitfully explored. With this dissertation, I hope to be able to make a contribution to the understanding of the East Asian orthodox habit of reading as represented by Zhu’s admirers. By placing my investigation in the context of the history of knowledge, I also hope to contribute to the understanding of the relationship of reading to the way that knowledge evolved in traditional China. Intellectual historians tended to consider the Ming Confucian tradition as having broken off from the Cheng-Zhu tradition, but at least in reading habits and practices Ming elite readers perpetuated Zhu’s theory of reading and the knowledge framework it implied.

過往研究者主要從主題、文化意涵等角度詮釋臺灣科幻小說的內容，鮮有從宏觀角度探討科幻小說創作與臺灣文學發展的關係。本文以為臺灣科幻小說與臺灣文學的「本土」論述密切相關。科幻小說是源自西方的文學類型(literary genre)，它擅於探討跨越國族的普世議題，臺灣作家往往藉由引介和創作科幻小說，開拓他們創作的「世界視野」，並檢討「本土」論述中的民族主義情結。故此，臺灣科幻小說特別強調文化全球化對作家反思臺灣歷史和地域文化的重要性。在全球化的語境下，作家必須正視外國文化對臺灣「本土」的影響，並積極思考臺灣文學與世界文學共同的創作方向。 / 為了深入探討臺灣科幻小說對「本土」議題的反思，本文以三位作家的科幻創作為例，具體呈現科幻小說「從『本土』到世界」的發展過程：(一) 七、八十年代期間，張系國(1944- )以科幻小說審視鄉土小說中的民族主義情結，同時追溯對外省籍作家的身份認同極為重要的國共分裂史；(二) 八、九十年代期間，林燿德(1962-1996)以科幻小說檢討「本土」論述的暴力性質，同時以深受日本流行文化影響的年輕作家的立場，回顧日據時期的殖民歷史；(三) 二千年以後，吳明益(1971- )以科幻小說檢視「本土」論述中的族群文化，探討原住民與自然共處的方式，同時超越特定族群的立場，想像南島民族(Austronesian, 即原住民)遷徙的歷史。通過上述三位作家的科幻創作，本文希望指出臺灣科幻小說逐漸超越「本土」論述的局限，彰顯其普世價值。 / In the previous studies on Taiwanese science fiction, researches mainly adopted the thematic or cultural approaches among the others to interpret the science fiction. Seldom did they study them macroscopically and investigate the relationship between this kind of creative work and Taiwanese Literature. This thesis proposes that there exists an intertwined relationship between Taiwanese science fiction and the "native" discourse of Taiwanese Literature. Science fiction, as a literary genre, comes from the West and is known for its ability to transcend the boundaries of nation and ethnicity to discuss the universal topics. By introducing this genre and creating this kind of literary works, those writers open up the "globe perspective" in their works and examine the Nationalist sentiment in the "native" discourse. Hence, Taiwanese science fiction places heavy emphasis on the influence of Cultural Globalization upon Taiwanese writers’ reflections on Taiwanese history and culture. Under the context of Globalization, writers must face the influence of foreign cultures on "native" Taiwan and actively contemplate the common direction for creative works in Taiwanese and World Literature. / To further discuss how Taiwanese science fiction’s reflection upon the concept of ‘Native’, this thesis will study the science fiction of three writers to illustrate the Taiwanese science fiction’s development from "Native" to "Global" as follows: (1) In the 70s and 80s, Chang Shi-kuo (b.1944) examines the Nationalist sentiment in Nativist Literature through Science Fiction while he also traces the history of the separation between Kuomintang and Chinese Communist Party, which is of vital importance to the immigrant writers’ identity; (2) Lin Yao-de (1962-1996) explores the violent nature of the "nativist" discourse by science fiction. Meanwhile, under the influence of Japanese popular culture over the young writers, he also reviews Taiwanese History during the Japanese occupation; (3) After the millennium, Wu Ming-yi (b.1971) investigates the ethnic culture in the "native" discourse and examines the aborigine’s ways to cohabit with the nature. He also transcends the boundary of a specific ethnic group to create the imaginative history of relocation of the Austronesian (that is the aborigines). Through examining the science fiction of the above writers, the thesis would illustrate how the Taiwanese science fiction is transcending the limits of the particular "native" discourse and displays its universality. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 何嘉俊. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 143-155). / Abstracts in Chinese and English. / He Jiajun.

