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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 211 to 220 of 231 (0.118 seconds)Spelling suggestions: "subject:"communmunication anda aperformance"" "subject:"communmunication anda _eerformance""
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Returning to Kolchak: Polymediated Narrative, Discourse, and Supernatural DramaHerrmann, Andrew F., Herbig, Art 01 January 2018 (has links)
Scholars are paying a great deal of attention to the complexity of the stories being created for print, film, television, and the Web. In this essay, we expand on the concept of polymediated narrative complexity in contemporary storyworlds to explore how external discourses influence their legacies and interpretations. Our exploration of the relationship between complex narratives and the discourses in which they participate focuses on one television genre and starts with one television program: Kolchak: The Night Stalker. We argue that Kolchak remains an important and ever-evolving discursive fragment within the supernatural drama genre.
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Rigging Math Made SimpleHall, Delbert L. 01 January 2013 (has links)
The job of an entertainment rigger is to safely suspend objects (scenery, lights, sound equipment, platforms, and even performers) at very specific locations above the ground. The type, size and location of the structural members from which these objects must be suspended vary greatly from venue to venue. Additionally, the size, weight, and location of each object varies from object to object. To ensure that each object is safely suspended at the proper location, math is essential. Sometimes this math is very simple, and sometimes it can be complex. One reason catastrophic failures occur is because the load placed on a structural member or a piece of hardware exceeds the breaking strength of the structural member or piece of hardware. While a structural engineer must determine the strength of the structural members, and the manufacturers determine the strength of the hardware, the rigger is responsible for knowing the forces that will be exerted on each rigging point and piece of hardware. Because the forces placed on each rigging point and piece of hardware are determined not only by the weight of the object (its static load) but also HOW the rigging is done, entertainment riggers must be able to calculate these loads/forces. There are plenty of entertainment riggers who do not know how to do much math - but these are the people doing exactly what they are told to do, and not the ones figuring out what to do and doing the telling. If you want to be a top-notch rigger, you have to know math. / https://dc.etsu.edu/etsu_books/1046/thumbnail.jpg
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Polymediated Narrative: The Case of the Supernatural Episode "Fan Fiction"Herbig, Art, Herrmann, Andrew F. 29 January 2016 (has links)
Modern stories are the product of a recursive process influenced by elements of genre, outside content, medium, and more. These stories exist in a multitude of forms and are transmitted across multiple media. This article examines how those stories function as pieces of a broader narrative, as well as how that narrative acts as a world for the creation of stories. Through an examination of the polymediated nature of modern narratives, we explore the complicated nature of modern storytelling.
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The Perilous Predicament of the Aca/Fan PositionalityHerrmann, Andrew F. 05 April 2014 (has links)
Popular culture scholar Henry Jenkins chronicles the intellectual and emotional labor of being an “aca/fan” – or an academic, trained in media criticism, who also operates as a media consumer. This panel explores aca/fan identity through Joss Whedon’s media narratives, such as The Avengers, Buffy the Vampire Slayer, Cabin In the Woods, Dollhouse, Dr. Horrible’s Sing Along Blog and Fire
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Personal Identity Changes of Female Cancer Survivors in Southern AppalachiaDuvall, Kathryn L., Dorgan, Kelly A., Hutson, Sadie P. 01 January 2012 (has links)
Navigating personal identity changes through the cancer journey can be challenging, especially for women in a culture that places emphasis on traditional gender roles and values close-knit families. Drawing on a story circule approach, this study examined the intersecting identities of female cancer survivors in southern Appalachia. Stories of 29 female Appalachian cancer survivors from Northeast Tennessee and Southwest Virginia were collected via a mixed methods approach in either a day-long story circule (N-26) or an in-depth interview (N=3). Transcripts from both phases were audio-recorded and transcribed verbatim; NVivo 8.0 facilitated qualitative content analysis of the data. Inductive analysis revealed that women in this study appeared in struggle with (1) maintaining place in the family, (2) mothering, and (3) navigating physical changes. Ideas of family versus self appeared to overlap and intertwine with how women in Appalachia navigate personal identify changes through the cancer journey.
