Made available in DSpace on 2016-04-18T21:31:31Z (GMT). No. of bitstreams: 2 Flavio Regis Sudario Cunha1.pdf: 5420513 bytes, checksum: 1d5ac0ade7ae0655b026bef82325020f (MD5) Flavio Regis Sudario Cunha2.pdf: 9387861 bytes, checksum: 98373d8dd0008f193448aee3b3e283cb (MD5) Previous issue date: 2013-02-04 / This dissertation discusses some tendencies of recent musicological thought, which has presented aspects that point to common perspectives, among them the historical and cultural context and interdisciplinarity. The work of German composer Claus Ogerman is the object of study of this research due to its reputation and standing during the expansion of the cultural industry, performing musical activities in diverse fields not only popular music of the XX and XXI centuries but also of minimalism, serialism and modernism (classifications which belong to the scope of classical music). This study focused on the composer's work allows us to analyze three important phases of his life and of his work through the two musical fields (popular and classical music), music XX and XXI century, comparing and analyzing their artistic production. / A presente dissertação discute algumas tendências do pensamento musicológico recente, o qual tem apresentado aspectos que apontam para perspectivas comuns, dentre elas a contextualização históricocultural e a interdisciplinaridade. A obra do compositor alemão Claus Ogerman é o objeto de estudo deste trabalho de pesquisa devido à sua notoriedade e representatividade durante a expansão da indústria cultural, realizando atividades musicais, nos diversos campos não só da música popular dos séculos XX e XXI mas também do minimalismo, serialismo e modernismo (classificações que pertencem ao escopo da música erudita). Este estudo voltado para a obra do compositor permite-nos analisar três fases importantes de sua vida e parte de sua obra por meio dos dois campos musicais (música popular e erudita), na música do século XX e XXI, comparando e analisando sua produção artística.

Der umfangreiche Nachlass des Künstlers und experimentellen Literaten Carlfriedrich Claus, der seit 1999 in den Kunstsammlungen Chemnitz verwaltet, verzeichnet und aufgearbeitet wird, beinhaltet neben Werk, Korrespondenz, Lebensdokumenten und Sammlungen auch seine ca. 7100 Bände zählende Privatbibliothek. Ausgehend von der Erörterung der besonderen Bedeutung der Lektüre und des Buchbesitzes für die Werkgenese und die Werkinterpretation, wird die Katalogisierung des Bibliotheksbestandes begründet und in ihren einzelnen Aspekten diskutiert. Hierbei wird en détail auf die formale, inhaltliche, exemplar- und sammlungsspezifische Erschließung eingegangen. Das Hauptaugenmerk wird auf die Dokumentation sowie den Nachweis der Provenienz gelegt. Desweiteren werden Vorschläge zu einer editorischen – forschenden – Erschließung unterbreitet. Im Ergebnis wird empfohlen, das bisher existierende tabellarische Verzeichnis vollständig zu überarbeiten und zu erweitern. Dieser Schritt soll im Zuge der Implementierung einer bibliothekarischen Online-Datenbank und der Digitalisierung von Exemplaren mit hervorragend unikalem Wert geschehen, damit die Nachlassbibliothek sowohl als Forschungsquelle, als auch als Forschungsinstrument, optimal genutzt werden kann. Das Konzept wird mit Rekurs auf aktuelle Beispiele und Tendenzen in der Erschließung von Nachlassbibliotheken erläutert und begründet.:

by Law, Wing Sang. / Thesis (M.Ph.)--Chinese University of Hong Kong, 1988. / Bibliography: leaves [13-19].

New Social Movement Theory characterizes post 1960's protest movements such as the peace, environment and women's movement as being distinctively different from older movements such as the workers movement. The salient differences are in the social bases from which the movements draw their participants,the types of issues which are addressed, and the methods used in their protest. New Social Movements are heralded as being the vanguard for social change by some and as a bourgeoise distraction from the "real" project of emancipation by others. The objective of this thesis is to examine the congruence of the environmental movement in British Columbia with this concept of New Social Movements. Using the theoretical formulations of Claus Offe as a base, the thesis examines the social makeup of environmental groups in British Columbia, reviews the types of issues on which they are working, and identifies the methods which they employ in their protests. The results indicate that, while the leadership may be drawn from a more highly educated and service oriented new middle class, the general membership represents a broad social base. The issues addressed by the movement are perceived as being for the "benefit of all" rather than for a specific social class, and the methods of protest employed are primarily of a "working for change within the systems" approach as opposed to overthrowing any established political system. The thesis concludes that, while there may be elements of radicalism within the movement, it is primarily characterized as reformist, with many small fragments working on specific issues, loosely networked, and dedicated to working with government and other sectors of the population to find solutions.

The musical structure of Santa Claus is similar to Alban Berg's statements about his opera Wozzeck, that the audience does not need to be aware of the underlying processes that are in motion.Seen from the highest level of stratification, Santa Claus the opera is essentially a single sonata-allegro movement. The first scene is the exposition, scenes two through four are the development, and the fifth scene the recapitulation. Also at this level can be seen the overall arch shape of the formal structure. This arch reflects not only the melodic material, but tempo, texture, and structural design.At the next level of stratification each of the five scenes is a movement of a fivemovement sonata form. The first scene is a sonata-allegro form. The second scene is a scherzo and trio with a repetition of the scherzo during the interlude. The third scene is a fantasy and canon; the fourth scene is an Adagio in ABA form. And lastly the fifth scene, again not strictly a sonata movement, contains an aria and a march and trio.The third layer of stratification is the continuous development and variation of four melodic/harmonic units. The development of these units forms the structural base of the entire opera at both the local level and the global level, and it is through this process that the both global and local structures can be identified. / School of Music

Zugl.: Wien, Univ., Magisterarbeit, 2006

Zugl.: Kiel, Universiẗat, Diss., 2008.