Chan, Pui Lun. / "December 2010." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 133-147). / Abstracts in English and Chinese. / Abstract of thesis entitled: --- p.i / Abstract (Chinese) --- p.iii / Acknowledgements --- p.iv / Table of Contents --- p.v / List of Figures and Tables --- p.viii / Romanization and Translation --- p.ix / Chapter Chapter One - --- Introduction --- p.1 / Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 / Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 / Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 / Biographies of Mainland Peking Opera Performers --- p.5 / Newspapers Reports and Columns --- p.6 / Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 / Government Documents and Archival Data --- p.8 / Fieldwork --- p.8 / Challenges and Limitations --- p.9 / Chapter 1.4 --- Thesis Outline --- p.10 / Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 / Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 / Tour Performances as Diplomacy --- p.15 / The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 / Cultural Competition between the Two Chinese Regimes --- p.21 / Cultural Policy of the Colonial Government before 1980 --- p.24 / Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 / Peking Opera in Recordings and Radio Broadcasting --- p.26 / Peking Opera Films in the 1940s and 50s --- p.33 / Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 / Local Peking Opera Academies --- p.38 / Amateur Peking Opera Groups --- p.42 / Hybridization Between Peking Opera and Cantonese Opera --- p.43 / Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 / Chapter 2.4 --- Summary --- p.51 / Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 / Chapter 3.1 --- The Continuing Political Influence --- p.55 / The Shifting Dynamics of Political Influences in the Pre-HKSAR Period (From 1980 to 1997) --- p.55 / Increasing Support in the HKSAR Period (1997- present) --- p.58 / Chapter 3.2 --- Readapting Western Literature into Peking opera --- p.62 / Chapter 3.3 --- Other Contemporary Activities --- p.65 / General Observations --- p.65 / Musical Background of Participants and Audiences --- p.69 / Audiences'and Participants' Responses --- p.70 / Presentations Styles --- p.71 / Chapter 3.4 --- Summary --- p.78 / Chapter Chapter Four - --- Globalization Impacts on Peking opera in Hong Kong --- p.80 / Chapter 4.1 --- Peking Opera Activities and Globalization in Hong Kong --- p.83 / "Realizing the ""Imaginations""" --- p.83 / The Hybrid Form of Globalization r. --- p.88 / Chapter 4.2 --- A Traditional Interpretation of Globalization --- p.93 / "The ""Dilemma of Identity""" --- p.93 / The Dominance/Resistance Dichotomy in Ethnomusicological Studies --- p.94 / The Co-existence of Dichotomy --- p.96 / Chapter 4.3 --- Summary --- p.99 / Chapter Chapter Five - --- Conclusion --- p.101 / Chapter 5.1 --- Historical Activities --- p.101 / Chapter 5.2 --- Contemporary Activities --- p.104 / Chapter 5.3 --- Political Influences --- p.106 / Chapter 5.4 --- Globalization Impacts --- p.108 / Chapter Appendix I: --- Peking opera events presented by major cultural supporting sectors from 1976 to 2009 --- p.110 / Chapter Appendix II: --- Arts Development Council Grants to Local Peking Opera Troupes from the Financial Year of 1994/95 to 2007/08 --- p.120 / Chapter Appendix III: --- Other Peking Opera Activities Conducted by Local Peking Opera Troupes from 1976 to 2009 --- p.122 / Glossary --- p.126 / Bibliography --- p.133