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Xander Harris and the Interrogation of American Masculine RhetoricHerrmann, Andrew F., Herbig, Art 22 May 2016 (has links)
No description available.
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That Which Should Not Be Spoken”: Dealing with the Dangerous Words of Diversity in the Basic Communication CourseHerrmann, Andrew F. 06 April 2013 (has links)
Studies have demonstrated that classroom climate strongly affects the likelihood of students communicating within the classroom (e.g., Henson & Denker, 2009; Ifert Johnson, 2009). Furthermore, students are more likely to engage within a supportive environment (Myers & Claus, 2012). By exploring the impact of classroom discussions of diversity, such as gender, race, sexuality and class, this panel seeks to highlight the importance, difficulties, and possibilities of discussing diverse issues while maintaining a supportive classroom climate.
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Omnibus Survivorship Narratives: Multiple Morbidities Among Female Cancer Survivors in South Central AppalachiaDorgan, Kelly A., Duvall, Kathryn L., Hutson, Sadie P. 01 January 2013 (has links)
This study examines the illness narratives of female cancer survivors living in Southern Central Appalachia. Stories of 29 female Appalachian cancer survivors from northeastern Tennessee and southwcstmn Virginia were collected via a mixed methods approach in either a day-long story circle (n=26) or an in-depth interview (n=3), Qualitative content analysis was used to guide an inductive analysis of the tTanscript<;, What emerged was that as participants survived cancer, they also survived other health conditions, their intorsccting stories yielding an omnibus survivorship narrative.
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Mothered, Mothering & Motherizing in Illness Narratives: What Women Cancer Survivors in Southern Central Appalachia Reveal About Mothering-DisruptionDorgan, Kelly A., Duvall, Kathryn L., Hutson, Sadie P., Kinser, Amber E. 01 January 2013 (has links)
Informed by a mothering-disruption framework, our study examines the illness narratives of women cancer survivors living in Southern Central Appalachia. We collected the stories of twenty-nine women cancer survivors from northeast Tennessee and southwest Virginia using a multi-phasic qualitative design. Phase I consisted of women cancer survivors participating in a day-long story circle (n=26). Phase II consisted of women cancer survivors who were unable to attend the story circle ; this sample sub-set participated in in-depth interviews (n=3) designed to capture their illness narratives. Participants' illness narratives revealed the presence of: (1) mothering-disruption whereby cancer adversely impacted the mothering role ; and (2) mothering-connection , whereby the cancer experience motivatedmother-survivors. Participants' illness narratives reflected thatthe role of mother was the preeminent role for mother-survivor and whenever there was oppositional tension between the roles of mother and survivor , the women-survivors seemed to linguistically relocate away from the survivor role and toward the mothering role. As a result , women-survivors seemingly rejected medicalization of their identities by emphasizing their mothering responsibilities , something we term motherizing.
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It’s the Organization, not the Zombies: A Critical Organizational Interrrogation of Cabin in the WoodsHerrmann, Andrew F. 03 April 2014 (has links)
Recent media scholars have taken, as their focus, relationships between qualitative research methods and examinations of contemporary media texts (e.g., Fox, 2013; Manning, Dunn, & Stern, 2012; Meyer, 2012). The purpose of this panel is to further examine these relationships. Participants will demonstrate how a qualitative research method (e.g., ethnography, autoethnography, narrative analysis, textual or discourse analysis, audience studies) can be used to study contemporary television and film texts (e.g. Coronation Street, Here Comes Honey Boo Boo, Orange is the New Black, Mad Men, Cabin in the Woods, The Butler). Participants will first discuss their particular method and then provide an exemplar of that method as they examine their chosen media text(s). To assist with the audience discussion of these methods and texts, participants will also include a brief clip/excerpt of their chosen texts.
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