The main purpose of this research is to explore and analyze the ecclesiology of the emerging charismatic or apostolic churches with a special reference to their church polity based on the fivefold ministry of Ephesians 4:11. The survey of the traditional church government is done as a basis and directional guide for church government and polity. Since the Classical Pentecostals and Charismatics form a sizeable part of evangelical Christianity, their ecclesiology is explored and it is discovered that this is generally not formulated into certain cohesion. This mainstream evangelical Christianity does not formulate dogma, but adds pneumatological dynamism to their faith. However, the ecclesiastical understanding of the emerging apostolic movement is endeavored as a way of trying to understand the premise of ecclesiological understanding. There is a historical survey of the fivefold ministry since the dawn of the twentieth century, especially starting with the Latter Rain Movement. As in all researches of this kind, the marks of this phenomenon are identified and the different terms used to refer to it explored. These marks are highlighted in view of their theological and hermeneutical approaches to doctrinal conclusions. The rationale behind the movement’s fivefold ministry hangs on the doctrine of restoration, whereby the church is believed to be prepared in the last days for a great eschatological realization, and that to accomplish this, the restoration of church government structure based on the fivefold ministers is to be applied. It is believed that the church can only fulfill its mission here on earth when it operates under the guidance of apostolic structure as laid out in Ephesians 4:11. The research argues the theological bases and the roots of the fivefold ministry and compares this with the current scenarios found among the apostolic churches. This is examined in regard to the leadership in the early church, the principles of ecclesiality and contextuality, phenomenology, Realpolitik and vox populi. The argument is enhanced by the fact that the Charismatic theology lacks cohesion and synergy because of the lack of catechesis and apostolic paradosis. The Ephesians 4:1-16 exegeses acts as a precursor to understanding the fivefold ministry and the charismata in the church as supported by history and the application of domata that the fivefold ministry was intended for ecclesia’s growth, life and nourishment. The domata of Eph 4:11 were intended for maturity, not for the government of the church. The climax of the research endeavours to answer the hypothesis if the fivefold ministry can be a theologically legitimate application for church government. The apostolic churches are reviewed and their distinctive characteristics surveyed. The fivefold ministry is critically discussed and the arguments against if for church government brought forth. These arguments are evaluated by comparing them with the contemporary participative ecclesiologies. Some further valuable deductions can be made from research: <ol><li>There is disparity and lack of synergy regarding the fivefold ministry among the Charismatics.</li> <li>Ephesians 4 passage cannot be used to justify the church government structure based on the fivefold ministry.</li> <li>The ecclesia is a charismatic fellowship.</li> <li>The church needs structure for the sake of order and effectiveness in the world.</li> <li>Most of the fivefold ministry promoters are not scholarly or theologically elite.</li></ol> A few constraints have been encountered which have a limiting effect on the research. The research highlights a number of important areas which can be further researched. / Thesis (PhD)--University of Pretoria, 2008. / Dogmatics and Christian Ethics / unrestricted

The objective of this thesis is the analysis of the media reception of chosen works of Italo Calvino in Czech and Italian periodicals. The first chapter discusses the literary criticism. The following chapter introduces the writer's life and moments determining his literary production. The mainstay of this work is divided into four chapters and is dedicated to the period literary crticism of the works chosen which were released in newspapers or literary periodicals both in Italy and the Czech Republic. The most significant reception showed the books The Path of the Spider's Nest, Invisible Cities, If on a Winter's Night a Traveler and Six Memos for the Next Millenium.

The dissertation is be concerned with the comparison of two Czech translations of novel "The Castle" by Franz Kafka from the linguistic viewpoint. The dissertation compares text translation by Vladimír Kafka of 1969 and Jana Zoubková of 2014. The dissertation focuses on the methodes of translation, demands, that are placed on a literary translations. The dissertation focuses on a lifetime period of translations and their critism and last but not least, some problems of modern text translation. After closer exploration and analyses of problems of translation our dissertation will evaluate the strengths and weakness of both our translations. Key words: Translation, language, interpretation, mistake, method, critism, equivalent, idiom

