This thesis stakes out to reframe the debates surrounding a widely criticised chapter in the cultural history of modern Greece: the receptions of the classical past under the Dictatorship of 21 April (also known as 'the dictatorship of the Colonels') during the period 1967 to 1973. Informed by the hermeneutics of classical reception studies, I aim to provide a new perspective on the dictatorship, one that focuses on the contemporaneity of its discursive and visual renderings of antiquity, but which departs from a conceptual framework that is dictated by the master narrative of the Cold War (by the polarisations between Right and Left). The project converges on the ideological discourses, educational policies and the mass spectacles of the Colonels, each of which has been designated as fraught with 'ancestoritis' or 'pseudoclassicism' in the literature. In breaking away from value judgments and notions of misappropriation, it is my intention that the project functions as an exercise in a critical levelling with the dictatorship's multifold classicisms. Concomitantly, I propose that in order to better understand the politics of reception of the Aprilians, which have often seemed impenetrable, it is necessary to branch out into more cross-disciplinary methods of enquiry than those that have been employed in the past. My own approach borrows analytical tools from theories of counter-intelligence, cultural studies, political theory, educational sociology and performance studies. With this exploratory patchwork, the present study hopes to contribute toward opening up a field on which it is possible to examine the dictatorship on its own terms, while taking into account the composite articulations of antiquity with power, upward social mobility, economic development, and entertainment and leisure culture in 1960s Greece.

Orientador: Zeila de Brito Fabri Demartini / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Acompanha CD Rom com anexos / Made available in DSpace on 2018-08-11T05:19:45Z (GMT). No. of bitstreams: 1 Lisboa_MariaAparecidaMorais_D.pdf: 87137702 bytes, checksum: a9b7633b8563988e61a01f4bb85bf0b4 (MD5) Previous issue date: 2008 / Resumo: O estudo ¿A política dos coronéis e a difusão do Ensino Primário em Angatuba/SP (1870-1930)¿ se desenvolveu no âmbito da pesquisa histórico-sociológica e tem como objetivo analisar a estruturação e a evolução da rede pública de ensino primário no município de Angatuba/SP que esteve diretamente relacionada à atuação de famílias detentoras do poder político local durante o final do Império e o período da Primeira República (1870-1930). Nesse contexto, relacionou-se o poder político, a sociedade e a educação no processo de instalação das primeiras escolas públicas na localidade. Através da utilização da metodologia de pesquisa qualitativa nas Ciências Sociais e na Educação, a história oral aliada ao estudo das fontes escritas e imagéticas, delineou-se o eixo orientador deste trabalho, ou seja, a forma de captar, de entender as articulações e influências diretas dos poderes político e econômico que se manifestaram no espaço educacional e, conseqüentemente, evidenciar os processos de educação formal vivenciados pelos grupos sociais. A necessidade da instrução para a formação cultural das ¿famílias políticas¿, as estratégias de reprodução como forma de reconversão de capital possibilitaram tornar a Escola Normal ¿Peixoto Gomide¿, de Itapetininga/SP, importante mantenedora do expressivo capital escolar que agregaria às parentelas uma profissão de status, mantendo-se também a dominação política com base no nível local e regional. Focalizaram-se os mecanismos de reciprocidades entre os detentores do mandonismo local e regional ¿ os coronéis, a barganha do voto, um bem cujo valor era conhecido por favores e benefícios; a força do Partido Republicano Paulista (P.R.P.) e a reafirmação dos ideais republicanos na municipalidade. A importância deste estudo visa preencher a carência de estudos locais e regionais que esclareçam a busca pela escolarização básica na zona rural e urbana do interior do Estado de São Paulo e as formas de atendimento das reivindicações do município pelo Governo Estadual, mediados pela atuação de componentes do grupo local e regional / Abstract: The study ¿The colonels politics and the diffusion of the Primary Teaching in Angatuba/SP (1870-1930) has developed in the ambit of the social and historical research and has the purpose to analyse the structure and evolution of the public chain of primary teaching in Angatuba, SP which was straightly related to the performance of families owners of the local politic power during the end of the Empire and the period of the First Republic (1870-1930)¿. It has related in this context the politic power, the society and the education in the process of installation of the first public school in the settlement. Through the usage of methodology of qualitative research in social science and in education, the oral history joined to the study of image and written source sketched out the orientate axle of this work, I mean, the way of learning the joint and direct influences of the economic and politic powers that expressed in the education and the result to evidence the process of formal education lived by social groups. The necessity of education to the cultural formation of ¿politic families¿, the strategy of reproduction as a means of transformation of the capital gave the possibility of becoming the School of Education ¿Peixoto Gomide¿, Itapetininga/SP, important support of the expressive school head that would add a profession of status, also keeping the politic domination with support in the local and regional level. It has focalized the local and regional mechanism of reciprocity between the owners of power ¿ the colonels, the bargain of the vote, the Paulista Republican Faction and the reaffirmation of the republicans ideals in the local. The importance of this study aims to fulfill the lack of local and regional studies that explain the searching of basic education in rural and urban zone inland ¿State of São Paulo¿ and the means of attendance of the vindication of the city to the state government mediated by the acting of members of the local and regional grou / Doutorado / Educação, Sociedade, Politica e Cultura / Doutor em Educação

