Four oracles appear in Jeremiah 21:11-23:8 detailing the failure and future of the final kings in Judah, also known as the King Collection. The final oracle against Jehoiachin (he also appears with the names Coniah / Jeconiah) precedes the announcement of the unnamed new Davidide, the Branch. The oracle against Jehoiachin appears to be unique, involving no stipulations of covenant wrongdoing, a feature of Deuteronomistic criticism of the kingship since Solomon. He is one of the most unremarkable kings in Israelite history. Yet, he is the concluding figure in both the Greek (Septuagint or LXX) and Hebrew (Masoretic Text or MT) versions of Jeremiah's King Collection, a significant change from the accounts in Kings and Chronicles. He occupies an important place in Josephus's attempts to sketch the ideal Israelite king, respectful of Roman rule. He is important to the rabbis in developing an atonement theory of the exile. In the New Testament, he appears in Matthew's genealogy of Jesus, while the other kings from the King Collection disappear. The Epistle to the Hebrews may adopt similar ideas in developing the analogy of Melchizedek, another insignificant king in Israel's history, as a precursor to Jesus. Ideas developed from the flow of the oracle in the text of Jeremiah, shaped by the polemics of exile, appear in the Acts of the Apostles' casting of Jesus' spiritual kingship on the world's stage. Precritical Jewish and Christian exegesis adopted a harmonizing approach to the oracle, importing reasons from the Deuteronomistic History and the Chronicler for its harsh judgment. Yet discussion of the oracle and its significance in the construction of the figure of Jehoiachin in Jeremiah has all but disappeared from critical scholarship following the groundbreaking work of Bernhard Duhm. Early critical scholarship, while correcting many of the mistakes of precritical exegetes, followed the new Protestant confessionalism of the 19th century. Michel Foucault locates the loss of the theology of the cross as this decisive turn in interpretive methodology. This turn caused modern Protestant interpreters, who are mainly responsible for the foundations of modern critical studies in Jeremiah, to devalue disempowered kings in Israel's history, one of the most important hermeneutical categories in classical Jewish literature, according to Yair Lorberbaum. Thus, Bernhard Duhm, and later scholarship that builds on his work, missed the significance of this oracle in the textual function of the book of Jeremiah and its polemical significance in the debates between post-exile groups of Judeans. Gerhard von Rad, in his revision of Martin Noth's theory of the Deuteronomistic History, saw the importance of Jehoiachin as a source of hope for a renewed Israel. Jack Lundbom most recently observed the development of an oracular frame moving from the center outward in which the oracle against Jehoiachin appears. Yet, to date, little work has appeared on the way the canonical form of Jeremiah frames Jehoiachin and its effect on Jeremiah's end to the DtrH. To make sense of it, we must account for what appears to be an unfulfilled prophecy in Jeremiah 22, as recorded by Jehoiachin's treatment in Jeremiah 52 where, against the expectation of the oracle, the Jewish king again appears on the world stage. Mark Roncace has written extensively on how this type of prophecy functions in the book of Jeremiah. Speech-act theory, as proposed originally by J. L. Austin, and refined by his protégé, John Searle, provides further insight into this issue. Building on the scholarship of von Rad, Lundbom, Mark Leuchter and several other scholars of the sociopolitical forces in the production of biblical texts in exile, we will reconstruct the remarkably adaptable prophetic frame developed in exile around Jehoiachin and his oracle, which set the stage for a return of a Jewish king to the world stage. / Religion

This goal of this project is to assist liberals and progressives who are reluctant to speak out publicly on religious questions so that they can advance their moral values and protect their religious liberties by encouraging and educating them to use legal protections under the First Amendment. Rights to religious freedom in the American legal system are reviewed on the federal, state, and local levels. The denominational history of and theological evolution within Unitarian Universalism, the target group being studied, are examined. This examination has a particular focus on shifting historically strict intradenominational attitudes on the separation between church and state and using legal protections to advance progressive moral values and social justice objectives. Through a nonprofit legal foundation, the author seeks to educate and to support religious groups seeking to pursue religious projects and ministries that may face legal challenges and government opposition. The project also reviews metrics for assessing attitude change in response to educational workshops presented to Unitarian Universalist audiences.