The master diploma thesis "Media response of literary work with the prison theme by Jiri Stransky and Karel Pecka" maps the beletric works of Jiri Stransky and Karel Pecka which are influenced by their time in Communist prisons. The work deals with critical reviews of these literary works and it is based on contemporary reviews published in literary and other periodicals. Qualitative and quantitative analysis of reviews is included in a practical part of the master diploma. It is preceded by a theoretical part. In the theoretical part we shortly think about the importance of literary criticism but mostly important we clarify the conditions which led to the creation of Stransky's and Pecka's works. Thanks to the preserved documents from The National Archive and from The Archive of Security Forces we can now read about Stransky's and Pecka's arrest, interrogation and imprisonment in Communist prisons in the 1950s. Jiri Stransky was imprisoned in the years 1951-1960 and Karel Pecka between 1949 and 1959. The preserved documents outline also other repressions of Karel Pecka towards the State security, which occurred after his repase from prison in the sixties. In the theoretical part of master diploma we think about literary critism and we draw from works of Ansgar Nünning, Winfried Schulz, Hans-Gregor...

Dans la variété des thèmes et des formes offerte par les essais de Marguerite Yourcenar, s’ébauche et s’affine le « portrait d’une voix », incitant le lecteur à réfléchir, à la suite de l’essayiste elle-même, à l’avertissement de Jorge Luis Borges : « Un écrivain croit parler de beaucoup de choses, mais ce qu’il laisse, s’il a de la chance, c’est une image de soi ». Ces essais où s’affrontent des visions contradictoires du temps et de l’identité, retracent l’histoire de la résistance du moi à son extinction, prônée par un je qui reste souverain par-delà les métamorphoses. Des premiers essais, où la jeune « Marg Yourcenar » s’effraie et s’enchante, dans un style « tendu et orné », de la décadence de l’Occident, aux dernières notes jetées dans ses carnets, la métaphore récurrente de l’érosion traduit le travail d’épure auquel est soumis le genre, comme l’autoportrait qui s’y dessine. Ce travail est sous-tendu par une vision du temps qui oscille entre écoulement et permanence, et d’où émerge la valeur accordée à l’instant, premier pas vers la « magie sympathique » qui permet de s’établir en n’importe quel point du temps humain. Ainsi dilaté aux dimensions de la « constellation » universelle née de rencontres aléatoires ou surdéterminées, le moi inextinguible incarne pourtant les résurgences de l’individualité, enfin acceptée comme voie d’accès à l’universel. Au terme de cinquante ans de pratique de l’essai, Marguerite Yourcenar a conquis la liberté propre au genre, aux confins de l’autobiographie longtemps refusée, en acceptant que ses métamorphoses épousent au plus près la fluidité de la vie individuelle. / Through the variety of themes and forms offered by Marguerite Yourcenar's essays, the "portrait of a voice" progressively takes shape, inclining the reader to ponder, after the essayist herself, Jorge Luis Borges's warning : "A writer thinks he is tackling a lot of subjects; what he leaves behind, however - if he is lucky - is an image of himself". The essays, in which two contadictory conceptions of time and identity constantly clash, testify to the way the "self" resists its extinction, strongly recommended by the "I", which remains supreme beyond the metamorphoses. From the first essays, in which the young "Marg Yourcenar", in a tense and ornate style, appears to be both alarmed and enchanted by the decline of the West, to the last remarks jotted down in her notebooks, the recurring metaphor of the erosion conveys the extent to which the form is being refined, as well as the self-portrait that emerges from it. The process involves a conception of time that wavers between the flowing and the permanent, and brings forth the value given to the moment, first step towards the "sympathetic magic" which enables the reader to settle at any point of the human time. Thus expanded to the dimensions of the universal "constellation" born of random, or highly determined, encounters, the irrepressible "self" still embodies the resurgences of the individuality, accepted at last as a path towards the universal. After writing essays for fifty years, Marguerite Yourcenar conquered the liberty that defines the form and borders on the autobiographical, when she finally allowed its metamorphoses to closely match the fluidity of the individual life.