Ce travail se propose de définir la représentation de la Grèce chez dix voyageurs français qui visitent le pays entre 1947, fin de la guerre civile grecque, et 1967, début de la dictature des Colonels. Le corpus est constitué des écrivains suivants : Jacques Lacarrière, Robert Levesque, Jean Cau, Jean Cocteau, Roger Milliex, Michel Butor, André Malraux, Michel Déon, Jacques Chardonne et Thierry Maulnier. Tous partent avec une solide culture classique et une image stéréotypée de la Grèce, qu’ils ont à confronter avec la réalité. Les traces des guerres, des guerres balkaniques aux guerres civiles, sont très visibles, notamment dans les villes et la misère de la population est très sensible. Pourtant, les voyageurs français sont tous à la recherche des stéréotypes véhiculés en Europe. S’ils ne sont pas déçus par les paysages grecs, ils ont de la peine à retrouver les Grecs dans les Grecs. Ils se font l’écho des théories élaborées ou reprises au XIXème siècle, selon lesquelles les Grecs n’ont plus rien de commun avec les Grecs de l’Antiquité ou qu’ils sont dégénérés. Pourtant chacun fait des efforts parfois vains, pour trouver une continuité dans la Grèce, en confrontant types humains contemporains, moeurs et coutumes, voire langue, aux réalités correspondantes antiques. L’élément religieux, dont ils n’ignorent pas qu’il constitue une rupture, est analysé en terme de syncrétisme, ou clairement rattaché à Byzance, considérée comme une étape de l’histoire de la Grèce. Mais il ressort de l’ensemble des textes, plus ou moins explicitement, que les véritables héritiers de la Grèce antique sont les Européens, auprès desquels les Grecs peuvent réapprendre à être ce qu’ils étaient autrefois. / The present research work suggests to delineate Greece through the delicacy of ten French travelers who visit the country between 1947, the end of the Greek civil war, and 1967, the beginning of the military dictatorship. The corpus comprises the undermentioned authors: Jacques Lacarrière, Robert Levesque, Jean Cau, Jean Cocteau, Roger Milliex, Michel Butor, André Malraux, Michel Déon, Jacques Chardonne et Thierry Maulnier. All of them set out accompanied with a solid classical culture and a conventional concept of Greece, which requires the contrast with the « real world ». The traces of the warfare, from the Balkan wars to the civil wars, are evident, notably in the towns where the population is visibly poverty-stricken. Nevertheless, the French travelers are searching for the European conveyed stereotypes. Although they are not disappointed by the Greek landscape, they hardly recognize the Greek people. They echo the 19th century elaborate or resumed theories according to which the Greeks have nothing in common any more with the Ancient Greeks or rather they have degenerated. However, each one of them endeavors vainly at times to find continuity with Greece by comparing contemporary human types, modus vivendi and customs even the language, with corresponding ancient situations. The religious element, of which they are conscious that it constitutes a splitting component, is analyzed in terms of syncretism, or it is intelligibly associated with Byzantium and considered to be an important stage in the history of Greece. All the same, it stands out from the entire written work of art, more or less explicitly, that the real inheritors of Ancient Greece are the Europeans, to the side of whom, the Greeks can learn anew how to become the people they used to be.

Ce travail se propose de définir la représentation de la Grèce chez dix voyageurs français qui visitent le pays entre 1947, fin de la guerre civile grecque, et 1967, début de la dictature des Colonels. Le corpus est constitué des écrivains suivants : Jacques Lacarrière, Robert Levesque, Jean Cau, Jean Cocteau, Roger Milliex, Michel Butor, André Malraux, Michel Déon, Jacques Chardonne et Thierry Maulnier. Tous partent avec une solide culture classique et une image stéréotypée de la Grèce, qu'ils ont à confronter avec la réalité. Les traces des guerres, des guerres balkaniques aux guerres civiles, sont très visibles, notamment dans les villes et la misère de la population est très sensible. Pourtant, les voyageurs français sont tous à la recherche des stéréotypes véhiculés en Europe. S'ils ne sont pas déçus par les paysages grecs, ils ont de la peine à retrouver les Grecs dans les Grecs. Ils se font l'écho des théories élaborées ou reprises au XIXème siècle, selon lesquelles les Grecs n'ont plus rien de commun avec les Grecs de l'Antiquité ou qu'ils sont dégénérés. Pourtant chacun fait des efforts parfois vains, pour trouver une continuité dans la Grèce, en confrontant types humains contemporains, moeurs et coutumes, voire langue, aux réalités correspondantes antiques. L'élément religieux, dont ils n'ignorent pas qu'il constitue une rupture, est analysé en terme de syncrétisme, ou clairement rattaché à Byzance, considérée comme une étape de l'histoire de la Grèce. Mais il ressort de l'ensemble des textes, plus ou moins explicitement, que les véritables héritiers de la Grèce antique sont les Européens, auprès desquels les Grecs peuvent réapprendre à être ce qu'ils étaient autrefois.