Submitted by Ana Valéria de Jesus Moura (anavaleria_131@hotmail.com) on 2014-07-23T20:25:43Z No. of bitstreams: 1 Dissertação.pdf: 691957 bytes, checksum: 1ccec2ad1015fae156eb4b8ab02f9890 (MD5) / Approved for entry into archive by Ana Valéria de Jesus Moura (anavaleria_131@hotmail.com) on 2014-07-23T20:26:07Z (GMT) No. of bitstreams: 1 Dissertação.pdf: 691957 bytes, checksum: 1ccec2ad1015fae156eb4b8ab02f9890 (MD5) / Made available in DSpace on 2014-07-23T20:26:07Z (GMT). No. of bitstreams: 1 Dissertação.pdf: 691957 bytes, checksum: 1ccec2ad1015fae156eb4b8ab02f9890 (MD5) / A presente pesquisa, desenvolvida na modalidade de dissertação de mestrado, tem como objeto a análise da prevenção criminal, não sob a perspectiva da finalidade da pena, mas sim, através da concepção da vulnerabilidade dos criminosos, notadamente dos egressos do sistema carcerário, com base na teoria proposta por Zaffaroni, complementada pela concepção jurídico-penal da prevenção de Roxin. Nesse contexto, o trabalho ora desenvolvido pretende tratar mais especificamente da necessidade de promoção de políticas públicas e medidas afirmativas em prol da inclusão social dos egressos, sob a ótica da dignidade da pessoa humana. Procurase demonstrar, primeiramente, a prevenção como concebida dentro da questão criminal consoante os discursos legitimadores, abarcando-se as teorias da pena, até a deslegitimação do sistema com base em estudos de criminologia crítica. Aduz-se a condição de vulnerável do criminoso, e, em especial do egresso, enfatizando a multifatoriedade das condutas desviantes e a discriminação social. Por conseguinte, com base em dados estatísticos, traça-se um perfil do egresso, e, atentando-se para o reconhecimento da seletividade das agências de controle penal, evidenciam-se as violações de direitos fundamentais. Descrevem-se, também, as políticas públicas extrapenais e programas de ressocialização, atentando-se para a indispensabilidade de ações coordenadas entre os vários setores da sociedade. Por fim, propõe-se a necessidade de implementação de ações afirmativas como mecanismo de efetividade do princípio da igualdade de condições e da não discriminação, medidas alternativas para a redução da vulnerabilidade do egresso, e, consequentemente, da criminalidade.

New Social Movement Theory characterizes post 1960's protest movements such as the peace, environment and women's movement as being distinctively different from older movements such as the workers movement. The salient differences are in the social bases from which the movements draw their participants,the types of issues which are addressed, and the methods used in their protest. New Social Movements are heralded as being the vanguard for social change by some and as a bourgeoise distraction from the "real" project of emancipation by others. The objective of this thesis is to examine the congruence of the environmental movement in British Columbia with this concept of New Social Movements. Using the theoretical formulations of Claus Offe as a base, the thesis examines the social makeup of environmental groups in British Columbia, reviews the types of issues on which they are working, and identifies the methods which they employ in their protests. The results indicate that, while the leadership may be drawn from a more highly educated and service oriented new middle class, the general membership represents a broad social base. The issues addressed by the movement are perceived as being for the "benefit of all" rather than for a specific social class, and the methods of protest employed are primarily of a "working for change within the systems" approach as opposed to overthrowing any established political system. The thesis concludes that, while there may be elements of radicalism within the movement, it is primarily characterized as reformist, with many small fragments working on specific issues, loosely networked, and dedicated to working with government and other sectors of the population to find solutions. / Arts, Faculty of / Sociology, Department of / Graduate

Este trabalho teve como propósito central investigar a sonoridade jobiniana na obra Matita Perê (1973), de Tom Jobim e Paulo César Pinheiro. Para isso, concentrou-se em pesquisar de que maneira Claus Ogerman contribuiu para o resultado idealizado por Jobim, isto é, como o arranjador e o compositor, ambos com suas referências pessoais e distintas, somaram-se para a construção desse resultado sonoro. Partiu da análise da canção Matita Perê, das observações dos processos de construção da orquestração e das interfaces poéticas. Objetivou ampliar o conhecimento da obra de Antônio Carlos Brasileiro de Almeida Jobim, contribuindo, assim, para a compreensão do legado do cancioneiro brasileiro. O resultado concreto deste estudo acadêmico foi a construção das partituras digitalizadas e fiéis às gravações originais de Matita Perê, deixando-as disponíveis para o público interessado / The main purpose of this work was to investigate the jobinian sonority in the song Matita Perê (1973), by Tom Jobim and Paulo César Pinheiro. For this, we concentrated on the research of how Claus Ogerman contributed to the result designed by Jobim, and how the arranger and the composer, both with their personal and distinct references, worked together to build this sonority. This research is based on the analysis of the song Matita Perê, the observations of the building processes of the orchestration and the poetic interfaces. It aimed at broadening the knowledge of the musical work of Antônio Carlos Brasileiro de Almeida Jobim, thus contributing to the understanding of the legacy of the Brazilian song writer. The substantial result of this academic research was the construction of computer edited musical scores of the original recording of Matita Perê, making them available for future studies.