本文以明初官定程朱理學讀本《四書五經性理大全》的成書和思想反應為中心，旨在探討朱子學在14、15世紀流衍、官學化乃至自我更新的過程。作為士人參加科舉考試的必讀之書，《四書五經性理大全》原則上締造著明代士人的思維結構乃至行事方式，成為他們為學從政的依據和根基。全文主要分為三個部份：第一部份重點討論此書萌生於14世紀的主要學術背景，指出它是在元代浙江、江西、徽州三地朱子學並競發展的多元化局面中醞釀而生的。第二部份首先檢討了明初洪武、永樂兩朝帝王一脈相承卻又有不同的理學取態。同樣尊信理學可以幫助治國，太祖樂於以務實態度來修正和完善朱子學並顯現出他淩駕於道統的情形，而明成祖則將程朱理學視作其政權合法性的依據進而操縱了儒家道統，《大全》正是在明初政治文化微妙而重大轉變中應運而生的。本文接著考察了《大全》的編纂、取材與影響，從中指出編纂地選在北京對成祖遷都部署的配合作用，並分析《大全》內容取材的地域特色，及此特色所受敕撰要求、書籍流通、人事安排等因素的影響；統計其刊行情況以證實《大全》地位在有明一代從未被動搖，在晚明乃至成為商業出版中有利可圖的公共文化資源的情形。本文第三部份重點以15世紀持續出現的多種《大全》反應性著作為分析對象，從中觀察《大全》被作為舉業的讀本、行道的載體、救正時弊乃至變革士人思想的必由取徑，而在地方學官、著名儒者以及土木之變後學者型官員中引發的激烈迴響和對其批評、質疑、修正的相應行動。透過這些討論，本文期望檢討14世紀朱子後學的多元化發展與並競局面、明初帝王的理學取態對於明初理學的官學化進程的實際影響，以及15世紀的菁英士大夫如何運用“統一“後的理學學說來應對現實危機與朱子學發展困境等議題。 / This dissertation studies the formation of and intellectual responses to the Sishu Wujing Xingli Daquan( Great Compendia of the Four Books, Five Classics and Human Nature and Heavenly Principle), which were compiled in the Yongle period (1403-1424), in the context of the spreading and self renewal of Zhu Xi’s philosophical school in the fourteenth and fifteenth centuries. As must-read books for the imperial examinations, the Compendia affected Ming scholars’ mode of thinking and their way of doing things. They also formed the basis of their classical learning and political participation. / The study begins with an analysis of the intellectual background of the Compendia in the fourteenth century. It points out that there were three types of development and competition patterns of Yüan Neo-Confucianism in Zhejiang, Jiangxi and Huizhou. / The research then reviews the important changes of attitude from the Hongwu emperor to the Yongle emperor towards Neo-Confucianism. Although both emperors believed that Neo-Confucianism could help them better govern the country, the Hongwu emperor was keen to see revisions of Zhu Xi’s classical exegesis. To meet his realistic needs he even ignored the Neo-Confucian orthodoxy. The Yongle emperor, however, used Neo-Confucianism as the basis of his political legitimacy and thus manipulated the Neo-Confucian orthodoxy. / This study also discusses the process of compilation, selection of material and Ming editions of the Compendia. It finds that the whole set was compiled in Beijing to parallel the policy of moving the capital from Nanjing to Beijing. It points out that the Compendia are mainly based on the works written by Yüan scholars from Huizhou prefecture, and for a number of reasons: requirement of the Yongle emperor, good circulation of books or classical commentary in late Yüan and early Ming Huizhou area, and arrangement of the editorial personnel. Finally, I analyze the editions of the Compendia published throughout the Ming dynasty to show the reception of them and to confirm its popularity in commercial publishing in the late Ming period. / By focusing on the views of scholars in the fifteenth Century who wrote their books in response to the Compendia, I show how school teachers, Confucian thinkers, and scholar-officials after the Tu-mu incident of 1449 saw the Compendia as teaching materials, vehicle for driving daoxue learning, a way to solve the problems of their times, but also subjected them to criticism, questioning and revision. / This then reveals the influence of the state-sanctioned Cheng-Zhu of Neo-Confucianism and its decline in the course of 14th and 15th centuries. The challenges the school faced in the 15th century formed the background of the marked shift to another approach of Confucian learning in the next century best represented by Wang Yangming. / Detailed summary in vernacular field only. / 朱冶. