Text in English / The central thesis of the present study, entitled Alms or legs? A contextual reading of Acts 3:1-10 in the light of an alternative theory of hwnan development, is that when read contextually, some biblical texts are capable of empowering individuals and small groups for social and structural transformation (Human Development). A contextual reading of the story of the crippled beggar at the Jerusalem temple entrance (Acts 3: 1- 10), within a context of begging and lack of initiative in a small community in the Eastern Cape provides a good example of such texts. The "horizons" of the text's author and the text's present reader are drawn together, in the creation of a "symbolic universe" for the context of underdevelopment. This serves as a vision, a positive alternative for the underdeveloped and non-developed communities. Following an introductory chapter in which the purpose and context of the study are outlined, and methodological problems introduced, the study proceeds, in the second chapter, with an outline of the contextual approach, undergirded by the "alternative theory" of development, namely, a people centered development (as opposed to the "economic growth" approach). This does not only result in a grid or categories against which to read the text, it also provides a broad framework within which subsequent discussions of the subjects of beggars (Chapter 3) and miracles (Chapter 4) respectively, take place. The topics of beggars and miracles, like "alms or legs", are used on the same semantic level, thus suggesting that if beggars constitute a problem, then miracles provide a solution. In communities of antiquity under investigation, no evidence is found to support almsgiving as the basis of Christian social action. On the one hand, Christians advocated charity, which was a reflection of deep friendship and oneness; on the other, miracles in the Christian context served in part, to integrate those on the margins into the community (or church) by transforming their physical and psychological conditions. This makes a developmental reading, which then follows in chapter 5, the main chapter of the study, possible. The conclusions of chapter 5, which amount to a vision for Human Development, lead to the concluding chapter (Chapter 6) in which a way forward for development in the post-apartheid South Africa is suggested. / New Testament / D. Th. (New Testament)

M.A. (English) / The treatise on horses that forms the basis of this study is a composite text found in a 15th century manuscript previously owned by HRH Duke of Gloucester (MS G). Although sections of this text have been partially edited from other witnesses, it has hitherto been unedited from this witness. This study offers a critical edition of this treatise, including a semi-diplomatic transcription of the text, the edited text together with a textual apparatus, textual commentary and a glossary. The purpose of this study is to provide a transparent reflection of the process of editing this text. The introduction includes an overview of the relevant components and history of the text, other witnesses, previous studies and relevant theory and text-editing practices. The semi-diplomatic transcription is provided to offer the reader a point of reference, which may be used to check against the conservative critical edition and the textual apparatus. The textual apparatus provides information on textual issues and changes within the text, as well as observations concerning the features of the manuscript as deducible from the microfilm copy. The textual commentary elaborates on unfamiliar or problematic phrases and terms, and reflects on how these terms were interpreted. The glossary is selective, and includes technical or uncommon terms, along with words and phrases with unusual spellings or forms. Although this study is by no means exhaustive, the aim of this dissertation is to deal with the text as it appears in MS G, in the manner and for the purposes stated above. Since this manuscript is now in an unknown, private collection, this study will also allow for further work to be done regarding this text.

This study investigates the representation of post-apartheid discourses and decolonial messages of The Thinker magazine. It further examines how the magazine in question confronts and negotiates the aftermath of apartheid and coloniality. Particularly, the nature of these discourses and narratives in the context of a new dispensation in South Africa. South Africa experienced the brunt of apartheid and it is currently still grappling with the condition of coloniality. The latter manifests itself into the dimensions of power, knowledge and being. For this reason, a de-linking option from coloniality and apartheid becomes imperative if a new consciousness, liberatory trajectory and social justice are to be attained. Accordingly, the study sought to determine whether African Renaissance could be used as a de-linking tool/option. Taking into account The Thinker‘s messages from the year 2010 to 2016, the study examines whether the magazine promotes a decolonisation narrative. The study sought to provide a contribution to knowledge insofar as discourses of decoloniality and social justice in South Africa are concerned. The study employs a cultural studies lens, in particular, the principle of radical contextualism and Steward Hall’s model of articulation. Cultural studies was used because of its transdisciplinary/interdisciplinary and flexible approach to social phenomenon under study. A mixed-methods approach in the form of a sequential transformative design was employed, however, the qualitative aspect (thematic analysis) was prioritised as dictated by the research question and objectives. It was proven in this study that quantitative elements can be applied successfully within a decolonial inquiry. Hence, the methodological contribution of the study in that regard. The study found that The Thinker highlights the continuation of the atrocities of coloniality and apartheid in post-apartheid South Africa. It is thus suggested by the text that a decolonial trajectory and thinking is needed given the aftermath of apartheid and the condition of coloniality. Furthermore, African Renaissance can be used to reaffirm and repudiate the dominant discourses of coloniality and apartheid if employed authentically by its proponents. However, the text points out the challenges that may hinder the processes of decolonization and liberation such as the self-serving and corrupt leadership that perpetuate the status quo at the expense of the interests of the people. / Communication Science / M.A. (Communication)

Indiana University-Purdue University Indianapolis (IUPUI) / This thesis offers a focused examination of thematically-related story-chapters that Ray Bradbury originally intended for his first novel concept—Summer Morning, Summer Night, a book set in the vivid memories of his own small-town Midwest childhood. The stories at the heart of this thesis were discarded from the project (often referred to by Bradbury as the “Illinois novel”) by the time that he published a portion of the original project as Dandelion Wine in 1957. As that novelized story cycle is perhaps the best-known of all Bradbury’s “Green Town” books, I intend to use it as a springboard for identifying and examining those stories that were discarded, left unfinished, or eventually published as stand-alone tales in other outlets. Since all of these stories were eliminated before Dandelion Wine emerged as the first published portion of the larger Illinois novel, I will further explore how their hypothetical presence or actual absence may have affected Dandelion Wine as a whole, from inception and development to publication and popular reception, as well as investigate what these tales may reveal about the evolution of Bradbury as a writer.

