本文以北朝戰爭書寫為題。記錄北朝戰爭的大多是正史等歷史文獻，這些並非全然客觀中立的書寫，而是包含官方意識形態、史家個人情懷等因素；甚至一些看似「客觀」的記錄，如兵力數字、氣候、地理，其實也有可能經過了史家有意的再創造。本文嘗試對歷史文本做進一步發掘，分析文本的內外關聯，如影響戰爭書寫的政治文化力量、史學內部傳統等，從而從側面增進對於古代戰爭的認識。 / 本文匯集一些個案研究，分別討論北朝幾次戰爭記錄中的兵力數字、北周開國君主形象、北朝勝利和失敗的武將的書寫方式、胡族戰略戰術分析，以及記錄李淵建唐的《大唐創業起居注》等。 / 本文嘗試指出，北朝戰爭書寫最為突出的特點，可歸結為「去胡化」，或者「由胡入漢」：北朝諸政權大多是胡族政權，但在東魏北齊以及唐初的史家筆下，這些北朝胡族政權的君主、將士，胡族色彩並不濃重，反而大多蒙上一層漢族文化的面紗；胡人的戰略戰術、戰爭過程的記錄都接近漢人的傳統方式。 / This dissertation discusses the writing of warfare in the Northern Dynasties, Medieval China. Most of the records on the warfare are from official histories written in Northern Qi (550-577) and Tang Dynasty (618-907). These records, however, are under the influence of political and cultural powers, such as political struggles and orthodoxy. Even some of so called objective description, such as records of the place, time, figure and climate may be kind of recreation of the writers. This dissertation tries to analyze context of these records, including their political and cultural background, along with the development of historiography and other writing traditions. / This dissertation is made up of several case studies, discussing respectively figures in battle, adventure of Yuwen Tai (the leader of the military group in Western Wei), the image of generals in the Northern Dynasties, the description of strategy and tactics of nomad people, and the historical record of Li Yuan, founder of Tang Dynasty. The principal conclusion is that in the official histories historians descript nomad people in traditional Chinese way. Sinicization of the nomad people is the most important characteristics of the writing of warfare in Northern Dynasties: the nomad leaders and generals are close to Chinese emperors and generals, the nomadic way of war is replaced by the Chinese way. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 雷仕偉. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 246-254). / Abstracts also in English. / Lei Shiwei.

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 65-67). Also available on the Internet.

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 65-67). Also available on the Internet.

Thesis--Copenhagen. / Summary in Danish. Includes bibliographical references (p. 199-206).

Thesis--Copenhagen. / Summary in Danish. Includes bibliographical references (p. 199-206).

No description available.

Thesis (M.A.)--University of Tennessee, 2007. / Title from title page screen (viewed on Mar. 31, 2008). Thesis advisor: Michael L. Keene. Vita. Includes bibliographical references.

Orientador: Paulo Celso Miceli / Tese (doutorado) - Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-04T03:49:44Z (GMT). No. of bitstreams: 1 Lima_MarcosAlbertoHorta_D.pdf: 680824 bytes, checksum: f8d8e65d3d717f26f5223d2613369886 (MD5) Previous issue date: 2005 / Resumo: A tese deste estudo é que, ao longo do período de 1919 a 1930, ao criticarem as leis do trabalho preconizadas pelo Estado brasileiro, os industriais reclamaram para os patrões a responsabilidade pela integração do trabalhador à ordem do capital, concebendo um projeto político. Esta tese é relacionada aos trabalhos acadêmicos cujas interpretações se impuseram como referência, compreendendo uma reflexão sobre a construção das respectivas diferenças entre os estudos / Abstract: The thesis of this work is that, during the years of 1919 to 1930, the industrials criticized the laws of work established by the State, and complained to them about the responsibility for the integration of the worker towards the capital, forming a political project. This thesis is related to academic works, who's interpretation have been imposed as a reference, making a reflection about construction of respective differences between the studies / Doutorado / Historia Social / Doutor em História

Considérées, aujourd’hui, comme des œuvres majeures de la littérature allemande du XXe siècle, Scènes de la vie d’un faune et L’Ombre du corps du cocher sont, à l’origine, deux textes pour le moins à part dans le paysage littéraire allemand du début des années 1950 – au point que celui de Weiss n’a même pas trouvé d’éditeur avant 1960. La présente étude analyse les deux récits autodiégétiques à partir des traits saillants suivants : leur dispositif d’énonciation à double voix (narrateur vs. instance auctoriale non anthropomorphe), leurs réseaux de métaphores à valeur poétologique, et surtout les multiples interactions entre le foisonnement des microséquences descriptives et les macroséquences narratives quelque peu occultées par les premières, mais toujours indéniablement présentes. Dès lors, l’analyse dégage les implications esthético-politiques de chacun des deux textes ; en résonance avec des intertextes soit romantiques et d’ordre mythique (pour Scènes de la vie d’un faune), soit surréalistes et freudiens (pour L’Ombre du corps du cocher), chacun soulève une question ‘explosive’ en ce qu’elle est négligée ou évitée par la production littéraire allemande dominante de ces années-là. L’idylle convulsive d’Arno Schmidt : Quel est le prix à payer pour un récit fictionnel traitant de l’époque national-socialiste qui ne veut pas renoncer au plaisir de la métaphore ? Le psychodrame chosifié de Peter Weiss : Quelles zones la littérature allemande de l’après-guerre laisse-t-elle dans l’ombre en se tournant entièrement vers le recensement du monde extérieur et en optant pour un langage prétendument univoque, apposant des contours stables au réel ? / Today, Scenes from the Life of a Faun and The Shadow of the Coachman’s Body are considered as major works of the 20th century German literature ; originally however, at the beginning of the 1950s, they were rather isolated in the German-language literary landscape – to such an extent that Peter Weiss’ text was not even published until 1960. The present work analyses the two auto-diegetic narratives by choosing the following axes of comparison : the tension between the narrator’s voice and the voice of the authorial, non anthropomorphic instance ; the networks of metaphors with poetological implications and, above all, the interaction between the abounding descriptive micro-sequences and the narrative macro-sequences, somewhat hidden behind the descriptions but nonetheless and undeniably present. By following these tracks, the analysis shows the aesthetic-political implications of the two texts ; echoing with either romantic and myth-like (as far as Scenes from the Life of a Faun is concerned) or surrealist and Freudian (The Shadow of the Coachman’s Body) intertexts, each of the texts raises a specific ‘explosive’ question, neglected or avoided by the dominant literary production. Thus, Arno Schmidt’s convulsive idyll asks : What is the price to pay for a fictional narrative about the Nazi-years if it is not willing to give up the pleasures of the metaphor ? And Peter Weiss’ matter-of-fact psycho-drama : What is it that post-war German literature keeps out by focusing entirely on the outlines of the exterior world and by relying on a supposedly non-metaphorical language with stable meanings ?