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 275-293). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Zhu Ye. / 目錄 --- p.1 / Chapter 第一章 --- 緒論 --- p.5 / Chapter 一、 --- 元代朱子學研究的回顧與展望 --- p.6 / Chapter 二、 --- 明初政治文化與《大全》研究 --- p.11 / Chapter 三、 --- 十五世紀思想史的研究路向 --- p.16 / Chapter 四、 --- 論文結構 --- p.19 / Chapter 第二章 --- 多元並競：元代南方三地朱子學的推廣與認受 --- p.21 / Chapter 第一節 --- 學術譜系的建構與強化以金華吳師道為例 --- p.22 / Chapter 一、 --- 鄉里傳統：“金華四先生“的成立 --- p.22 / Chapter 二、 --- 師友淵源：吳師道與“金華四先生“之一許謙的交往 --- p.25 / Chapter 三、 --- 求助於官：吳師道推廣金華學術的努力 --- p.31 / Chapter 四、 --- “獨得其宗：吳師道對金華學統的強烈自認 --- p.36 / Chapter 第二節 --- 學問自得與道統傳遞以江西虞集為中心 --- p.41 / Chapter 一、 --- 期為“豪傑“：虞集之師吳澄的學術面向與道學承創 --- p.42 / Chapter 二、 --- 文名之外：虞集的理學身份與學問趨向 --- p.51 / Chapter 三、 --- 誰是正學？：虞集拒絶撰寫許謙墓銘的由來及其相關問題 --- p.57 / Chapter 第三節 --- 一宗朱子與著述傳道以新安汪克寬等人為例 --- p.66 / Chapter 一、 --- 羽翼與纂釋：新安朱子學的特色及其影響 --- p.66 / Chapter 二、 --- 挫折與執著：汪克寬的為學、著述及與虞集的學術分野 --- p.80 / Chapter 三、 --- 反思與開新：朱升各經《旁注》的撰作及用意 --- p.87 / 小結 --- p.96 / Chapter 第三章 --- 君師治教：明初洪武、永樂兩朝對待宋元理學的取態 --- p.98 / Chapter 第一節 --- 學以輔政：太祖敕修《書傳會選》的用意及影響 --- p.99 / Chapter 一、 --- 太祖修訂蔡《傳》的背景及用意 --- p.100 / Chapter 二、 --- 《書傳會選》的編纂及內容特色 --- p.107 / Chapter 三、 --- 《書傳會選》的有限影響：以永樂二年的廷試對策為中心 --- p.111 / Chapter 第二節 --- 道治天下：成祖治國理念的演進以《聖學心法》為中心 --- p.114 / Chapter 一、 --- 學在皇家：成祖與帝王教育 --- p.115 / Chapter 二、 --- 治平有道：成祖與《聖學心法》 --- p.116 / Chapter 三、 --- 道在六經：成祖與三部《大全》 --- p.135 / 小結 --- p.145 / Chapter 第四章 --- 垂世立教：《大全》的編纂、取材及其流傳 --- p.147 / Chapter 第一節 --- 纂修地點與編修人員、分工特色 --- p.147 / Chapter 一、 --- 北京：纂修地的安排及用意 --- p.147 / Chapter 二、 --- 人員任用與分工 --- p.151 / Chapter 第二節 --- 《四書五經大全》的內容取材及成因 --- p.161 / Chapter 一、 --- 《大全》的體例、性質與取材的關係 --- p.163 / Chapter 二、 --- 《大全》所選書籍在明初的影響 --- p.165 / Chapter 三、 --- 人事因素與《大全》取材 --- p.172 / Chapter 第三節 --- 《大全》在明代的刊行與流傳 --- p.174 / Chapter 一、 --- 刊行歷史概說 --- p.175 / Chapter 二、 --- 校訂本 --- p.176 / Chapter 三、 --- 增補本、合刊本 --- p.177 / 小結 --- p.178 / Chapter 第五章 --- 十五世紀士人對《大全》的反應及其意義 --- p.181 / Chapter 第一節 --- 地方學官：最初的反應 --- p.181 / Chapter 一、 --- 摘取切要：彭勗及其《書傳大全通釋》 --- p.182 / Chapter 二、 --- “不可泥也：陳璲等人之意見 --- p.185 / Chapter 第二節 --- 儒者的取態：薛瑄及其《讀書錄》 --- p.187 / Chapter 一、 --- 《性理大全》：《讀書錄》的主要閱讀對象 --- p.187 / Chapter 二、 --- 《讀書錄》對《四書五經大全》的具體意見 --- p.190 / Chapter 第三節 --- “一道德與“經世：十五世紀中後期學者型官員對《大全》的修正 --- p.195 / Chapter 一、 --- 理事之道：楊守陳及其《私抄》 --- p.197 / Chapter 二、 --- 經世面向：周洪謨及其《疑辨錄》 --- p.206 / Chapter 三、 --- 以心考之：王恕及其《石渠意見》 --- p.226 / Chapter 四、 --- 輔翼之書：蔡清及其《蒙引》諸書 --- p.235 / 小結 --- p.259 / Chapter 第六章 --- 結論 --- p.261 / Chapter 附錄一： --- 《四書五經性理大全》的明代版本 --- p.266 / 參考文獻 --- p.275