This study aims to identify common barriers to the missional growth of local congregations. In addition, the research will provide a resource for evaluating effectiveness across diverse areas of ministry and propose implications for presiding elders in the African Methodist Episcopal Zion Church to support thriving local churches. There is not a single sector of society that has not been impacted by the global pandemic, including the local church. The disruption of COVID-19 has inspired many to reevaluate purposes and practices. Whereas evaluation of congregations may not have been approached in a systematized manner before, there is a need to do so now more than ever. The researcher employs Allan Roxburgh’s 5-stage Missional Change Model in conversation with Walter Fluker’s model of Ethical Leadership.

In this thesis I develop a theological ethics of migration that is attentive to the contemporary global crisis of human migration. Using the fourfold sense of scripture, with particular attention to allegory, as reclaimed from patristic and medieval exegesis by Henri de Lubac, I investigate four biblical narratives that I will show are paradigmatic of biblical approaches to the treatment of migrants. These narratives include Exodus, the Book of Ruth, and the parables of the Good Samaritan and the Prodigal Son. I present an in-depth exegesis of these narratives as vital theological and ethical sources for addressing the contemporary migration crisis. The core claim I advance in this thesis is that migration is theologically significant for Christians because loving aliens is commended throughout scripture and the theme of hospitality to migrants is central to the prophetic witness of the Church to the nations. Refugees and migrants reveal the interconnected nature of the contemporary world, and I argue that the millions of people who are currently on the move from their home nations are not only an urgent humanitarian challenge to the global community, but an ethical and theological litmus test of contemporary global civilization. The existence of so many migrants and refugees in a global civilization divided into bordered nation-states, which is also daily joined by movements of people and goods in planes, ships and trucks, reveals inconsistencies in modern political conceptions of the nation-state and of the rights of citizens. I argue that longstanding theological traditions that speak of Christians as wanderers and aliens provide a valuable source for addressing and repairing these inconsistencies. In Part I, I address the politicization of migration and modern contradictions that arise between migration law and globalization, such as territorial sovereignty and economic liberalism, and I identify vestiges of social contract theories arising before and during the Enlightenment as preventing migration from being addressed in ways that acknowledge basic and profound truths about the interconnected nature of the world. I argue that without addressing these underlying issues, migration will remain an ongoing political and humanitarian problem. In Part II, I engage in biblical exegesis to develop ethical claims for Christians and the Church, and address the underlying issues identified in Part I. I will argue that the exegesis of these biblical narratives reveal that aid, care and rescue of migrants, even to the point of self-sacrifice, present contemporary Christians and others with the opportunity to rediscover the meaning of justice and citizenship on an interconnected planet.

M.A. / This work is aimed at dealing with the demand for the new ethos as proclaimed by the New Testament synoptic in view of the African context or perspective. The synoptic give a code of values by which the Christian church should live. The synoptic ethos is Jesus' ethos. Every nation and community is characterised by certain values of conduct. As a church we are also confronted by moments of decision making. This script is therefore attempting to answer or question the level of credibility taken at some point in life. Ethics which is a science of moral behaviour and principles of conduct , tells us that there is an expected way of behaviour from every individual in society. The question is when , when do we say that this is right , and when do we say this is wrong ? However, this script is not aimed at necessarily dealing with ethics in general. I have narrowed my subject to focus on the Kingdom ethos reflected in the synoptic. The only issue that one need to take into consideration is that all ethics have sources. The problem that existed in proclaiming Kingdom ethics has been religion. This script shows that religion and ethics are so interwoven that one cannot separate them. It is impossible for one to speak about one's moral behaviour and not include his religion. Religion tells people what to say and what not, what to eat and what not , where to go and what people to associate with and not. Religion and ethics are integrated in such w way that one cannot do without the other. One cannot speak about ethics outside religion. The ethos of the Jews came from their monotheistic religion, with the Law of Moses. Jesus' ethics came from His focus on the Kingdom which was both present and future. This shows again the problem of religion in Africa. African ethics have been drawn mostly from their own cultures , customs and religion. Jesus' Kingdom ethics, which is God centred, helps to show that all other sources are not relevant sources. Many church leaders in Africa are calling for an African religion and criticising the missionaries for having brought Western religion. The Kingdom ethics show how that it is not Western or African religion that matters much , all we need is the Christian religion and Jesus' ethos of the Kingdom. Finally the church is expected to play its role of reconciling this divided world. The purpose of the church is man, his human dignity and his right to develop himself in freedom. Jesus commanded the church to love, hence it is the duty of the church to be the prophetic voice of God in this confused generation. The ethics demanded by Jesus are practical and possible. We need God's mercy and grace to be real ambassadors of the Kingdom of God. As a church we have a responsibility. We need to move away from syncretism and serve God alone.

