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This study underscores the importance of press discourse as means of production and circulation of representations regarding land and people. Considering the press has a strong influence on the construction of social imaginaries, this study explores how textual images in The (London) Times and The New York Times shaped public opinion about Patagonia and Patagonians and how those images relate to the United States and British national and international political agendas and to the historical/cultural context. In other words, this study proposes to analyze the relationship between media and agency. The time period under study is the second half of the nineteenth century the era during which Argentina focused on the need for exercising sovereignty over Patagonia as a way of expanding the state's frontier, incorporating new commercially productive lands to respond to the demands of the international market, contesting in this way the Chilean interests in the area, and responding to the demands of the aspirations of a ruling class "landed aristocrats" who wanted to attract Europeans. The analysis of this research draws on a total number of 669 articles which have been coded with the purpose of assessing the differences between the United States and British imaging of Patagonia and Patagonians, taking into consideration that England was directly linked through financial investment to Argentina while the United States had chosen a military policy to expand its control of western lands (1865-1890), similar to the Argentine policy for controlling northern and southern lands. / Master of Arts

At the beginning of the twentieth century, newspaper theatre was born from the need to inform those who could not read the news for themselves. There have been many contributors and influential factors to the multi-faceted evolution of newspaper theatre. Contributors include Meyerhold, Piscator, Brecht, Hallie Flanagan and Arthur Arent, and Augusto Boal. Influential factors include technology, politics, and the influence of theatrical movements. The most popular and most frequent contributors to contemporary newspaper theatre are the legitimate news media and comedy news shows.

Esta pesquisa analisa a vida e a morte, aos 117 anos, do jornal paulistano Diário Popular, retirado das bancas em 2001, e substituído pelo Diário de S. Paulo, numa operação anunciada como troca de título. Resgatando sua trajetória, desde sua fundação como instrumento político, em 1884, destacam-se os períodos de altos e baixos que a publicação viveu. Comparando-se seu conteúdo e estratégia empresarial à dos veículos existentes em cada um desses momentos históricos, é feita uma reflexão sobre jornal popular, a utilização da Imprensa com fins políticos e sua transformação em empresa, e sobre como e quando ocorrem as mortes de jornais. A metodologia utilizada foi a comparação de conteúdo editorial, posicionamento político, receptividade de leitores e resultados econômicos conseguidos, a partir de consulta às páginas das publicações, a trabalhos acadêmicos a respeito da história do jornalismo e a obras sobre teorias da comunicação. / This research analyses the life and the death, after 117 years of existence, of the newspaper Diário Popular from São Paulo city, which was taken out from circulation in 2001 and substituted by the newspaper Diário de S. Paulo in an operation as announced to be just an exchange of titles. Bringing back its trajectory since its foundation as a politic instrument, in 1884, the high and low periods of the newspaper are shown. Comparing its contents and business strategy with the ones from other present vehicles, in each one of these historical moments, a reflection is done about popular newspapers, about the utilization of press with political aims, its transformation into enterprise and also about the death of newspapers. The methodology applied in the research was based on the comparison of editorial contents, political postures, readers reception and economic results obtained by consulting the pages of the publications, academic researches about journalism history and publications about communication theories.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-03-15T13:34:57Z No. of bitstreams: 1 Fernanda Maffei Moreira.pdf: 2767921 bytes, checksum: 0c1029bf0a5be02be50ee795605e1979 (MD5) / Made available in DSpace on 2017-03-15T13:34:57Z (GMT). No. of bitstreams: 1 Fernanda Maffei Moreira.pdf: 2767921 bytes, checksum: 0c1029bf0a5be02be50ee795605e1979 (MD5) Previous issue date: 2017-02-23 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / Nelson Rodrigues is the maximum representative figure of Brazilian modern theater. Although his most remarkable and famous productions were in the theater area, the playwriter had contributed significantly for the literature with other genres such as novels, tales, chronicles, sentimental consultant and newspaper serials. This research has its focus on the study of his newspaper serials works , examining the relation of the newspaper serials with the journal support. For this, two newspaper serials have been selected for analysis: Minha vida, from 1946, written by the pseudonym of Suzana Flag, published on the magazine A Cigarra, and A mulher que amou demais, from 1949, written by the pseudonym of Myrna, published on the carioca newspaper Diário da Noite e Última Hora. The choice of these two newspaper serials is the fact that they are two productions of Nelson Rodrigues with two feminine pseudonyms. The theoretical foundation includes studies about the literary production of Nelson Rodrigues as the ones of R. Castro (1992), Rodrigues (1986), Rodrigues (2012), and both theoretical and critical essays about the newspaper serial, based on the works of Meyer (1996) and from Serra (1997). Among the authors that deal with the relation between journalism and literature, we found Costa (2005), Bulhões (2006), Brito (2007) and Pena (2013). Were also consulted interviews and texts released on specialized websites. As for the methodology, the analysis of the two pseudonyms of Nelson Rodrigues, Suzana Flag and Myrna, is accomplished starting of consideration on elements of the newspaper serial genre as thriller, cliffhanger, incident, climax and outcome, as well as the way how newspaper serials were constructed and the repercussion/acceptance of the public.The comparative analyses between the two newspaper serials searches to correlate similar or different characteristics such as narrative, plot, time, space, characters and themes. Adding to these aspects, we investigate how the relation with the journal support had influenced the building of the newspaper serials / Nelson Rodrigues é o representante máximo do teatro moderno brasileiro. Embora sua produção mais marcante e conhecida tenha sido no campo teatral, o dramaturgo contribuiu de forma significativa para a literatura com outros gêneros como romances, contos, crônicas, consultório sentimental e folhetim. A presente pesquisa tem por foco o estudo de sua obra folhetinesca, examinando a relação de seus folhetins com o suporte jornal. Para tal, foram selecionados para análise dois folhetins: Minha vida, de 1946, escrita sob o pseudônimo de Suzana Flag, publicada na revista A Cigarra, e A mulher que amou demais, de 1949, escrita sob o pseudônimo de Myrna, publicada nos jornais cariocas Diário da Noite e Última Hora. A escolha desses dois folhetins deve-se ao fato de que são duas produções de Nelson Rodrigues com pseudônimos femininos diferentes. A fundamentação teórica inclui estudos sobre a produção literária de Nelson Rodrigues como os de R. Castro (1992), Rodrigues (1986), Rodrigues (2012), e ensaios teóricos e críticos sobre o folhetim, com base nas obras de Meyer (1996) e de Serra (1997). Dentre os autores que tratam das relações entre jornalismo e literatura, encontram-se Costa (2005), Bulhões (2006), Brito (2007) e Pena (2013). Foram também consultados entrevistas e textos divulgados em sites especializados. Quanto à metodologia, a análise dos dois pseudônimos de Nelson Rodrigues, Suzana Flag e Myrna, é realizada a partir de considerações sobre elementos do gênero folhetim como suspense, gancho, peripécia, clímax e desfecho, bem como sobre a forma como foram construídos os folhetins e a repercussão/aceitação do público. A análise comparativa entre os dois folhetins busca correlacionar características semelhantes ou distintas como narrativa, enredo, tempo, espaço, personagens e temas. Somando a esses aspectos, investiga-se como a relação com o suporte jornal influenciou na construção dos folhetins

Diss. Stockholm : Handelshögskolan, 2002.  Sammanfattning på engelska med titeln: Bonnier ownership and effective control of Dagens Nyheter AB

J. Francis Reintjes, Donald R. Knudson, Hsin-Kuo Kan. / Prepared under a ANPA grant.