Made available in DSpace on 2014-08-20T14:23:48Z (GMT). No. of bitstreams: 1 Deomar_Villagra_Neto_Dissertacao.pdf: 1604547 bytes, checksum: b47f3210303c040aa7ab5af0ebe5762f (MD5) Previous issue date: 2012-04-26 / This paper intends to reflect on the political rule of Senator Pinheiro Machado, his sources of power and its role in ensuring regional interests without coliding with valorization of coffee policies that chacarterized the Old Republic. It also intends to analyze the historiography about the power of Pinheiro Machado and common senses formed without the major concern on to prove them or disprove them with sources. In pursuit of these goals, there will be a comparative analysis between historiography and primary sources about the Senator, and a study of the political structure of Rio Grande do Sul and Brazil s nascent Republic is essential to do so, the confrontation between regional demands an the centralism of the Union especially after the stipulation of the Policy of the Governors by President Campos Salles / Esta dissertação pretende refletir sobre a atuação política do Senador Pinheiro Machado, suas fontes de poder e sua atuação no sentido de garantir os interesses regionais sem chocar-se com as políticas de valorização do café que caracterizaram a República Velha. Pretende, ainda, analisar a historiografia a respeito do poder de Pinheiro Machado e os sensos comuns formados sem a preocupação maior em comprová-los ou refutá-los com fontes. Em busca desses objetivos, será feita uma análise comparativa entre a historiografia e as fontes primárias sobre o senador, além de um estudo da configuração política do Rio Grande do Sul e do Brasil da nascente República, sendo essencial, para isso, o confronto entre as demandas regionais e o centralismo da União, principalmente após a estipulação da Política dos Governadores pelo Presidente Campos Salles

Contrairement à ses homologues occidentaux (le detective novel britannique, le roman de détection français, le roman noir anglo-américain, le giallo italien), le récit policier grec est une terra incognita pour la recherche universitaire.Cette thèse ambitionne de combler cette lacune en s’intéressant à un genre qui, plus que tout autre, a eu mauvais genre en Grèce. Les deux questions qui constituent le fil d’Ariane de notre réflexion tournent autour de l’hellénité du genre (existe-t-il un roman policier grec doté de caractéristiques intrinsèques ?) et de son évolution en diachronie (y a-t-il continuum ou rupture entre l’ancienne et la nouvelle production policière hellénique ?). Notre thèse est construite en trois temps. Notre première partie s’intéresse aux raisons de la naissance tardive du genre en Grèce et à son histoire sur six décennies, de 1953 à 2013. Notre deuxième partie se penche sur la poétique du nouveau roman policier grec (1995-2013) en prenant pour point de comparaison l’ancienne production policière hellénique (1953-1967), celle de Maris et de ses épigones : Chairopoulos, Kakouri, Marakis, Markakis, Papagéorgiou. Au cours de cette deuxième partie, il est surtout question de l’identité générique du nouveau « polar grec » (roman de détection, roman noir, thriller, « polar méditerranéen » ?), des personnages qu’il met en scène et de la thématique de la ville. Enfin, notre troisième partie ambitionne de montrer que le nouveau roman policier hellénique mène une investigation sur l’histoire, la société et l’identité grecques. Plus qu’à l’anatomie d’un crime, le lecteur assiste en effet, dans la nouvelle production policière hellénique, à l’anatomie d’un pays. / In opposition to Western crime fiction (British and French detective novels, American hard-boiled crime fictions, Italian giallo), Greek crime fiction is totally unknown in the field of academic research (both in Greece and France).This thesis aims to fill this gap by focusing on a literary genre which, more often than not, has been badly seen by the Greek literary establishment. The two questions which drew our attention revolved around the Hellenic dimension of the genre (is there something as such as Greek crime fiction?) and around the evolution of Greek crime fiction over time (is there a continuity or a major shift between former and recent Greek crime fiction?).Our thesis is divided into three parts. The first part focuses on the belated emergence of the genre in Greece and on the history of Greek crime fiction from 1953 to 2013. The second part analyses the poetics of recent crime fiction production in Greece (1995-2013), in comparison to the novels or short stories of Greek writers of the fifties and sixties (authors such as Yannis Maris, Christos Chairopoulos, Athina Kakouri, Andronikos Markakis, Takis Papageorgiou). In our second part, we also try to identify the genre in which Greek crime fiction expresses itself (detective story? Hard-boiled story? Thriller? Mediterranean Noir?). Finally, we analyse the main characters who appear in the plot and the theme of the city. The third part aims at showing that contemporary authors of Greek crime fiction lead an investigation on the history of Greece (and its society) and on Hellenic identity. In a nutshell, recent Greek crime fiction is more focused on the anatomy of a country than on the anatomy of a crime.

La consolidation des droits de l'Homme comme principe politique du processus d'intégration européenne fut articulée par les relations entre la Communauté économique européenne et les dictatures franquiste en Espagne et des colonels en Grèce. Ces deux régimes aspiraient à maintenir un statut d'États associés à la CEE :les débats politiques qui furent tenus à leur égard contribuèrent à la fixation d'une conditionnalité politique pour la participation au processus d'intégration européenne. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished