Made available in DSpace on 2016-06-02T19:00:31Z (GMT). No. of bitstreams: 1 6724.pdf: 1864469 bytes, checksum: 0264ceb3978233899140a094cba880e6 (MD5) Previous issue date: 2015-03-12 / Universidade Federal de Minas Gerais / This dissertation aims to undertake an analysis, based on ethnography between fandangueiros of the southern coast of the state of São Paulo, in the municipality of Cananéia, who seeks to follow the flow as it interweaves Fandango caiçara in the networks established by the agents who engage in the Caiçara culture, in an objectified way, that is, engage with caiçara culture as a political objective and as an "object", at the same time. Thus, from the ethnography, the analysis undertaken here will seek, instead to "explain" the caiçara fandango in reference to a cultural background, show as its fandango transform and act on culture (transforming itself reciprocally), in a objectified way or not. It will therefore be essential for the work done an analysis of pessimism that we call structural with which fandangueiros face their own transformations engendered in their culture, claiming (almost) always that the fandango "it will be over". Will also be under scrutiny the public actions and private agents seeking "revitalize" and "rescue" Fandango, as the increasing heritage policies in recent decades in Brazil, the process by which the fandango was transformed into Intangible Cultural Heritage of Brazil, in 2011. / Esta dissertação tem como objetivo empreender uma análise, baseada em etnografia realizada entre fandangueiros do litoral sul do estado de São Paulo, no município de Cananéia, que busque acompanhar o fluxo em que se entremeia o fandango caiçara nas redes estabelecidas pelos agentes que se envolvem com a cultura caiçara em uma forma objetivada, isto é, que se envolvem com a cultura caiçara como um objetivo político e como um objeto , a um só tempo. Dessa maneira, a partir da etnografia, a análise aqui empreendida buscará, em vez de explicar o fandango caiçara em referência a um pano de fundo cultural, mostrar como o próprio fandango transforma e atua sobre a cultura (se transformando reciprocamente), em sua forma objetivada ou não. Será, assim, essencial para o trabalho realizado uma análise sobre o pessimismo que chamamos de estrutural com o qual os fandangueiros encaram as próprias transformações engendradas em sua cultura, alegando (quase) sempre que o fandango se acabará . Estarão também sob escrutínio as ações de órgão públicos e agentes privados que buscam revitalizar e resgatar o fandango, como as políticas de patrimonialização crescentes nas últimas décadas no Brasil, processo pelo qual o fandango foi transformado em Patrimônio Imaterial Cultural do Brasil, em 2011.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-03-02T12:33:44Z No. of bitstreams: 1 marianaschuchtersoares.pdf: 7400842 bytes, checksum: 4cb8abc2b3ce27e2eb13deabaf439714 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-03-03T14:49:59Z (GMT) No. of bitstreams: 1 marianaschuchtersoares.pdf: 7400842 bytes, checksum: 4cb8abc2b3ce27e2eb13deabaf439714 (MD5) / Made available in DSpace on 2016-03-03T14:49:59Z (GMT). No. of bitstreams: 1 marianaschuchtersoares.pdf: 7400842 bytes, checksum: 4cb8abc2b3ce27e2eb13deabaf439714 (MD5) Previous issue date: 2013-04-05 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / O objetivo deste trabalho é discutir o apagamento dos traços língua-cultura-identidade alemães em Juiz de Fora/MG. A partir de pesquisa etnográfica, com a realização de entrevistas semi-estruturadas, bem como de pesquisa documental, procuramos, com o aporte teórico da Ecolinguística (MUFWENE, 2001, 2008; COUTO, 2007, 2009), explorar e refletir sobre os possíveis aspectos ecológicos que podem ter influenciado esse apagamento linguístico-cultural na cidade, em meio ao processo de adaptação dos imigrantes à nova terra. O que acreditamos, portanto, é que esse apagamento se deu através de um processo longo e gradual, influenciado por vários fatores, inclusive pela hegemonia da língua portuguesa. Tal situação mostra-se bastante oposta ao que aconteceu em outras regiões do país, em que há visíveis marcas das variedades de língua alemã em seus dialetos (BORSTEL, 2011; PEREIRA, 2005), bem como heranças culturais dos imigrantes. Nesse sentido, este trabalho tem os seguintes objetivos principais: (i) identificar quais variedades de língua alemã chegaram em Juiz de Fora/MG; (ii) rastrear a história dos contatos linguísticos que aconteceram na cidade; (iii) identificar fatores ecológicos que possivelmente tiveram influência no processo de apagamento das variedades de língua alemã em Juiz de Fora/MG. Dessa forma, buscamos demonstrar que os imigrantes alemães foram levados a (re)construírem suas identidades, deixando para trás, ao longo do tempo, suas origens e, consequentemente, suas heranças linguístico-culturais. / The aim of this study is to discuss the deletion of German language, culture and identity traces in Juiz de Fora city, Brazil. By means of ethnographic research, with semi-structured interviews, as well of documental research, and on Ecolinguistics theoretical basis (MUFWENE, 2001, 2008; COUTO, 2007, 2009), we investigate and reflect on the possible ecological aspects that influenced this linguistic and cultural deletion in the city during the adaptation process of the immigrants to the new land. Therefore, we believe that this deletion happened as a long and gradual process, influenced by several factors, including the hegemony of Portuguese language. Such a situation is quite different from what happened in other parts of Brazil, where there are visible marks of German varieties in their dialects (BORSTEL, 2011; PEREIRA, 2005), as well as many cultural heritages from the immigrants. In this sense, this work has the following main objectives: (i) to identify which varieties of German language arrived in Juiz de Fora; (ii) to trace the history of the linguistic contacts that took place in the city; (iii) to identify ecological factors that possibly influenced the deletion process of the varieties of the German language that arrived in Juiz de Fora. Thus, this study demonstrates how German immigrants German immigrants were taken to (re)construct their identities, leaving behind their origins and hence their linguistic and cultural heritages over time.

The objective of this diploma thesis is to describe nowadays almost forgotten events in France during the Second World War, when the historical statues and monuments from the Third Republic in France are irretrievably destroyed because of melting non-ferrous metals used for arms-production in Nazi Germany. The key goal of the thesis is to mention some of the main decisions that led to the destruction of certain works and on the basis of that analysis consider to what extent the occupier contributed to their loss and to what extent their removal was inevitable. Within historical context, the first chapter introduces the period and ideas of the Third Republic until the arrival of the Vichy régime with its new ideals. The second chapter mentions expansion of sculpture of the Third Republic and statuomania. The development of the campaign for collection of non-ferrous metals and its actors are discussed in the third chapter. Afterwards this work presents specific decisions about the destruction of statues, based on religious, political and aesthetic subtext. In the fifth chapter in practical part, the thesis tries to analyze these decisions and to determine the cause of the elimination of statues based on the decisions. The last part focuses on the different generals reactions to destruction of the...