The thesis presented here with deals with an analysis and genre definition of the Nordic detective story, which is currently very popular in the Czech Republic. It is namely an interpretation of the works done by two contemporary Nordic authors in question, i.e. Stieg Larsson and Jo Nesbø. With the first of the two authors I will be looking into the complete trilogy The Millenium containing volumes of Män som hatar kvinnor (2005), Flickan som lekte med elden (2006) and Luftslottet som sprängdes (2007). As regards in Nesbø's works, I have chosen a series of detective stories with detective Harry Hole as the main character, especially two of them Panserhjerte (2009) and Snømannen (2007) and which appear to be the most successful and the most typical. On the grounds of the analysis of the particular literary categories such as the character of a detective and their investigative techniques, the narrative pattern, the narrator, and the continuum which are compared with the similar categories within individual historical detective schools itemized in the theoretical part of the thesis, and compared as well with other genres, it is to be stated that the Nordic crime fiction might be located somewhere on the border line between the detective story, the critical social novel and the thriller, taking on at...

The master diploma thesis "Media response of literary work with the prison theme by Jiri Stransky and Karel Pecka" maps the beletric works of Jiri Stransky and Karel Pecka which are influenced by their time in Communist prisons. The work deals with critical reviews of these literary works and it is based on contemporary reviews published in literary and other periodicals. Qualitative and quantitative analysis of reviews is included in a practical part of the master diploma. It is preceded by a theoretical part. In the theoretical part we shortly think about the importace of literary criticism but mostly important we clarify the conditions which led to the creation of Stransky's and Pecka's works. Thanks to the preserved documents from The National Archive and from The Archive of Security Forces we can now read about Stransky's and Pecka's arrest, interrogation and imprisonment in Communist prisons in the 1950s. Jiri Stransky was imprisoned in the years 1953-1960 and Karel Pecka between 1949 and 1959. The preserved documents outline also other repressions of Karel Pecka towards the State security, which occurred after his repase from prison in the sixties. In the theoretical part of master diploma we think about literaryy critism and we draw from works of Ansgar Nünning, Winfried Schulz, Terry...

Text in German with German and English summaries / In times of global crisis, eschatological questions gain relevance. The Old Testament concept of HàWH:J moWJ has primary bearing on Christian eschatological expectations. This study examines the discourse of the Day of Yahweh of Amos and Isaiah in the context of their message. Concept and origin of this discourse are controversial. A review of research shows that the current understandings do not adequately answer questions about the origin of this discourse. Both the definitions of “Day of Yahweh” passages and the certitude that HàWH:J moWJ is a technical term seem problematic. Analysis of Amos 5:18-20 shows that, contrary to commonly accepted understanding, a nontechnical understanding of the phrase HàWH:J moWJ is sufficient for interpreting the passage. Linguistically similar phrases in Isaiah also merely relate Yahweh’s historical intervention, and do not refer to an established concept. Only later did a tradition complex arise from this prophetic proclamation. / In Zeiten globaler Krisen gewinnen eschatologische Fragestellungen an Aktualität. Zentrale Bedeutung für die christliche Zukunftserwartung hat der Tag des Herrn, dessen alttestamentlicher Wurzelgrund der HàWH:J moWJ ist. Die Studie untersucht die Rede vom Tag Jahwes bei den Schriftpropheten Amos und Jesaja im Kontext ihrer Verkündigung. Konzept und Herkunft dieser Rede sind umstritten. Ein Forschungsüberblick zeigt, dass die gängigen Erklärungsmodelle die Frage nach der Herkunft dieser Rede nicht ausreichend beantworten. Als problematisch erscheinen die Definitionen von Tag Jahwes-Belegen und die Sicherheit, mit der man die Wendung HàWH:J moWJ als Terminus technicus bezeichnet. Die Untersuchung zu Am 5,18-20 erweist, dass, entgegen dem Common sense der Forschung, ein formales Verständnis der Wendung HàWH:J moWJ zur Interpretation der Rede ausreicht. Ähnliche sprachliche Wendungen bei Jesaja paraphrasieren ebenfalls nur das geschichtliche Eingreifen Jahwes und verweisen nicht auf eine Auseinandersetzung mit einem bestehenden Konzept. Ein Traditionskomplex namens Tag Jahwes erwuchs erst später aus dieser prophetischen Verkündigung. / Biblical and Ancient Studies / M. Th. (Old Testament)