This thesis is an attempt to relate the Scriptural revelation of God's nature to the normal Christian life. It analyses the experiential factors that originally gave rise to a triune awareness of God, arguing that a contemporary recovery of those seminal events is requisite for an integration of the trinity into the Christian life. After a theological summation of the biblical revelation, the thesis then explores the nature of the orientation of the trinity within the Christian life. This orientation is brought about by observing the harmonious arrangement of the different Persons within the Godhead. Once this is done we can then ensure that this arrangement finds an echo and corresponding imprint within the Christian life. As the Christian consistently integrates that tripartite relationship into the Christian life, the doctrine of the trinity will be a continual source of sustenance and direction for life and godliness. / Philosophy, Practical and Systematic Theology / Th. M. (Systematic Theology)

Made available in DSpace on 2016-07-27T13:47:48Z (GMT). No. of bitstreams: 1 DARLYSON MOYSES ALVES FEITOSA.pdf: 1214034 bytes, checksum: 1b81048f4a31214e567aa4c0a936941d (MD5) Previous issue date: 2009-06-29 / Epistle to the Hebrews: a theocentric perspective is a dissertation which treats of the various affirmations about God in the biblical book known today as the Epistle to the Hebrews. This Epistle has been traditionally studied from the Christological point of view, due to the strong emphasis in the book on Christology; however, this present study considers the epistle from another perspective, due basically to one reason: the author refers to God in every section of this work. The Greek text was used as the basis from which the various declarations about God were extracted, while Portuguese versions of the Bible served as references for a better comprehension of the various possibilities of translations. / Epístola aos Hebreus: Uma Perspectiva Teocêntrica é uma dissertação que trata de apresentar as diversas declarações sobre Deus no livro da Bíblia hoje conhecido como Epístola aos Hebreus. Esta Epístola tem sido tradicionalmente estudada a partir da forte ênfase na cristologia, de modo que a presente pesquisa a considera a partir de uma outra perspectiva, devido basicamente a uma razão: o autor se refere a Deus em todas as seções desta obra. As diversas menções sobre Deus foram extraídas do texto grego, sendo que as versões da Bíblia em português serviram sempre de referencial para uma melhor compreensão das diversas possibilidades de tradução.

Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her songs express, in dense poetic texts set to widely-ranging chant-like melodies, her rich imaging of the fecund presence of the Divine. The singers are thus encouraged to imagine themselves in relationship with the Holy One, the Living Light, through the physical act of singing these evocative songs. This dissertation analyses four of Hildegard's songs, representing a small cross section of her musical oeuvre. The analysis elucidates the way in which the music affectively conveys the meaning and significance of the texts. Carefully incising the "flesh" from the structural "bones" of the melodies reveals underlying organising configurations which pervade the songs and deliver the texts in a distinctive manner. Hildegard professed herself to be musically uneducated because she lacked a knowledge of music notation, although she admitted to extensive experience in singing Divine Office. However, she clearly claims to be the oral composer of her songs, arranging late in her life for music scribes to notate her melodies. My analysis unravels the influence of the oral composer as it intersects with the influence of the musically trained scribes who neumed her texts. Hildegard wrote that the "words symbolize the body, and the jubilant music indicates the spirit" (Scivias 3:12:13). She claims that the music conveys the meaning of the texts with affective power, and my analysis shows ways in which the oral composer endeavors to achieve this goal. Her texts, conveyed by her melodies and thus intimately entwined with the words they deliver, are powerfully persuasive forces in the spiritual education of the women in her monastery. This dissertation uncovers significant insights which can inform the communal practice of worship of the Divine, especially where song forms part of that worship, and particularly in regard to the imagining of Divinity in ways which can nourish the diversity of all humans, all creatures, and all creation. The work of feminist theologians is brought into dialogue with Hildegard's imagery and educational purpose, thus making available ways of imagining the Divine which are especially important for contemporary women, who have suffered from being excluded from the imago Dei. Thus the dissertation unearths a rich lode of female, and creatural embodied images, which threads its way though the millennia, but now needs to be mined to uncover images that might work for contemporary Christians seeking multiple imaging of the Divine to touch the deep feminist, ecological and liberative yearnings of many hearts and spirits.

Les mouches, Sodome et Gomorrhe et Caligula présentent des divinités parodiant et critiquant les dirigeants politiques de l’Occupation (1940-1944), ainsi que l’usage par les dictateurs des idéologies religieuses traditionnelles dans le but de soumettre l’humanité à des régimes totalitaires. Divinités théâtrales autrefois infaillibles et toutes-puissantes, les figures analysées dans ce mémoire relèvent des remises en question de la divinité et du pouvoir politique du XXe siècle. Notre mémoire comporte trois chapitres examinant les discours de ces figures de la divinité sous des angles dramaturgique, sémiologique, philosophique et pragmatique avec comme point de départ l’hypothèse suivante : tout porte à croire qu’en limitant l’emprise de divinités fictives, et ce, en grande partie à travers les failles dans leurs discours, Sartre, Giraudoux et Camus ont tenté de neutraliser les discours correspondants d’hommes réels dans la conscience collective de l’époque. Les auteurs étudiés ont profondément modifié l’image traditionnelle de la divinité théâtrale en minant sa force langagière et en s’interrogeant sur son identité. Les divinités choisies pour cette étude annoncent la décomposition du personnage ayant lieu après 1950 : elles ont un statut dévalorisé de même qu’un langage à la force perlocutoire diminuée. Sans véritable emprise sur l’humanité, dépendant du théâtre, des simulacres, de l’histrionisme, ainsi que des faiblesses humaines, ces divinités caricaturales s’exposent à compromettre leurs régimes et sont réduites à une influence fortement limitée par la liberté des hommes. En actualisant ces mythes et récits ainsi, Sartre, Giraudoux et Camus ont tenté de discréditer, par extension, les dirigeants européens de l’époque. / Les mouches, Sodome et Gomorrhe, and Caligula present divinities parodying and criticizing the political leaders of the Occupation (1940-1944), as well as the use by dictators of traditional religious ideologies for subjugating humanity to totalitarian regimes. Theatrical divinities once infallible and all-powerful, the figures analyzed in this study are the product of the questioning of the divinity and political powers of the twentieth century. Our thesis is comprised of three chapters which examine the discourses of these figures of the divinity from dramaturgical, semiological, philosophical and pragmatic perspectives in order to consider the following hypothesis : everything leads to believe that by limiting the ascendency of fictional divinities, largely by the means of weaknesses in their discourses, Sartre, Giraudoux and Camus tried to neutralize the corresponding discourses of real men in the collective conscience of the period. The authors studied profoundly modified the traditional image of theatrical divinities by undermining the force of their language and by questioning their identity. The divinities chosen for this study announce the decomposition of the personnage which took place after 1950 : their status is undermined and the perlocutionary force of their language is lessened. Without a real stronghold on humanity, depending on theatre, pretence, histrionics, and human weaknesses, these caricatured divinities expose themselves to compromising their regimes and are reduced to an influence highly limited by man’s liberty. By updating these myths and accounts in this way, Sartre, Giraudoux and Camus tried, by extension, to discredit the European leaders of the period.

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