Finally, through the application of spatial analytical and spatial statistical methods, a better understanding of the spatial patterns of TCM and Western medical services and their correlations with urban morphology, market, religious, educational and legal patterns can be acquired. / First, Republican Beijing historical information management can successfully manage integrated data for medical service studies of Republican Beijing. Historical data coming out of the historical enquiries can be collected, organized, managed, processed, analyzed and displayed. This framework may have some methodological implications on how to collect, organize, represent and analyze historical urban information in a GIS environment. / Second, Republican Beijing historical GIS database is not just the foundation of spatial analysis in this research, but provides a useful resource for scholars in many years to come. Through this database, public health, urban morphology, education, religion, market and legal cultural observations can be accessed by any investigator throughout Republican Beijing. The approach to identifying the street number improves the accuracy of the database while the approach of zoning 80 districts solves the Modifiable Areal Unit Problem. In fact, these are very common problems encountered in historical GIS research that are concerned with "accuracy" and "scale". The two approaches may shed some light on solving such problems. / This research applies an historical GIS approach, which focuses on the spatial dimension as well as quantitative analysis to explore aspects of TCM and Western medical services in Beijing from 1912 to 1937. This dissertation provides a framework for successful integrated data management by establishing Republican Beijing historical information management as an organizational priority. Based on this framework, a system that integrates the functions of data storage, selective retrieval, analysis, display and archiving is established. First, Republican Beijing historical GIS database is produced. Two approaches are provided to work out the street number sequences and zone the 80 subdistricts respectively. Second, four kinds of spatial analytical methods, including buffer analysis, two-step floating catchment area method, spatial auto-correlation and GWR are integrated and used to explore the spatial patterns of TCM, Western medical services and their correlations with urban morphology, market, religious, educational and legal patterns. The main contributions are three-fold: / Zhang, Peiyao. / Advisers: Lin Hui; Billy K. L. So. / Source: Dissertation Abstracts International, Volume: 73-01, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 150-163). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese.

University of Macau / Faculty of Social Sciences and Humanities / Department of Chinese

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劉洋. / "2004年1月". / 論文(哲學碩士)--香港中文大學, 2004. / 參考文獻 (leaves 100-107). / 附中英文摘要. / "2004 nian 1 yue". / Liu Yang. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (leaves 100-107). / Fu Zhong Ying wen zhai yao. / 摘要 --- p.1 / Chapter 第一章 --- 導論 --- p.1 / Chapter 1.1 --- 硏究目的和範圍 --- p.1 / Chapter 1.2 --- 硏究背景 --- p.2 / Chapter 1.3 --- 考查工作及資料搜集 --- p.6 / Chapter 第二章 --- 二人轉簡介 --- p.8 / Chapter 2.1 --- 源起及發展 --- p.8 / Chapter 2.2 --- 與東北民歌及戲曲的關係 --- p.17 / Chapter 2.3 --- 語言特點 --- p.22 / Chapter 2.4 --- 二人轉的音樂風格 --- p.25 / Chapter 2.5 --- 觀眾的參與及影響 --- p.33 / Chapter 第三章 --- 二人轉女演員概述 --- p.35 / Chapter 3.1 --- 女演員出現的地理及歷史因素 --- p.35 / Chapter 3.2 --- 女演員的出現及發展 --- p.36 / Chapter 3.3 --- 女演員的服裝、道具及扮相 --- p.39 / Chapter 3.4 --- 女演員的表演 --- p.44 / Chapter 3.5 --- 女演員的舞蹈 --- p.58 / Chapter 第四章 --- 三位女演員的表演特色 --- p.68 / Chapter 4.1 --- 閆學晶 --- p.68 / Chapter 4.2 --- 王娟 --- p.74 / Chapter 4.3 --- 梁學華 --- p.81 / Chapter 4.4 --- 二人轉女演員特點總結 --- p.86 / Chapter 第五章 --- 結論 --- p.89 / Chapter 5.1 --- 總結 --- p.89 / Chapter 5.2 --- 未來的硏究方向 --- p.98 / 參考著作 --- p.100 / 附錄 --- p.108 / 附錄I藝訣 --- p.109 / 附錄II譜例 --- p.112 / 譜例2-1 選自《西廂》唱段 --- p.113 / 譜例2-2 選自《西廂》唱段 --- p.114 / 譜例2-3 選自《西廂》唱段 --- p.116 / 譜例4-1 選自《皇親夢》唱段 --- p.118 / 譜例 4-2 選自《皇親夢》唱段 --- p.119 / 譜例 4-3 選自《包公斷后》唱段 --- p.121 / 譜例 4-4 選自《包公斷后》唱段 --- p.123 / 譜例 4-5 選自《包公斷后》唱段 --- p.124 / 附錄III圖例 --- p.125 / 圖例2-1 嗩吶、二胡、琵琶 --- p.126 / 圖例3-1 丑靴、旦舞鞋、服裝 --- p.127 / 圖例3-2 大板和手玉子、扇子、手絹 --- p.128

陳澤蕾. / 呈交日期: 2005年9月. / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻(p. 156-174). / Cheng jiao ri qi: 2005 nian 9 yue. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. 156-174). / Chen Zelei.

This thesis looks into the development of Songjiang School in the context of mutual interaction and networking among painters. It focuses on two phenomena. Firstly, it studies the interaction between Songjiang School painters and artists from various Jiangnan art centres. Secondly, it explores the artistic genealogy within the Songjiang School. It investigates the activities of individual Songjian School painters in particular, and the rise and decline of the entire Songjiang School in general. / Under the famous master literati Dong Qichang, Songjiang School painters broke new path in landscape painting, valuing moist ink tones at the expense of brush and ink. But even before Dong, Gu Zhenyi and Mo Shilong were already well known for their efforts in exploring new styles. Supported by brilliant art talent such as Chen Jiru, Zhao Zuo and Shen Shicong, Dong Qichang brought the Songjiang School to its zenith. However, it was also Dong Qichang who dug the grave for the School. As Dong's followers were mostly professional painters, they could not stand as equals to Literati connoisseurs. Some became Dong Qichang's ghost-painters at the expense of their artistic individuality, whereas others were trapped in the lower end of the art market. Consequently, the Songjiang School lost its vigor and prestige in the Qing dynasty. Only Dong Qichang, the leading master of the School, could dominate the literati painting scene. / With its economy revived after the suppression of the wako invasion in late Jiajing period (1522-1566), Songjiang quickly reassumed its dominant position in the art scene. Songjiang School painters became very self-conscious and proud of their own hometown. They succeeded in networking with connoisseurs in Zhejiang and Huizhou, and learning valuable lessons from the works of their Suzhou counterparts. Consequently, although both the Wu (Suzhou) and Songjiang Schools were descendents of the same literati painting tradition, the Songjiang School loomed large throughout the sixteenth and seventeenth centuries. The social prestige of some Songjiang literati certainly enhanced the success of the School. / 徐麗莎. / 呈交日期: 2005年8月. / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻(p. i-x (2nd group)). / Cheng jiao ri qi: 2005 nian 8 yue. / Advisers: Jao Tsung-i; Harold Mok Kar-leung. / Source: Dissertation Abstracts International, Volume: 67-07, Section: A, page: 2355. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. i-x (2nd group)). / Xu Lisha.