Text in French; abstract in French and English / Observatrice des réalités quotidiennes camerounaises, Calixthe Beyala a publié, en 1987, un roman intitulé C’est le soleil qui m’a brûlée. Dans ce roman, elle montre au lecteur comment la femme, victime de la tradition, utilise, avec l’apport de la modernité, son corps comme moyen pour reconquérir son moi profond, et retrouver sa liberté. En 1994, elle a écrit et publié Assѐze, l’Africaine. Et en 2003, elle a publié Femme nue, femme noire. Après une lecture minutieuse de ces trois livres, le lecteur peut facilement découvrir que Calixthe Beyala place la femme au centre de sa préoccupation littéraire. Et elle examine, dans sa fiction, deux thѐmes: la tradition et la modernité. Qu’entend-elle par tradition et modernité? Comment examine-t-elle ces deux thѐmes dans les ouvrages de notre corpus? Quelles solutions propose-t-elle à la femme, d’une part, pour se libérer du joug de la tradition et de la domination masculine, et d’autre part, pour (re)conquérir son corps, son moi profond et pour son émancipation? / Observer of the daily Cameroonian realities, Calixthe Beyala published, in 1987, a novel entitled C’est le soleil qui m’a brûlée. In this novel, she shows the reader how a woman, victim of tradition, uses her body as means to reconquer herself and to find her freedom. In 1994, she wrote and published Assèze, l’Africane. And in 2003, she published Femme nue, femme noire. After a careful reading of the three novels, the reader can easily discover that Calixthe Beyala places woman in the center of her literary preoccupation. And she examines, in her fiction, two themes, tradition and modernity. What does she mean by tradition and modernity? How does she examine these two themes in the novels of our study? What solutions does she propose to the woman, firstly, to liberate herself from the yoke of tradition and male’s domination, and secondly, to reconquer her body, herself and her emancipation? / Classics and World Languages / M.A. (French)

Text in German with German and English summaries / In times of global crisis, eschatological questions gain relevance. The Old Testament concept of HàWH:J moWJ has primary bearing on Christian eschatological expectations. This study examines the discourse of the Day of Yahweh of Amos and Isaiah in the context of their message. Concept and origin of this discourse are controversial. A review of research shows that the current understandings do not adequately answer questions about the origin of this discourse. Both the definitions of “Day of Yahweh” passages and the certitude that HàWH:J moWJ is a technical term seem problematic. Analysis of Amos 5:18-20 shows that, contrary to commonly accepted understanding, a nontechnical understanding of the phrase HàWH:J moWJ is sufficient for interpreting the passage. Linguistically similar phrases in Isaiah also merely relate Yahweh’s historical intervention, and do not refer to an established concept. Only later did a tradition complex arise from this prophetic proclamation. / In Zeiten globaler Krisen gewinnen eschatologische Fragestellungen an Aktualität. Zentrale Bedeutung für die christliche Zukunftserwartung hat der Tag des Herrn, dessen alttestamentlicher Wurzelgrund der HàWH:J moWJ ist. Die Studie untersucht die Rede vom Tag Jahwes bei den Schriftpropheten Amos und Jesaja im Kontext ihrer Verkündigung. Konzept und Herkunft dieser Rede sind umstritten. Ein Forschungsüberblick zeigt, dass die gängigen Erklärungsmodelle die Frage nach der Herkunft dieser Rede nicht ausreichend beantworten. Als problematisch erscheinen die Definitionen von Tag Jahwes-Belegen und die Sicherheit, mit der man die Wendung HàWH:J moWJ als Terminus technicus bezeichnet. Die Untersuchung zu Am 5,18-20 erweist, dass, entgegen dem Common sense der Forschung, ein formales Verständnis der Wendung HàWH:J moWJ zur Interpretation der Rede ausreicht. Ähnliche sprachliche Wendungen bei Jesaja paraphrasieren ebenfalls nur das geschichtliche Eingreifen Jahwes und verweisen nicht auf eine Auseinandersetzung mit einem bestehenden Konzept. Ein Traditionskomplex namens Tag Jahwes erwuchs erst später aus dieser prophetischen Verkündigung. / Biblical and Ancient Studies / M. Th. (Old Testament)