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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.031 seconds)Spelling suggestions: "subject:"allaire"" "subject:"dallaire""
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Jean-Philippe Dallaire (1916-1965) et l’art mural / Jean-Philippe Dallaire (1916-1965) and Mural ArtMorin, Serge 10 June 2010 (has links)
Jean-Philippe Dallaire (1916 - 1965) est reconnu comme l’un des peintres canadiens les plus doués de sa génération. Guidé par un savoir-faire exceptionnel et par une imagination féconde, il a produit des œuvres nombreuses et variées durant une carrière qui s’étend sur plus de trente années dont presque la moitié en France. Considéré autodidacte par les historiens et les critiques d’art, il suit néanmoins un parcours d’étude qui le place sans ambages dans la lignée artistique de l’École française. L’étude des commandes qu’il exécute en art mural montre les multiples influences qu’il absorbe et surtout le respect rigoureux des préceptes de ses grands maîtres, Maurice Denis et André Lhote d’abord, et par la suite Jean Lurçat. Mais ces ascendants n’atténuent jamais l’originalité de sa manière. Si ses premières œuvres murales liturgiques montrent une recherche dirigée par le milieu religieux dans lequel il gravite, après la guerre, suite à son retour au Canada, ses œuvres murales, religieuses et profanes, révèlent un respect marqué des caractéristiques de la grande peinture. / Jean-Philippe Dallaire (1916 - 1965) is recognised as one of the most talented Canadian painters of his generation. Guided by an exceptional aptitude and a fertile imagination, he produced numerous and varied paintings during a career that spanned over thirty years, almost half of which in France. Considered as self-taught by art historians and art critics, he nonetheless pursued a course of study that positioned him within the clearly defined tradition of the French School. An attentive study of the mural art works he accomplished shows the multiple influences he absorbed, but mainly the rigorous respect of the precepts he acquired from two great masters, Maurice Denis and André Lhote, and later from Jean Lurçat. But these constituents, although they link him to his French genesis, never lessened the originality of his style. If his first religious murals are strongly tainted by the spiritual environment in which he gravitated, his mural art, religious or profane, following his return from France after the war, demonstrate a scrupulous respect of the features that identify masterpiece.
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Le surréalisme dans l'œuvre de Jean-Philippe Dallaire (1938-65)Thibault, Caroline January 1991 (has links)
Parmi les peintres qui ont marqué la scène artistique québécoise on retrouve Jean-Philippe Dallaire (1916-1965). La force créatrice et originale de sa production se compare avantageusement à d’autres plus connues, comme celle de Pellan. Cette réflexion qui a comme sujet Le surréalisme dans l’oeuvre de Jean-Philippe Dallaire (1938-1965) se veut une clé pour comprendre l’évolution picturale de l’artiste. Notre analyse s’articule autour d’un petit groupe de toiles réalisé en 1957 et jugé comme l’ensemble le plus important de Dallaire. Le traitement des oeuvres combine une facture mi-surréaliste à une facture mi- abstraite et témoigne autant du savoir faire de l’artiste que de sa connaissance des esthétiques modernes. Le surréalisme dans 1’oeuvre de Jean-Philippe Dallaire (1938-1965) propose une lecture contemporaine des oeuvres par une approche sémiologique du langage visuel telle que développée au Québec par Fernande Saint-Martin et Marie Carani. Cette approche appliquée aux oeuvres de ce corpus a permis d’inscrire l’artiste dans la modernité et ainsi de le dissocier d’une tradition québécoise alors essoufflée. / Montréal Trigonix inc. 2018
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Sovereignty, Peacekeeping, and the United Nations Emergency Force (UNEF), Suez 1956-1967: Insiders’ PerspectivesHilmy, Hanny 13 February 2015 (has links)
This research is concerned with the complex and contested relationship between the sovereign prerogatives of states and the international imperative of defusing world conflicts. Due to its historical setting following World War Two, the national vs. international staking of claims was framed within the escalating imperial-nationalist confrontation and the impending “end of empire”, both of which were significantly influenced by the role Israel played in this saga. The research looks at the issue of “decolonization” and the anti-colonial struggle waged under the leadership of Egypt’s President Nasser. The Suez War is analyzed as the historical event that signaled the beginning of the final chapter in the domination of the European empires in the Middle East (sub-Saharan decolonization followed beginning in the early 1960s), and the emergence of the United States as the new major Western power in the Middle East.
The Suez experience highlighted a stubborn contest between the defenders of the concept of “sovereign consent” and the advocates of “International intervention”. Both the deployment of the United Nations Emergency Force (UNEF) and its termination were surrounded by controversy and legal-political wrangling. The role of UNEF and UN peacekeeping operations in general framed the development of a new concept for an emerging international human rights law and crisis management. The UNEF experience, moreover, brought into sharp relief the need for a conflict resolution component for any peace operation. International conflict management, and human rights protection are both subject to an increasing interventionist international legal regime. Consequently, the traditional concept of “sovereignty” is facing increasing challenge.
By its very nature, the subject matter of this multi-dimensional research involves historical, political and international legal aspects shaping the research’s content and conclusions. The research utilizes the experience and contributions of several key participants in this pioneering peacekeeping experience. In the last chapter, recommendations are made –based on all the elements covered in the research- to suggest contributions to the evolving UN ground rules for international crisis intervention and management. / Graduate / hilmyh@uvic.ca
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