Cheung, Hoi Yan. / Thesis submitted in: December 2006. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. / Filmography: leaves 111-112. / Includes bibliographical references (leaves 106-111). / Abstracts in English and Chinese. / Chapter 1. --- Introduction --- p.1 / Chapter 2. --- Spectatorship Theories --- p.26 / Chapter 3. --- "Spectatorship, Local Cop Films and Hong Kong Police Force" --- p.39 / Chapter 3.1 --- "Jackie Chan and his ""Police Story"" series" --- p.39 / Chapter 3.2 --- New Police Story (2004) --- p.43 / Chapter 3.3 --- PTU(2003) --- p.57 / Chapter 3.4 --- Crazy n'the City (2005) --- p.69 / Chapter 4. --- Conclusion --- p.85 / Appendix ´ؤ Interview Questions --- p.102 / Bibliography --- p.106

This dissertation is a detailed analysis of the Epistle to the Colossians. The author uses rhetorical critical methods and recognizes that the New Testament epistles are greatly influenced by oratory. Also, the author demonstrates how rhetorical techniques assist Paul to express his thought that the central idea of Christianity—the divine nature and saving work of Christ — has unavoidable ethical implications. In the first chapter of his letter Paul cites Christological hymn; he uses Christological theme during the whole epistle; the apostle concludes his admonition with the Household code, in which social roles of the member of oikos are interpreted in relation to Christ. According to Paul's teaching in Colossians, the power of Christ has universal scope and, consequently, all aspects of human life, including everyday, societal relationships, must be brought into submission to Christ. / New Testament / M. Th. (New Testament)

No abstract available / English / M.A. (English)

Thesis (DLitt)--Stellenbosch University, 2005 / ENGLISH ABSTRACT: A survey of the research on the Biblical Hebrew psalms of lamentation reveals a lack of attention paid to the divine images found in these poems. Previous studies, for the most part, focused on literary and stylistic aspects pertaining to the Psalms in general and the psalms of lamentation in particular. The competent reader will, however, notice that divine metaphors abound in these psalms. This study investigates the divine metaphors (nominal and verbal) in the Biblical Hebrew psalms of lamentation from a cognitive anthropological perspective. It is argued that the literary information in these poems is a cognitive representation of the psalmist's world. The various divine portrayals arise from the poet's cognitive organisation and utilisation of cultural information. The analysis of the metaphorical expressions affords the exegete insight into the cognitive world of the supplicant and the strategies employed by the one who offers praise and does not eschew lament. Some of the theoretical assumptions of cognitive anthropology are applied to a selection of psalms of lamentation (Pss. 7, 17, 31, 35, 44, 59, 74 and 80) as a means of illustrating how this approach can shed new light on the way the deity is depicted in the laments. To achieve this, each psalm is analysed both from a cognitive and literary perspective. The examination of the divine metaphors reveals the various cognitive strategies employed to portray Yahweh. It is shown that these recurring images result from the application of cultural models, conceptual metaphors and image-schemas. Given the soundness of the proposed hypothesis, this investigation arrives at the conclusion that a cognitive perspective on the divine representations in the Biblical Hebrew psalms of lamentation is indeed a worthy endeavour. / AFRIKAANSE OPSOMMING: "n Oorsig van die navorsing oor die klaagpsalms wys uit dat daar tot dusver nie baie aandag geskenk is aan die beelde wat in dié psalms gebruik word om na God te verwys nie. Vorige studies fokus meestalop die literêre en stilistiese aspekte van die psalms, in die algemeen, en die klaagpsalms in die besonder. 'n Kompetente leser sal egter gou die oorvloed van metafore vir God raaksien. Hierdie studie ondersoek die metafore vir God (nominaal en verbaal) in die klaagpsalms vanuit 'n kognitief antropologiese perspektief. Daar word geargumenteer dat die literêre informasie in hierdie gedigte 'n kognitiewe voorstelling van die psalmis se lewenswêreld daarstel. Die verskeie Godsvoorstellings spruit uit die digter se kognitiewe aanwending en organisasie van kulturele informasie. 'n Analise van die metaforiese uitdrukkings verskaf aan die eksegeet insig in die kognitiewe wêreld van die bidder en die strategieë wat die een gebruik wat God se lof besing, sonder om klag uit te sluit. Van die insigte van die kognitiewe antropologie word toegepas op 'n seleksie van klaagpsalms (Ps. 7,17,31,35,44,59,74,80) en daar word voorgehou hoe hierdie benadering nuwe perspektiewe bied op die wyse waarop die godheid voorgestel word in die klaagpsalms. Vir die doel word elke Psalm literêr en kognitief ontleed. Die ondersoek na die metafore met betrekking tot God lê die verskeie kognitiewe strategieë bloot wat gebruik word om Jahwe voor te stel. Daar word aangetoon dat hierdie terugkerende beelde die gevolg is van die toepassing van kulturele modelle, konsepsuele metafore en beeldskemas. Gegewe die oortuigingskrag van die voorgestelde hipotese, konkludeer die ondersoek dat 'n kognitief-antropologiese perspektief op die Godsvoorstellings in die klaagpsalms inderdaad 'n belangrike onderwerp van navorsing is.

Also submitted by the author as part of application for candidature for the degree of Doctor of Letters, University of Adelaide, School of Humanities, Discipline of European Studies and Linguistics, 2006. / Includes bibliographical references and index. / 564 p. ; / Title page, contents and abstract only. The complete thesis in print form is available from the University Library.

Includes bibliographical references (leaves 206-210) / v, 210 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, School of Humanities, Discipline of English, 2004