Since the Surgeon General linked smoking to lung cancer in 1965, controversy has surrounded the tobacco industry and its advertising methods. Research over the past thirty five years has focused on the effect of cigarette advertising on sales, the impact of tobacco advertisements on youth, and the content of the ads.A content analysis conducted by David Altman in 1987 analyzed model activity in cigarette advertisements in magazines from 1960-1985. Altman concluded that tobacco advertisers were targeting youth and women's markets differently through the frequent use of health and vitality themes in the advertisements. The present study is a replication of the 1987 content analysis. The same eight magazines were selected for the years 1986-2000: Cycle World, Ebony, Ladies Home Journal, Mademoiselle, Popular Science, Rolling Stone, Time, and TV Guide. Three coders studied 365 tobacco advertisements and evaluated the act of smoking, the presence of low tar and nicotine claims, and the vitality of smoking themes.The findings indicated an increase in the use of health and vitality themes in cigarette advertisements, just as in the original study. Low tar and nicotine claims, however, decreased in the advertisements in the present study despite having increased in the 1987 data. Also consistent with the original study was the higher frequency of health and vitality themes used in advertisements geared toward youth and women than in those targeting general audiences. The portrayal of the act of smoking decreased in both studies.The researcher concludes that tobacco advertisers continue to target youth and women with health and vitality themes, and therefore violate the industry's advertising code. / Department of Journalism

Syftet med denna uppsats var att genom en genusvetenskaplig och socialkonstruktivistisk ansats undersöka hur kvinnor framställs i de svenska hårdrocksmagasinen Close-Up Magazine och Sweden Rock Magazine. Då majoriteten av den genusrelaterade medieforskningen har intresserat sig för reklam- och modebilder finns en kunskapslucka kring hur kvinnor framställs i bilder inom genrer vid sidan av dessa. Denna studie avsåg att genom semiotisk textanalys undersöka bilder i dessa magasin, för att identifiera de kvinnliga stereotyperna i dem och sedan jämföra dessa med etablerade stereotyper som tidigare forskning påvisat. Sammanlagt analyserades 28 bilder i 15 magasin från 2013 utifrån feministisk blickteori och Goffmans teori om könsframställning. Tre tydliga kvinnliga stereotyper framträdde i resultatet. Dessa benämnde vi som Den hårda, Den medkännande och Den objektifierade. De två sistnämnda är väl kända sedan innan inom forskningssammanhang medan Den hårda kvinnan, som bland annat uppvisar tecken på aggressivitet, avsky och överlägsenhet, inte påträffats i liknande studier innan. Denna nyfunna stereotyps blick, som inte definierats i tidigare forskning, namngav vi The Glare. Slutligen påvisar studiens resultat en större nyansering av de stereotyper som tidigare har diskuterats i genusrelaterad medieforskning. Resultaten tyder på att det inte finns en enhetlig kvinnlig stereotyp, utan att de kan variera beroende på genre och kulturell kontext. / The aim of this paper was to examine how women are portrayed in the Swedish metal magazines Close-Up Magazine and Sweden Rock Magazine from a gender theoretical and social constructivist perspective. Since the majority of the gender related media research have focused on pictures in fashion and advertising, there is a lack of awareness regarding how women are portrayed in other genres. This study’s objective was to examine pictures in these magazines in order to identify female stereotypes and compare them to established stereotypes from previous studies. In total 28 pictures from 15 magazines, that were published in 2013, were analyzed based on the understanding of feminist theory and Goffman’s theory of gender display. Three distinctive female stereotypes appeared in the results. These were titled The tough, The compassionate and The objectified. The last two are well known in the media research field while The tough woman, who show signs of aggression, contempt and superiority, has not appeared in previous studies. This new stereotype's view of the observer, which has not been defined in previous studies, we decided to call The glare. The results show a greater variety of stereotypes than what has been discussed in prior media related research. They also indicate that there is no uniform female stereotype and that they vary depending on genre and cultural context.

Thesis (M.M.C.)--Louisiana State University (Baton Rouge, La.), 2004. / Title from document title page. Title from caption (viewed on Nov. 25, 2008). Includes bibliographical references.

Thesis (M.F.A.)--Rochester Institute of Technology, 1992. / Includes bibliographical references (leaf 51).

Thesis (M.A.)--Ohio State University, 1993. / Includes bibliographical references.

Thesis (M.A.I.S.)--Oregon State University, 2009. / Printout. Includes bibliographical references (leaves 113-121). Also available on the World Wide Web.

Project (M. Pub.) - Simon Fraser University, 2004. / Theses (Master of Publishing Program) / Simon Fraser University.

Thesis (M.S.)--Ohio University, August, 2004. / Includes bibliographical references (p. 68-73)

Thesis (M.A.)--Emerson College, 2000. / See Website for latest information. Disc is shelved in ARCHIVES; production book in REFERENCE.

The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on September 14, 2009). Thesis advisor: Dr. Paul Bolls. Includes bibliographical references.